• 한국의류학회지
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• 제36권7호
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• pp.741-755
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• 2012

This study mathematically and scientifically investigated the aesthetic consciousness of women inherent in the costume craftworks craftworks of the Chosun Dynasty through a systematical analysis of their textile pattern composition using visual language theory. The tangent value from the horizontal and vertical ratio of the costume craftworks craftworks indicated that they had an indigenous proportion system with a relatively regular form and pattern but without an exaggerated type. There was a module based on structures in the textile patterns of the costume craftworks craftworks and the patterns were constructed by the module with the syntagms of the ratio structure. Moreover, the analysis of the pattern designs indicated that the whole form of the costume craftworks craftworks was built through a repetitive structure of feature and one of pattern units; in addition, the craftworks had the extended composition and blank space of daring patterns, an important factor to make a whole design. Therefore, our study suggested that the costume craftworks craftworks of the Chosun Dynasty was characterized by the presentation of the aesthetic style with a Geumgang ratio (an indigenous proportion system used in Korea) and could be interpreted as an art style based on the beauty of space. Moreover, it is suggested that the spirit inherent in the costume craftworks of the Chosun Dynasty (which tried to understand the whole as one and equate the whole and parts) might agree with a holistic tendency as the foundation of Korea art.

• 한국의류학회지
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• 제41권2호
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• pp.326-340
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• 2017

This study explores the daily life of Korean designers in New York. We use in-depth interviews within the daily lives of participants to first reveal the time structure and meaning of everyday life. In this everyday time frame, this study reveals the content and meaning of life in New York, which is especially useful for fashion majors. Participants were 11 single Korean women around 30 years old working as designers in New York. Data was collected from Manhattan, New York, from November 2013 to February 2014 through the use of in-depth interviews and participant observation. Data collected daily life information on time usage, money, and energy that is first summarized into 229 meaning units. In the following, 55 central meanings were derived from stories common to behaviors for study participants and 19 subcategories were compressed into academic language. Finally, the generalized categories are divided into six categories of study life, work life, future life, family life, leisure life and fashion life. As a result of the first study, the daily time structure consisted of customary public time and personal repeat time. Second, the customary public time categories included the studying for 'Beginning to jump again to the best', 'Now working as a designer in New York', and future life expecting 'Future growing as a career woman'. Repeated personal time categories include family life: 'A single life of a lonely and poor gentile', leisure life: 'Healing life that is supported by abundant advanced culture', and fashion life: 'New York fashion life coexist with harmony'. Third, work was the center of everyday life for study participants versus fashion and leisure that were central to everyday life when not working.

• 복식
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• 제61권10호
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• pp.42-54
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• 2011

The study was focused on surveying the cultural identity and the origin of T-shirts, and examining their functions. Six cities were selected to categorize the design motifs of cultural identity appearing in the design of contemporary T-shirts. These cities include a city in France, United Kingdom, Italy, United States and Japan where collections are currently presented at, and also a city in China that has shown a high economic growth as one of the most popular sightseeing cities. Cultural identity was presented in the T-shirts that were examined in this study through diversified design motifs. Motifs used in T-shirt designs to reflect cultural identity included national flags, notable places, letters, names of geographic places, and individuals. A national flag is a motif that signifies national identity and it was used in the front of T-shirts as it is or was just partially used. Also, many world-renowned structures or architectural buildings were applied to T-shirt design. Noted places such as the White House, the Statue of Liberty in the U.S., Tienanmen Square in China and the Eiffel Tower in France were used. The unique characters of language, such as Hangeul in Korea were used as design elements to reflect the structural characteristics of letters. Names of geographic places were used as design elements through the disclosure of the name of a symbolic city or a tourist site in each country. In terms of figures, not only the historical figures or celebrities from each country were used, but the image of bodies and faces that represent each culture were used as well. In addition, this study was used to develop T-shirt designs that reveal the cultural identity of Korea.

• 디지털융복합연구
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• 제17권12호
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• pp.337-344
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• 2019

이 연구의 목적은 프로스트 시에 나타나는 치유적 기능으로서의 불확실성을 고찰해 보는 것이다. 시치료에서 다루고 있는 치료적 기능 중 하나는 삶을 새로운 시각으로 바라보게 하는 것인데 프로스트 시는 이런 면을 불확실성으로 드러내고 있다. 프로스트의 불확실성은 그의 독특한 시론과 이원론 철학에 기초를 두고 있어 이 점을 연구하고 몇 편의 시 작품들을 통해 불확실성의 양상을 좀 더 구체적으로 분석하였다. 연구결과 프로스트는 시를 통해 우리사회가 지닌 비논리성, 애매성, 예측불가능, 그리고 일상에서의 두려움과 외로움과 불안을 드러내고 삶의 복잡한 문제를 있는 그대로 보여줌으로써 이를 극복할 수 있는 치유적 수단을 제시하고 있음을 알 수 있었다. 따라서 불확실성을 담고 있는 프로스트의 시가 정신건강 회복과 치유와 성장의 가능성을 제공한다고 볼 수 있다. 앞으로 영시의 치료적 기능에 대한 실용적인 심도 있는 연구가 필요하다.

