• 대한음성학회:학술대회논문집
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• 대한음성학회 1996년도 10월 학술대회지
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• pp.224-228
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• 1996

This paper is intended as a study on how an utterance is divided into rhythmic units in Standard Korean with respect to its syntactic structure. With respect to the data in this study I used 150 sentences which contained similar number of words and various syntactic structures. Those sentences were read by 7 speakers of Seoul dialect in a conversation style. Each sentence was read twice in a normal speed and twice in a fast speed. As a total, 4200 sentences were recorded. Then listening to them, the author marked the sentences with two kinds of boundaries i.e. strong and weak. To explore the relationship between rhythmic units and syntactic structure I devised a framework of grammatical symbols. Each symbol is designed to have both syntactic and morphological information at the same time. So I assigned those grammatical symbols to the sentences. Having sentences marked with grammatical symbols on the one hand, and with the rhythmic boundaries on the other hand, 1 could show the relationship between rhythmic units and syntactic structure; which syntactic structures are likely to be pronounced as one rhythmic unit, and which are on the rhythmic boundaries.

• 말소리와 음성과학
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• 제10권4호
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• pp.45-52
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• 2018

This study investigates the effect of Japanese (L1) on the production of the Korean rhythmic structure. Korean and Japanese have typologically different rhythmic structure as a syllable-timed language and mora-timed language, respectively. This rhythmic difference comes from the different phonological properties of the two languages. Due to this difference, Japanese speakers that are learning Korean may produce a different rhythm than native Korean speakers' rhythm. To investigate the influence of the native language's rhythm on the target language, we conducted an acoustic analysis using acoustic metrics such as %V, VarcoV, and VarcoS. Four Korean native speakers and ten advanced Japanese Korean learners participated in a production test. The analyzed material consisted of six Korean sentences that contained various syllable structures. The results showed that KS and JS's rhythms are different in %V as well as in VarcoV. In the case of VarcoS, significant rhythmic difference was observed in the VC and CVC syllable, in which the coda segment is nasal sound. This study allowed us to observe the influence of L1 on production of L2 rhythm.

• 한국음향학회:학술대회논문집
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• 한국음향학회 1999년도 학술발표대회 논문집 제18권 2호
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• pp.387-390
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• 1999

This study Is on the experimental explanation of Intonation of news sentences with focus on the Korean noun phrase, pronounced by announcers. For this, with a basic form as $'{\_}case particle\;+\;{\_}adnominal ending\;+\;Noun'$ which is a common structure in these sentences, we classified NPs according to the added constituents and examined their intonation. And with examining the connection or the breaking of intonation patterns, we described the relation between neighbouring words which build 'a rhythmic unit'.

• 대한간호학회지
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• 제30권3호
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• pp.776-790
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• 2000

