• The Korean Journal of Quaternary Research
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• v.3 no.1
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• pp.17-34
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• 1989

The distribution characteristics of incised meander river are analysed concerning topography, geology, stream order and altitude. Additionally geomorphological development of the Korean peninsular is considered with incised meander. The main findings are as follows: 1. The incised meander is intensively distributed on the west and north slope of T'aebak and Sobaek mountain range, but sparsely distributed on the opposite slopes. 2. Geologically, the occurrence rate of incised meander is high orderly as follows: Joseon supergroup, Pyeongan supergroup, Daedong supergroup metamorphic rock, Gyeongsang supergroup, and granite. The incised meander is developed well on the following conditions: hard rocks against weathering, stratified structure, geologic arrange across the river channel and contacting zone of geological formations. 3. The higher stream orders are, the higher occurrence of incised meander is. 4. Comparing the altitude of present river bed with the summit level of restored map, it is supposed that the incised meander rivers have been dissected about 300-500m down ward. 5. Considering the distribution characteristic of incised meander, it is suggested that not only T'aebak mountain range but Sobaek mountain range is the axis of asymmetrical up-warping in the Korean peninsular. 6. Considering the distribution characteristic of incised meander on the restored map and the stream order, it seems that present incised meander channel was inherited from antecedent meander river that had flowed on High and Middle level erosion surface. But the channel pattern has been modified.

• Journal of the Korean association of regional geographers
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• v.23 no.2
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• pp.325-353
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• 2017

This article aims to investigate the geographical distribution and the cultural, historical, and symbolic meanings of the place names in the area of Bukhansanseong (Fortress), and to basically suggest the several features which have happened throughout the process of toponymic changes. In order to realize the purpose of the article, I collected the chronological toponymic data, particularly focusing on the Bukhanji (Record of Bukhansanseong, 1745) in which the most existing place names related to Bukhansanseong are recorded. In the meantime, I proposed the character of distributions and types of the physical, human place names according to the rear-part of toponymic morpheme, i.e. the generic name. Moreover, selecting the main place names such as 'Bukhansan', etc., I analyzed some features on the toponymic meanings and changes in accordance with the fore-part of toponymic morpheme, the specific name. Consequently, I identified the facts that the name of 'Bukhansan' in the era of the Three Kingdoms, 'Samgaksan' in the Goryeo Dynasty, and again 'Bukhansan' or 'Buksan' in the Joseon Dynasty era had been primarily called. And then the place name, 'Bukhansan' has been officially named until now since constructing the Bukhansanseong Fortress in 1711. Meanwhile, the physical place names related to mountainous and fluvial topography, the place names of artificial facilities such as a mountain fortress on this geographical environment, and especially Buddhistic place names which was named and identified by Buddhist monk, Seongneung who wrote the Bukhanji, representing the Buddhistic identity and ideology, form a large majority of the place names within Bukhansanseong.

• Journal of Conservation Science
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• v.27 no.3
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• pp.243-250
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• 2011

Seven glass beads from Bupwha-ri site, Yeongdong dated Joseon dynasty were analyzed with SEM/EDS and X-ray diffraction methods. Six samples were classified to potash glass system($K_2O-CaO-SiO_2$) with HCA(High CaO and $Al_2O_3$) and high concentration of MgO suggested raw materials to plant ashes. Especially one sample from tomb no. 8 was highly different concentration of $K_2O$ and MgO with others. It was shown that they were different sources of raw materials. Mostly coloring agents of potash glasses were owing to Fe and Cu. One sample was found to lead glass system(PbO-$SiO_2$) with 12% PbO. The content of PbO was differentiated with other lead glasses since we analyzed so far. It needs more study for compositions of lead glasses with regions and ages.

• Journal of Conservation Science
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• v.33 no.5
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• pp.355-362
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• 2017

The Nongso tomb of Sunchang was built in a relatively deep place; hence there was little damage from grave robbers. The tomb was completely filled with a large amount of charcoal, and therefore the wooden coffin was excavated in relatively good condition. On the basis of the structure of the tombs, excavated artifacts, and radiocarbon dating results, the tomb is estimated to be from between the late Goryeo and the early Joseon period. The wooden coffin excavated is double-layered structures consisting of an outer coffin and an inner coffin. The outside of the wooden coffin is thickly lacquered and decorated with yellow letters and white motifs. An analysis of the pigments' components revealed that the major component of the letters was gold (Au) and the major component of the motifs was silver (Ag). The coffin lacquer had three layers: a pigment layer, a yellowish-brown layer, and a black layer. The wooden bases of the coffins were painted with a black substance, such as soot, as mineral elements were not detected in the black layer. The yellowish-brown layer is presumed to be refined lacquer. From the analysis of the structure of the layers and pigments, we can estimate the method was adopted for making lacquer for wooden coffin. It is assumed that the method used gold leaf and gold powder. The form of the pigment and the internal structure are likely to be gold leaf, but the shape of the surface letters appears to have been formed using gold powder. This study will serve as important information for understanding lacquer making techniques at the time of the tombs' construction by confirming the making method through reproduction experiments using gold leaf and gold powder.

