• Journal of the Korea Fashion and Costume Design Association
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• v.2 no.1
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• pp.37-49
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• 2000

Korean sports fashion began after 1990. after 1960, using vinyl, leather, plastic ＆ metal material, Yve st. Laurent, Pierre Cardin, Andre Courrges, they lead sportive look. Head of 20th century, fashion was lead by haute­couture, after 60s. It was changed to pret­a poter. Now it can be called of american casual ＆ sports fashion. This study would be a view of modem fashion trend and process of visualization in the future. I studied in reproduction of view ＆ age of hyper media with visual circumstance ＆ artistic background and mordern fashion trend ＆ sports fashion image in korea. In conclusion, sports fashion image as visualizing aesthetic concept of modern fashion be defined as technology for man, for instance comfort, function, flexibility, simplicity and minimalism. Specically, Sports fashion was began satisfied for function after 90s, we can see variety of easy wear, hip-hop casual, entertainment sports wear, new street sports wear, luxury sports wear.

• Journal of the Korean Society of Costume
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• v.53 no.7
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• pp.125-137
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• 2003

This study is to explore the Post-modern fashion image appeared in the costumes of the movie $\ulcorner$Matrix2-Reloaded$\lrcorner$, which is believed to adapt successfully the Postmodernism ideas on screen. From this study, we can find that the movie costumes express certain formative characteristics considerably affected by the contemporary fashion trends such as Minimalism, Formalism, Futurism, Ethno-eclecticism, Asexualism. These are mostly common tendencies aroused in the complex and pluralistic circumstances of Postmodernism where many diverse values are equally regarded. Finally, the 5 trends lead to represent the following symbolic meanings with entanglement in multiplex ways, that is Virtual Reality, Mechanic Artificiality, Human Dignity, Mysticism, Multi-Culturism, and Nonsexuality to create a strong unified imagery and style in that Post-modern movie.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.159-160
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• 2017

현재 스마트폰은 보편화가 되며 APP 산업도 신속하게 발전하고 있다. APP 아이콘의 디자인도 미니멀리즘이 점점 업계에서 주류가 되고 있다. 미니멀리즘 APP아이콘은 간결함, 세련된 종합적인 디자인을 이용하여 풍부한 내용 및 본질적 특성을 전달하고 있다. 본 논문은 실제 생활서비스로 APP아이콘으로 연구 대상으로 삼고 사례를 분석하며 미니멀리즘 스마트폰 APP아이콘을 표현 방법 및 주의상황을 요약하였다.

• Journal of the Korean Society of Clothing and Textiles
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• v.28 no.2
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• pp.364-375
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• 2004

The purpose of this study is to analyze how the men＇s fashion with the representation of Feminization which has appeared on our specialized fashion magazine from 1990 though 2003. Firstly, the factor which exposed the representation of Feminization in men＇s fashion were the change of conventional sex role, the change of ideal beauty, the variety of information, the pursuit of personality and the polycentrism of thought. Secondly, the formative characteristics of Feminization in men＇s fashion represented fitted silhouettes which distinctively show the body line, elastic fabric and see-through fabric of androgynous image, accessory and wave hair which expressed in gentle image. In colors, it represented vivid tone, pastel tone, red colors and yellow colors. Fitted silhouttes and elastic fabric has a effect of minimalism of the last 1990＇s fashion, and wave hair of gentle image has a effect of change of ideal beauty since 2000. Therefore, elements of representation of Feminization in men＇s fashion were silhoutte, fabric, color, accessory, hairstyle and the representation of feminity in men＇s fashion has referance to fashion.

• Proceedings of the Korea Database Society Conference
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• 2008.05a
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• pp.235-252
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• 2008

전통적인 상거래 영역에 정보기술을 접목한 전자상거래는 그 규모와 성장면에서 계속적으로 증가하고 있다. 특히 기업과 소비자간 전자상거래를 의미하는 B2C는 그 종류와 규모면에서 계속 성장하고 있다. 본 연구에서는 기업과 소비간의 거래에 있어서 제품 구매에 중요한 영향을 미치는 온라인 리뷰의 정보제공능력에 대해 연구하고자 한다. 온라인리뷰가 제공하는 정보의 양이 증가할수록 이는 처리해야 하는 판매자와 구매자에게는 부담이 된다. 기존의 온라인 리뷰에 대한 연구는 사용자의 구매 경험을 전달하는 방법에 주력하여 온라인 리뷰의 형태와 전달효과 등에 대한 연구가 부족하였다. 따라서 본 연구에서는 효과적으로 정보를 전달하기 위해 필요한 온라인 리뷰의 형태와 정보 전달 등에 대해 연구하고자 한다.

