• 천문학논총
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• 제29권2호
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• pp.17-27
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• 2014

We report the results of our study for ascertaining whether Ganui-dae built in the Josen Dynasty actually performed an astronomical role or not. The Ganui-dae was the first astronomical structure built as a part of the state astronomical undertakings by King Se-Jong. Our analysis was based on the Annals of the Joseon Dynasty. At first we extracted the records regarding Ganui-dae from the Annals of the Joseon Dynasty and then classified them under six heads according to their astronomical meaning and historical significance. From this analysis we found that the Ganui-dae performed the actual astronomical role. In addition, the provisional offices and peoples mentioned in the records show the astronomical correlation. Generally, when taking into account the functional side of the records, the Ganui-dae was related with the observation. Therefore, the Ganui-dae was the space for the astronomical activity. In conclusion, the Ganui-dae was built for the purpose of the astronomical activity.

• 한국가구학회지
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• 제22권2호
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• pp.112-117
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• 2011

In the present study the meaning of table in the Joseon dynasty period and also in the present age was researched, and its changing according to the times was searched as well. The results are as follows. First, the meaning of table in the Joseon dynasty period and in the present age has one thing, "laying something on table" in common from the functional aspect. Whereas the table in the Joseon dynasty period had the function of laying and keeping articles or decorations, that of the present age contributes to reading and doing office work of human beings and this exceeds the simple function to keep articles, because it touches parts of the human body, so it combines function of comfort accordingly, not only the function of storage. Second, it was differently presented from the aspect of shape. The table of the Joseon dynasty period strongly showed the shelf-like shape due to the set-up in layers, while the table of the modern times has the rectangle-like form in one layer. It has been transformed according to the functional changes. Third, it is different also from the constructive aspect. The table of the Joseon dynasty period had the construction with one panel on 4 legs in layer upon layer, but the table today has one upper panel on legs supporting it. Namely, the term "table" has been constantly used from the Josen dynasty period until today, but it has a totally different meaning according to the times on the basis of the changes in function and shape. In the furniture which maintains the function and shape of the square-typed table with 3 or 4 layers and the book table in the Joseon dynasty but is used under the different term in the present times it can be counted that display cupboard or bookshelf. Furthermore, desk and tea table can be regarded as furniture which exactly corresponds with the term "table" used in the present days, and also in the Joseon dynasty period there were furniture with such same function as like the writing table and small dining table.

• 한국가구학회지
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• 제24권2호
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• pp.148-155
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• 2013

Appear on the furniture design concept of the Joseon Dynasty Pung-hyel design was developed that is imaged by implication. Was enough of our culture, tradition and the wisdom of our ancestors to the development of a design that reflects the traits to fit the purpose of each form to proceed. Based building materials, technology, and how to identify and develop products as competitive PE fence, and at the same time to develop an international product design is based. Was designed with functionality and mass production to be faithful as a function fence productivity. Formative elements where you can rub shoulders with the modern urban environment alive excavated features leads in the traditional culture, aesthetics, design emphasized a new sense of harmony. Improvements were becoming increasingly aware that traditional culture of Korea's own traditional forms of social concern of modern design. Other products and take advantage of the traditional pattern, with figurative motifs and differentiation, and faithful to its original function as a fence brings out the basic elements of the visual motif has a distinctive beauty.

• 복식
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• 제58권4호
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• pp.35-46
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• 2008

The purpose of this study was to closely examine the history of glasses and their cases used in the middle and late of Joseon Dynasty and identify inherent quality of our traditional glasses cases through color analyses of glasses cases' material and shape. While theoretical examination was conducted based on the literatures of glasses and their cases that firstly appeared in around Japanese Invasion (Imjin war) of Korea in 1592, practical analyses were demonstrated on photos of glasses cases used in the middle and late of Joseon Dynasty collected from both museum pieces and the internet which were grouped into wood, fabric, paper, sharkskin, hawksbill and cow's horn in accordance with their materials. 623 color samples were abstracted from collected 159 glasses cases and quantity analyses on each material were performed respectively. Abstracted representative colors based on the result of color analyses were classified into the main materials and accessories' color scheme. The result of this study are as follow: firstly, both Yellow and Yellow Red were mostly used in main materials. In Fabric case's colors were widely used in embroidery and in animal matter material cases such as sharkskin, hawksbill and cow's horn, which can be used as itself or dyed, Green Yellow shown in high frequency. Secondly, accessories were analyzed into similarity coloration with main materials. From this finding, it turns out that our traditional cases have characteristic of similarity coloration between main materials and accessories. Red Purple and Purple Blue in high frequency in accessories used as an accent color. Finally, based on the analysis of hue and tone, while the middle and low value colors shown in very high frequency, the high-chroma colors hardly shown.

