• 한국실내디자인학회논문집
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• 제18권5호
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• pp.71-79
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• 2009

This research understands semantics-system in contemporary space design as a poetic form. It provides that the possibility of various interpretation of space and makes to escape from insipid formal logic of compulsion uniform meaning. In order to unfold this argument, poetic semantics system has to be revealed using conversion of articulation factors in text of space(semantics and syntax). First of all, after setting up the articulation system of space language, we have to understand the conversion of articulation factors that generate a new grammar breaking up the rule of old syntax. And the various expression of form in Contemporary Space design focuses on a poetic expression, that is, the abstraction system fused by space factors(conversion of articulation system). In this method of research to recognize the subject of space in architecture, the importance of interpretation has to be highlighted, as the importance of language is emphasized that intermediates between object and interpretation. The reason to recognize Contemporary space design as a text is that it is a gathering of symbol as a object of interpretation and a mediator. The important issue of this study is to research how and what to transmit by poetic semantics system in contemporary space design. It brings about a poetic problem what it intends to becomes(the problem of meaning operation) in a narrow sense and a interpretational problem what it intends to do(the problem of communication). When we define interpretation the technique of defining a text, it involves the premise of inevitableness of multiple understanding, or the possibility to Interpret variously. In the end the ambiguity of poetic language and the infinity of moaning process as the moaning expansion system in contemporary space design is the flexible measure to solve the self-criticism.

• 한국전자통신학회논문지
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• 제11권7호
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• pp.677-684
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• 2016

이미지와 같은 멀티미디어 정보들의 증가로 저수준의 시각 정보에서 고수준의 의미 정보를 추출하는 방법에 대한 연구가 이루어지고 있으며, 이러한 정보를 자동으로 생성하는 다양한 기술들이 연구되고 있다. 일반적으로 이미지 검색에 있어서 색상과 모양 등의 유사도를 이용하여 검색하는 경우가 많다. 색상과 모양이 비슷하다고 하여 의미까지 같은 이미지를 검색하기에는 어려움이 있다. 본 논문에서는 이미지에서 객체를 인식하기 위해 중간 계층 기술값을 이용하여 중간 계층의 의미 값으로 변환하며, 세그멘테이션의 성능을 높이기 위해 K-means알고리즘을 이용하여 각각의 이미지에 적합한 K값을 구하는 방법을 제안한다. 이렇게 세그멘테이션을 이용한 저수준 특징을 이용하여 객체를 추출하고, 온톨로지를 이용하여 의미관계를 추론한다. 제안하는 방법은 사용자가 생각하는 의미적으로 유사한 이미지를 보다 효율적으로 검색할 수 있다.

• 디자인학연구
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• 제11권1호
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• pp.209-218
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• 1998

뉴 미디어를 비롯한 신문지상과 TV에서 날마다 쏟아있고 있는 정보의 확산은 점차로 소비자의 의식을 새로운 가치관으로 이끌어가고 있으며 또 소비적 성향을 그 제품이 주는 실용성이나 경제성이라는 가치보다는 감성적 욕구로서의 기호 가치로서 제품의 가치를 인식하게 하고 있다. 가치관과 의식의 변화는 디자인에 많은 변화를 초래했는데 그 변화를 살펴보면 획일적이고 일방적이었던 모던 시대의 디자인에서 다의적이고 다중 적으로, 상품 소비에서 기호 소비 또는 이미지 소비로 물건의 외면 성, 현시성에 대립되는‘상품의 내면화’를 추구하게 되었으며, 유행 위주의 대중 소비에서 개성 중심의 개인 소비 성향으로서 변화이다. 이것은 기호 소비자의‘디자인 의미 해독’범위가 다양해지고 있음을 의미한다. 기호는 담론(discourse)을 옮기는 커뮤니케이션의 형태이며 담론은 의미 생성자와 의미소비자간의 커뮤니케이션에 관한 것을 말한다. 이 논문에서는 담론으로서의 기호 표현을 살펴보는 첫 단계로 광고의 기호 표현을 통해 직접적 표현의 경우, 은유적 표현의 경우로 나누어 생각해 보았다. 그리고 그 중 포스트모던의 성향을 표현하기에 적합하다고 판단되는 은유적 기호 표현에 대해서 좀더 깊이 있게 분석해 보고자하였다.

