• 한국주거학회:학술대회논문집
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• 한국주거학회 2004년도 추계학술대회 논문집
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• pp.343-348
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• 2004

Since its foundation of Won-Buddhism in 1916 there established around 500 Temple-Halls in both domestic and overseas areas, and it is a native religion that currently on its development of edification activities. As for Won-Buddhism which being under rapid development likely as such going, together with its expansion of the religious influence, there required more broader spaced grand sanctum at where the large-scaled religious events are able to perform. According to this, Balcony-styled plane form is on increasing trend from the internal plane form of Won Buddhism Sanctum. On such viewpoint, this study hereby intends to grasp the character of room acoustics through on-the-spot survey about the objects of 3 Won Buddhism Sanctums which equipped with mutually different characters of the balconies already built, and willing to furnish the fundamental material which enables to improve acoustic capability when design Won Buddhism Sanctum equipped with balcony in the future.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2004년도 추계학술대회 논문집
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• pp.355-360
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• 2004

This study is a research that evaluates and analyzes on the subjective reaction of Won buddhism small sanctum through psychoacoustics experiment. For doing it, after choosing of 5 Won buddhism small sanctums of which its building volume at $400m^{3}{\sim}650m^{3}$, a psychoacoustics experiment has been conducted. Based on those A, B, C, E temple-halls which appeared as higher than 'average' in the result of subjective reaction evaluation of the Won buddhism small sanctum through psychoacoustics experiment, it could be classified as the conclusion of the factor analysis: the first factor is 'space sense of sound', the second factor is 'intimacy-feeling with sound' and the third factor is 'clearness of sound', respectively.

• 기록학연구
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• 제13호
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• pp.287-320
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• 2006

기록을 관리하는 궁극의 목적은 이용 제공에 있다. 기록물전시회는 기록관 및 기록관리에 대한 대중적 인지도를 높이고, 이에 대한 관심을 제고시킬 수 있는 기회가 된다. 또한, 미지의 이용자에게 적극적으로 접근하여 서비스를 제공할 수 있다. 아울러, 아키비스트에게는 소장하고 있는 기록물에 대한 개괄적인 분류 및 평가를 할 수 있는 기회를 제공하기도 한다. 이러한 기록전시의 기능과 중요성에도 불구하고 기록물전시회를 개최한 기관 및 단체는 아직 많지 않은 형편이다. 본고에서는 대한불교조계종 중앙기록관의 역사기록전시 사례를 바탕으로 전시기획, 기록물 선별 및 전시 실제에 대하여 소개함으로써 기록전시의 참고 유형을 제시하고자 한다.

• 가정과삶의질연구
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• 제11권2호
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• pp.111-120
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• 1993

The purpose of the study is to find how the family moral principles are placed in the Buddhist Sutra how they come up to the surface through certain course. We set up the following five kinds of question for aim of this study First in which form are the family moral principles placed in the Buddhist Sutra ? That is are they shown devided into two between the fundamental though of Buddhism and the concrete description? Second how are the family moral principles melted into the fundamental though of Bud-dhism ? Buddhism takes a cognitive method of pursuiting one from divesification,. If that is so the family moral principles will establish the fundamental thought of Buddhism melted along with other phenomena. When the fundamental thought of Buddhism is restored to the family moral principles which image are they presented with us? Third if the family moral princprinciples melted into the fundamental thought of Buddhism in itself came up to the surface ? Buddhism has a and is mixed together. The family moral principles of Buddhism are named from the fundamental thoughts to the family moral principles and do not come up to the surface but are melted into the important concepts of Buddism that is charity kama nirvara emptiness the principle of middle way. The aspects of the family moral principles which are melted into theses thoughts: 1) The concept of loving-kindness including equality non-self practice is shown in the family moral principles. 2) The thought of karma includes the moral principles for interdependence between the building up of home and family members. 3) Home should be a place of self-realization from the suffering realization This kind of home salvation should be set up by family members themselves and the consciousness of the master that such salvation is neither to be made by others not to be given by god is presented one should be the master of one's life 4) The thought of emptiness includes the social extension of home and those of the moral principles of collective body of family. 5) The Buddnist family is morality is based on the principle of the middle way shich means neither too extrim nor lacking.

