• 건축역사연구
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• 제19권6호
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• pp.79-98
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• 2010

If we take account of the 'Architectural Tradition' which aims a construction of better environment, we can see that this tradition has ended historically toward Utopia. And the concrete concepts of utopia mainly started on the Renaissance periods. The Utopias were described well in the literatures which contained particularly three representative utopian books in Renaissance period. The one was the most famous novel by Sir Thomas More and the other were by Tommaso Campanella and by Francis Bacon. These novels expressed ideal commonwealths in which inhabitants exist under perfect conditions, ideally perfect places or state of things. The plans of utopia are complete projects of image, its goal is an political, social and economical improvement according to the eras. Their utopias mostly had characteristics as follows; their shape of islands were almost circle, their shape of cities were rectangularity or circle and attached importance to geometrical compositions, their structure of cities were self-sufficiency in closed spaces and their architectural characteristics were uniformity, simplicity and non-ornament. And these architectural characteristics are urban and architectural traditions in communist countries. Also their utopian novels had not much explanations to daily lives of people like as birth, death, relative, mental conflict or authority, money, art. So their utopian novels were not practical and had inappropriate aspects.

• 철학연구
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• 제97호
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• pp.5-31
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• 2012

공자는 종종 중국 정치 전통이 가진 보수성의 상징으로서 다루어졌고, 그에 따라 혹독한 비판대상이 되었다. 공자가 상징한다는 "보수성"을 어떻게 정의하든 관계없이, 공히 지적되어 온 점은 논어(論語)의 내용이 과거의 전통에 대한 존숭의 태도를 공공연하게 표명하고 있다는 사실이다. 그런데 공자의 보수성에 대한 논란을 근본적으로 재고하게끔 만드는 흥미로운 고고학적 성과가 근년에 제출되었다. 고고학자 폴켄하우젠(Lothar von Falkenhausen)은 그간 중국 내외에서 진행된 청동기 유물 고증을 치밀하게 종합하여, 공자가 주공(周公) 당시에 융성했다고 간주하고 자신이 계승하겠다고 천명한 이상적 문화의 모습이, 공자가 말한 것보다는 훨씬 근과거에 일어난 것임을 보여주었던 것이다. 따라서 본 논문은 고고학적 연구를 통해 불거진 모순을 계기로 하여, 공자의 "보수성"과 관련되어 논의되어온 논어의 핵심 부분을 재해석하여, 공자가 "과거" 혹은 "전통"과 맺은 관계를 보다 풍요롭게 해명하고자 한다. 그리고 그와 같은 과정을 통해 해명된 내용은 공자의 정치적 비전을 새롭게 조명할 기회를 부여할 것으로 기대한다.

• 패션비즈니스
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• 제27권6호
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• pp.99-109
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• 2023

Loewe Craft Prize is currently the most influential craft contest. During the contest, contemporary craftworks, as art with excellent aesthetic value, are selected as finalists but there are no enough studies on them as subjects. This study aimed to investigate contemporary textile pieces found in the fashion brand Loewe's Craft Prize, a Loewe Foundation Craft Prize and elucidate their expressive characteristics. The methodology of the study was a qualitative study that derives the expressive characteristics of the works within the scope of the study through case analysis along with theoretical reviews. The selection of research subjects was based on 22 works of textile pieces among the works selected as finalists for the last six years since the first year of the prize in 2016. The analysis of textile pieces showed first, the emphasis on traditional expression, second, the development of new expressive techniques for the material, and third, the pictorial character revealed in flat pieces. The expressive characteristics of contemporary textile art shown in the Loewe Foundation Craft Prize, derived based on such results were, first, the confirmation of the unique capabilities of craft through the inheritance of tradition, second, the rediscovery of textile properties through material experimentation, and third, the possibility of expanding the field of textile due to the pictorial character.

• 미술이론과 현장
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• 제1호
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• pp.109-144
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• 2003