• Science of Emotion and Sensibility
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• v.21 no.1
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• pp.99-114
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• 2018

Saekdong is a unique Korean fabric that has been used since ancient times, and it is woven with the plain or satin weave so that vertical stripes appear by various colored warp threads of equal spacing. Saekdong means pleasure, joy, serenity, heavenly blessing, spirituality, wind, and abundance, expressing the optimistic and positive sentiment of Korea's forefathers. This study investigated how ancient Saekdong occurred with meanings. As a research method, this study used literature review and surfing newspapers and photographs, museum and internet search, even from other fields such as earthenware, bronze, and traditional dance. We collected Saekdong and the lifestyles of ethnic Koreans living in China, investigated the Asuka culture of Japan, and the tomb murals of Takamatsu-Chong, which are Baekje and Goguryeo settlement areas. The results are as follows: First, it expresses happy occasion, pleasure, and joy, and expresses a desire for good things to be repeated and lasting. Second, it symbolizes simple beauty, order, equality and harmony of many tribes. Third, Saekdong is life and power which represent a sacred, heavenly, mysterious bird. Fourth, it symbolizes abundance and wealth, rain, wind or fields. Finally, this study showed the brilliance and pride of Korean hanbok through Saekdong. The significance of this study is to examine the symbolism and inherent aesthetic characteristics of Saekdong and to show the unique value and spiritual heritage of the Korean people.

• Cartoon and Animation Studies
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• s.46
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• pp.151-179
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• 2017

The purpose of this study is to analyse the characteristics of the 1920s and 1930s to analyze the emotions of laughter in the popular culture, This period, such as the style of comic books, tools, and textures, has been influenced by the influence of the eodi, and it is in its way to establish the aesthetic aesthetics of the colonial Joseon Dynasty. In the pop culture of the 1920-30s, laughter was a new feeling in the gloomy atmosphere of colonial rule. It was the comic media that showed the sensation to the public, owned it, and injured it. Also, the comic book was an important period in which comic books were produced to produce quantitative and qualitative growth. The study explored how the comics interacted with other media in the 1920s and 30s. And the study analyzed what was selected in there. This can quickly explain how the comics gained, or how they obtained them. This shows how the comics gained, in a way, how they obtained laughter.

• Journal of architectural history
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• v.18 no.5
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• pp.59-80
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• 2009

The purpose of this study is to investigate the history, space structures, blueprint, and techniques of the construction of Nam-hea city walls. Nam-hea city walls were relocated in 1439 from Whagumhun-Sansung(火金峴山城) to the present site, nearby Nam-hea Um.(南海邑) The city walls were rebuilt after they were demolished during Japanese invasion on Korea in 1592 and their reconstruction was also done in 1757. At present, the city walls only partially remained due to the urbanization of the areas around them. A plane form of the City wall is a square, and the circumference os approximately 1.3km. According to the literature, the circumference of the castle walls is 2,876尺, the height is 13尺, and the width is 13尺 4寸. Hang-Kyo(鄕校). SaGikDan(社稷壇), YoeDan(厲壇), SunSo(船所) which is a harbor, as well as government and public offices such as Kaek-Sa(客舍) and Dong-Hun(東軒) existed inside the castle walls. Inside the castle walls were one well, five springs, one ditch, and one pond, and in the castle walls, four castle gates, three curved castle walls, and 590 battlements existed. The main government offices inside castle walls were composed of Kaek-Sa, Dong-Hun, and Han-Chung(鄕廳) their arrangements were as follows. Kaek-Sa was situated toward North. Dong-Hun was situated in the center of the west castle walls. The main roads were constructed to connect the North and South castle gate, and subsidiary roads were constructed to connect the East and West castle gate. The measurement used in the blueprint for castle wall was Pobaek-scale(布帛尺:1尺=46.66cm), and one side of it was 700尺. South and North gate were constructed in the center of South and North castle wall, and curved castle walls was situated there. One bastion was in the west of curved castle walls and two bastions were in the east of curved castle walls. The east gate was located in the five eighths of in the east castle wall. Two bastions were situated in the north, on bastion in the south, one bastion in the south, and four bastions in the west castle wall. The castle walls were constructed in the following order: construction of castle field, construction of castle foundation, construction of castle wall, and cover the castle foundation. The techniques used in the construction of the castle walls include timber pile(friction pile), replacement method by excavation.

