• Title/Summary/Keyword: Joseon Korea

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영화에 나타난 전통 복식의 현대적 표현과 미적 상징성에 관한 연구 -영화 <조선남녀상열지사-스캔들>과 <음란서생>을 중심으로- (Study on the Modern Expression and Aesthetic Symbolism in Films -Focusing on the film and )

  • 이언영;이인성
    • 복식
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    • 제57권7호
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    • pp.122-136
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    • 2007
  • All costumes used for dramatic effect delivers the character's individual data such as sex, age, social position, job, personality, and sense of values in the scene and leads the progress of drama as a media that describes psychological condition and image of the drama etc. symbolically. Therefore, it has a meaning of finding out the importance of film costume, recognizing the traditional culture through the expression and creativity limited to the age in expression, finding out the unique Korean beauty and succeeding it to the future generation. The film is the first costume drama in Korea, which is remake work of Lt;Les Liasions dangereuses, 1782> in the age of the King Jeongjo in Joseon Dynasty. And is comic costume drama that the story goes as a man of the noblest birth debuts as a filthy novel writer. Both films have remarkable grace, elegance and magnificence as having Joseon Dynasty on the background, and treats irregularities and dissipation hidden in the noble society that looks elegance on the surface. There are three aesthetic symbolism in films, naturalism neat beauty, traditionality expressed.

한국 근대 인물화에 나타난 응시대상으로서의 여성의 몸과 복식 (The Dressed Female Body as an Object for 'Gaze' in Korean Modern Figure Paintings)

  • 박선지;임은혁
    • 복식
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    • 제64권8호
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    • pp.155-163
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    • 2014
  • This study is designed to examine how the female body, as shown in Korean modern figure paintings, is expressed as an object for one's gaze and the meaning behind it. The study analyzed the entries displayed during the Joseon Arts Exhibitions from 1922 to 1944, for a total of 23 times. The exhibition entries are considered to be the representative sources in regards to the history of Korean modern arts. This study examined the artistic works, which portrayed the female body as an object for gaze. Literature research was conducted to look into the general background of modern society in Korea and the significance of the body as an object for gaze, and empirical study was also performed to analyze the female body in modern figure paintings. This research reveals how the bodies of modern Korean women were seen under the structure of power. It is believed that the process of criticizing and complementing the bodies of Korean women, which was distorted by Japan, may lead to an objective analysis of the aesthetic consciousness of the Korean female bodies.

조선시대 도성(都城) 중층건물의 건축형식 전개(展開)에 관한 연구 (A Study on the Architectural Evolution of Multi-storied Buildings in Hanyang, the Capital of Josun Dynasty)

  • 류성룡
    • 건축역사연구
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    • 제24권3호
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    • pp.17-29
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    • 2015
  • This study is about the change of multi-storied buildings in Hanyang, the capital city of Joseon Dynasty. The changes are divided into 3 phases in the viewpoint of architectural types and building types. The first phase is from the early Joseon Dynasty to the time of Japanese invasion to Korea and Sungryemun remains until now. The second phase is from 1592 to the the first half of the 18th century. Many multi-storied Buddhist halls were rebuilt at that time. In the final phase, many multi-storied gate buildings and multi-storied main buildings of palaces were rebuilt. And there are differences between the Buddhist buildings and the main buildings of palaces. By the way the change that architectural style of the Buddhist buildings and the main buildings of pal were switched and mixed occurred. For example, Anguksa Daeungjeon adopted the style of multi-storied gates and Injeongjeon adopted the style of multi-storied Buddhist halls. These phenomenon was result from periodical situation the monk carpenter and his disciple took part in governmental construction like Janganmun.

조선전기(朝鮮前期) 두창(痘瘡) 유행(流行)과 "창진집(瘡疹集)" (The smallpox in the Early Joseon Dynasty and "Changjinjip(瘡疹集)")