Every year the number of the elderly increases in Korea thanks to the improvemen of social and economical levels and the development of medicine. However, many problems such as insufficent care and the isolation of the elderly have been commonplace. This trend exists not only because of increased lifespan but also the changing social structure of the nuclear family. Accordingly, inspite of the development of medicine, geriatric diseases including circulatory diseases are increasing in proportion of elderly population, as well as the severity. Therefore, it is important to emphasize that health care programs provide the best possible health care and functional capacities in terms of healthy elderly lifestyles. Especially, the phenomena of aging and geriatric diseases taking place with the elderly naturally are affected by lifestyle and the drastic changes in exercise patterns. This study aims to improve geriatric health by introducing a rhythmic movement program for the elderly to estabilish a health-promoting self-care system and by developing quality of life, perceived health status, their physical and physiological functions and emotional state. The theoretical framework used in this dissertation is derived from the Health-Promoting Self-Care System Model (Simmons, 1990), which integrates the Self-Care Deficit Nursing Theory (Orem, 1985), the interaction model of Client Health Behavior (Cox, 1982) and the Health Promotion Model (Pender, 1987). As a quasi-experimental design, the nonequivalent control group pretest-posttest design is utilized for this study. The subjects of this study consist of 64 people, over 65 years old who live in 2 nursing homes for the aged located in S city , Kyong-gi province and volunteered for this study from July, 12, 1999 to September, 17, 1999. They are divided into two groups：33 in the experimental group and 31 in the control group. The experimental group particpated in the Rhythmic Movement Program at the nursing home, which was comprised of 45 minutes a session, 5 sessions a week during 9 weeks. In order to measure the results of the Rhythmic Movement Program, aspects of perceived health status, balance, flexibility, grip strength, leg strength, heart rate, blood pressure, depression, anxiety and the quality of life were measured before and after participating in the Rhythimic Movement Program for the experimental group after 9 weeks, as well as the control group. The collected data were processed by SPSS PC+ and analyzed by the X2 test, t-test, ANCOVA and the Pearson Correlation Coefficient. The results of this study are as follows: 1. The perceived health status conditions in the experimental group show statistically significant improvement when compared to the control group (F=17.51, p=.000). 2. The physical and physiological functions, that is, balance (F=17.51, p=.000), flexibility (F=8.01, p=.006), grip strength (F=3.21, p=.018) and leg strength (F=25.78, p=.000) in the experimental group are higher than the control group. The vital signs, that is, the number of heart rate (F=.022, p=.884), systolic pressure (F=1.73 p=.193), and diastolic pressure (F=2.74, p=.103) in the experimental group compared to the control group decreased, but doesn't show statistically significant differences. Immune responses (F=5.13, p=.003) showed statistically significant increases in the experimental group when compared to the control group. 3. The emotional state are improved, that is, degree of depression (F=11.56, p=.001) and degree of anxiety (F=9.14, p=.004) in the experimental group showed statistically significant decreases. 4. The quality of life in the experimental group (F=3.03, p=.037) showed statistically significant differences compared to the control group. 5. The observations of the relationships among the perceived health status, emotional state , the quality of life, the relationships between the perceived health status, the degree of depression (r=-.653, p=.000) and the degree of anxiety (r=-.786, p=.000) were in contrary propotions, while the relationships between the perceived health status and the quality of life (r=.234, p=.008) were in direct propotion. In conclusion, the Rhythmic Movement Program used in this study for geriatric nursing care is simple and safe for application to the elderly and shows significant effects by implementing 5 sessions a week for 9 weeks. The Rhythmic Movement Program improves the quality of life, maintains as well as improves the physical and physiological fuctions and emotional state, therefore this program is strongly recommended for positive applications for independant geriatric nursing health care.

• 공연문화연구
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• 제39호
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• pp.669-700
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• 2019

풍물굿은 신성한 종교의식이고, 이는 인간이 절대적인 존재에게 바치는 신성한 행사이다. 종교의식에는 공동체 집단의식으로서 제의적인 행동이 수반되고, 음악은 그 중 가장 핵심적인 제의적 요소이다. 즉, 종교와 종교의식은 인간이 만든 것이다. 풍물굿 가락은 풍물굿의 종교성과 신성성을 소리로 구현하는 종교적 의미를 갖는다. 그리고 풍물굿 가락은 인간의 제의성을 발현하는 음악적 상징을 갖기도 한다. 풍물굿의 채굿은 한 가락에 쳐지는 징의 점수에 따라 가락 이름을 부여한다. 즉, 가락 이름이라는 기표(記標)와 가락이라는 기의(記意)를 직접적으로 지칭하는 음악적 기호의 전형적인 사례이다. 그러므로 채굿은 인간이 '만든' 인위적인 가락이다. 이글에서는 채굿의 형성원리를 규명하여 채굿의 제의적 상징성을 밝히고자 한다. 채굿은 삼채~칠채가 기본이다. 그 원리는 조선시대 군사 훈련의 기본진법인 오방진법(五方陳法)의 '고진금퇴가(鼓進金退歌)'의 원리에 따른 것이다. 조선 초기 간행된 각종 병서에서 진법의 기본원리가 된 오방진법은 북과 징의 '오타(五打)'의 원리에 의해 작동한다. 북과 징의 '오타' 원리는 진법 계획을 반영한 것이다. 그리고 '오타'의 구조원리가 채굿 형성의 토대가 되었을 것으로 여겨진다. "채굿의 원형"으로 꼽히는 곡성죽동농악의 삼채~칠채는 기본형인 삼채 가락에 3소박 2장단 가락이 하나씩 더해지면서 다섯 개의 가락인 사채~칠채 가락을 만든다. 삼채 가락은 우리나라에서 가장 흔한 3소박 4박 장단에 징을 제1, 2, 3박에 3점 치는 가락이다. 삼채 가락은 징을 3점 쳐서 '리듬적 요란함(rhythmic noise)'을 통한 규정된 일탈을 통해 제의성을 담지한 가락이다. 그리고, 징 3점에 따라 이름을 붙여서 '삼채 '라는 기표와 삼채 가락이라는 기의가 일치하는 상징성을 갖게 된다. 징 3점의 '삼채' 가락을 기본으로 3소박 2박씩 징이 1점 들어가는 가락을 더해서 사채~칠채 가락이 완성된다. 즉, 삼채~칠채 가락은 오방진법의 '오타' 구조원리가 반영된 것이다. 여기에 오래되고 제의성을 담보한 혼소박 4박의 일채 가락이 더해지고, 일채와 삼채 가락의 다리 역할을 위하여 징을 2점 치는 이채 가락이 더해진다. 이것이 채굿의 형성원리이다. 오채질굿은 징 5점의 '오채'와 제의적 가락인 '질굿(길굿)'이 혼합된 것이다. 오채질굿은 5장단으로 구성된 가락으로서, 각 장단의 매 첫 박에 징 1점이 들어가는 가락이다. 이는 동남아시아 등지에서 흔히 발견되는 콜로토믹(colotomic) 음악형식의 반영으로서, 조선 초기 각종 음악에서 나타나는 '고요편쌍(鼓搖鞭雙)' 장구형의 흔적이기도 하다. 길군악칠채도 징 7점의 '칠채'와 제의적 가락인 '길군악(길굿)'이 혼합된 것이다. 길군악칠채는 3장 형식으로서 경기 지역의 평시조 및 <노랫가락>과 음악적 특징을 공유한다. 결국 채굿은 인간에 의해 인위적으로 만들어진 가락이다. 채굿은 징점에 의한 가락의 이름이라는 기표와 음악적 가락이라는 기의가 일치하게 만들어진 가락이다. 그러므로 채굿은 종교적 제의성을 위해 인위적으로 고도의 음악만들기(music-making)의 원리로 만든 가락이다.