Orientalness is a concept that expresses the collective identity of the Orient in relation to the West. The concept itself is mutable and defined by the relationship between the two regions at different points in time. Changes in the concept depend on a number of factors, such as cultural influence, the political balance of power between the two regions, and on the interpretative scheme that defines the relationship. In addition, the geographical notion of the concept evolves culturally, socially and politically. During this process, Oriental-ness becomes Oriental-ism at times. I will attempt to survey and measure the progression of Orientalness from its emergence in early 17th century to its subsequent transformation in modern Korea as reflected in art theory and art works. The recognition of the comparative characteristics of Oriental art began when the Orient was exposed to the art of the West in the late Ming dynasty during the early 17th century. The changes in the artistic climate in China affected the late Chosun. I will start with a brief introduction of this time and the birth of Orientalness. The concept gradually changed during the period of Enlightenment(開化期) towards the end of the 19th century, and during the colonial period( 1910-1945) it took on a new form. Establishment of the concept of "Orient"as a single, unifying concept spanning across cultures and national boundaries has been attributed to late Meiji period Japan, whose intention at that time is believed to have been to build a pan-Asia(亞細亞) empire with Japan at its commanding center. It has been stressed that the real motive behind the formation of one single cultural unit, where the shared common written language was Chinese and Confucianism and Taoism were the common metaphysical traditions, was to build one political unit. When the notion of a geographical unit of Asia was replaced by the concept of Asia as a cultural and political unit, a massive growth of interest and discourse were provoked around the concept of Orientalism. When Orientalism was being formulated, Korea automatically became member of "one Asia" when the country became colonized. For Koreans, the identity of the Orient had to be defined in cultural terms, as the political notion of a nation was non-existent at that time. The definition of identity was pursued at two levels, pan-Asian and local. If Orientalism was an elite discourse centered in pan-Asian philosophical and religious tradition, localized Orientalism was a popular discourse emphasizing locality as the byproduct of natural geographic condition. After the liberation in 1945 from colonial rule, a thrust of movement arose towards political nationalism. Two types of discourses on Orientalism, elite and popular, continued as central themes in art. Despite the effort to redefine the national identity by eradicating the cultural language of the colonial past, the past was enduring well into the present time. As discussed above, even when the painting themes were selected from Korean history, the tradition of using history painting as a manifestation of political policy to glorify the local identity had its founding during the Meiji period. The elevation of folk art to the level of high art also goes back to the colonial promotion of local color and local sentiment. Again, the succession of the past (colonial) ideal was defended as the tradition assumed a distinct modern shape that was abstract in style. The concept of the "Orient" is of relative and changing nature. It was formulated in relation to Western culture or civilization. Whatever the real motive of the adoption of them had been, the superiority of the Orient was emphasized at all times. The essence of the Orient was always perceived as the metaphysical tradition as a way to downgrade Western culture as materialistic. This view still prevails and the principle of Orient was always sought in Confucianism, Taoism, and Buddhism. Even when Orientalism was employed by imperialist Japan in an effort to establish her position as the center of the Orient, the spiritual source was still in Chinese philosophy and religion. In art also, the Chinese literati tradition became the major platform for elite discourse. Orientalism was also defined locally, and the so-called local color was pursued in terms of theme and style. Thus trend continued despite the effort to eradicate the remnants of colonial culture long after liberation. These efforts are now being supported politically and also institutionalized to become the aesthetic ideal of the modern Korean art.

• 기독교교육논총
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• 제68권
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• pp.307-344
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• 2021

1880년대 초기 개신교 선교사들이 한국에 복음을 전한 이후 한국 개신교는 양적 성장에 이은 질적 성장을 추구하고 있다. 신학, 목회, 사회 참여, 윤리, 교육, 상담, 역사, 영성 등 다양한 분야에서 질적 성장을 위한 목회자들과 학자들의 노력이 이어지고 있다. 기도는 한국 개신교의 역사와 신앙에 있어 중요한 영적 자원이자 방법이었다. 한국 개신교 기도전통에 대한 역사적이고 이론적인 연구가 지속하고 있고 시대와 상황에 맞게 재정립할 필요가 대두되고 있다. 이러한 역사적 흐름 속에서 개신교의 변화와 기도 교육을 위해 한국 개신교 기도전통을 정리해 그 의의를 서술할 필요가 있다. 본 연구는 한국 개신교 기도전통의 특징적 요소에 대해 분석하고 교회와 기독교교육에 있어 어떤 의의가 있는지 논한다. 또한, 한국 개신교에 특정한 기도의 요소가 자리 잡게 된 원인이나 배경을 분석하고 최근 다루어지는 주제와의 관계를 서술한다. 이러한 시도를 통해 한국 개신교 기도전통이 기독교교육에 어떤 의미가 있으며, 향후 교육의 내용, 방법, 목적 등을 연구하고 고찰할 때 새롭게 논의되고 고려되어야 할 점이 무엇인지 제안한다. 본 연구는 개신교 초기 기도의 교육적 요소와 비교육적 요소를 구분할 수 있다는 점과 개신교 기도전통의 특징을 이해하면서 동시에 기독교 전체 역사와 전통의 관점에서 기도 교육이 이루어져야 함을 주장한다.

• 시큐리티연구
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• 제39호
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• pp.7-35
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• 2014