  • 김성수
    • 한국한의학연구원논문집
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    • 제16권1호
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    • pp.29-41
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    • 2010
  • The smallpox or chanjin(瘡疹), from Korea Dynasty when the name concretely is discussed to Joseon Dynasty, was very one of the diseases which were important. Not only the public but also the royal family could not avoid the pain which is caused by with the smallpox. Also as a scar and fear that the smallpox leave on, the smallpox was called a God(痘瘡神). As the prayer and sacrificial rites primarily could not relieve the nation and the community from a smallpox, an intellectual finally had to remind that if people considered a factor which caused the smallpox, they could cure this disease. That was Nam Hyoon(南孝溫) who rejected a goast to cause a smallpox. And the compilation of "Changjinjip(瘡疹集)" changed recognition about a smallpox. Especially, the compilation of "Changjinjip" was very important in the history of Korean medicine. Because it told what "Uibanglyuchui(醫方類聚)" the national compilation project of medicine book that King Sejong promoted leaved. The "Changjinjip(瘡疹集)" adopted two kind methods. The one was the medical history or with medical theoretic history method: arranged a various medical theory about "changjin" like "Uibanglyuchui". The other was the clinical method of presenting theories and prescriptions as causes and mutations: reformed contents of "Uibanglyuchui". In addition to special medicine book of smallpox, "Changjinjip" gave knowledge about a paradigm of "Uibanglyuchui" and methods of medical book compilation in later.

연정가사(戀情歌辭)에 나타난 상투성(常套性)의 교육 내용 연구 (A study on the contents for education of conventionality in YEONJEONG GASA)

  • 이주영
    • 고전문학과교육
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    • 제15호
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    • pp.139-161
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    • 2008
  • This study examined the texts of the Late Joseon Dynasty's YEONJEONG GASA, whose authors are unknown, to list the contents of education which can be provided by conventional elements. Most existing discussions on expression education have focused on creativity. However, the perspective creativity based on the concepts of modern individualism and difference believes that creation can be done only by special professionals with inborn abilities and is likely to jeopardize the possibility and need of expression education to reduce the scope of expression education. On the other hand, conventionality has been related to "cliche" and "old-fashioned" and considered the counterpoint of creativity with lacking originality and aesthetical or educational valuelessness. Nevertheless, conventionality is valuable as cultural custom in that it is closely related to the contemporary culture, thoughts, and language. Also, it is the power that creates new text and induces sympathy in receivers. The Late Joseon Dynasty's YEONJEONG GASA by unknown authors include typicality of circumstances, schematism of emotion, and formula in conventionality. The positive aspects of conventionality - familiarity and intimacy - are the basis of sympathy and become the power that encourages the public to participate in creation and enjoyment within the frame of creativity. Ultimately, conventionality of YEONJEONG GASA allows learners to experience the pleasure of expression and has an important meaning for expression education as it provides them with the opportunity to perform expressions to extend sympathy.

Scientific Analysis on the Accessory Ornament of Woolen Tapestry Curtain in Seoul Museum of Craft Art

  • Choi, Jaewan;Lee, Jangjon;An, Boyeon
    • 보존과학회지
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    • 제37권4호
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    • pp.402-410
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    • 2021
  • Woolen tapestry curtains possessed by the Seoul Museum of Craft Art were used to hung on the wall or used for carpets in the winter season in the late Joseon dynasty. Since similar artifacts were only used for the curtain as functional aspects, woolen tapestry curtains were a rare case. In this study, scientific analysis on the accessory ornament of woolen tapestry curtains such as components of metal accessories and frame bar were conducted with the microscope, p-XRF, and SEM. Result of frame bar pigments, organic pigments such as ink stick were likely been used in woolen tapestry curtain 1. In woolen tapestry 2, lead red (Minium) was used in the frame bar. The result of metal parts, copper, and zinc were analyzed by p-XRF. This suggests that metal accessories were crafted using brass. Frame bar of woolen tapestry curtain 2 was made of soft pine (Pinus spp.) analyzed with the scanning electron microscope. Artifacts like woolen tapestry curtains are rare in Korea and scientific analysis databases were scarce, so it is important to construct components analysis data of woolen tapestry curtains. It is expected that additional scientific analysis and interpretation on the artifact's crafting technique can be merged with the analytical data gathered in this study to be utilized on the conservation and restoration of not only woolen curtains but curtain artifacts of the late Joseon dynasty in general.