• 한국언어정보학회:학술대회논문집
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• 한국언어정보학회 2007년도 정기학술대회
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• pp.405-414
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• 2007

This paper describes a preliminary work on prosody modeling aspect of a text-to-speech system for Thai. Specifically, the model is designed to predict symbolic markers from text (i.e., prosodic phrase boundaries, accent, and intonation boundaries), and then using these markers to generate pitch, intensity, and durational patterns for the synthesis module of the system. In this paper, a novel method for annotating the prosodic structure of Thai sentences based on dependency representation of syntax is presented. The goal of the annotation process is to predict from text the rhythm of the input sentence when spoken according to its intended meaning. The encoding of the prosodic structure is established by minimizing speech disrhythmy while maintaining the congruency with syntax. That is, each word in the sentence is assigned a prosodic feature called strength dynamic which is based on the dependency representation of syntax. The strength dynamics assigned are then used to obtain rhythmic groupings in terms of a phonological unit called foot. Finally, the foot structure is used to predict the durational pattern of the input sentence. The aforementioned process has been tested on a set of ambiguous sentences, which represents various structural ambiguities involving five types of compounds in Thai.

• 한국신재생에너지학회:학술대회논문집
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• 한국신재생에너지학회 2005년도 춘계학술대회
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• pp.512-515
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• 2005

The Korean peninsula has a number of coastal sites where the rhythmic rising and lowering of water surface due to tides result in strong tidal current. The kinetic energy of these currents can be efficiently exploited by using tidal current turbines. The pilot tidal current power plant is to be constructed at the Uldolmok between Chindo and Haenam. Extensive coastal engineer ing research works have been carried out. This paper describes some observation results of field campaign, design of the supporting structure of a pilot plant of 1,000kW and a future tidal current power plant and so on.

• 말소리와 음성과학
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• 제16권2호
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• pp.11-17
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• 2024

The goal of the current study is to investigate whether L2 learners' perceptual ability regarding epenthetic vowels is interconnected with other aspects of speech recognition, such as lexical stress, sentence focus, and vowel recognition. Twenty-five Korean L2 learners of English participated in perception experiments assessing vowel epenthesis oddity, lexical stress oddity, sentence focus oddity, and vowel identification. Results indicate that accuracy on the vowel epenthesis oddity test is influenced by both lexical stress and sentence focus, suggesting that perceptual ability regarding epenthetic vowels is influenced by the acquisition of L2 rhythmic structure at both word and sentence levels. Additionally, this study identifies a proficiency effect on vowel epenthesis recognition, implying that the influence of L1 phonotactics diminishes as L2 proficiency increases. Taken together, this study illustrates the interaction between perceptual abilities in vowel epenthesis and prosodic stress in the field of L2 speech perception.

