• 제목/요약/키워드: Men's costume

검색결과 603건 처리시간 0.023초

17~18세기 살롱(Salon) 문화가 패션에 미친 영향 (The Influences of Salon Culture on Fashion from the 17th to 18th Century)

  • 김은하;정흥숙;김선화
    • 복식
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    • 제52권8호
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    • pp.123-135
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    • 2002
  • The purposes of this study were to observe the influences of Salon culture on fashion, and to understand of 17th-l8th century's costume from a different point of view. The literatures about Salons and costume in 17th-l8th century were considered for this study Salon culture had influenced on women's and men's fashion from 17th 18th century as results. The influences of salon culture on fashion were as follows; At first, it caused radical feminism for women's dress. Women for this period chose their dress to maximize their breast and tight their waist radically to express their beauty. Women were realized as sexual being for the period, then, this caused feminism. The second influence was the Andorgynous of men's dress. Men maximized beautiful decoration, body line on their dress and showed feminine dress style. which caused Andorgynous of men's dress as men and women mutually created new beauty effect. Salon had influences on the birth of new feminine culture and fashion, supplying individual self-control and freedom to women not as aesthetic objects.

A Comparative Analysis of Body Types between Chinese and Korean Men

  • Sohn, Hee-Soon;Soon Lim;Kim, Jee-Yeon
    • The International Journal of Costume Culture
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    • 제5권3호
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    • pp.164-172
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    • 2002
  • The purpose of this study is to provide for some basic data useful to production of the apparels fit and measured well for the Chinese men. For this Purpose, Chinese adult men's body types and their changes over time which had been surveyed by preceding studies were compared by age group with those of Korean adult men which had been published in a report on National Anthropometric Survey of Korea in 1997 The results of this study can be summarized as follows; 1. As a result of comparatively analyzing the differences of body types between Chinese and Korean adult men, Chinese men have higher stature and arms, while weighing more. 2. As a result of comparatively analyzing the differences of body types between Chinese and Korean adult men by age group, it was found that the changes of body types due to aging are similar between two groups. Namely, as they become older, their vertical sizes become smaller, while their horizontal sizes become larger gradually.

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성인남성의 의복색채선호와 색채관심에 관한 연구 -연령, 성격, 피부색을 중심으로- (A Study on Adult Men′s Color-Preference and Color Interest in Clothing -Focusing on Age, personality and Skin Color-)

  • 류숙희;김보연
    • 복식문화연구
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    • 제9권2호
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    • pp.308-318
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    • 2001
  • The purpose of this study is to investigate the clothing interest, the preference for clothing color, in men of their 20s and 30's. The data were obtained from questionnaires completed by 546 men in their 20's and 30s. The SPSS package was used for data analysis which includs factor analysis, t-test, x²-test, Scheffe test, and Cronbach's α to measure the reliability. This study shows the following results. 1. The interest for clothing color was related to individual factors. (age, marriage status, personality). 2. men in their 20's and 30's preferred neutral color, blue, yellow. 3. Men in their 20s and 30s liked monochromatic match in clothing color. 4. The preference for clothing color were appeared to be influenced by the age, personality, skin color.

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20세기 한국 남성 성역할에 따른 남성복 디자인 변화 특성 연구 (Diachronic Analysis of Korean Men's Wear Design based on Changes in Gender Roles)

  • 이지현
    • 복식
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    • 제60권8호
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    • pp.51-66
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    • 2010
  • This study aimed to analyze the changing characteristics between Men's Gender Role and Men's wear Design in 20th century. To analyze the representative Men' Gender roles, the related studies and literatures reviewed. Literature reviews and quantitative studies were performed to analyze the changing differences of Korean Men's wear Deign as a symbolic factors of gender role. The results of study are as follows. 1) The representative men's gender roles in 1900's~1920's were 'Patriarchal/ Stern Man'. The narrow V-zone of jacket and shoulder, high shirt collars and well fitted suits expressed the stern images of that times. 2) In 1930's~50's, 'Enervated/ Escapist Man' were the representative images. They were expressed with wide lapels and shoulders, emphasized V-zone and abundant trousers. Especially 40's style was under the influence of American 'Zoot Style'. 3) The representative gender roles were the men of 'Producer/Provider' in 60's~70's. Shortened jacket, wide lapels & neckties, slim trousers were used to express the strong & young images of Producer/ Provider during the industrialization era. 4) The representative gender roles were 'Attentive/ Intellectual/ Beautiful Men' in 80's~90's. The exaggerated round shoulders which were influenced by 'Big Look', and easy silhouette were related with the attentive images.