• English Language & Literature Teaching
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• v.7 no.1
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• pp.161-178
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• 2001

The purpose of this paper is to investigate the expletives and EPP in Chomsky's(1998, 1999) Minimalism. Generalized EPP is suggested in Chomsky(1998): every functional head may have an uninterpretable selectional feature for its specifier position to be filled by a proper element. After briefly examining the properties of EPP and ${\Phi}$- features in Chomsky (1998, 1999), there-constructions are examined in terms of Agree. EPP features are satisfied by there-Merge or Move of an associate NP. Case feature is regarded as a reflex of ${\Phi}$-feature. Hence, it is suggested that there is a pure expletive with a [person] feature. It has shown that the uninterpretable [person] feature of there is not erased by the nonfinite T($T_{def}$) in terms of Agree in the Raising and ECM constructions. Again the uninterpretable [person] feature of there Agrees with finite T and moves to SPEC-T to satisfy the EPP feature, and finally the uninterpretable [person] feature of there is erased. PRT(=-en) is also regarded as a defective probe with a [number] feature and a [gender] feature.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.2
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• pp.83-92
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• 2019

This study set out to analyze James Turrell's Skyspace works by applying the object relations theory, compare them with several modern architectural works with a sky window based on the analysis results, and check common and differentiating features between them. The findings were as follows: first, Turrell's Skyspace works shed new light on the images of the sky by projecting inner light to the outside; second, sky windows in architecture make the self-representation of inner space clear through the introjection of light; third, 'Hill of the Buddha' reflects the most general aspect of the object relations theory as the nature of projection found in Turrell's Skyspace is added to it; and finally, Turrell installed event-like spaces and steps in 'Roden Crater' to apply the introjection of others that was deficient in Skyspace.

• The Journal of the Korea Contents Association
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• v.20 no.11
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• pp.656-668
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• 2020

The Sejong City was launched in July 2012 and was initially focused on the relocation of central administrative agencies, but it has been changing from an administrative city to a fourth industrial city since 2019 to a smart city and the implementation of Korea's New Deal in 2020. Identity design needs to be reevaluated accordingly. In particular, the web environment is also calling for an optimized identity design due to rapid changes in information technology such as various wearables and the Internet of Things. As the number of responsive web sites where information and communication technologies can be developed and optimized screens can be viewed increased, identity was intuitively communicated to users and designs were applied to make them more distinct and empathetic to other cities. Prior to the study, we looked at prior studies on the changing times in the web environment and the reactive web, and analyzed the identity design of the reactive web and applied minimalism characteristics step by step. Based on this, we surveyed experts and non-experts on the proposed survey by applying minimalist characteristics (simple, repeatability, and spatiality) of reactive identity and found that it was easily and intuitively recognizable in a small web environment such as mobile. Therefore, we hope that Sejong City's identity will continue to be studied in various ways and efficient management so that identity can be established in accordance with the changes of the times.

• Journal of the Korean Society of Costume
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• v.58 no.3
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• pp.1-18
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• 2008

The tendency of exuberant multi-everything, enormous volumes and decoration has been showed in fashion since the 21st century. This tendency is very interesting in contrast to the tendency of restraint, simplicity and removing decoration which has been showed in the modern fashion throughout the 20th Century and especially minimalism fashion in the 1960s and the 1990s with the expectation of New Millenium. Maximalism is this kind of exuberant expression emerged since 2000. However, studies about maximalism in fashion have not been performed enough. Thus this study tried to analyze the aesthetic characteristics of maximalism in the modern fashion according to the previous studies of maximalism in design and architecture with social cultural background. The scope of this study was from 2000 to 2006, and this study was performed through literature survey with demonstrative analyzation of fashion collection photographs. The results are as follows; Maximalism has the meaning of 'maximum oriented-ism' and has aesthetic view of 'more/bigger is more beautiful.' The formativeness of maximalism in modern fashion was analyzed as fusion, enlargement, decoration, and fantasy. The internal meaning was analyzed as recovery of human being through pursuing of sensibility, fun and newness.

• English Language & Literature Teaching
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• no.6
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• pp.143-157
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• 2000

It has been one of the puzzles in the English syntax that so called the rule of subject-auxiliary inversion (SAI) is not allowed in subject wh-movement while it is not obligatory in non-subject wh-movement in a root sentence. This asymmetry has been a puzzle since SAI itself was thought to be a part of question construction as we can observe from yes/no questions. The asymmetry gets more complicated in terms of sentence embedding, i.e no SAI is permitted in the embedded context in question. The goal of this paper is to suggest an unified analysis for this unsolved grammatical phenomena on the basis of Rizzi (1997)'s recent work. The main idea is that SAI is not a I-to-C movement but one of I-to-Focus where Focus is a functional category and its phrase is located between CP and IP. The other proposal is that Wh-movement is no more homogeneous in terms of landing site between a root and an embedded sentence: the target for a wh-phrase in the former is the Spec of FocP (Focus Phrase) but the one in the latter is the Spec of CP as the standard theory assumes. Pesetsky (l999)'s analysis is discussed and its theoretical and empirical shortages are pointed out. Its rather radical proposals such as the one that the nominative case is just an uninterpretable tense feature of DP and the other that 'that' is no longer a complementizer but an element of I(nflection) make it less acceptable in spite of the possibility that it can get rid of Case theory entirely, which would be ideal in the spirit of minimalism.