• 한국도서관정보학회지
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• 제48권4호
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• pp.429-448
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• 2017

본 연구의 목적은 2015 개정 교육과정으로 개발된 고등학교 교과서의 읽기자료 특성을 조사하여 향후 독서교육 발전 방향을 제시하는 것이다. 이를 위해 국어, 수학, 영어, 통합과학, 통합사회 주요 교과를 대상으로 고등학교 교과서의 읽기자료를 분석하였고, 읽기자료의 분석 기준은 주제 유형, 목적, 학생 활동이었다. 연구 결과, 고등학교 통합사회와 통합과학 교과서에는 인간, 자유, 문화, 환경, 지구 등 다양한 주제의 읽기자료가 각 단원의 개념과 연관되어 제시되고 있었다. 특히 국어교과는 한단원에만 '한 학기에 한권의 책 읽기'라는 단원이 신설되어 있었다. 그러나 대부분 읽기자료가 효과적인 독서 전략이나 독서 방향에 대한 안내가 없으며, 읽기자료의 양이 부족하고 확장적 독서를 위한 자료나 정보가 부족함을 알 수 있었다. 교과서의 읽기자료가 각 단원의 학습 내용을 단순하게 보충하거나 개념 이해를 위한 단편적인 단서로만 제시되고 있음을 알 수 있었다. 또한, 교과의 읽기자료 제시가 나열식으로 단순하게 전개되어 있으며, 읽기자료가 학생들의 독서 흥미, 독서의 내면화 그리고 독서 확장을 위한 도구로는 미흡함을 알 수 있었다. 본 논문은 고등학교 교과서의 확장을 위한 읽기자료의 보조 자료를 제안하고, 교과서 구성 측면과 수업 방법 측면에 대한 제안을 통해 교과서와 독서교육의 발전적 관계를 모색해보았다.

• 미술이론과 현장
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• 제1호
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• pp.109-144
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• 2003

Orientalness is a concept that expresses the collective identity of the Orient in relation to the West. The concept itself is mutable and defined by the relationship between the two regions at different points in time. Changes in the concept depend on a number of factors, such as cultural influence, the political balance of power between the two regions, and on the interpretative scheme that defines the relationship. In addition, the geographical notion of the concept evolves culturally, socially and politically. During this process, Oriental-ness becomes Oriental-ism at times. I will attempt to survey and measure the progression of Orientalness from its emergence in early 17th century to its subsequent transformation in modern Korea as reflected in art theory and art works. The recognition of the comparative characteristics of Oriental art began when the Orient was exposed to the art of the West in the late Ming dynasty during the early 17th century. The changes in the artistic climate in China affected the late Chosun. I will start with a brief introduction of this time and the birth of Orientalness. The concept gradually changed during the period of Enlightenment(開化期) towards the end of the 19th century, and during the colonial period( 1910-1945) it took on a new form. Establishment of the concept of "Orient"as a single, unifying concept spanning across cultures and national boundaries has been attributed to late Meiji period Japan, whose intention at that time is believed to have been to build a pan-Asia(亞細亞) empire with Japan at its commanding center. It has been stressed that the real motive behind the formation of one single cultural unit, where the shared common written language was Chinese and Confucianism and Taoism were the common metaphysical traditions, was to build one political unit. When the notion of a geographical unit of Asia was replaced by the concept of Asia as a cultural and political unit, a massive growth of interest and discourse were provoked around the concept of Orientalism. When Orientalism was being formulated, Korea automatically became member of "one Asia" when the country became colonized. For Koreans, the identity of the Orient had to be defined in cultural terms, as the political notion of a nation was non-existent at that time. The definition of identity was pursued at two levels, pan-Asian and local. If Orientalism was an elite discourse centered in pan-Asian philosophical and religious tradition, localized Orientalism was a popular discourse emphasizing locality as the byproduct of natural geographic condition. After the liberation in 1945 from colonial rule, a thrust of movement arose towards political nationalism. Two types of discourses on Orientalism, elite and popular, continued as central themes in art. Despite the effort to redefine the national identity by eradicating the cultural language of the colonial past, the past was enduring well into the present time. As discussed above, even when the painting themes were selected from Korean history, the tradition of using history painting as a manifestation of political policy to glorify the local identity had its founding during the Meiji period. The elevation of folk art to the level of high art also goes back to the colonial promotion of local color and local sentiment. Again, the succession of the past (colonial) ideal was defended as the tradition assumed a distinct modern shape that was abstract in style. The concept of the "Orient" is of relative and changing nature. It was formulated in relation to Western culture or civilization. Whatever the real motive of the adoption of them had been, the superiority of the Orient was emphasized at all times. The essence of the Orient was always perceived as the metaphysical tradition as a way to downgrade Western culture as materialistic. This view still prevails and the principle of Orient was always sought in Confucianism, Taoism, and Buddhism. Even when Orientalism was employed by imperialist Japan in an effort to establish her position as the center of the Orient, the spiritual source was still in Chinese philosophy and religion. In art also, the Chinese literati tradition became the major platform for elite discourse. Orientalism was also defined locally, and the so-called local color was pursued in terms of theme and style. Thus trend continued despite the effort to eradicate the remnants of colonial culture long after liberation. These efforts are now being supported politically and also institutionalized to become the aesthetic ideal of the modern Korean art.

