• 대한지리학회지
• /
• 제39권3호
• /
• pp.473-493
• /
• 2004

김정호는 19세기를 살아간 인물 중에서 지도와 지지에 대해 가장 광범위한 자료를 수집하고 검토한 인물이다. 그는 이러한 검토의 과정에서 그 이전까지 존재하던 지도의 장단점을 체계적으로 연구하여 정리할 수 있었다. 그리고 그러한 연구 성과를 바탕으로 $\boxDr$청구도$\boxUl$라는 뛰어난 지도책을 만들어낼 수 있었다. $\boxDr$청구도$\boxUl$는 내용적으로 보았을 때 김정호가 검토한 모든 지도가 아니라 특정한 지도 계통을 중요한 저본으로 삼고 있다. 그것이 바로 정조 때 만들어진 전국 군현지도책인 $\boxDr$해동여지도$\boxUl$이다 또한 $\boxDr$해동여지도$\boxUl$ 자체도 새롭게 제작된 것이 아니라 영조 때 신경준의 주도에 의해 제작된 것으로 추정되는 $\boxDr$조선지도$\boxUl$를 약간만 바꾸어 놓은 것이다. 따라서 김정호의 $\boxDr$청구도$\boxUl$는 조선 후기 내내 이루어진 정확한 지도 제작의 결과물을 새로운 형식과 내용을 가미하여 탄생된 것이라고 볼 수 있다. $\boxDr$청구도$\boxUl$에는 지도의 제작과 이용에 관한 일반적인 내용뿐만 아니라 지도의 교정에 관한 방법도 서술되어 있다. 이것은 $\boxDr$청구도$\boxUl$를 개정하려는 김정호 자신의 의지를 표현한 것이다.

• 복식
• /
• 제59권10호
• /
• pp.1-9
• /
• 2009

One piece of Jeogori and several books of the Goryeo dynasty were found inside of the wooden Buddhist Goddess of Mercy Statue of the Bogwang temple and they were designated as national treasure of Korea, No. 1571. The jeogori was the Jeogsam as the kind of underwear and conjectured as for women by considering its size. The collar of the jeogori was 3cm-wide square-shaped collar without gussit and the sleeve was close to straight line. Also the jeogori was designed without breast ties and could be adjusted by knot button. The fabrics for the jeogori showed similar pattern as complex silk gauze in 1302. It has not been reported yet that the complex silk gauze was used for the Jeogsam from Goryeo Dynasty to Joseon Dynasty. Comparing the Jeogori of the Bogwang temple to those of Goryeo Dynasty, it can be appropriately estimated as the remains of the Goryeo Dynasty since its shape and materials are very similar to those found in the Jeogori's of the Goryeo Dynasty and it was found between the books of the Goryeo Dynasty inside of the knee part of the wooden Buddhist Goddess of Mercy Statue of the Bogwang temple. Although only one piece of Jeogori was found, it's importance in cultural value or in the study of the fabric history cannot be underestimated considering the fact that the Jeogories of the Goryeo Dynasty are scarce, and that the used fabric was not commonly used complex silk gauze, and especially that this Jeogori is the only existing Jeogsam made of complex silk gauze.

• 복식
• /
• 제64권6호
• /
• pp.78-90
• /
• 2014

This paper examines the way that the principles of coloration for Hoecha(繪次) and Sucha(繡次) were applied for shoe making in ancient China and Korea. Hoecha is the principle of drawing, and Sucha is the principle of embroidery. Hoecha and Sucha is the application principle of the five colors(五方色) from the five elements(五行: metal, wood, water, fire, and earth). Hoecha matchs a color with the opposite side color, and Sucha matchs a color with the beside color. A shoe consists of Sinul(body of shoe) and ornaments attached to it. According to the ratings of shoes, Hoecha and Sucha were differently applied for coloration of Sinul and its ornaments. In general, shoes were classified into Seok and Gu. For Seok, which was the high-ranked shoes, Hoecha was applied, while Sucha was applied to Gu, the low ranked shoe. As Hoecha was originally a principle of coloration for patterns on tops(jacket. 上衣), it was applied to the high ranked shoes i.e., Seok. Also, as Sucha was a principle of coloration for patterns on bottoms(skirt. 下裳), it was applied to the low ranked shoes i.e., Gu. Thus, black was decorated on red Seok, blue on white Seok, red on black Seok, yellow on hyeon(玄: a kind of black color) Seok, and white on blue Seok, all of which were applications of the principle of Hoecha. As the application of the principle of Hoecha to Seok was also done for red Seok for males and females in late Joseon, and red Seok for the crown prince in the period of the Korean Empire, black decorations were used for red Sinul. However, for blue Seok, worn by females in the period of the Korean Empire where Ming's systems prevailed, black decorations were used, which was an application of Sucha. Though there had been no discrimination between genders in the application of Hoecha and Sucha originally, the low ranked principle of coloration was applied to Seok for females.