• 대한가정학회지
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• 제40권6호
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• pp.1-19
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• 2002

This study is to observe the meaning, aesthetic formative nature of the human body which has been not only a main issue and discussion object but also socially, culturally connected with clothing by contemplating it in the respect of the trend of art. Additionally, a work of contemplation about human body introduced to fashion design was analyzed to renew the meaning and value of the formative art inside the human body. The way and scope of this study is to contemplate the concept and meaning of human body, based on the documentary records such as art history and clothing history in the West society as a main theme. The results of the analysis were as follows: In the first place, the formative characteristics shown in the modem arts expressing the human body since 1990 which are cubism, futurism, metaphysical painting, dadaism, surrealism, pop art, happening, feminism, body art, and technology art are distortion, exaggeration and dismantling. Second, the aesthetic formative nature and meaning in the human body appear to be different according to the standard of ideal beauty of human body when we examine the expression of it from the aspect of art-history and the meaning of human body implied in it. Besides, human body is being used as a messenger which delivers the message of modem artist to other people. So the changed meaning of human body has affected the clothing and made it possible to manufacture and form new styles of clothing that have never been before. In conclusion, the human body in the modem era plays an important role as a brand-new formative medium of communication in the human society and contributes to the development which applies the aesthetic formative nature of the human body to fashion design.

• 한국조경학회지
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• 제29권4호
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• pp.1-11
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• 2001

The purpose of this study is to re-interpretate the meaning of place from the perspective view of events. In the realm of events, time, process, and evolution are emerging as more important elements for better places rather than space or fixed physical elements. First, this study reviews the phenomenological contribution to the meaning of place by discussing differences between positivism and phenomenology. The phenomenological approach has strengths that can perceive individual experiences and idiosyncraises through a holistic approach and qualitative methods. However, it has weaknesses such as unpredictability, subjectivity and ambiguity. In order to overcome these weaknesses, the notion of singularities(pure events) on the metaphysical plane existing between nature and culture is explored via Deleuzean concepts(Post-structuralism); singularities become events(simulacre) through ´becoming´ and these events have meaning through this process in the particular place. By this process, the subject an feed a sense of place through this meaning. Events unexpectedly create a series of events and have impact in the future. Creating various events in the particular place requires many contextural settings where the embodied perceptions could take place. Describing the potentiality of embodied perceptions demands ´smooth space´ rather than ´striated space´. Smooth space refers to the space where orientations and linkages are in continuous variation. Recent architectural and landscape architectural design projects reveal that the emphasis is placed on the open-ended set of various events unfolding over time rather than the physical settings of the place. For better landscape design, new concepts need to be introduced and implemented. These new concepts should focus on creating a series of events and considering the evolution of the place over time through multi-contextural and rhizomatical synthesis rather than rigid and static master plan of SAD(survey-analysis-design) methodology.

• 대한수학교육학회지:학교수학
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• 제9권3호
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• pp.375-396
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• 2007

본 연구는 수학 교사와 고등학생을 대상으로 그래프로부터 의미를 어떻게 구성하고 그 과정에서 그래프 해석의 요소들이 어떻게 상호작용 하는지를 분석하여, 그래프 교수학습에서 고려해야 할 점을 제안하는 것을 목적으로 한다. 분석결과, 교사와 학생 모두 그래프에서 의미를 구성하는 것에서 많은 어려움을 겪었고, 의미를 구성할 때 포개어지는 관계망의 형태로 구성해갔다. 또한 의미를 구성하는 과정에서 인지적 맥락적 정서적인 요소가 서로 상호작용하여 해석체를 구성해갔다. 하지만 이 과정에서 교사는 그래프에 질적인 접근방법으로 인지적인 요소에 주로 초점을 두었던 반면에, 학생은 양적인 접근방법으로 인지적인 요소와 함께 맥락적인 요소도 고려하여 자신이 구성한 해석체를 정당화시키고 이를 기반으로 의미를 구성해갔다. 본 연구는 이런 결과를 기반으로 그래프 교수학습에서 고려해야 할 점을 3가지로 제안하였다.

