• 국제초고층학회논문집
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• 제7권1호
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• pp.47-64
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• 2018

The last decade has seen great design opportunities for tall building construction around the globe. The best designs represent a new generation of skyscrapers that go beyond willful preconceptions of building form and iconography, trying instead to simultaneously address interrelated issues of program space utility, structural efficiency, and environmentally sustainable systems. The resulting identities of these towers are unique because of their search for the intersection of spaces tuned to people's needs, expressive optimized structures, and high performance, site-responsive systems. This paper, through examples of recent SOM towers, both built and unbuilt, will discuss how a design becomes content-driven, how ideas create value, and how the typology of the tall building is advanced through the integration of architecture design and engineering systems.

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.10-20
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• 2007

The materials on the development of modern architecture in Korea are being collected and organized in a systemic fashion. However, this is not the case with the materials relative to interior design. They are gradually disappearing or being lost. In particular, no serious attempt has yet been made to determine the characteristics and historic value of the interior design of the modern bank buildings. The purpose of this study is to trace the disappearing legacy of the interior design of modern bank buildings by learning the inner space arrangements of these buildings and the characteristics of modern interior design in order to determine the historic significance of modern commercial interior design. Banks of relatively large scale were selected for the purpose of this study. They consisted of: Chosun Bank(1911) and its Andong, Wonsan and Cheongjin branches; Chosun Shiksan Banks and its Busan, Daegu and Pyongyang branches; the Busan branch of the 18 Bank; Dongil Bank, Chosun Savings Bank(1935) and their branches. The study focused on the space arrangements and design characteristics of these banks. Although they aimed at modernization in designingtheir interior spaces, the modern bank buildings were not representative of any particular style of interior design. While western style designs were prevalent, eclectic designs incorporating many different styles existed. The characteristics of the interior design of banks of the time included installation of such decorations and use of high quality construction materials for interior and exterior expressing the wealth as to create an aura of credibility for the banks, while the floor arrangements were relatively stereotyped and simplified.

• 건축역사연구
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• 제17권5호
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• pp.55-69
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• 2008

One of the most notable architectural aphorisms in modern period must be undeniably Louis Sullivan's, 'Form Follows Function.' The aphorism has been not only an important source of new aesthetic but also an formal principle of machine age. Other most famous source in order to justify modern aesthetic was the short essay by an cynical critic, Adolf Loos(1870-1933), 'Ornament and Crime' of 1908. Apart from what the essay asserted it is also famous for the influence of Sullivan's architectural notion during Loos' States staying. For Architectural historians of the early 20th century this connection is so useful to create a legacy of modern architecture. The historians seemed to believe that Loos understanded Sullivan's aphorism on which the historians wanted to focused. When we however look into two buildings designed and built in the period of publishing both aphorism and essay there must be a big fissure between the buildings and the historians interpretations. With this view point this study aims at showing the true meanings of Sullivan's aphorism and Loos' essay and also the big difference between the machine age's aesthetic and theirs.

• 한국실내디자인학회논문집
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• 제22권4호
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• pp.121-129
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• 2013

This study was aimed at determining the characteristics of circular multi-family housing under the assumption that the shape of a residential building affects local identity. A total of six case studies were included in this study, three case studies on idle historical industrial facilities turned into residential buildings and another three on multi-family housing located in newly developed residential complexes. The study drew its conclusions as follows. First, the design of circular multi-family housing was intended to maximize security and defense from the outside in older times. This was later developed as the terrace house style with geometric urban squares designed under the urban planning of the Baroque period. This evolved high-density housing with a courtyard in the center offering a green open space, with the aim of restoring a sense of humanity. Second, the six case studies on circular multi-family housing were analyzed from the viewpoint of each factor of local identity, including historical and cultural, landscape, and community. Third, the historical and cultural elements of circular multi-family housing are found in some unused historical industrial facilities remodeled into residential buildings. They provide new capabilities and shapes desired by society at a given time, while maintaining familiar styles and elements of history, integrating a legacy of the past into the present. Fourth, circular multi-family housing with unique shapes and structures often become landmarks of a region with their distinctive appearance against a uniform urban environment and the monotonous scenery of residential complexes. They also show a high level of visual awareness with the distinctive shapes made possible when new elements are added to a historical exterior. Finally, circular multi-family housing with courtyards in the center prompt social contact between inhabitants, especially with dormitories and rental houses for the low-income bracket, which provide a small individual units with high use common space. Circular multi-family housing are planned in a manner similar to a small village or a city. They are designed to enhance sense of community, allocating various public amenities and provide cultural and commercial spaces on the ground floor and courtyard areas.

