• Title/Summary/Keyword: Late 19th century

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A Study on the Modern Lighthouse of Busan Harbor in the late Joseon Dynasty after Opening Port (조선말 개항기 부산항의 근대식 등대에 관한 연구)

  • Ahn, Woong-Hee
    • Journal of Navigation and Port Research
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    • v.38 no.5
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    • pp.541-547
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    • 2014
  • Busan was known firstly to the western world in the end of 18th century. When the Joseon opened a port under the western powers in the late 19th century, Busan was an important port. The increasing number of international ship exchange had magnified the harbor facility and the importance of lighthouses of Busan port. Busan maritime customs officer were in charge of installation and management of lighthouses. The operations of maritime customs became historical origin of Joseon changing from feudal society to modern nation. The majority of the documents from maritime customs was disappeared. So it was hard to know the exact history. But investigating documents and papers of Joseon, even media records will enable us to establish the objective fact relations. Moreover, published and translated data from the past make it possible such investigations. As a result, modern lighthouse of Busan harbor in the late Joseon after opening port was could be found. It could be offered to establishing the Korean modern history as the objective data.

A Study on Art Nouveau in the late 19th century in Vienna (19세기 말 전환기의 비엔나 아르누보에 대한 연구)

  • 유보현
    • Archives of design research
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    • v.12 no.3
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    • pp.83-91
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    • 1999
  • In the late 19th century, the desire for pursuing new arts and aesthetics was evolveld and developed in various aspects in europe, and it appealed the characteristics of renovating society such as the arts and crafts movement in England. Vienna was developed in the center of the European empire under these environments, and provided the background as the main center for young artists. Vienna Art Nouveau blossomed under the mind of art pioneers that is "all arts are equal" and the Viennese political, economic, and cultural environments. They tried to show people new aesthetics under the mass-production by accepting machine. The goal of this study is to search the Secessions's role and the environment that make the base of modern aesthetics and differentiate from other Art Nouveau movements in Europe and to verify the meaning and value of that.

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19th Century Chemistry Book of Korean Mathematician Sang-Seol LEE (한국 근대수학교육의 아버지 이상설(李相卨)이 쓴 19세기 근대화학 강의록 『화학계몽초(化學啓蒙抄)』)

  • Son, Yongkeun;Kim, Chae Sik;Lee, Sang-Gu;Lee, Jae Hwa
    • Korean Journal of Mathematics
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    • v.20 no.4
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    • pp.541-563
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    • 2012
  • Sang-Seol LEE wrote a manuscript HwaHakGyeMongCho(化學啓蒙抄) in the late 19th century. HwaHakGyeMongCho was transcribed from Science Primers: Chemistry (written by H. E. Roscoe), which is translated into Chinese by Joseph Edkins in 1886. LEE did not copy original writing exactly, but he understood the contents of each chapter and sections, then summarized and edited them in his caligraphic writing. In this paper, we introduce the contents for the first time and discuss the significance of this book.

A Study on the Cooking Science of Guk(Korean Soup) from Old Cookbooks from the Chosun Dynasty($15{\sim}19C$) -Focused on Malgunguk - (고조리서에서 살펴본 조선시대($15{\sim}19C$) 국의 조리과학적 고찰 I -맑은 국을 중심으로-)

  • Kim, Gwi-Young;Lee, Choon-Ja
    • Journal of the East Asian Society of Dietary Life
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    • v.18 no.5
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    • pp.711-724
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    • 2008
  • Guk has been a very important part of the Korean table service for a long time. To study the historical transition of traditional Guk, an analysis of old cookbooks from the Chosun dynasty ($15{\sim}19C$) was conducted based on cooking science. The following is the results of 52 types of Malgunguk from representative old cookbooks such as Sangayorok (1450), Suunjabbang (early 1500s), Eumshikdimibang (1670), Jeungbosallimgyungje (1766), Gyuhabchongsu (1815), Juchan (mid 1800s), Sieuijunsu(late 1800s). The ingredients for Malgunguk contain 30, 35, and 12 types of animal foods, plant foods, and seasonings, respectively. Fish and two to three meats are combined for the main ingredients of Guk, to harmonize the taste. Notably, deer and birds such as pheasants along with parts of beef (short ribs, marrow, Holdaegi) were used. Moreover, it is interesting to note that meat such as pork and chicken were favored to beef, which is contrary to preferences of today. There are only a few Malgunguks that have been passed down before the 16th century those after the 17th century have mostly been reported, but the ingredients have been simplified.