• 비교문화연구
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• 제23권
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• pp.243-264
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• 2011

The results of 2000 Population Census explains the context of a series of incidents happening in the Latino television broadcasting market recently. That is, the rapid growth of Latino population so fast as overtaking the Black population has needed media as a means of Latino's own social interests and communication. In this context, the television broadcasting market as a marketing means of capitals targeting for the Latinos has experienced more rapid changes. In other words, there has been some changes in the Latino television broadcasting market which divided by two major networks, Univision and Telemundo. It was 1970s when Latino media started to be considered as an important framework to understand the problems of the Latinos in American society. Experiencing the human rights movement of the 1960s, the Latino communities' sense of identity realized the importance of media as an expression of themselves from the interest on the factors which directly determine the quality of their life such as the immigration, education, health, and employment. The anglo media plays a role in introducing the Latinos and forming the images of the Latinos to the non-Latinos. It can be possible to criticize that the anglo media propagates the unilateral image of the Latinos by the mainstream white society, the stereotyped images of the Latinos. The spanish media targeting for the Latinos has grown continuously, combining the inside needs of forming the identity of the Latinos and communication and outside needs of commercialism. On the other hand, the needs for the programs based on the American Latinos has been increased, along with the increase of the Latino media based on the dual languages or English. This paper reviewed the history of the Latino media briefly, and then examined the relationship between the Latinos and the media through the television broadcasting which influence the Latino's everyday life enormously.

• 영미문화
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• 제18권3호
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• pp.1-29
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• 2018

Nadine Gordimer's The Pickup, published in 2001, well shows how the social issues have been changed in a way to reflect the South African society which is more complicated in the post-apartheid era. Examining the two different geographical territories between Johannesburg, South Africa and an unnamed nation in Middle East, putting aside the domestic racism between white and black, she extends her issue of racial other to global one with new rising issue of immigration in South African society. It seems that Gordimer's such issue is well represented by two main characters: Julie Summers who comes from a wealthy family and falls in love with Abdu, an illegal immigrant who was born from a poor country in Middle East and is now working at a garage in a downtown of Johannesburg with hiding his real name Ibrahim ibn Musa. Having an official relationship with Ibrahim and joining the regular meeting at the El-Ay (L.A.) Cafe where all participants can enjoy the freedom of expression/speech except for Abdu, she begins to have interest in his silence and his presence, orientalized as the Arab Prince for her imagination. Arriving at Abdu 's nation later, she also keeps projecting the 'less civilized' images to his nation where there are only desert, uneducated people, and dirty houses and streets. In doing so, Gordimer leads reader to a never-ending issue of Orientalism in the Western literature. Moreover, the writer attempts to create a female-centered community at the male-centered Islam community by marginalizing the presence of Abdu who finally leaves to America alone. As Julie is successfully acculturated to the unknown Abdu's community, she begins to place herself at the center of the community and plays a role as a mediator/communicator who can change/civilize it with her western knowledge of language and culture. By replacing the male-centered with the female-centered through Julie, Gordimer seems to be creating an idealized community with the notion of matriarchy. However, Gordimer places Abdu as an unstable subject who has to endlessly move back and forth for his undetermined national and cultural identity while Julie achieves the determined identity in both nations.

• 정보관리학회지
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• 제40권4호
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• pp.33-51
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• 2023

본 연구의 주요 목적은 시대 변화에 능동적으로 대응할 수 있는 한글도서관의 미래 지향적 역할을 탐색하고, 이를 위한 발전 방안을 제시하는 것이다. 이를 위해, 우선 한글도서관의 현재 기능, 자원, 자료, 온·오프라인 서비스 및 도서관 웹사이트를 철저히 분석하였다. 국내외의 박물관 및 미술관 내 도서관, 그리고 선진 도서관의 운영 현황과 모범 사례를 조사하여 분석하고, 최종적으로 한글도서관의 중장기 발전 방안을 수립하고, 이를 위한 단계별 세부 추진 방안을 도출하고자 하였다. 본 연구 결과는 한글도서관이 한글 관련 도서관으로서 중심적인 역할을 더욱 효과적으로 수행할 수 있도록 하는데 기초자료로 활용될 수 있을 것이다.