• 공연문화연구
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• 제32호
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• pp.595-628
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• 2016

창작판소리 집단 판소리공장 바닥소리가 2006년 시연한 잔혹소리극 <내다리내놔>는 전설의 고향 '덕대골'을 각색하여 창작판소리로 재탄생시킨 작품이다. 전설의 고향 '덕대골'은 KBS에서 방영된 전설의 고향 중에서도 "내다리 내놔"라는 대사를 통해 무서운 작품의 대명사로 꼽힌다. 북과 대금이 연주하고 소리와 그림자극으로 전개되는 잔혹소리극 '내다리내놔'를 접하면서 관객의 정서는 잔혹함을 중심으로 형성되게 된다. 잔혹함의 정서는 공포를 기반으로 한다. 어릴 적 접했던 전설의 고향의 섬뜩함을 주된 감정의 기반으로 하면서, 이야기 속에 담겨 있는 효에 대한 가치를 짧은 시간 안에 교육 대상에게 제공한다. 판소리라는 장르를 이용하여 우리의 생활 속에서 이루어지는 정서 및 가치에 대한 교육을 효율적으로 학습시킬 수 있음을 알 수 있다. 소리와 이야기, 몸짓 등 다양한 자극이 한데 어우러진 판소리는 훌륭한 교육의 수단이 될 수 있고, 판소리로 공연되는 작품이 어떠한 내용과 가치를 지녔는가에 따라 효율적이고 다양한 가치 교육과 그로 인한 정서 함양을 이루어낼 수 있다. 생활 속에서 쉽게 접할 수 있는 친근하면서도 다양한 소재를 통해 우리 고유의 언어와 풍속에 담긴 가치와 정서, 문화에 대해 각 연령대에 많이 사용하는 어휘나 각 연령대별 선호하는 리듬을 통해 접할 수 있도록 한다면 판소리를 접하는 대상이 호기심과 흥미를 갖고 그것에 대해 지속적인 관심을 가질 수 있다. 그러므로 이러한 장르를 교육에 활용한다면 교육적 효과는 클 것으로 기대된다. 이러한 효과적인 접근성에 기반을 두고 각 연령대에 맞는 어휘를 구사함으로써 그 내용을 쉽게 이해하게 함으로써 교훈적 내용을 원활하게 습득할 수 있는 기회를 제공하므로, 중요한 교육적 가치를 가지고 있다고 할 수 있다.

• 디자인학연구
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• 제17권1호
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• pp.231-240
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• 2004

21세기의 공간 디자인은 그 어느 시기보다도 다양한 미디어와의 관계 속에서 전개되고 있다. 대중문화로 대변되는 이미지의 시대에 미디어와 관계한 공간 디자인은 포스트 모더니즘 사회를 이루는 탈 이성적 사고에 기반을 두며 예술과 삶의 동질화를 통해 사회의 변화를 다의적이고 다원적으로 반영하고 있다. 현대사회를 이루는 다양한 환영주의적 미디어 이미지 중 특히 감각적으로 지각되는 이미지이며 가장된 비 실재적인 이미지인 영화라는 매체는 본연의 특별한 속성을 바탕으로 다양한 예술분야와 상호 연계를 맺으며 급속히 성장하였고 그 파급효과도 놀랄 만큼 커지고 있다. 영화는 극명한 현실감의 재현을 통해 실재로 존재하지 않는 것을 만들어 내고 의미 잃은 이미지들의 새로운 실재를 구성하기 위해 대중사회를 조작하고 이는 가상현실의 세계를 구축하는 요소로 작용하며 시뮬라르크 시대를 대변하는 환영성의 이미지를 창조해 나간다. 영화의 이러한 환영적 표현은 의미들에 대한 새로운 해체와 재 조합을 통해 새로운 의미를 생산하고 우리의 일상적인 삶과 가장 근접한 위치에서 대중문화를 총체적으로 표현한다. 이렇게 우리사회의 반영인 영화 환영성의 대한 분석적 태도는 공간 디자인의 관계에서도 새로운 접근방법으로 시도될 수 있다. 본 연구는 이런 영화의 환영성의 특징이 공간에서 영화와 공통적으로 도출되는 디자인적 개념언어로 활용되어 공간디자인의 한 방법론으로 적용될 수 있는 가능성을 제안하고자 한다.