• Journal of the Korean Geographical Society
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• v.51 no.5
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• pp.651-665
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• 2016

This paper tried to delimitate the location and scope of Nokdundo located in the Dumangang estuary. In 18th century, Nokdundo was an alluvial island formed by several tributaries divided from the mainstream of Dumangang. In the mid-19th century, Nokdundo was connected to the Russian territory because some tributaries were blocked by sediment flows. In many maps published in the Joseon Dynasty, the location and size of Nokdundo had not been depicted consistently with each other nor been described correctly. Because of the recurrent extinction-generating phenomena of waterways of the Dumangang due to sedimentation process, the location and scope of Nokdundo can be delimitated differently according to the era. According to the distance information of the records published in the 19th and 20th century, the scope of Nokdundo can be extended widely to the Maritime Province of Siberia. So, the author have set the Sodumangang(Karasik River) as the northern boundary of Nokdundo. The Karasik River is called Sodumangang by the Koreans living in the Maritime Province. As a tributary of the Dumangang, Sodumangang flows into the Posyet Bay. Nokdundo was an island separated from the Korean peninsula and the Maritime Province by the Dumangang and the Sodumangang respectively. Tributaries of the Dumangang have formed many alluvial islands at the mouth of Dumangang where the Dumangang meets with the East Sea. So, the possibility that Nokdundo was consisted of several islands can not be excluded.

• Journal of the Korean Society of Costume
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• v.55 no.1 s.91
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• pp.25-42
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• 2005

Costume is a formative art expressed by active human unlike the field of other living formativeness, and an expression of social actions based on a style of culture in a period. Therefore, costume has a deep connection with a mode of living and is recognized as a 'culture for living', and is more characteristic culture than all metaphysical cultures including architecture, craft, painting, and sculpture. Therefore, it expresses wearer's status or social standing, and furthermore, ideas and values of the times with aesthetic features in their form, color, materials, and pattern, so it is expressed as a mirror reflecting the phases of the times as. Korean costume had been dressed until the period of the Joseon Dynasty without a great change and started to be simplified in a simple style on the grounds of inconvenience in behaviors with the opening of an interchange of Western culture in the civilized period. And, this movement had been continued and Korean costume had been applied as an everyday dress under the name of 'Reformed Korean Costume'. Since the middle phase of 1980s, it aroused many people's interests with the introduction of designs focused on activity and convenience. In 1990's, many people had taken a growing interest in Korean costume with development of various designs keeping pace with the internationalization period and Korean Costume had been revitalized under the name of 'The Modernized Korean Costume'. And, since the 21st century, the advanced communication and full-scaled import of Western fashion have made the introduction of many fashion information in the world into Korea, affected greatly the fashion market, led consumers' sensitivity on a trend to be increased. Therefore, a design accepting a trend 'The Modernized Korean Costume' with fashions has risen. Second, this study is an attempt to suggest a revitalization method of domestic casual Korean costume brands by developing and suggesting competitive and highly value-added products with connection of practicality, variety, and highly sensitive fashion styles. For theoretical study, domestic and foreign literatures, academic journals, professional monthly magazines, and newspapers were examined. And, a process of change and features of the Korean fashion since the civilization period, and concept, features and images of casual Korean costume were analyzed, On the basis of analyzing image, features, and consumers' preference of the modernized Korean costume, a design development plan was established and 10 suits of costume were designed and made.

• Journal of the Korean Geographical Society
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• v.50 no.6
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• pp.717-734
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• 2015

The Toyo Bunko (東洋文庫) in Tokyo, Japan is one of the largest library that holds the Korean old geographical documents. About 200 topographies of counties and prefectures, including Giinhansangnyang 杞人間商量 which recorded compilation and improvement plan of the geographical annals belong to it. Several maps and geographical annals of Joseon Period possessed in the Toyo Bunko are set high values on geography since the materials are only belong to it and have not yet been found in Korea. There are very important map collections including six copies of Daedongyeojido 大東輿地圖(1861, 1864) by Kim Jeongho(金正浩) and Suseonjeondo 首善全圖 by Kim, Jungho, collectible stamp of Maema Kyosaku(前間恭作) is imprinted on it, and Gangyeokjundo 疆域全圖 and Dongyeodo 東輿圖 which made with 20-ri and 10-ri grid, owned by Sidehara Daira(幣原坦). Especially Gwanbukjido 關北地圖 which is the northern border map recorded the Lee Sam's(李森) preface who served as a military official of Hamgyeong and Pyeongan Province in early 18th century. These maps and some other maps have a historical value to supplement of the history of Korean Cartography.