고마자와대학과 호사문고에 소장된 『대명률직해』 고판본에 대하여 (On the Old Prints of Daemyeongryul-Jikhae(大明律直解) possessed at Komazawa University and Hosa Library(蓬左文庫))

  • 장경준
    • 한국어학
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    • 제64권
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    • pp.117-168
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    • 2014
  • The purpose of this study is to examine woodblock prints possessed at Komazawa University and Hosa Library which are most precedent versions among a number of different versions of Daemyeongryul- Jikhae. This study has determined that both of two prints are same version printed by identical woodblock and the print of Hosa Library out of them was the fine version printed at an earlier stage. Moreover, this study has compared the print of Hosa Library with that of Mansong's collection of books in Korea University, thus the distinction has been classified into 4 types and described in detail. From the analysis about the difference between the prints of Hosa Library and Mansong's collection of books, this study has extrapolated the versions of Daemyeongryul-Jikhae in the early period of the Joseon Dynasty. This study suggests that the print of Daemyeongryul-Jikhae in Hosa Library demonstrates revision of legal articles and literal translation of the articles and thus, it is valuable literature that provides a basis for revising error in later versions including the print in Mansong's collection of books. Since various simplified forms and variants of Chinese characters were used in the print of Hosa Library, it is useful literature for studying Chinese character culture which was prevalent in local at the early period of the Joseon Dynasty.

조선 후기 도서 지역의 봉수 연구 - 강화도와 제주도를 중심으로 - (A Study on the Bongsu (Beacon Fire Station) in the late Joseon Dynasty - Focusing on Ganghwado and Jeju Islands -)

  • 오신일;이왕훈;김영재
    • 건축역사연구
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    • 제32권1호
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    • pp.35-45
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    • 2023
  • Bongsu(Beacon Fire Station) is a facility that sends signals with fire and smoke and has been used in Korea since the Three Kingdoms period. This facility was installed to know the north and south crises. This trend continues until the Joseon Dynasty, and it has been somewhat completed in the 17th century. In previous studies, beacon fire was identified mainly from the border area to Hanyang. Based on this, it was classified into Gyeongbongsu, Yeonbyeonbongsu, and Naejibongsu. However, it is difficult to define the characteristics of beacon fire in coastal areas only with this classification. In the case of beacon fire in island areas, there was a tendency to value communication connection within the region rather than connection with the capital. As a case analysis for this, an academic review was conducted with the cases of Ganghwa Island and Jeju Island. As a result, it was confirmed that the role and character of the beacon vary depending on the defense system and the physical distance from the land, even if it has the topographical commonality of the same island.

조선시대 백관의 상복을 응용한 비보잉의상 디자인연구 (비보이를 사랑한 발레리나) (A study on B-Boying wear design using the costume of all the government officials in Joseon Dynasty period (Ballerina Who Loves B-boy))

  • 박민수;최광웅
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2012년도 춘계 종합학술대회 논문집
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    • pp.223-224
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    • 2012
  • 본 연구에서는 조선 시대 흉배(胸背)의 학(鶴)무늬를 응용하여, 비보이 의상을 제작했다. '비보이를 사랑한 발레리나'의 비보이가 표현하는 순수함과 사랑의 진정성, 그리고 무대에서의 비무(飛舞)의 의미를 함축하는 '학 문양'을 활용했고 한복의 기능성을 부각시켜 무대에서 착용하기 용이하도록 제작했다.

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조선시대 족자 장황에 사용된 유소 형태 및 재질분석 (Form and Material Analysis of Yuso Used in Joseon Period Scroll Paintings)

  • 장연희;윤은영;김예인;박진영
    • 박물관보존과학
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    • 제17권
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    • pp.69-84
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    • 2016
  • 유소는 족자를 걸기 위한 끈의 역할을 한다. 본 연구는 기존 어진과 공신도상의 유소 연구결과를 기반으로 사대부상의 유소에 초점을 맞추어 연구하였다. 조사대상은 국립중앙박물관 소장 초상화에 장착된 유소 7점으로 형태와 제작 재료에 관해 분석하였다. 그 결과 대부분 16사의 동다회로 6점은 홍색, 1점은 쪽색으로 제작되어 전형적인 사대부상 유소의 형태를 보이고 있었다. 분석 결과 윤급 초상(덕3503)은 종이에 금박을 입힌 것이며, 금 아래 적색 안료 입자는 Fe로, 산화철 계통의 안료인 석간주가 사용된 것으로 보인다. 신임 초상(덕수4846)은 속지의 주성분이 금으로 납, 수은, 은이 소량 확인되었고, 이성원 초상(본10122)은 주성분이 Ag로 은지인 것이 확인되었다. 이서구 초상(신1065)은 주성분이 Ag, Fe, Br이며 속지는 가죽으로 제작되었다. 가죽을 FTIR로 분석한 결과 지문 영역에서 양가죽의 스펙트럼과 거의 일치하고 있어, 양가죽을 가공한 피금(皮金)인 것으로 확인되었다.