• 박물관보존과학
• /
• 제22권
• /
• pp.85-96
• /
• 2019

일부분만 편으로 발굴된 도자기의 경우 원형의 형태를 유추하기 어려워 복원에 한계가 있다. 수작업 방식에 한계가 있는 경우, 디지털 기술을 통해 복원이 이루어지고 있는데, 도자기의 원형을 추정하고 복원의 방향성을 설정한다. 본 연구에서는 디지털 기술에 대한 정보를 획득하고, 활용 가능성을 확인하기 위해 백자연적 편을 대상으로 디지털 복원을 진행하였다. 결과, 문양과 색상 정보가 입혀진 3차원 데이터를 획득하였으며 하나의 편을 통해 원형의 모습을 확인하였다. 이러한 기술은 유물과의 최소한의 접촉으로 손상 가능성을 최소화할 수 있다. 디지털 기술은 추정복원으로 왜곡의 위험성이 항상 존재하며 사용자의 숙련도에 따라 결과물의 차이가 나타나므로 주의가 필요하지만, 도면화 작업 등 활용 가능성이 뛰어날 것으로 판단된다.

• 보존과학연구
• /
• 통권30호
• /
• pp.137-147
• /
• 2009

Mireuk temple site is located in Iksan, on the North Jeolla province in Korea, and confirmed tiles, potteries, metals, glasses and other materials that are remaining between Baekje Kingdom and Joseon period after excavations. It is also detected that production and supply of the materials in this era were started inside the country(domestic) at that time. This is important information for the understanding of the production and circulation systems. In this study, lead isotope ratios of 18 samples includedlead glass, crucibles and glazed rafter tiles excavated from Mireuk Temple Site of Baekje era were analyzed for the provenance study of raw glass material supply and distribution of glass products. The results of lead isotope ratio analysis have shown that all raw materials were located in the distribution area of Baekje region and also confirmed to be accord with the previous research results. As comparing the lead isotope ratios of glass and glass materials excavated from Mireuk Temple Site with Miyajidake tomb from Fukuoka Prefecture in Japan, it is found that the same raw materials were used for glass production. It means that there is the active connection between Mireuk temple site and Miyajidake and that these areas are sharing the same materials at the same period. It also shown that artifacts excavated from Miyajidake were strongly influenced from Baekje culture. And it is estimated that there is a possibility of the use ofsame materials whether the supplies of them are from a specific place of Baekje or not

• 한국지역지리학회지
• /
• 제8권4호
• /
• pp.451-467
• /
• 2002

영산강은 남한의 주요 강에 속하며, 유역은 식량생산의 핵심지 중의 하나이다. 영산강유역에는 범람원과 구릉지가 널리 발달되어 있으며, 현재의 영산호 일대에는 간석지도 넓게 분포했었다. 범람원은 '들'로 불리우며, 골짜기가 중은 '물목'의 상류쪽에 넓게 펼쳐진다. 범람원은 조선 발까지는 거의 전부 논으로 재발되었다. 이 농경지를 배경으로 도회지들이 성장했다. 구릉지는 '등', '까끔', '야산' 등으로 불리우며, 나주시와 영암군에 넓게 분포한다. 구릉지의 농경지개발은 1960년대부터 시작되었으며 오늘날에도 진행되고 있다. 많은 개간지의 영농은 외지인들에 의한 임차농의 형태로 영위된다. 간석지 즉 '뻘밭'은 영산강 하류의 남해만에 넓게 펼쳐져 있었으며, 곳곳에 '개옹'으로 불리우던 갯골이 발달했었다. 간석지는 1981년에 영산강하구둑이 준공된 이후 대대적인 간척사업에 의해 농경지로 개발되어 '영산평야'로 바뀌었다. 새로운 평야의 등장으로 모든 취락이 순수 농촌으로 탈바꿈하였다.

• 대한예방한의학회지
• /
• 제17권1호
• /
• pp.125-135
• /
• 2013

Objectives : Medical treating with eating foods is one of important therapies in East Asian traditional medical knowledge and is referred as a therapy to treat diseases through foods. Since the food cannot be separated from ordinary people living, the medical treating with eating foods is a therapy with strong locality and contains many autogenous parts. Methods : Recently, the world is showing much interest for genetic resources, and the concept of intellectual property is rapidly expanding as the field of 'new knowledge property right' as well. Thus, the knowledge of medical treating with eating foods recently draws much attention in the economic aspect beyond the scholarly interest for traditional medicine. Here, I would like to summarize and report the contents related to medical treating with eating foods on "Yi, SeikKan experience prescriptions" which was discovered before. Results & Conclusions : First, medical treating with eating porridge on "Yi, SeikKan experience prescriptions" is classified into one with nonglutinous rice as the main ingredient and the other with other grains as the main ingredient. It is differently utilized depending on the nature of the grain. Second, medical treating with eating rice on "Yi, SeikKan experience prescriptions" was born from our nation's unique way of living and is classified into one way to eat rice mixed with ground medicinal herbs, another one to cook and eat rice with mixed grains and the other way to use as the external application. Medical treating with eating rice is assumed to replace the meal. Third, "food section" was given separately and discussed in this book. There were some parts different from existing medical knowledge due to the accumulation of experience using medicinal herbs. Fourth, we should pay attention to experience a book on medicine where vibrant medical information has been recorded in order to discover and process our traditional knowledge resources as a useful form.