이 연구는 1660년부터 지금까지 350여년이란 역사를 가지고 있는 영국 왕실근위대의 변천사와 조직구조, 임무에 관한 조사와 함께 왕실근위대 교대식과 한국 수문장 교대식의 비교 분석을 통해 우리에게 시사(示唆)하는 바가 무엇인지 밝혀보고자 했다. 연구 결과를 요약하자면 입헌군주제를 유지하고 있는 영국왕실은 영국을 대표하는 상징으로써 350년 동안 왕을 호위하는 왕실근위대가 존재해왔다. 왕실근위대는 영국 육군 소속의 정규군으로 현재 2개 기병연대와 5개 보병연대를 비롯하여 왕립기마포병대 등이 하나가 되어 왕실근위사단을 이루고 있다. 이들의 임무는 크게 구분하면 왕을 호위하고 궁 경비, 국가 의식행사에 동원되는 임무 외에 최정예 부대로 전투에도 참여하고 있음을 알 수 있었다. 영국의 왕실근위대와 한국 수문장 교대식 비교에 있어서는 왕 호위, 궁 경비 등과 전통계승 차원이라는 점에서 유사점을 찾을 수 있었고, 반면 기본적인 취지와 목적, 광관상품화 과정, 전담조직 등에서 차이점을 발견할 수 있었다. 왕실근위대는 영국을 대표하는 세계적인 이미지로 잡아온 반면, 한국 수문장 교대식은 사적자료의 고증을 통한 문화재연 행사로 전통계승, 관광산업적 측면을 강조해왔지만, 세계의 유일의 독특한 왕실 호위 및 경비 문화를 전반적으로 담을 수 있는 콘텐츠로는 미흡한 점이 있어 이를 개선할 수 있는 방안을 제시하였다.

• 한국비블리아학회지
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• 제2권1호
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• pp.132-177
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• 1974

Toe public library may perform a social good only when its objectives are adequate to the community's needs. The present purpose of the public library in the Korean Library Act has no direct concern for our social needs from its very beginning because it was not created in response to our social needs but transplanted from American principles. It is, therefore. difficult to expect socially useful output of our public library programs under the present purpose which may be inadequate to our social tradition and needs. This study purposes to examine validity of the present purpose of the public library in the Korean Library Act, in the light of our community needs and our own library tradition. The methods employed to achieve the purpose of the study are (1) to survey needs of the library frequenters through questionnaire, and interviews with the public librarians in Seoul, (2) to gather the statistical data relevant to, and supporting, the hypothesis, and (3) to compare our social background with that of the United States of which the American purpose, a model for our present purpose, came out. The conclusion is as follows: A. The idea to induce people to pull themselves upward by providing for all the members of the community access to the world's best books shelved in the public library should be abandoned. The reasons are (1) that the idea is alien in our public library tradition, (2) that little demand of the community goes with the idea, and (3) that reading outside the library has come into wide practice, thanks to recent increase in individual income and that in publications. B. That the public library maintains fiction and other recreational reading materials is meaningless in the light of the community needs. These are the two explanations supporting the thesis. (1) The "uplift" theory has proved inoperative and people apparently do not progress from, light fiction to more respectable fare. (2) The conviction that fiction and other recreational reading materials keep the middling classes from the "vicious" entertainments maintaining order in the community by giving them a harmless source of recreation has lost its significance as the modern society provides a number of choices in recreation: television is an obvious example. C. The nature of the informational needs of the community has radically changed, so radically as to require substantial changes in the outlook, collections, and services of the public library, which is :slow in adopting itself to the new social surroundings in Korea. D. 92.2 per Cent of the present frequenters of the public library are high school and college students. Since the library is to meet the existing community needs it should turn its attention to the student group, and develop the means to serve it better, not the "theoretical group of specialists who do not come to "the public library. E. In revision of the purpose of the public library, priority of each objective should be given. The priorities in the last analysis are research and information. culture, recreation in that order.

• 복식
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• 제29권
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• pp.197-208
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• 1996

Skins were manufactured in Korea since the early prehistoric period and were manufac-tured and used from the period of the three Kingdoms and Koryo through the Chosun era. These materials were developed into skins through a tradition of thousand years, . In Korea the Orient Culture of nomadic tribes and Mesopotamia Culture of stock-farming come together and developed these original woolen fabrics and skins culture. In this study the characteristics of Korean skins will be disscussed from the literature survey of the relevant references researched remains and pictures. During the Chosun period skins were fre-quently manufactured and used. Vsarious skins were used as necessites of life such as cloth-ing shoes bedclothes and so on.

• 대한전기학회논문지:전력기술부문A
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• 제54권9호
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• pp.457-460
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• 2005

This paper proposes a new Interior Point Method algorithm to improve the computation speed and solution stability, which have been challenging problems for employing the nonlinear Optimal Power Flow. The proposed algorithm is different from the tradition Interior Point Methods in that it adopts the Predictor-Corrector Method. It also accommodates the five minute dispatch, which is highly recommenced in modern electricity market. Finally, the efficiency and applicability of the proposed algorithm is demonstrated with a case study.

• 대한가정학회지
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• 제32권4호
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• pp.1-14
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• 1994

This stydy is to find reorganizning clue for oun decolorrizning domestic norm education trachg from chosun Dynasty. The study examinecl recent reseanch for the necess and problems of family norm education and analyized contents and traits of family education dunny chosun dynasty appeared in documents. The results: countesy is practiced in the field of eating clothing language greetrings and manners emphasized on respecting others and orders should be kept by acknowledging living rules. This family education in traditional society is also meaningful in modern sense, so we habe to follow the suit on the tradition.