• 한국철학논집
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• 제43호
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• pp.9-32
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• 2014

조선 도가사상 연구는 지금까지 조선후기를 중심으로 다루어져 왔다. 조선시대 5권의 "노자" 주석서와 2권의 "장자" 주석서가 모두 임진왜란 이후의 작품이기 때문이다. 따라서 본 논문은 조선전기의 도가사상 전개를 고찰하기 위한 1차 작업으로 개국초기의 사상적 기반이 되었던 정도전의 "심기리편"과 "조선왕조실록"의 "태종실록"에서 임란 이전까지 200여년 간의 사료 안에서 도가 사상에 대한 언급을 발췌하고 이를 분석하였다. 이를 통해 다음과 같은 연구결과를 도출하였다. 정도전과 권근은 도가를 '도덕이 없는 양생술의 추구'로 비판하였다. 도교와 불교의 비판 위에서 성리학의 정체성을 확립하고자 한 것이다. 이후 "조선왕조실록"에서 도가는 세 가지 단계로 변용(變容)된다. 첫째는 '노자'를 장생의 사술, 신선의 방술, 도교의 최고 신으로 환치시켜 이단시하고 배척하는 단계이다. 둘째는 1차적인 배척의 논의에서 벗어나 도가사상의 핵심으로서의 "노자"와 '신선술' 및 기복신앙의 대상이 되는 '도교 신'인 '노자'와 분리해서 보려는 단계이다. 셋째 3차 논의는 "노자"의 정치술과 처세술에 대한 존숭으로 드러난다. 즉 조선 전기 도가 사상은 건국초기에서 15~16세기에 이르기까지 초기의 강력한 벽도불에서 벗어나 다양한 스펙트럼을 가지고 전개된다. 이러한 점은 조선 전기의 도가를 단순히 성리학의 도통관에 따른 이단논리로 해석할 수 없는 지점이다. 건국 초기의 벽이단론에서 도가에 대한 온정적 태도를 취하게 되고, 유학과 사상적으로 융합되는 처세술과 정치술을 수용하는 변화를 보인다. 즉 '노자(老子)'는 비도덕적인 장생불사(長生不死)의 탐욕을 가진 이단(異端)에서 유교국가의 처세술과 정치술로 수용되는 것이다. 이러한 수용은 조선 후기로 가면 도가서(道家書)에 대한 적극적 해석의 모습으로 드러난다.

• 한국의사학회지
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• 제25권1호
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• pp.53-60
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• 2012

In recent times, a medical book called "WooJam JabJeo" has been published in complete Korean version. Not a few cases where the vivid appearance of the place for medical treatment are included intact in this medical book. This study is attempting to analyze one symptom of a disease by choosing it among the diseases our ancient sages treated in the light of the fact that there are only a few models which are applied to today's clinical treatment by our ancient sages appearance of medical service. This study believes that such an analysis of ancient medicine could be a part of the efforts to increase the applicable models to today's clinical treatment one by one. This paper is aimed at introducing and analyzing the three cases of Ganwul which are found in "WooJam JabJeo". It's because this study thinks that Ganwul is a symptom over which oriental medicine can not only establish dominance over western medicine it its diagnosis and prescription but Ganwul will also have high applicability to today's clinical treatment. Through this research, this study was able to perceive that the author. Jang, Tae-kyeong of "WooJam JabJeo" had vast knowledge of medical theories, especially in author's understanding diseases and composing prescription based on "Donguibogam". Up to the present time, domestic medical circles have understood the emergence of "Jejungshinpyeon(濟衆新編)"(1799) or "Bangyakhappyeon(方藥合編)"(1885) as an outlining work at most for overcoming such a limit of "DonguiBogam" superficially. However, by looking into Jang Tae-kyeong's understanding of "Dongui Bogam". this study was able to know the fact that the emergence of such medical books was possible because the medical knowledge included in "Dongui Bogam" was fully understood and digested in society of the Josen Dynasty. Conclusively, such a fact reminds us that it serves as a momentum to confirm once more that "Dongui Bogam" could be a good model for even today's clinical treatment.

• 헤리티지:역사와 과학
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• 제42권2호
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• pp.134-153
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• 2009

본 연구는 19세기에 중건된 조선시대 창경궁의 내전 전각을 대상으로, 지붕가구를 구성하는 주요 부재들의 치수계획을 고찰하고 서까래의 물매를 결정하는 요소를 분석하여 궁궐건축 내전 전각에 있어서 지붕가구계획의 기법을 밝히고자 하였다. 창경궁 내전 전각의 지붕가구를 형성하는 주요 부재의 치수계획은 다음과 같다. 먼저 평주의 길이는 궁궐지의 기록과 일치하였으며 고주의 계획치수는 촌(寸)단위까지 사용하였다. 영춘헌과 같이 평주의 길이가 촌단위까지 치목되어질 때 고주의 길이는 완척으로 계획되어 평주와 고주 사이에 형성되는 장연의 물매는 일정한 값을 갖는 것으로 판단된다. 한편 초익공 부재는 대체로 1.2척(尺)의 높이를 가지며 이익공의 경우에는 0.8척으로 초익공보다 0.4척 정도 작게 나타났다. 한편 장혀의 단면 폭은 0.3척으로 규모에 관계없이 일정하며, 다만 단면 높이의 경우 0.6~0.7척으로 대별된다. 도리의 직경은 1척을 기준으로 0.1척을 가감(加減)하였으며, 장연의 직경은 전각의 규모에 따라 0.5~0.6尺의 사이에 있는 것으로 나타났다. 한국 전통목조건축 지붕가구의 형성에서 서까래의 물매결정은 먼저 장연의 물매를 정한 후, 건물의 전체 높이를 결정하는 종도리의 높이를 정하고, 중연을 걸기 위해 동자주의 위치와 높이를 조정하는 방식으로 지붕가구를 계획하는 것으로 파악되었다. 특히 장연 물매는 건물 규모에 따라 특별히 정해진 값이 있는 것이 아니라 전면 평주높이와 포작의 구성 등에 따라 자연스럽게 결정된 것으로 추정된다. 그리고 중연을 사용하는 경우 중연물매의 결정방식은 양통 어칸을 등간격으로 분할한 후, 동자주의 위치 또는 길이를 조정하는 방법을 사용하였던 것으로 추정할 수 있다.