• Title/Summary/Keyword: Modem Architecture

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Comparative Study on Path Design of Traditional Garden and Modernistic Park

  • Ha Jung-A;Toshitaro Minomo
    • Journal of the Korean Institute of Landscape Architecture International Edition
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    • no.2
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    • pp.114-119
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    • 2004
  • By Article two of a Japanese urban park low, it prescribes park facilities strictly, and one of the classifications includes 'path and plaza'. In addition, it is assumed that we divide several kinds different paths of width by size of the park in a path design of a park with a textbook of park design in a trunk line path, the main path, a vice-path or a branch path and design it. From such a thing, in the path of an urban park, a line consists straight of fixed width, and it is most that one pattern is considered to be. Therefore, in modem urban park, a path and division of a plaza are lucid explanation. It is rare that the historical parks which generally former daimyo gardens are shown later, and is used as a kind of an urban park width of the path where was particularly posted in a strolling garden in that is fixed, and width waits straight for even a line and waits, and, for this, there is. As a result, it is a path and the situation that are hard to be distinguished of a plaza. Although there are a difference of design and a difference of pavement materials in modem landscape space when We watch road surface constitution of the path that We did that will let you wait, in gross We are uniform, and it is it with a result to be poor in change nature. From such an observation, this consideration compared traditional landscape space and modem landscape space with path width about two points of road surface constitution through the trial that a graph analyzed the actual place data which measured into and lectured on an ideal method of a park path from this.

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The Study on the Characteristics of Material appeared in the Architecture of Mies van der Rohe (Mies van der Rohe 건축에서 나타난 재료의 표현특성에 관한 연구)

  • Lee, Byung-Wook;Kim, Yong-Seung;Park, Yong-Hwan
    • Korean Institute of Interior Design Journal
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    • v.13 no.6
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    • pp.12-19
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    • 2004
  • Mies van der Rohe is still known as the architect whose influence is the largest among modem architects. As his work is typical of modern architecture, the architecture of Mies shows an interest in materials and techniques, even though It established the new architectural world by glass and iron, and only transparency is emphasized with glass. So it is blame for the loss of peculiarity a result of thinking In the way of sachlich with expression and structure of material and hierarchical relation. Vincent Scully has insist on that an appearance of modem architecture be occur not by simply a technical request of a technician but by reflection of the times and times' spirit. In this means, the works of Mies is the trial to express the new times' spirit that the new times order and an understanding of material properties about glass with new material of modern. For that, this study tries to consider that Mies'work is the new trial through reflection of material to express about the bstraction beyond the limit of sachlich expression, on the point of expresslonal characteristics of material shown in plan of the Barcelona Pavilion and skyscraper and on the basis of the theory of Gottfried Semper and Karl Boetticher that architectural surface Is a medium which can define space and also express mass.

A Study about the architect who plans the modern time building of Incheon (인천의 근대건축물의 설계한 건축가에 관한 연구)

  • Sohn, Jang-Won;Park, Jung-Lan
    • Journal of The Korean Digital Architecture Interior Association
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    • v.5 no.2
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    • pp.15-20
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    • 2005
  • It extended in the opening after simultaneous strong point flag and to Incheon the building where the designer whom the many modem time building comes to build but becomes known was not many so. The research against these people did not become accomplished and not to be the back author research which analyzes the work propensity which is the possibility of doing the possibility of becoming accomplished there was not a basic of architectural design. The research which it sees it led and khu lu thu the road khey keyl the back the depths data, it confronted compared to it secured does not become known during that time the multi architect who and the plan office and and and it searched the result of the back which it puts out well it put to the architects who become known and.

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A Study on Design and Performance Evaluation of the BCPFSK Modem Using the DDS (DDS를 이용한 BCPFSK모뎀 설계 및 성능 평가에 관한 연구)

  • 김경복;최정수;조형래
    • Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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    • 2000.10a
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    • pp.166-171
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    • 2000
  • In modem wireless communication it has been regarded as a important problem for the spectrum efficiency to utilize the limited frequency-resource efficiently. In addition, the system architecture has bun designed for low cost, low power consumption and ultra-lightweight. In this paper, we directly modulated the BCPFSK with a superior spectrum efficiency using the DDS and applied the direct conversion to the system architecture. Finally, we designed a transceiver which has the 433 MHz BCPFSK output and evaluated the system performance.