조선시대 남자복식에 표현된 선(線)의 미(美) (The Beauty of Line on Men′s Costume in the Chosun Period)

  • 도주연;권영숙
    • 복식문화연구
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    • 제8권4호
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    • pp.517-536
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    • 2000
  • The purpose of this study is to investigate the internal and external line beauty of men's dress of the Chosun period from the views of dress design and dress aesthetics. 1) External Line Beauty of Men's Dress of the Chosun Period ① Functional Beauty : Having the beauty of functional line in terms of convenience, action, effectiveness, practivce and sanitation. ② Structural Beauty : Having the beauty harmonizing between lines of internal and external structures. ③ Ornamental Beauty : Having the beauty of simple line by matching accessories (gat, fan, sejodae, shoes) with a simple dress. ④ Wearing Beauty : Making tall-looking or expressing a mature masculine beauty by a visual mistake caused by a combination of internal and external structural beauty lines. 2) Internal Line Beauty of Men's Dress of the Chosun Period Including a simple but natural beauty based on natural philosophy, the beauty of courtesy emphasizing official hat and dress and the beauty of dress having aesthetic consciousness with which people enjoy an idyllic life.

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三國史記의 服飾硏究 Ⅵ -色服의 服飾 附屬品을 中心으로- (A Study on the Costume Accessories of Shilla in Sam Kuk Sa Ki(三國史記))

  • 김진구
    • 복식문화연구
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    • 제7권3호
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    • pp.1-16
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    • 1999
  • This study in concerned with the costume accessories appeared in Sam Kuk Sa ki. The accessories of both sexes were analized. Results of this research can be summarized as follows : It was appeared that names of accessories of men were fewer in number than those of women. Men\`s accessories such as a hat, bok-du, a belt,boots, shoes, and sock were mentioned in Sam Kuk Sa Ki. Women\`s accessories appeared such as a hat, a comb, a hair pin, a belt, shoes, and sock. A bok-du, boots, and a hared belt were used exclusively by men, while a hat, kwan(冠), a comb, a hair pin, a scarf, pyo( ) were worn exclusively by women. All men from different classes including true bone class as well as the common class wore bok-du, a hat, a hard belt, boots, sock ; however, class distinctions were made from materials used for those items. Also women\`s accessories were used as means of differentiating social status of the wearer by means of materials employed for each item. Especially, woman\`s hat and scarf were a symbol of the noble class. Only two classes of women from the true-bone class and women from the sixth du-pum class entited to wear hats. Wearing a scarf was not allowed to women from the common class. Class dirrernetiations were made by the materials used for hats and scarves. Materials for a scarf such as gold and silver leaf, pecock tail, and king fisher fly feather were restricted to women from true-bone class. Such as man\`s hat bok-du( 頭), use of women\`s comb and hair pin, scarf, leggings were items drived from Tang China. It clearly showed that costume accessories of Silla were heavily influenced by the Chinese. At the same time the costume accessories were sued to make sex difference among the people of Silla. Woman wore a soft belt made of cloth while man wore a hard belt. Woman\`s hat, a scarf, a comb, a hair pin, a belt or sash for a shirt, and leggings were woman\`s sex symbol. Thus, costume accessories of Silla appeared in Sam Kum Sa Ki functioned as means of differentiating social status of the wearer such as sex,class and rank in the society. Also, they showed that Silla kingdom had close cultural relationship with Tang China.