• 한국산학기술학회논문지
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• 제16권7호
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• pp.4768-4776
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• 2015

본 연구는 재한 중국인 유학생의 문화적응스트레스 영향요인을 파악하기 위해 시도된 서술적 조사연구이다. 2014년 9월 1일부터 2015년 1월 31일까지 중국인 유학생 239명을 대상으로 구조화된 설문지를 이용하여 문화적응스트레스, 영적안녕, 종교활동에 대한 요구도를 파악하였다. 자료는 SPSS/PC 21.0을 이용하여 기술통계, t-test, ANOVA, 상관관계분석, 회귀분석으로 분석하였으며, 결과는 다음과 같았다. 대상자의 문화적응 스트레스는 5점 만점에 3.29점이었고, 전체 영적안녕은 5점 만점에 3.10점이었으며, 실존적 영적안녕과 종교적 영적안녕은 각각 3.67점과 2.54점 이었다. 한편 종교활동에 대한 요구도는 6점 만점에 4.37점으로 높은 편이었고, 문항별로 한국어 연습, 한국 생활에서 문제 발생 시 법적 자문, 한국문화 체험을 통한 한국에 대한 이해증진, 한국 생활에서 필요한 정보습득 순으로 높았다. 중국인 유학생의 문화적응 스트레스 영향요인은 연령, 학년, 한국거주기간, 한국어능력, 종교에 대한 요구도, 실존적 영적안녕으로 파악되었고, 총 설명력은 36.1%이었다. 이상으로 중국인 유학생의 문화적응 스트레스 개선을 돕기 위해서는 종교활동에서 신앙지도와 함께 유학생들이 한국문화에 대한 이해와 한국어 능력을 향상시키고, 유학생활 동안 문제가 발생했을 시 도움을 얻을 수 있는 실생활도움형 프로그램을 포함시켜야 할 것으로 생각한다.

• 산업경영시스템학회지
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• 제17권32호
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• pp.255-266
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• 1994

This study does present things to suggest to foreign multinational corporation or domestic corporation through the empirical study on the standardization level. If we summary this study, it is as follows. In chapter I, we did institute the problems and explain the objects and methods and system of the study. In chapter II, we did explain the universality of the culture and international advertisement. Next, we did explain the background of doing specialization strategy and standardization strategy. Also we did study the previous study about the arguements for and against these. Lsat we did institute the hypothesises as follows. - Hypothesis 1 $H_0$ : The use of westerner appeal means has been increased than 11 years before and is able to increase continuously. - Hypothesis 2 $H_0$ : The use of westerner model and knowned has been increased than 11 years before and is able to increase continuously. - Hypothesis 3 $H_0$ : The use of the English language has been increased than 11 years before and is able to increase continuously. - Hypothesis 4 $H_0$ : The use of the west short piece and background has been increased than 11 years before and is able to increase continuously. In chapter III, we did refer to the method of this study. First, we did adjust the measure of standardization index, and we did work coding it, such after the two coder did check the freguency of the appeal meanstype about the advertisement of four daily report. Then we did select eight production as high involvement production and seven production as low involvement. We did test the coder's trust degree on the such sample to be selected through the 't-test' of the SAS statistic program and regression analysis through the spss/$pc^+$ statistic program to approve the this study's hypothesises. In chapter IV, we did analysis the results of the empirical study on the high or low involvement productions. First, the results of t-test to approve the coder's trust degree is that it is same statistically attentionly the distribution of the sample between coder at 10% attention level. Next, the results of the regression analysis on eight hypothesises are as fellows. In case of high involvement production we are able to speak that the use of the English language appeal among the eight appeals is only standardized. And incase of low involvement production, we are able to speak that the use of the hard-sell appeal among the eight appeds is only standardized. Therefore we did conclude that the standardization level of Korea newspaper advertisement is low. Also this suggests that it will do plan and do the specialzation strategy or localization strategy foreign multinational corporation or domestic corporation in Korea newspaper advertisement. In chapter V, we do present the boundary of this study and new study methods.

