• 건축역사연구
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• 제13권1호
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• pp.21-33
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• 2004

The 'Research report on the Korean architecture(韓國建築調査報告)' is the first investigation and research of the Korean architecture by Japanese researcher. This paper is about Sekino Tadashi's viewpoints of Korean architecture in the 'Research report on Korean architecture'. And the findings are as follows. The investigation of the Korean architecture by Sekino Tadashi was carried out in the concern about the relation between Japanese architecture and Asian architecture, shortly after the research of the history of Japanese architecture started. And following investigation and research about Korean architecture by Sekino Tadashi was mainly focusing on the ancient architecture which he estimated highly in the 'Research report on the Korean architecture'. When he observed each architecture himself, he estimated highly the ancient Korean architecture, of course. And also he estimated highly many architecture of the Koryo and the Chosun period. However, when he estimated Korean architecture as a whole, he had been strongly influenced in the prejudice about Korea in Japan of those days. But this is not originate in his individuality. History research reflects the historical situation that the researcher was placed. The viewpoints of Korean architecture in the 'Research report on the Korean architecture' was produced by the Korean recognition in Japan of those days.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.46-54
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• 2006

The present study examined Marcos Novak, a digital architect who has researched digital architecture and produced related works since the early 1990s. Starting from digital ideas originating from science and mathematics, he pursued 'trans architecture' based on the concept of 'architecture beyond the boundary of architecture' and 'architecture as invisible foundation.' His concept of 'trans architecture' is considered an important viewpoint in expressing the architecture of a diversified and hybridized age like today. The objective of this study was to understand the concepts of Allobio and Eversion, which are important digital terms forming the background of Novak's trans architecture, and to analyze architecture philosophy and architecture design concepts observed in his works through Novak's digital terminology centering on the concept of trans architecture pursued by him. Through this, we purposed to analyze the concept of architectural space, methods of form creation and the characteristics of trans architecture space, which were unique to Novak, the leader of digital architecture, and ultimately to provide basic materials on Novak. Novak's trans architecture represents digital architecture in the contemporary diversified and hybridized age, and his works involve various different digital elements and ideas, scientific paradigms, mathematic algorithms, 4 dimensional geometry, etc. In this sense, he is regarded as a prominent leading advocate of digital architecture.

• 한국실내디자인학회논문집
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• 제20호
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• pp.33-39
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• 1999

Nowadays minimalism has influence on Korean Architecture and Interior Architecture at the turning of new generatiov. Minimalism is a plural phenomenon that has developed from Modernism to Contemporary but there is the tendency to define minimalism within Architecture and Art. Also it is a fact that there are many disordered minimal aspects in Architecture. This study is started from accurate understanding the mistakes in the field of Interior Architecture, that are brought by the elapse of time, and analogizing the circumstances of Interior Architecture in the field of Architecture. Especially the purpose of this study is to grasp the relation between the minimal characteristics of Korean traditional Architecture and the stagnancy of Korean Architecture. Under the assumption that the characteristics of minimalism exist in Korean tradition, this study contents the characteristics of minimalism in western modernism to analyze the contemporary Korean Architecture and interior Architecture that the assumption is appled to.

• 건축역사연구
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• 제24권2호
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• pp.27-34
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• 2015

The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

• 한국조경학회지
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• 제31권5호
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• pp.146-152
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• 2003

The purpose of this research is an analysis of research trends concerning history of landscape architecture found in the Journal of Korean Institute of Landscape Architecture (KILA). To do this, I reviewed the 905 articles from the journal from 1973 to 2003, from Which 104 journals were selected. In the articles, there were numerous studies on Oriental history and there was a lack of studies on Western history. Many of the oriental landscape history articles featured the landscape architecture history of the Korean Choseon Dynasty. There was much difference between the 1980s and 1990s. The topics of the 1980s were usually royal palaces, villages and temples, whereas those of 1990s expanded to include confucian memorial halls, walled towns and historical landscape areas. Also the topics of the 1990s included Japanese, Chinese ,md Western landscape architecture. Nevertheless, we had almost no focus on preservation and inheritance of historical cultural landscape sites. To solve this problem, we can find our motivation in the studies in history of landscape architecture.