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19세기 여성 Sports Wear 변천에 관한 연구 (A Study on the Change of Women's Sports Wear in the 19th Century)

  • 이유경;이희현
    • 한국의상디자인학회지
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    • 제9권1호
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    • pp.203-219
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    • 2007
  • The education chance and job opportunity of women have increased in the 19th century. Also, women tried to get the right and chance equal to men in this period. Therefore, the population of women participating in the sports have increased. And comfortable and practical pantaloons which men have been wearing were suggested to women. This study investigated the characteristics and change of women's sports wear relating to social change in the 19th century. The results of this study were as follows: 1. According to the social change, women participated in the sports activities with the opportunity equal to men, and the appropriate women's sports wear was needed. 2. Pantaloons which were suggested as the clothing reform movement became popular with the development of sports wear. 3. Simple, effective, comfortable and easy style sports wear was preferred. 4. Women accepted men's sports wear positively. 5. The women's sports wear varied according to the various kinds of sports. 6. The healthful design was preferred and harmful design was excluded. 7. Underwear was improved functionally and simplified. 8. The main materials were flannel, wool, tweed, homespun and serge, and the mail colors were brown, dark blue, gray and black.

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김확[김확:$1572{\sim}1633$묘 유물을 통해 본 17세기 남자 포에 관한 연구 (A Study on Men's coats in Early $17^{th}$ Century based on the Excavated Costume of Kim, Hwak($1572{\sim}1633$) Tomb)

  • 송미경
    • 복식
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    • 제57권7호
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    • pp.98-107
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    • 2007
  • This study examines the men's coats in the early $17^{th}$ century through the excavated costumes of Kim, Hwak($1572{\sim}1633$)'s tomb. Kim, Hwak was a literary man with a high government position. After the Japanese Invasion of Korea in 1592, in the early $17^{th}$ century, there were many changes with the kinds and form of men's coats. From Kim, Hwak's tomb, there excavated 8 kinds of coats; Sim-ui, Dan-ryung, Jik-ryung, Cheol-rik, Do-po, Chang-ui, Joong-chi-mack, So-chang-ui, and they are 27 items. The characteristics of $17^{th}$ century costumes are well seen from these coats. Up to that period, Cheol-rik was worn as ordinary clothes, but from Kim, Hwak's tomb, there are 5 pieces of Do-po, and 15 pieces of Joong-chi-mack. This tells us that these items were widely worn after the $mid-17^{th}$ century.

Metro Sexual Formative Beauty Expressed in Men's Fashion on the 21C

  • Lee Hyo-Jin
    • International Journal of Costume and Fashion
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    • 제4권2호
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    • pp.18-29
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    • 2004
  • The purpose of this study was to analyze the formative beauty of metro sexual expressed on the 21C men's fashion. in 21C, metro sexual is being accepted as an object to lead the world consumption culture, and it is said to be most appropriate to the definition as a model that can determine the most modern men. Moreover, with well being life style, it shows characteristic that expresses chic sense through fashion. The results of the study were as below. 1. In recent men's wear, sensory feminine that looks young and trendy is being presented through clothes, rather than the image of men who are strong. Therefore, by wearing splendid flower print, bold color and gorgeous accessories, men send off their attractions. 2. The recent body king syndrome gave new aesthetic value on men's body. Therefore, men's body is becoming cultural icon of metro sexual as another face that shows social status and cultural taste. 3. The men's image of metro sexual that is felt from softer skin and hair than women, and well-built body is appealing more through body conscious look. Here, men's body silhouette is being sublimated aesthetically through design with various materials such as see-through and leather etc., and this is body conscious image that can be seen only in metro sexual. Like this, metro sexual fashion sense was expressed by feminine softness sometimes, and beautiful body silhouette sometimes by expressing one's sexiness enough, being away' from conceptual masculine. Therefore, the appearance of metro sexual can be understood that men's body exposure is becoming a social virtue that expresses beauty.