• 전자통신동향분석
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• 제35권1호
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• pp.49-59
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• 2020

This paper describes an IoT-based electrical safety management system for managing the electrical power distribution systems in factories or buildings and for managing private electrical devices in apartment complex. The IoT-based electrical safety management system collects IoT data from the electrical facilities or devices to provide various electrical safety services. In some cases, it uses an IoT adaptor to collect data from legacy facilities. By monitoring and analyzing the IoT data, it is possible to provide protection from and prevent electrical hazards. In addition, an IoT-based electrical safety management system can benefit from using the IoT identification system and standardized data model of the electrical facilities and devices. An IoT identification system is used to increase manageability of large-scale electrical facilities which consists of numerous IoT devices. A standardized data model is used to support interoperability. This paper also explores some international and Korean standards related to IoT-based electrical safety management.

• Architectural research
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• 제16권4호
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• pp.193-202
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• 2014

This research started from the premise that Jacques Perret, "Savoyard gentleman" of the 17th century - whose only legacy consists of Des fortifications et artifices, a book of fortified town designs - is still an elusive figure in the history of architecture and deserves to be further investigated. In particular, attention needs to be paid to the lack of any attempt by scholars to define his actual professional status and cultural background: was he an architect, an engineer, a professional or an amateur? The intention of this paper is therefore to shed some light on this question by examining selected contents of his book describing five projects of fortified towns. Plates and descriptions are carefully analyzed related to the engineering (defensive structures) and architectural (city layouts, buildings) content. The figure that emerges is that of an articulate personality who does not fit either in the architectural or in the military engineering professional world. In the field of engineering, he simultaneously demonstrated the competence of a professional and the na$\ddot{i}$vety of an immature technician, while in the field of architecture he showed an advanced creativity alongside several technical and theoretical misunderstandings. From the analysis in this study, the assumption is formulated that Jacques Perret was a connoisseur, i.e. an erudite without any direct involvement in real professional activity. This work is intended to provide a hypothesis for further researches that, hopefully, will deepen our understanding of several other aspects of Perret's complex identity and work.

• 한국산학기술학회논문지
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• 제17권10호
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• pp.367-372
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• 2016

현대의 스마트 빌딩은 온도, 습도, 소리, 빛, 이동 등 다양한 물리적 정보를 감지해낼 수 있는 센서가 설치돼 있어 인간의 행동을 감지하고 추적하여 의료, 보안, 에너지 절약 등 각종 편의 시설에의 활용이 가능이다. 본 논문은 스마트 빌딩의 센서 기술을 이용하는 효율적인 엘리베이터 스케줄링 시스템을 제안한다. 스케줄링에 사용되는 센서로는 RFID, 비디오 센서, 바닥 센서 등으로 이들 센서는 엘리베이터 사용자의 도착 여부를 엘리베이터 호출 버튼을 누르기 전에 미리 감지하는 역할을 한다. 감지된 정보는 빌딩 네트워크를 통해 엘리베이터 스케줄링 시스템으로 전달되며, 제안하는 스케줄링 시스템은 이러한 정보를 통해 엘리베이터 사용자들을 위한 예약 호출을 생성하여 엘리베이터의 이동 방향과 이동 시간을 효율적으로 제어한다. 제안하는 엘리베이터 스케줄링 시스템의 성능을 평가하기 위해 다양한 워크로드 환경에서 모의 실험을 수행하였다. 그 결과 제안하는 스케줄링 시스템이 전통적인 엘리베이터 시스템보다 평균 대기 시간, 최악 대기 시간, 에너지 소모량 등에서 우수한 성능을 나타냄을 확인하였다.

• 대한건축학회논문집:계획계
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• 제34권9호
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• pp.117-128
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• 2018

The United States understood the fostering of pro-U.S. elites in "free world" countries as an important Cold War weapon. From 1954 to 1962, the U.S provided considerable assistance to Seoul National University (SNU) for its postwar rehabilitation and future development in terms of repair and construction of campus buildings, equipment and book purchases, and faculty exchanges. With the aid of this educational assistance project widely known as the Minnesota Project, SNU was reborn with an academic orientation to the U.S., separating itself from the Japanese education that was its origin. This study argues that the Minnesota Project played an important role in crafting SNU's architecture program and the exchange program's recipients as key "knowledge brokers." For individual trainees, experience in the U.S., as opposed to a backwards situation in their homeland, had allowed them to recognize the U.S. as an ideal source of knowledge. Since the Minnesota Project, SNU's Architectural Engineering Department was filled with faculty members who had trained or studied in the U.S., which became a significant distinction of SNU's architecture program in sharp contrast to its counterparts at Hanyang University and Hongik University where most of the faculty members studied in Japan during the Japanese colonial period. As many graduates of SNU had been appointed as faculty members in newly-founded architecture programs in South Korea, a hierarchical diffusion path had emerged in architectural education that led from SNU to other school's architecture programs, with the U.S. at the apex. The legacy of the Minnesota Project extended over the next few decades, in which studying architecture in the U.S. was recognized as a shortcut to success in the field.