• 복식
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• 제58권8호
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• pp.184-199
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• 2008

This thesis aims to examine the formation, and the religious meaning and symbolism of Beob-Lak, which is attached to the preacher's clothing as a full dress of Won-Buddhism, which, as a new religion, was originated in Korea's historical foundation in 1916. In addition, it tries to provide the basic data for the study on Korean religious costume by examining Beob-Lak in the context of social atmosphere of Korea, which has accepted various religions. As a result, I found that Beob-Lak was originated from the different colored lines of the early Japanese Buddhist religious costume and it employed rochza as an independent component, but that the present protocol of Beob-Lak was completed by the first Jongbeobsa Jeongsan Jongsa in the late 1950s and all the religious workers have put it on with the religious costume in great worships since the early 1980s. Beob-Lak of Won-Buddhism, which employs Ilwonsang Beobsinbul as the symbol of its religious doctrine, symbolizes the succession of Beob and represents the will to repay the teacher's favors to hand down the great truth. At the center, Ilwonsan(one round shape) is the symbol of the innate place for everything in the universe, and its yellow color symbolizes the highest nobleness. I expect to see following researches which deal with the costume of Won-Buddhism from various views on the basis of this study on the formation and development of Beob-Lak, which is the symbol of formal full dress of Won-Buddhism as Korea-style new religion created over 90 years ago.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.363-371
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• 2012

Magoksa is famous for its location and history, compared to other traditional temples in Korea, as seen in remarks of Monk Doseon in the Shilla Dynasty: "This temple is where the three disasters can not penetrate." In contrast, the reality is that active researches are not conducted, especially on spatial studies. Magoksa has its unique spatial characteristics that can not be found in other temples of Korea, but the existing studies on Magoksa have focused on style or design aspects, and the research has placed importance in a survey form due to the lack of historical materials. The reason for approaching Zhuangzi's philosophy in studying Magoksa's space is because of the fact that it has affected Zen Buddhism and Pure Land Buddhism of Mahayana Buddhism, and that Magoksa was completed by Monk Bojo of Zen Buddhism. It is expected to deduce the meaningful results due to the reasonal aspects of mutual elements by studying Magoksa as a Buddhism temple through Zhuangzi's philosophy in that context. In pursuit and reinterpretation of the essence of Korean traditional architecture, it is important to consider morphological, stylized aspects, but a variety of methodologies might be also presented in understanding the philosophical aspects.

• 한국철학논집
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• 제38호
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• pp.163-187
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• 2013

본고에서는 선불교(禪佛敎)의 전통(傳統) 속에서 한용운(韓龍雲)의 불교관(佛敎觀)을 고찰하였다. 한용운은 원효(元曉)의 지관쌍운론(止觀雙運論)과 지눌(知訥)의 정혜쌍수론(定慧雙修論)의 전통 속에서 적적성성(寂寂惺惺)한 선정(禪定)의 본질을 강조한다. 한용운은 당시 선객(禪客)들이 중생들을 외면하고 산림에 은거하면서 처소와 몸가짐만을 적적(寂寂)하게 하려는 행태를 비판하면서, 중생들을 제도하는 수행자의 일상 속에서 적적성성한 선정을 이루어야 함을 강조한 사상적 특징이 있다. 한편, 한용운은 김시습 이래로 조동종(曹洞宗)의 전통이 담긴 "십현담(十玄談)"을 주해하면서 조동오위(曹洞五位)에 의거하지 않고 구세정신에 입각하여 임제선풍(臨濟禪風)으로 일관하는 특성이 있다. 굳이 한용운의 "십현담주해"를 조동오위에 비춰보자면, 중생들의 편위(偏位) 속에서 진인(眞人)의 정위(正位)를 밝힌다는 편중정(偏中正)에 비중을 두고 있다고 할 수 있을 것이다. "십현담주해"에서는 조일불교동맹조약(朝日佛敎同盟條約)으로 조선불교의 정신까지 말살하려는 일본조동종 승려들의 만행을 질타하고자하는 의도가 엿보인다. 한용운의 불교관을 종합해 보자면, 선불교(禪佛敎)의 전통 속에서 애국애민(愛國愛民)의 정신을 담아내는 특징이 있다고 하겠다.

• 대한가정학회지
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• 제42권2호
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• pp.151-160
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• 2004

This paper researched and compared the Jangsam religious costume, of Buddhism in Yeongsanjae with that of Shamanism in Gutgeori. Jangsam is a full length, flaxen hemp dress used in both religions. (Ed-please amend this sentence as necessary but note that it is essential to give some description of the costume here for non-Korean readers) The religious point of view can cause Jangsam's features to differ Jangsam's meanings are as follows. First, the purpose of wearing Jangsam in both the Buddhist priest's and Shamans' costumes is to gain power from the Almighty in order to maximize the religious effect. Second, Jangsam in the Shaman's costume features universality mixed with Buddhism and folk religion and becomes symbolic in Buddhism. As society disregards Shamanism, it has become combined with Buddhism. Third, Jangsam for Yeongsanjae or Chukwon Gut has kept its religious specialty as a Pyoeui despite various modifications.