• 건축역사연구
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• 제24권6호
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• pp.35-44
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• 2015

The purpose of this study is to critically investigate the ways in which scholars and architects in Korea have theorised the tradition in Korean architecture from the early 20th century to the present. After opening the door to foreign powers, the most important issue to be resolved in Korea architecture has been the modernization of the traditional architecture. The successful modernization of Korean traditional architecture depends on successful theorization of the tradition. However, many attempts to theorise the uniqueness of tradition in Korean architecture had not been instrumental to the modernization of Korean traditional architecture. The reason why they were not successful lies in the lack of philosophical and methodological reflection upon how to approach the tradition. They were either trapped in ambiguous essentialism without systematic methods and theories, or simply inventing the tradition from the vantage point of the present. This paper argues that in order to theorise the tradition, one need to translate the tradition into contemporary architectural vocabularies. What is important in translating the tradition is not to directly apply contemporary concepts and perceptual frame of architecture to traditional architecture but to find the gaps and differences between the two. This will open hermeneutic spaces to translate the tradition into useful principles and vocabularies of comtemporary architecture.

• 건축역사연구
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• 제21권1호
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• pp.27-46
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• 2012

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.289-297
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• 2006

This study was begun on the premise that architecture which has the definite disposition for survival even in the urban, social structure of that uncertainty and constructs specialty is biomorphic architecture. This study was made with the following four specific purposes largely. First, through the theoretical investigation of biomorphic architecture that appears in the tendency that mordern architecture develops into the architecture of do-stereotype and new form, its meaning and definition are examined. Second, the analysis of biomorphic architecture is investigated and the generation causes are applied architecturally and generate biomorphic architecture is made. Third, by analyzing the material expression characteristics of biomorphic architecture, the meaning and possibility of architecture, which expresses the vitality of organism, as the material expression characteristics of biomorphic architecture, are investigated. The material expression characteristics was deduced through the generation background of biomorphic architecture. The material expression characteristics of biomorphic architecture is the various modeling by smart-network and the response system of sensitivity poly-logue.

• 한국실내디자인학회논문집
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• 제14권5호
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• pp.52-61
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• 2005

Ecological traces appearing in contemporary architecture are based on modern architecture and most aspects on the contemporary architecture are related with the successive trend or break of the modern architecture. The concept of environment in the modern age has established clear destination, as it has been considered as nature. The architecture under a mechanical world view in the modem age has sustained the opposing connection with nature as environment. However, there have been architects maintaining the sympathy with nature in that vortex. This trend has been regarded as same context as ecological architecture and estimated to the outpost of ecological characteristics appearing in the contemporary architecture. This study is to make it clear that the ecological manifestation in the contemporary architecture is based on the ecology in the modem architecture through considering ecological ideals of architects in the modern architecture and considering space composition and structural properties in the modern architecture of ecological paradigm. The scope of this study contains spacial analysis, design strategy, and design types of organic architecture in nature, which has appeared from the modern age. First, the division into period is carried out according to the organic tendency of non-mainstream in the modern architecture: Arts and Crafts Movement, Art Nouveau, Sezession, Expressionism, Organic Architecture, Regionalism, Internationalism. Therefore, this study is significant to be on the search for a start to suggest ecological point of view to architectural space in modern architecture and is search organic characteristics for ecological characteristics in modern architecture; organic relation, thermal buffer space, regionalism, multi-layer, energy efficiency.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
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• pp.116-120
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• 2002

The purpose of study is to know how a tendency of organic design have become in mordern architecture-from 20C. architecture to current architecture. In particular, I want to find it out in digital architecture-one of current architecture. To do this, first, I research concept, categories, characteristics of organic design in mordern architecture. Second, I observe theoretical background and analyze design characteristics of digital architecture. Finally, I recognize form of digital architecture have a side of a tendency of organic design.