• 한국농촌건축학회논문집
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• 제25권4호
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• pp.25-35
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• 2023

According to this study, it is estimated that the ILDU historic house was constructed around the late Goryeo period, approximately in the year 1360, and the founder moved to Hamyang no earlier than 1350. The main house, the inner store-house, the inner gatehouse, and the ancestral shrine, which are situated on elevated ground, were initially constructed around 1360, and substantial expansions and renovations occurred around 1620. The shrine was relocated and reconstructed in its present location and form around 1843. Subsequent to that period, it underwent various architectural changes, including repairs and reconstructions. The sub-main house was originally constructed around 1620 and underwent a reconstruction in 1843. The main storehouse was built in 1930. Also, the man's part of house, located on lower ground, was erected in 1843, while the other sub-main house seems to constructed around 1860. The auxiliary buildings, the main gatehouse and the outer storehouse, were initially constructed around 1360. It is estimated that they were similarly relocated and reconstructed in their current form, along with the construction of the man's part of house in 1843. It has undergone a four-stage transformation process, influenced by various internal and external factors, including the local indigenization of the ILDU families of the same clan, as well as the popularization of Confucian ideology. These four stages include its formative period, growth phase, developmental stage, and maturity. It actively incorporated the contemporary factors of change into its residential architecture. This continuous adaptation is evident in its the space and floor plan, ultimately leading to its present-day architectural legacy.

• 한국산림과학회지
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• 제98권1호
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• pp.66-81
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• 2009

'환경을 조성하고 보전하는 인간과 문화'의 새로운 시각에서 지속가능한 숲 관리는 '문화적 지속가능성' 개념으로 재구성할 수 있다. 문화적 지속가능성은 환경을 조성하고 보전하는 문화의 높은 기여도를 강조하는 것이다. 본 연구는 근세조선의 '문화사회적 임업'의 역사적 사례를 통해서 현대의 문화적 지속가능성에 필요한 함의들을 추출하는 데에 그 목적이 있다. 조선의 첫 번째 왕이었던 태조와 관련하여 소나무(Pinus densiflora)는 조선의 왕목이었고 왕도정치의 이념을 지지하는 성리학적 신앙과 예제 체제 속에서도 가장 상위에 속하는 사직제례와 관련 있는 사직수(社稷樹)였다. 사직 제례의 숭배대상은 토지신(社)과 곡식신(稷)인데 고대 사회의 수목신앙을 이으면서 유교적 신앙 및 예제에 편입된 것이 토지신이며 토지신의 구체적 모습이 사직수이다. 왕목과 사직수로서의 소나무는 조선 왕실 통치의 종교-정치적 정통성을 지지하는 중요한 역할을 담당하였다. 소나무의 종교-정치적 상징성은 여러 측면으로 표현되었다. 소나무는 조선 조정이 주관하는 예제가 봉행되는 신전과 사당을 위해서도 물적 기반으로도 쓰였다. 소나무의 이런 역할은 왕실 능원림, 왕실 관곽재를 위한 황장봉산의 소나무 숲, 왕의 거처 도성 내외사산 소나무 숲의 조성, 방제, 보전, 관료적 관리로 확대 표현되었다. 문화사회적 임업의 역사적 사례인 이러한 소나무 숲의 종교-정치적 관리 체계는 조선의 경제적인 숲 관리 체계인 송정이나 조선 전기의 의송처와 금산의 소나무 숲 및 조선 후기의 봉산 체계의 소나무 숲의 경영과도 비교가 가능하고 공통성과 고유성을 함께 보여준다. 왕실의 소나무 문화는 대중적 의식에도 영향을 끼쳐 백성들이 금표가 있는 능원림, 금산, 봉산에서 시행된 금양(禁養)된 토지 또는 숲과 바꾸어 쓸 수도 있는 '말림갓'이라는 순한국어 단어를 형성하게 만든 것으로 보인다. 근세조선은 사직단, 능원림, 황장금산 및 황장봉산, 도성내외 사산의 소나무숲을 대상으로 하는 문화사회적 임업을 실행하였다. 조선 시대 소나무 숲의 보전과 경영에는 풍수지리, 민속신앙, 불교적 요소가 통합된 조선의 성리학적 신앙과 예제가 경제적 목적보다도 더욱 중요한 역할을 담당하였다. 인간과 환경의 상호작용이 여러 세대를 걸쳐 장기적인 문화-자연적 평형이나 균형을 이루는 것이 문화적 지속가능성인데, 숲과 환경을 조성하고 보전하는 현대인이 문화-자연 유산을 발굴하고 여러 세대에 걸친 보전으로 변환하며, 문화적, 사회적, 정신적 필요를 충족하는 환경과 인간의 상호작용에 대한 초학제적 지식인 지속가능성 과학 지식을 생산하는 것이 중요하다는 것이 근세조선의 사례 연구의 함의로 추출되었다.