• 한국도서관정보학회지
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• 제21권
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• pp.363-399
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• 1994

This article aims at bibliographical analysis of the and historical research of Buddhism in the period of king ChungYeul. The analysis is made in the respects of: 1) physical form 2) historical aspect of the Zen Buddhism in the latter period of Koryo Dynasty 3) related persons who corresponded with Mongsan First, this books is consist of 56 records about tripitaka, biography of Mongsan, poets of Zen Buddhism, and abstracts of Buddhist books. Secondly, the new trends of Buddhism in the 13th century was influenced by Mongsan Son(contemplate school, zen). He was corresponded with some political persons and the elite class of Koryo Buddhism. Because of these meetings, LimJae Son were adopted main stream of zen Buddism in Koryo Dynasty by Mongsan and his accompanies. Thirdly, these political groups want to meet Mongsan and his teaching about zen Buddism, but he suggest three questions to the gourp instead of meeting. And he explained 10 kinds of methods to study zen Buddism comparing visited ten persons with ten pinetrees. In the Koryo Dynasty, Buddism was very inportant in history of throughts and social functions. But there had been little research on Mongsan who afford theoretical base on zen Buddism in Chosun Dynasty. On the point of the relation to Koryo and Yuan dynasty in zen Buddism. The is a new and important records that afford some solutions of religious branch and trends in early periods of Chosun Dynasty.

• 한국철학논집
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• 제32호
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• pp.185-213
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• 2011

조선은 19세기 내우외환(內憂外患)으로 인해 큰 충격과 시련을 겪는다. 당시 사상계는 유불선(儒佛仙) 삼교가 서로 융화되지 못하였다. 몇몇 선각자는 사상과 시대를 반추하고서 유불선 삼교를 합일(合一)시켜 민생의 삶과 심정을 어루만져주면서 궁극적으로 국가의 태평성대를 도모하였다. 그들의 유불선 합일은 심신수련과 체험에 입각한 것이 많았다. 연담(淵潭) 이운규(李雲圭)는 유불선 합일사상으로 새시대를 갈망하였다. 그의 사상은 두 계열로 나누어진다. 그 하나는 광화(光華) 김치인(金致寅)으로 계승되는 계열이고, 다른 하나는 "정역(正易)"을 저술한 일부(一夫) 김항(金恒)의 계열이다. 본 논문은 김치인의 삶과 유불선 합일사상을 다루었다. 김치인은 이운규의 아들 이용래에게 나아가 수학한 이후 여러 영산(靈山)들을 찾아 심신을 수련하면서 신비한 종교적 체험을 통해 자신의 교학(敎學)를 세웠다. 그는 이론적 교학을 세우는 데 도(道)를 중시한다. 도의 근원은 하늘에서 나온 것으로 여긴다. 그 도는 인간의 사유양상으로 인하여 '유교'와 '불가 선가'로 구분되었으나 궁극적으로는 '하나이다'는 것이다. 그 '하나'임을 설명할 때 성리학적 개념 즉 '음'과 '양', 그리고 '체'와 '용'을 원용하였다. 즉 '도'의 양면으로 '음'과 '양' 그리고 '체'와 '용'이 있는 것처럼 김치인은 유불선 어느 한편에 치우치지 않고, 오로지 '음'이고 '체'인 '불가 선가'의 신령설(神靈說)을 중심으로 '양'이고 '용'인 유교의 윤리설을 합설하여 하나의 구심을 찾고자 하였다. 특히 그는 심신을 수련하는 데 노래를 읊조리고 춤을 추는 영가무(詠歌舞)를 추구하였다. 이러한 유교의 윤리나 불가 선가의 수련은 궁극적으로 구심이 없는 당시 민초나 처사들에게 도의 실현을 촉구하면서 참다운 선을 지향하도록 것이었다. 김치인의 유불선 합일 사상은 전통적 고유사상을 지니고 있으면서도 보편성을 지향하고 있기에, 이에 대한 고찰은 김치인과 그 후학들의 정체성을 되돌아보는 계기를 줄 것이다.