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Review and Reflection of Studies on Gyoojoon Lee (석곡 이규준 연구의 성찰과 모색)

  • Kim, Seung-Ryong;Chae, Han
    • The Journal of Korean Medical History
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    • v.31 no.1
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    • pp.1-12
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    • 2018
  • Gyoojoon Lee is a prominent figure of Confucianism and traditional medicine representing southern region of Korea during late $19^{th}$ and early $20^{th}$ century, but studies on his achievements were just started merely a decade ago. We would provide foundation for the further multidisciplinary study on his legacy. We reviewed his chronology, written works, interactions with intellectual figures, and current studies on his works to provide foundations for more thorough research on his legacy. We found he has wide spectrum of studies in medicine, confucianism, literature, humanism and philosophy during the late Chosun dynasty, Korean empire and Japanese colonization period. He wrote twenty five books in diverse fields and was found to have interactions with fifty seven figures with idea during his lifetime which need more detailed examination. Multidisciplinary studies on Gyoojoon Lee is guaranteed for the future in depth study on his works including Buyunglon (theory of supporting Yang).

The Contemporary Researches of the Xiongnu Archaeology (고고학으로 본 흉노(匈奴)의 발생과 분포)

  • Kang, In-Uk
    • Korean Journal of Heritage: History & Science
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    • v.36
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    • pp.105-156
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    • 2003
  • Archaeological research on the Xiongnu began in the late 19th century by a Russian archaeologist Talko-Grinchevich. The Xiongnu culture has been reported in the northern steppe of China and eastern part of Eurasian steppe. Mainly, Xiongnu sites, dated from the late 2nd century B.C. to the 1st century A.D., are reported on the east side of Baikal Lake(Zabaikal), east Mongolia, and the Inner Mongolia of China. Based on the historical records and the archaeological remains, the North Xiongnu culture is defined to be the remains of Zabaikal, and the South Xiongnu culture the archaeological remains of Nothern China. The expelled North Xiongnu, while fleeing to the western part of Eurasia, left traces of their own archaeological remains in the Southern Kazakhstan, Xinjiang of China, Altai, and finally appeared in the Europe as Huns. The most characteristic archaeological materials of the Xiongnu are bronze plaques and ceramics made by handicraft, and highly developed iron weapons. After the power of the Xiongnu was dissolved in 1st c. A.D., previously subordinated peoples such as Xianbi, Wuhuan, Wusun rised in the Eurasia steppes and opened medieval age in Eurasia. The "northern type" materials found in Korea are dated to the period of Xiongnu or slightly later, we need to pay more attention to the contemporary Xiongnu. research.

A Study on the Dispositional Structure of Kyungsang Provincial Government Office (KamYoung) in the late 19th century (19세기말(世紀末) 경상감영건축(慶尙監營建築)의 배치구성(配置構成)에 관한 연구(硏究))

  • Cho, Young-Wha
    • Journal of architectural history
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    • v.9 no.2 s.23
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    • pp.33-48
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    • 2000
  • This study aims to analyze the construction of Kyungsang KAMYOUNG in the late Chosun dynasty by restoring its constructive system and relating it with the office organization. followings are the summary of this study. 1. Government office of Daegu consists of inn(KAEGSA), Kyungsang KAMYOUNG, and Daegu city hall(BUA), and JINYOUNG. 2. The layout of virtual placement is shown in the in the text. Even though it had been newly constructed due to three times of fire, the fundamental scheme of space is found out not to have been changed since mid-eighteen century at the latest. 3. Followings are the result of analyzing the space of KAMYOUNG, after dividing its space into entry area, main business area and police military business area in the aspect of business. First, entry area consists of 2 door system with external door(UOISAMMUN) and internal door(NAESAMMUN). Second, main business area consists of facilities for inspector, public officials, and low grade employee respectively This space is divided into SUNHWADANG area and JINGCHONGKAK area, and the former consists of active business facilities, and the latter consists of passive business facilities focusing on the rest facilities. Third, business support area consists of facilities for low grade employee and minor assistant respectively, which are placed to the left and right of POJONGMUN and KWANPUNGRU. Fourth, police military business space is in middle(JUNGYOUNG) and forms separate areas to the east of SUNHWADANG. Accordingly, It is certain that the space of Kyungsang KAMYOUNG had been placed in accordance with the nature of business per position.