• 비교문화연구
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• 제25권
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• pp.627-648
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• 2011

The study analyzed a diachronic distribution, social meanings and social evaluations of ROOJIN. 'Headline Database of Newspaper Articles' and 'Balanced Corpus of Contemporary Written Japanese' by KOKKEN were used as research data. There were 305 newspaper articles (About 0.2%) which contained the word ROOJIN at 'Headline Database of Newspaper Articles'. The number of newspaper articles related to ROOJIN started to increase in a rapid rate in 1972 and 1973. They were also increased in 1976, from 1981 to 1987, 1992 and 1993. The reasons of increasing of newspaper articles related to ROOJIN on those 4 periods of time could be summarized as follows. Firstly, there was a increasement of ROOJIN who are lonely, are not able to move about freely or live alone. Secondly, the understanding of a symptom of aging called BOKE was necessary. Thirdly, there were negative evaluations in a society towards ROOJIN. There were 453 cases which contained the word ROOJIN at 'Balanced Corpus of Contemporary Written Japanese' on the data since 2000. The most frequently used words were ones that are related to senior care facilities. There were 109 cases (24%) which contain those words. '~SISETSU', '~SENTA-', '~HO-MU' were presented as words related to senior care facilities. Among them, 78 cases contained the word '~HO-MU' which was similar to a home with family members. The second most frequently used words were ones that are related to 'welfare for the aged' and they are led by 'medical care for the aged'. They occupied about 8%. Institutionalization of medical care for the aged, medical expenses, nursing were presented as words related to 'medical care for the aged'. Words that were related to 'welfare for the aged' led by 'senior care facilities' and 'medical care for the aged' occupied about 32% of research data. As mentioned above, problems of the aged in Modern Japan such as negative evaluations in a society towards ROOJIN, ROOJIN who are lonely, are not able to move about freely or live alone, BOKE could be identified by analyzing the data. Also, The frequent usage of words such as 'Home for the aged', 'medical care for the aged' and 'nursing' could be identified. The outcome of analysis suggested that a family traditionally had a function of solving problems of the aged but that function was reduced in modern Japan. It also suggested that there was a tendency to outsource problems of the aged as much as possible.

• 한국균학회지
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• 제30권1호
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• pp.50-55
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• 2002

국내 느타리버섯 재배지의 버섯파리 사충으로부터 분리하여 버섯파리 유충에 높은 독성을 나타낸 Bacillus thuringiensis subsp. israelensis Bti-D와 Bti-U 균주를 이용하여 느타리 버섯파리에 대한 생물학적 방제효과를 검정한 결과, 느타리버섯 병재배시는 Bti-D와 Bti-U의 방제가가 각각 74.4%와 64.2%이었으며, 소형상자재배시는 75.8%와 56.8%였다. Bti-D와 Bti-U의 제제화를 위한 대량배양용 염가배지를 개발하기 위하여 배지종류별 세균증식량을 OD를 측정하여 비교한 결과, 2균주 모두 비지배지에서 가장 높았다. 두 균주 중 방제효과가 더 높은 Bti-D 균주를 비지배지에서 대량배양하여 몇 종류의 수화형 미생물 살충제를 만들고 느타리버섯 병재배와 상자재배에서 방제효과를 검정한 결과, 병재배에서 bio-gel로서 옥수수전분을 이용하여 만든 WCS 제제의 방제가가 86.4%로 가장 높았으며, 생균처리의 69.1%보다도 효과적이었다. 또한, 이 WCS 제제를 살포하기 위하여 희석할 때 pH 8로 보정된 물을 사용할 경우에는 방제가가 93.2%로 제고되었다. 상자재배에서는 pH 8로 보정된 물을 사용한 WCS 제제와 화학살충제인 주론수화제의 방제효과와 버섯수량에 미치는 영향을 동시에 비교하였는데, WCS 제제 처리시 방제가는 74.3%로서 주론수화제 처리시 92.2% 보다 낮았다. 그러나 버섯수량 비교에서는 WCS 제제를 처리할 경우 무처리나 주론수화제 처리에 비해 수량이 증가되었다.