• 한국의류산업학회지
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• 제5권1호
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• pp.17-24
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• 2003

Objet, which showed up with the art of 20C, is now an important element giving a creative idea to fashion designers in modern times. The purpose of the study is to review how the objet technique was paid attention and recreated in the fashion, through the analysis of works, and the formative features of each technique for fashion, in order to identify the connection of arts and fashion, and the position of fashion as art. The techniques using object appeared in the 20th century fashion are as follows: First, papier-colle, which is adding printed materials onto the surface, is such a technique that adds cut-feeling materials to impose a new texture, or arrange again the cloth-cuts to create a different clothing from the existing one, which went to the extension of materials in the fashion. Second, collage of daily materials expresses directly and emotionally through direct presentation of the objets. Especially, collage of patch-work is reproduced into a new fabric depending on the objet used, giving a standing over the form. Third, ready-made which presents the material meaning only of the objet expands the range of objets which could be used in the fashion by introducing the daily materials having a meaning itself as a fashion. Forth, an attempt to approach to the objets of popular image by designed techniques come out in modern fashion as a graffiti look or a typography look, making the clothing itself an objet to transmit a message directly to the masses. Introduction of various objets and development of expression technique brought out the diversification of materials, and enrichment and extension of expression sphere, which resultingly spreaded the freedom of expression and progressed into the art sphere, making a direct motif to solidify its standing as a formative art.

• 한국한의학연구원논문집
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• 제17권2호
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• pp.73-83
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• 2011

The first medical text in which detailed treatments of diseases by combinations of materia medica are mentioned is the "Shanghanzabinglun(傷寒雜病論)". True meaning of the combinations of materia medica used in this text lies in the fact that the efficacy of a prescription transcends that of the linear sum of each materia medica. This kind of concept regarding the composition of a prescription has come to contribute to the formation of theories in prescriptionology; However, it is difficult to analyze and interpret the meaning of each prescription separately because of differences in interpreting methods, points of view, and terminologies used by members of different academical branches. Therefore, it is desirable that one should understand a prescription as having been modified from a basic prescription, and then bring the interactions of ingredients into the picture, finally understanding the efficacy and chief virtues of the targeted prescription. Nevertheless, with the massive information of prescriptions, which exist in the format of texts, it is impossible to efficiently take advantage of prescription analyzing methods, and therefore the range of analysis extremely restricted. In order to overcomes these weaknesses, this paper suggests that object-oriented prescription database be constructed and that a search program for education and research that could facilitate an efficient access to the database be developed as well.

• 한국의류학회지
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• 제28권5호
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• pp.626-636
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• 2004

The purpose of this study was to show a theoretical system of expressional area, the characteristics and the effects which is applied to fashion illustration by metaphor theory. The theoretical system of expressional area was analyzed by category analysis and 150 fashion illustrations from 1900 to 1999 were analyzed by contents analysis. The results of this study were as follows: Metaphor in fashion illustration was categorized to replacement, parody, heterogeneous combination, surrealism, magnification and reduction of size, optical illusion, juxtaposition and distortion of form. In detail, First, replacement was showed omission of form, non-object color, texture. Second, parody was showed using the part in artistic work, differentiation of original work. Third, heterogeneous combination was showed unreal body combining between animal and plant. Fourth, surrealism was showed creation of object which is impossible to present. Fifth, magnification and reduction of size was showed bizarre magnification of part of body, size of clothing. Sixth, optical illusion was showed ambiguity of object because of creation of new form. Seventh, juxtaposition was showed the parallel of contradicting idea and change of meaning between heterogeneous objects. Eighth, the distortion of form was showed grotesque distortion of part of body and disgusting object.

• 복식
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• 제64권8호
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• pp.155-163
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• 2014

This study is designed to examine how the female body, as shown in Korean modern figure paintings, is expressed as an object for one's gaze and the meaning behind it. The study analyzed the entries displayed during the Joseon Arts Exhibitions from 1922 to 1944, for a total of 23 times. The exhibition entries are considered to be the representative sources in regards to the history of Korean modern arts. This study examined the artistic works, which portrayed the female body as an object for gaze. Literature research was conducted to look into the general background of modern society in Korea and the significance of the body as an object for gaze, and empirical study was also performed to analyze the female body in modern figure paintings. This research reveals how the bodies of modern Korean women were seen under the structure of power. It is believed that the process of criticizing and complementing the bodies of Korean women, which was distorted by Japan, may lead to an objective analysis of the aesthetic consciousness of the Korean female bodies.