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Meeting of the West with the Far East Asia medicine in Fance : Insufficiency of principle (프랑스와 동아시아의학과의 만남 - 18세기, 19세기, 20세기 대표적 인물과 저서의 관점 비평 -)

  • Gavart, Marie;Kim, Namil;Lile, Pierre C.
    • The Journal of Korean Medical History
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    • v.26 no.1
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    • pp.97-106
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    • 2013
  • What is the fundamental cause of the broader gap between East and West medicine? This is a very long story that began in the late Renaissance and still continues today. Why it took so long time from the end of the XIIth century when acupuncture was firt imported to Europe to XX century when it was finally settled in France? We present three cases which caused the delayed establishment : A "blisters" article from Diderot and D'Alembert in the eighteenth century, the practice of acupuncture by Dr. Berlioz in Paris in early 19th century, and the reception of the works of Georges Soulie de Morant in France in the 1930's. We attempt to show the misunderstanding that has always prevailed between the East and West medicines because of different viewpoint : the West has not understood the richness and subtlety of the approach of East asian thought and wanted to "align" the Asian medical modality to west medicine with inappropriate and insufficient "experiments" without enough explanation of the principles and philosophical backgrounds. It was not the matter of technology but the mutual incomprehension of history and culture.

The Interaction of Modern European Fashion rind Art - Austrian Art and Fashion from the Late 19th Century until World War I - (근대 유럽의 복식과 미술의 상호작용 - 19세기 후반부터 제1차 세계대전까지의 오스트리아 미술과 복식 -)

  • 홍기현
    • The Research Journal of the Costume Culture
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    • v.10 no.1
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    • pp.37-48
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    • 2002
  • The following paper deals with the interaction between an Austrian art trend from the late 19th century until World War I, the Vienna Separatist Movement, and the Vienna Workshop dress and its ornaments in part designed by the artists belonging to the former mentioned school. Gustav Klimt′s paintings along with his photographs and pictures and articles published in the "Wiener Mode" magazine were subject of analysis. The focus was on Klimt′s paintings with female themes whereby a comparative analysis was made between the development of the forms, hues and ornaments of clothing and the style of paintings at that time. The whole development was classified into three phases. The first period from 1897∼1905 marks the birth of the Vienna Separatists along with the clothing reform movement. The heyday of the Separatists represents the second phase from 1906∼1913 and the decline of the very school and the Vienna Workshop period lasts from 1913∼1918. Refromed dresses were started to be recognized as alternatives, from 1897 when the Separatists started to gain foot until 1o05, and Kimt and Van de Velde published designs that were comfortable and elegant. From 1906 to 1913 the expressionism and Reform Mode of the Vienna artists started to flourish. But during the War the Separatist Movement, which triggered the modernazation of Vienna declined and instead the decorative art of Vienna Workshops started to develop. The asymmetric design of the dress, exotic patterns, shades of complementary colors and reformed clothing were frequently used by Kimt and other Separatists. This is an instance where fashion design directly influenced art and different branches can reflect the same aesthetic standards within the same time frame.

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A Study on the Landscape Elements and Construction of Eupseong (county seat) in the Late Joseon Dynasty (조선후기 읍성 취락의 경관 요소와 경관 구성 - 태안읍성, 서산읍성, 해미읍성을 중심으로 -)

  • Jeon, Jong-Han
    • Journal of the Korean association of regional geographers
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    • v.21 no.2
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    • pp.319-341
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    • 2015
  • Eupseong (county seat) represents the Korean historic city which had constructed intentionally by central government during Joseon Dynasty. There were variety of government or county offices which named as Gaeksa, Dongheon, Nea, Jilcheong, and so on. Also, there are houses of the people in many Eupseong but not all of them. This study aims to reconstruct the landscape elements and its overall construction of Eupseong in the Late Joseon dynasty on the original land registration map(1913). For this purpose, the author underlines to set-up target period for reconstruction. This study considers the early 19th century in Joseon as completion period of Eupseong landscape, and then researches distribution of Eupseong and major elements of its landscape in national scale. Based on those results, the author tries to reconstruct location of major landscape elements and layout of Eupseong landscape in the early 19th century on the original land registration map in case of Taean Eupseong, Seosan Eupseong, and Haemi Eupseong in Chungcheongnam-do (province), Korea.

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