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A Study on utilization of Jungmyungjeon of Modern Construction designated as the cultural properties (문화재 지정 근대건축 중명전(重明殿)의 활용방안에 관한 연구)

  • Cho, Shin-Hye;Oh, In-Wook
    • Korean Institute of Interior Design Journal
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    • v.15 no.5 s.58
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    • pp.273-280
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    • 2006
  • Recently our country highly evaluate cultural value of modern construction. Before and after Japanese imperial period, diplomatic equipment, commerce equipment and brand-new modern construction of Japan and Western came into our country coercively. Especially, modern construction placed in center of the city, as previously stated, was a construction field of historical disgrace. So it leaves alone or transforms to high technology because of well located. Selctive reception of the past makes difficult to know about rightful modem, furthermore it is difficult to expect rightful future. Accordingly, I write this. paper for the purpose of presenting the space application blueprint of 'Jung Myung Jeon' of modern construction designated as the cultural properties in Seoul. According to the project, 'Jung Myung Jeon' will do a role as the keyword which is important connects a past and a present time it presents. Then modern construction 'Jung Myung Jeon' which has a culture value will develop continuous with the city.

Design and Implementation of Baseband Modem Receiver for MIMO-OFDM Based WLANs (MIMO-OFDM 기반 무선 LAN 시스템을 위한 기저대역 모뎀 수신부 설계 및 구현)

  • Jang, Soo-Hyun;Roh, Jae-Young;Jung, Yun-Ho
    • Journal of Advanced Navigation Technology
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    • v.14 no.3
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    • pp.328-335
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    • 2010
  • In this paper, an efficient algorithm and area-efficient hardware architecture have been proposed for $2{\times}2$ MIMO-OFDM based WLAN baseband modem with two transmit and two receive antennas. To enhance the performance of the receiver, the efficient timing synchronization algorithm and symbol detector based on MML algorithm are presented. Also, by sharing the hardware block with multi-stage pipeline structure and using the complex multiplier based on polar-coordinate, the complexity of the proposed architecture is dramatically decreased. The proposed area-efficient hardware design was designed in hardware description language (HDL) and synthesized to gate-level circuits using 0.13um CMOS standard cell library. As a result, the complexity of the proposed modem receiver is reduced by 56% over the conventional architecture.

A Study on the Characteristics of Exhibition Space Design of the 'Museum of Unlimited Growth' by Le Corbusier (르 꼬르뷔제의 '성장하는 미술관' 개념의 전시공간디자인 특성 연구)

  • Suh, Swoo-Kyung;Hur, Bum-Pal
    • Korean Institute of Interior Design Journal
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    • v.15 no.6 s.59
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    • pp.213-220
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    • 2006
  • Le Corbusier (1887-1965) is known as a great architect ranking with such master architects as Frank Lloyd Wright and Mies van der Rohe who produced great architectural achievements in an era from the dawning to the maturity of the modem architecture. His works are marked for their peculiarity in expressing his architectural concept as perceived through his artistic sensibility. He has brought the form of his architecture to perfect through the influence of Purism. His architectural concept has instigated him to construct the relations between structure, form and the notion of space through the 'Dom-ino' structural system and the 'Five Principles of the Modem Architecture.' As a result, he has become such an architect as has ripened his works by adopting the 'Modulor' for human measurement. During the decade from 1929 to 1939, he made public the 'Museum of Unlimited Growth' programs in an attempt to give a concrete form to his concept of 'unlimited space' spreading to all directions, which was actually visualized by the constructions of three art museums, located Ahmedabad and Chandigarh in India and Tokyo in Japan. Although a number of researches have so far been publicized on the works and the architectural ideas of Le Corbusier, no systematic research has yet been released on the idea of 'Museum of Unlimited Growth' as a matter of fact. Therefore, this study has set its purpose to grasp the peculiarities of his exhibition space design through an analysis on the characteristics of the 'Museum of Unlimited Growth' so designed as to reflect the concept of a space, which is centrifugally growing. With this purpose in mind, this research is also to suggest how the design of the 'Museum of Unlimited Growth' would influence the modem museum exhibit space. The contents of this study comprise the consideration on the early ideas of Le Corbusier, the typical features of the growing museum and the analysis as well as the integration of his works.