• 말소리와 음성과학
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• 제15권3호
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• pp.27-35
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• 2023

본 연구에서는 중국인 한국어학습자들의 한국어 낭독발화에서 나타나는 리듬의 변화양상을 한국어 모국어화자와의 비교를 통해 분석하였다. 그리고 이를 통해 모국어화자와 구별되는 리듬의 물리적 속성을 고찰하여 목표어의 리듬 습득과정에서 나타나는 중국인학습자들의 발화 특성을 고찰하고자 하였다. 한국어와 중국어는 리듬 유형론적으로 다른 범주에 속한다. 일반적으로 한국어는 음절박자언어와 강세박자언어의 모습을 모두 보이는 것으로 알려져 있으며 중국어는 음절박자언어로 분류된다. 두 언어는 음절구조, 어휘강세나 모음약화 현상의 부재 등 음운론적으로 유사한 특성을 보이지만 세부적인 차이도 존재한다. 이런 맥락에서 본다면 한국어 리듬 실현에서 모국어인 중국어의 긍정적 전이와 부정적 전이가 모두 나타날 수 있을 것이다. 본 연구에서는 표준어를 구사하는 한국어 원어민화자 5명과 한국어 숙달도 고급 수준의 중국인한국어학습자 10명이 발화문을 녹음하여 분석하였다. 분석자료는 다섯 문장으로 구성된 한 단락의 담화이다. 중국인 한국어학습자들의 한국어 리듬구조를 파악하기 위해 %V, VarcoV, nPVI_V, nPVI_S값을 측정하였다. 측정결과 %V와 VarcoV의 값에서 두 그룹은 모두 음절박자언어의 특성을 보였다. 그러나 중국인학습자들은 한국화자와는 유의미한 차이로 낮은 %V와 높은 VarcoV를 보여 보다 강세박자언어에 가까운 리듬구조를 보였다. nPVI_S값에서는 유사한 면이 관찰되었으나 nPVI_V에서 두 그룹 간 유의미한 차이가 나타났다. 두 그룹에서 나타난 리듬구조의 차이는 무엇보다 모음 길이의 변동의 차이로 귀속될 수 있고 그 원인은 중국어에 존재하는 모음 위계의 차이에서 비롯되는 것으로 판단되었다. 이러한 모국어의 발화습관이 한국어 리듬구조에 영향을 미쳐 보다 강세박자언에 가까운 속성을 보이며 이로 인해 한국어 모국어 화자와 다른 청지각적 리듬 차이를 유발한다고 할 수 있다.

• 음성과학
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• 제9권3호
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• pp.185-200
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• 2002

The current study confirmed the existence of an ip prosodic level in French intonation structure, as previously proposed by Sun-Ah Jun & $C\acute{e}cile$cile Fougeron (2000). However, in contrast to the previous suggestion of the plateau realized in an ip in several syntactic structures, the current study supposed that the plateau doesn't come from the different type of syntactic structures but arise from the unspecified syllables without any PA in an ip. Because if we limited ip phrasal tone to the syntactic structure, it would be difficult to find the more general reasons of ip level. Besides /Hi/ and /$H^*$/ we also used /$Hi^*$/ for the focused syllable in the current study. In emphasized sentences, in general, /$Hi^*$/ appeared in the first or second syllable of a leftward AP in an ip and /$H^*$/ in the final syllable of a rightmost AP of an ip, In contrast to these PAs, /$Hi^*$/ might appear in any syllable in an ip, but not to far from /$H^*$/ because the duration time and length t of plateau realized between /$Hi^*$/ and /$H^*$/ or /Hi/ and /$H^*$/ would make an essential harmonious rhythmic unit, Therefore, the current study determined the duration time and the number of syllables realized in each plateau in an ip level composed of more than one AP. As a phrase constituent structure, there is a practical need for intermediate prosodic units to allow for generalization over the many possible combinations of prosodic patterns that can occur. Further evidence is still needed to analyze and relate the different pitch ranges of the plateau of an ip according to the syntactic structure, to identify the considerable character in the French prosodic hierarchy.