• 한국문헌정보학회지
• /
• 제45권4호
• /
• pp.235-251
• /
• 2011

이 연구는 그 동안 밝혀지지 않았던 꼴레쥬 드 프랑스에 소장된 한국고서를 실사(實事)하여 소장본의 규모와 전래경위, 자료적 특징을 살피는 것을 목적으로 하였다. 이를 위하여 꼴레쥬 드 프랑스 도서관에 한국고서가 유입된 역사적 배경과 과정을 조사하였으며, 서지목록을 작성하고 이를 대상으로 주제별 판종별 시기별로 분석하였다. 특히 구한말 한국고서의 현황과 프랑스 내 한국고서 소재파악의 중요한 참고문헌인 "한국서지(Bibliographie Cor$\acute{e}$enne)"를 저술한 모리스 꾸랑(Maurice Courant, 1865-1935) 개인 소장본과 꼴레쥬드 프랑스 소장본과의 관계를 규명하였다. 또한 이들 자료에 대한 서지데이터베이스를 구축하고 공동활용의 방안을 모색하여, 본 연구가 앞으로 국외소재 한국 전적문화재의 발굴과 조사에 일조하고자 하였다.

• 한국의류학회지
• /
• 제30권1호
• /
• pp.94-105
• /
• 2006

This study is focused on the man's costumes of Sadangpae(the troupe of performers) shown in Gamrotaenghwa (감로탱화) during the late Chosun dynasty. Originally Gamrotaenghwa was used as a painting for a Buddhist praying ceremony, 또Young-ga-cheon-do-je(영가천도제). It shows us the lives of the commoners in those days. Gamrotaenghwa reflects the changes of costume style in the late Chosun period. The early styles of po(포, coat) for male performers in the 17th century were changeui(창의) and dopo(도포), which had the front panels(seop) overlapped deeply and sleeves that got wider as time passed. After the 18th century, Male performers wore a simpler coat such as sochangeui(소창의), which had narrow sleeves and long slits on the both sides. Especially the coats of acrobats were fastened on the center front with buttons. Heuklip(흑립: black hat), somoja(소모자: small cap) and jeonlip(전립: wool hat) were used as hats for the male performers. Originally, heuklip was the hat that represented the noble status: yangban(양반). However, it was popularized among the commoners in the late Chosun period. As time passed on, the heuklip became more popular and its shape also changed. Somoja and jeonlip were shown throughout the entire Gamrotaenghwa. Unlike heuklip, those were common hats for Sadangpae. The costumes of entertainers shown in Gamrotaenghwa were very similar to those of the commoners. However, it seems that there were some differences of the costumes depending on the roles they performed.

• 과학기술학연구
• /
• 제5권2호
• /
• pp.69-95
• /
• 2005

이 글은 일제에 의해 이식된 은사기념과학관의 사회적 역할을 살펴보았다. 식민지 과학관은 식민지 지배를 정당화하는 정치적 공간으로 활용되었다. 일제는 과학사상을 보급한다는 미명아래 과학관을 식민지 지배에 이용하였던 것이다. 식민지 과학관은 '위대한 과학제국' 일본을 부각시켜 열등한 조선을 지배하는 것이 당연한 것처럼 보이도록 하였다. 과학관의 전시와 강인 실험, 과학영화 등은 이러한 식민지 지배이데 올로기를 선전하였다. 식민지 과학관의 이식은 다음과 같은 문제점을 남았다. 첫째, 과학관이 정치권력의 선전수단으로 이용되었다. 식민지 과학관의 건축, 전시, 운영의 모든 면이 공공연하게 권력의 정책방향을 선전, 옹호하고 그것이 '개발, '발전'이라는 장미빛 환상을 심었다. 둘째, 식민지 과학관에서 과학기술은 '결과와 '도구'로 취급되었다. 일제는 과학이 사회적 위기를 해결했던 역사적, 문화적 산물임을 부정하고 '도구적 합리성'만을 주입시켰다. 셋째, 식민지 과학관에서 다루었던 과학기술은 매우 수준 낮은 것이었다. 생활의 과학화를 내세우며 교육했던 것은 근대적 규율을 내면화시켜 권력이 요구하는 노동자형 인간을 양성하기 위한 것이었다.