A Basic Study on the Koreanness of Contemporary Korean Landscape Architecture (한국 현대 조경의 한국성 논의를 위한 기초 연구)

  • Choi, Jung-Min;Choi, Key-Soo
    • Journal of the Korean Institute of Landscape Architecture
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    • v.35 no.4
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    • pp.1-15
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    • 2007
  • The purpose of this study is to mate a basic foundation for the discourse of Koreanness of contemporary Korean landscape architecture by way of searching the conceptual definitions of Koreanness through analysis of Koreanness discourses. The results are that discourses of Koreanness are to be classified in aesthetics type, spatial-temporal type, and cultural type. Aesthetics type is understood as style in terms of formal and design representation planning principles of spatial composition and immanence in terms of philosophy. Spatial-temporal type is understood as contemporaneity. This is classified as the concept of connoting of tradition, and separating and keeping a distance from tradition. Cultural type is prescribed as cultural identity. This is classified as unity, generality and individuality. The intension of Koreanness of these types is represented as an aspect changing and shifting from one regulation to another regulation. First, in the concerns of substantial archetypes like Korean original form, decorative element, spatial composition aesthetic perception and philosophy, Koreanness shifts to the point of view of contemporaniety which is created and defined in history. Second, Koreanness as contemporaniety shows a trend of shifting the point of view which is to be found through the reconsideration on modem history and modernism. Third, Koreanness defined as cultural identity shows a trend to emphasize the differences in other cultures and includes all the modem cultural agents. The number of views understood as individuality and denial are small but provide important points. Programmatic definition of Koreanness is not suitable. This basic study uses a stipulative or operational definition of Koreanness in many ways such as spatial and regional identity. Koreanness study for Korean contemporary landscape architecture requires a systematic understanding of modernity and colonization relating to identity. Also, it is needed to elaborate on the discourse to divide the meaning of a concept of identity.

Rationalist Approach Towards New Forms : White Prisms (새로운 형태, 백색 프리즘에 대한 이성적 접근에 관한 연구)

  • Chung, Jin Soo
    • Journal of architectural history
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    • v.3 no.1
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    • pp.161-172
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    • 1994
  • This is part of a study on the origin of modernist forms and settings. Forms in Modern Architecture are totally new as though they seemed to be originated from some remote culture. Archaeological studies and Laugier's primitivist attitude to the classical architecture provided a way leading, in the end, to pure structures and abstract forms. An application of the classical elements was combined with the ultimate image of nobility, simplicity and rationality. What the seventeenth and eighteenth century theorists realized in the ruines of the classical structures were not the ones with their original organic vitality but the deteriorated, naked and abstracted ones. The essence of the classical structures has been the one of the main references of the modern white architecture. Ration and Nature were the quintessential terms in the design process of the Enlightenment architects of the late eighteenth and nineteenth centuries as they were in the twentieth century architecture. Pure geometric and symbolic forms were new inventions for the new revolutionary age after the development of architectural Styles, successive until Baroque and Roccoco, ceased to go on to the next phase. Many of their buildings appeared so modem in character, for they were omitted all but the essential structure and decoration. Other sides of rationality in the pre-modern age were evolved in terms of the paradigmatic research and the logic in structure. Durand developed a systematic typological approach to the forms. Geometry was the basis of his designs and his illustrations resembled endless simple geometrical problems. One of the other rational approaches was mainly developed by Viollet-le-Duc. To him, Gothic architecture was the model in which each members functioned actively and exerted counterpressure and the Middle Ages invented new fantastic forms. The several ways of rational approaches in architecture were led to the 'tabula rasa' planning in modern architecture. Nature was remained untouched and not deformed as Ledoux's houses in the $H{\hat{o}}tel$ de $Th{\acute{e}}lusson$ were setted on informal gardens. It is part of the modem image that Nature flows or interpenetrates through the white prisms of the strictest classical purity and machines.

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Radio Link Modem System Architecture Design for Korean Tactical Data Link System Implementation (한국형 전술데이터링크 시스템 구현을 위한 무선모뎀 시스템 설계)

  • Choi, Hyo-Ki;Jang, Ho-Joon;Song, Young-Hwan;Jang, Dhong-Woon;Joo, Jae-Woo;Seo, Nan-Sol
    • Journal of the Korea Institute of Military Science and Technology
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    • v.16 no.6
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    • pp.789-796
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    • 2013
  • Next Generation Weapon system from the center of the platform to share information in real-time Network Centric Warfare(NCW: Network Centric Warfare) has been changed. Data link system is defined as a network. That is, all in real-time battlefield information is to enable sharing. Data link system is classified as a precision strike, Monitoring/control, control of a Patriot missile battery systems. These systems are most effective in a Joint warfare and precision strike. Data Link Systems(Data Communications) implementation is accomplished by using the KDLM(Korean Data Link Modem) and Radio Transceiver. KDLM is operated in conjunction with the legacy Radios(re-using fielded HF/VHF/UHF radio systems). In this paper, we describe in terms of KDLM system design. In this paper, the proposed design structure is how to effectively interact with legacy various radio. First, The results provide an analysis of that Dynamic TDMA system and apply modem structure. Radio characteristics data are necessary for an effective TDMA system design. This article analyzes the test results and describes the structure to improve the receive performance.