• Asia pacific journal of information systems
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• 제19권1호
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• pp.113-145
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• 2009

Recently, due to the globalization of the IT(Information Technology) market, devices and systems designed in one country are used in other countries as well. This phenomenon is becoming the key factor for increased interest on cross-cultural, or cross-national, research within the IT area. However, as the IT market is becoming bigger and more globalized, a great number of IT practitioners are having difficulty in designing and developing devices or systems which can provide optimal experience. This is because not only tangible factors such as language and a country's economic or industrial power affect the user experience of a certain device or system but also invisible and intangible factors as well. Among such invisible and intangible factors, the cultural characteristics of users from different countries may affect the user experience of certain devices or systems because cultural characteristics affect how they understand and interpret the devices or systems. In other words, when users evaluate the quality of overall user experience, the cultural characteristics of each user act as a perceptual lens that leads the user to focus on a certain elements of experience. Therefore, there is a need within the IT field to consider cultural characteristics when designing or developing certain devices or systems and plan a strategy for localization. In such an environment, existing IS studies identify the culture with the country, emphasize the importance of culture in a national level perspective, and hypothesize that users within the same country have same cultural characteristics. Under such assumptions, these studies focus on the moderating effects of cultural characteristics on a national level within a certain theoretical framework. This has already been suggested by cross-cultural studies conducted by scholars such as Hofstede(1980) in providing numerical research results and measurement items for cultural characteristics and using such results or items as they increase the efficiency of studies. However, such national level culture has its limitations in forecasting and explaining individual-level behaviors such as voluntary device or system usage. This is because individual cultural characteristics are the outcome of not only the national culture but also the culture of a race, company, local area, family, and other groups that are formulated through interaction within the group. Therefore, national or nationally dominant cultural characteristics may have its limitations in forecasting and explaining the cultural characteristics of an individual. Moreover, past studies in psychology suggest a possibility that there exist different cultural characteristics within a single individual depending on the subject being measured or its context. For example, in relation to individual vs. collective characteristics, which is one of the major cultural characteristics, an individual may show collectivistic characteristics when he or she is with family or friends but show individualistic characteristics in his or her workplace. Therefore, this study acknowledged such limitations of past studies and conducted a research within the framework of 'theoretically integrated model of user satisfaction and emotional attachment', which was developed through a former study, on how the effects of different experience elements on emotional attachment or user satisfaction are differentiated depending on the individual cultural characteristics related to a system or device usage. In order to do this, this study hypothesized the moderating effects of four cultural dimensions (uncertainty avoidance, individualism vs, collectivism, masculinity vs. femininity, and power distance) as suggested by Hofstede(1980) within the theoretically integrated model of emotional attachment and user satisfaction. Statistical tests were then implemented on these moderating effects through conducting surveys with users of four digital devices (mobile phone, MP3 player, LCD TV, and refrigerator) in three countries (US, Germany, and Russia). In order to explain and forecast the behavior of personal device or system users, individual cultural characteristics must be measured, and depending on the target device or system, measurements must be measured independently. Through this suggestion, this study hopes to provide new and useful perspectives for future IS research.

• 디지털융복합연구
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• 제14권10호
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• pp.499-506
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• 2016

본 연구는 한국 소설에 재현된 다문화 사회 장애 남성상에 주목하여 소설적 재현이 갖는 한계와 가능성, 결혼 이민 여성과 한국 장애 남성의 결합이 갖는 의미를 규명해 보고자 하였다. 이를 위해 연구목적에 부합하는 다섯편의 한국소설을 분석하고 비판하였다. 그 결과, 결혼 이민 여성과 결합한 장애남성의 경우 장애로 인해 본능에만 충실하거나 사회적 제약을 받는 소수자로서 재현되고 있으며, 결혼 이민 여성에 대한 가해자나 조력자로 드러나고 있다. 이는 결혼 이민 여성과 장애 남성의 결합이 가져올 수 있는 현실적인 문제들과 소설 속에 재현된 '장애'와 '남성'이 갖는 의미망을 보여주고 있다는 점에서 가치를 갖는다. 그러나 이러한 정형화된 표현은 다문화 사회에서 장애 남성이나 결혼 이민 여성에 대한 왜곡된 이미지를 초래할 수 있다는 점에서 문제적이다. 이러한 연구결과를 토대로 다문화 장애인 가정의 문제들이 개선되어 나가고, 소설 창작 속에서도 결혼 이민 여성과 한국 장애 남성이 편향된 재현을 벗어나 현실에 뿌리내린 대등한 소통관계로 온전히 그려졌으면 한다.