• 한국융합학회논문지
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• 제8권12호
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• pp.85-92
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• 2017

이 논문에서는 최근 전통문화의 늘어나는 콘텐츠와 대조적으로 전통문화에 대한 접근성이 떨어지는 점에 주목하여 이러한 콘텐츠의 접근성의 향상을 위해 지속된 관리와 연구를 위하여 전통문화 이미지를 위한 이미지 자동 분석기를 소개한다. 이 논문에서 소개하는 이미지 자동 분석기는 인공신경망을 기반으로 입력 이미지의 자질들을 벡터스페이스로 변환하여 이를 RNN 기반의 모델을 통하여 세부 자질들을 파악하여 전통문화 이미지의 분류를 행한다. 이러한 방법을 통하여 전체적으로 비슷하게 보이는 전통문화 이미지들의 분류를 가능케 한다. 해당 모델의 훈련을 위하여 한민족정보문화마당 기반의 형식을 토대로 넓은 폭의 이미지 데이터를 수집 및 정리하여 차후 전통문화 이미지 관련 분야에서 사용할 수 있는 데이터셋의 구축에 기여를 하였다. 또한 이러한 연구가 최종적으로 전통문화와 관련된 수요, 공급 및 연구가 한층 더 활발해지는 것에 기여를 한다.

• 기독교교육논총
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• 제65권
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• pp.81-102
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• 2021

남성 중심적인 전통적 신학은 교회 내의 성차별과 불공정한 위계제도를 바로잡기보다는 오히려 정당화하는데 일조한 바 있다. 가부장적인 문화의 영향을 받은 기독교교육 역시 억압적인 체제를 유지하는 데 종종 남용되었다. 여성신학자 레베카 춉(Rebecca Chop)은 현대의 서구 문화가 자기애적(narcissistic)이고 자기준거적(self-referentiality)인 이기주의를 강화하면서, 강자의 편에 서서 사회에서 소외된 주변인들을 더욱 침묵하도록 종용해왔다고 주장한다. 춉에 따르면, 기독교의 역할과 본질, 그리고 선교의 핵심은 진리와 자유의 말씀을 통해 억눌리고 갇힌자들에게 해방의 복음을 선포하고 세상을 변혁하는 데 있다. 춉의 후기구조주의적 여성신학은 언어, 문화, 정치 내에 스며들어 있는 차별, 편견, 배타성을 비판적으로 성찰하여 사회-상징적(socio-symbolic) 질서(order)를 개혁하며, 이를 통해 궁극적으로 정의와 평등을 실현하는 사회변혁을 도모한다. 본 연구는 먼저 아시아-아메리칸(Asian-American) 부부와의 인터뷰를 개략적으로 소개하고, 그들과의 인터뷰 내용을 분석하여 사회에 편만한 차별적이고 억압적인 남성중심적 헤게모니를 살펴본다. 한 부부의 인터뷰를 통해 일반화된 사회이론을 제시할 수는 없지만, 이는 여성에 대한 편견과 배타성을 영속화시키는 잠재적 메세지와 헤게모니를 드러내는 좋은 예가 될 것이며, 이 사례를 통해 왜곡된 관계를 회복하고와 모든 인간의 존엄성을 존중하는 기독교교육의 역할을 성찰해 볼 수 있을 것이다. 필자는 해방적 변혁을 위한 기독교교육은 건설적인 개입을 통해 소외되고 억압된 자들의 의식화와 주관성을 회복하도록 돕고, 해방의 말씀선포를 통해 지금까지 배제되어왔던 주변인들이 사회 변혁을 위한 실천에 적극적으로 참여하도록 격려해야 한다고 주장한다.

• 한국식생활문화학회지
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• 제24권6호
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• pp.805-812
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• 2009

The consumer acceptance of food is not only affected by the sensory characteristics of food but also by the non-food factors, including food experience, consumption frequency, and food attitudes. Therefore, food attitude scales such as the food neophobic scale, VARSEEK scale, Dutch restrained eating scale, health taste attitude scale, etc. have been developed and effectively used to predict consumer liking and behaviors. Since the globalization of Korean food is currently one of the hottest topics in the Korean food industry, the aim of this study was to identify the tastes and flavors that may represent Korean cuisine. Additionally, an attitudinal scale for Korean taste and flavors was developed, which can then be utilized to predict a consumer's liking of Korean food. In the first stage of the experiment, the representative taste and flavors of Korean cuisine was surveyed by a Korean culinary expert group (n=23) and general consumers (n=62). As a result of these surveys, 4 types of flavors, hot pepper flavor, 'goso' flavor, garlic flavor, and fermented flavor were shown to be the most representative flavors of Korean cuisine. Based on these results, the second stage of the experiment was carried out to develop an attitudinal scale for Korean style flavors. Eleven to 17 questionnaires were developed for each of the 4 types of flavors. The survey consisted of a total of 53 questionnaires and 154 female consumers and 158 male consumers participated in the survey. The data was analyzed by factor analysis. For each type of flavor, the final attitudinal questionnaires were selected based on the following criteria: 1. high absolute factor loading value, 2. carrying clear meaning of the corresponding flavor attitude, and 3. delivering the meaning sufficiently when translated into other language. The final Korean style flavor attitude scale consisted of 7 hot pepper flavor, 6 'goso' flavor, 6 garlic flavor, and 7 fermented flavor questionnaires. In the next step of this study, experiments will be carried out to validate the Korean style flavor attitude scale.