• 한국철도학회:학술대회논문집
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• 한국철도학회 2004년도 춘계학술대회 논문집
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• pp.440-444
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• 2004

The purpose of this study is to analyse the characteristics of Korean railway architectural facilities constructed during the Japanese ruling period through an examination on the historical documents. The findings of this study are as follows: Firstly, the Japanese railway adminstration authority in Korea defined the criterion for each architectural facilities according to the climate zone. Secondly, these criterion were object to modification by the geo-political. changes and the augmentation of demands. Thirdly, each architectural facilities had been remodeled or expanded, from a temporary building type to a more permanent type, consequently by the development of the Korean railway network.

• 한국식생활문화학회지
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• 제26권6호
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• pp.539-553
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• 2011

This study was intended to examine the continuance and transformation of food culture during the enlightenment and Japanese ruling era by analyzing the novel of "Toji". In the novel "Toji", the chaotic political and economic situation is reflected, along with the peoples' hard lives in the latter era of the Choson Dynasty. After the full-fledged invasion of China by the Japanese, the shift to a wartime posture was accompanied by an increased need for food. This led to a rationing and delivery system for rice in the late 1930s. While it was hard for people to obtain even brewer's grains and bean-curd dregs, food distribution officers were well off. Another distinctive feature of the food culture during the enlightenment and Japanese ruling era was that foreign food and recipes were introduced naturally to Korea through the influx of various foreigners. The industry of Choson was held by Japanese monopolistic capital, as a result, Choson had equal to the role as a spending site and was only gradually left destitute. In the Japanese ruling era, there were new type of business including such as patisserie of the types of civilization in the town, and those tempted Korean people. However, the Japanese and pro-Japan collaborators dominated commercial business. Being urbanization through the modernization, it was became patronized fast food in the populous downtown, and the change of industry structure and life style greatly influenced into our food culture. Acceptance the convenient Japanese style fast food such as Udong, pickled radish made was actively accepted with a longing for the advancement civilization. After the enlightenment, many Japanese exchange students went to Tokyo to get advanced civilization and provided urban mood according to their consumption of bread, coffee, Western food, which were considered a part of the elite culture.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.15-33
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• 2011

The late $19^{th}$ and early $20^{th}$ centuries of Korea were the times when the Confucianism (牲理學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideologies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representations of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守舊派) and the progressives (開化派) and a recognition of Koreans' passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. Moderate progressives showed their identity by "Colored Clothing" (深色衣), and radical progressives by black suits with short hair (黑衣斷髮) or by western suits (洋服). The ultimate goal of both parties was a "Modern Nation". With these efforts, pale jade green coats and traditional hats symbolizing the nobleman class was eliminated within 30 years from 1880 to 1910, and then simple robes and short hair emerged. However, the powerful Japanese army had taken over the hegemony of East Asia, and Korea was sharply divided into modernization and pro-Japanese camps. Third, during the time of Japanese colonial rule, the dress codes having set by the modernization policies during the time of enlightenment were abandoned and colonial uniforms for the colonial system was meticulously introduced. During this period, Western or Japanese-style uniforms were the symbol of the ruling ideology. In the mean time, Hanbok, particularly "White Clothing (白衣)", emerged as a representation of the opposition ideology. However, due to Japan's coercive power and strong zeal for "Great orient (大東亞)", white clothing remained as a mere symbol. Meanwhile, Reformists (實力養成論者) movement toward improving quality of life followed a similar path of the Japanese policies and was eventually incorporated into the ruling ideology. Fourth, dresses as representations of ruling ideologies were enforced by organizational powers, such as organizations and laws, and binding policies, and changes in such dresses were more significant when the ruling ideologies were stronger. Clothing of the opposition ideology was expressed as an aggregation of public consciousness. During the period, the subjects of ruling ideology and the objects who were granted modernization benefits were different although their drives for colored clothing with short hair (色衣斷髮) for modernization were similar.

• 대한가정학회지
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• 제23권2호
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• pp.1-11
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• 1985

RESULTS : Considering the archaeological evidences, it is velieved that the southern culture centered in KuSu and the Nothern Culture centered in the centeral Japan, specially at the estern Japan, existed together with the culture come through the southern regions and northern regions of Japanese Islands in Jomon Culture and Yayoi Culture period. As the center of territory moved from KuSu to GiNae in Tumulus Culture period, two-pieced style of the northern people who have already there became prevalent. The costume of Tumulus Culture period was developed from the coexistence f southern style and northern style to the merge of the two styles by the nomads come from Korean Peninsula. The riding costume was propagated by Koreans, and the style used in Korean Peninsula was more deeply influenced to the costume of the ruling class. The costume of Asuka Culture and MakuHo Culture period succeeds the costume of Tumulus Culture period without wide difference. But the costume of Korean Peninsula lied more deeply as the root of Japanese Costume. While the costume of the ruling class was changed into Tang's style, the costume of the masses was under the influence of the costume of Korean Peninsula. It became the base of current Japanese Folk Costume.

• 한국의류산업학회지
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• 제12권1호
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• pp.31-37
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• 2010

The purpose of this study is to investigate the causes of clothes phenomenon of the ruling class women on the Heian period of Japan in the aspects of politics, economics, society, culture, and religion. The findings of the study are as follows. The main characteristics of the Heian period of Japan may include a rare sense of internationalism, low sense of nationalism, and frequent cases of political intrigue. However, noble culture, centered on royal court, was flourished and it enabled to develop sophisticated and graceful culture. During the Nara period and the Heian period (from $8^{th}$ to $12^{th}$ century), there were enormous changes in the clothes, starting from the mid $10^{th}$ century. The clothes of the ruling class in the Heian period underwent changes from the imitative clothes-imitating the clothes of the Tang age of China- to Japanesque clothes-adding the aesthetic consciousness of Japanese ruling class people. Particularly, the clothes of the ruling class women became massive, majestic, and decorative. The changed clothes had also features such as layered look, utilizing underwear as outer garments, using a wide variety of colors, and using hard and solid materials to make clothes. It can be concluded that the clothes of the ruling class people in the Heian period were affected by plural factors such as national and international political situation, economics, society, culture, and religion. The clothes were used by ruling class people as means of expressing their noble and sophisticated beauty, which led to produce humanistic beauty. The Heian period can be described as an era of the highest reach of humanity.

• 산업기술연구
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• 제30권A호
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• pp.59-68
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• 2010

This study intended to examine the changes of residential building characteristics in period classification. The results of this study are as follows: During Joseon dynasty, it is judged that the social changes in the ideology of ruling classes did not directly affect the traditional residential style. The mid period and latter period of Joseon, it is changed toward horizontal and practical residential layout in place of confucian courtesy based style. During port opening period, the traditional residential style was remodeled through addition of glass panes to inter-chamber floor in tune with the influx of modern materials and ideologies like glass or cement etc. The Japanese ruling era of Korea period, the modern housing style of room separation type was settled.

• 한국수학사학회지
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• 제17권3호
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• pp.43-60
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• 2004

일제강점기에 네 차례에 걸친 조선교육령 개정과정에서 편찬된 산술과의 교수요지, 교육내용 및 소재를 분석함으로써 당시 수학교육의 양상을 논하고 그 시대에 실행된 초등수학교육 내용과 그 시대 사회적, 문화적 시대상을 현재적 관점으로 분석, 유추해 보고자 한다.

• 대순사상논총
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• 제36집
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• pp.227-266
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• 2020

본 논문의 목적은 광해군 대(代)의 불교정책과 이것의 영향을 받는 불교계의 양상을 검토하는 것이었다. 이것을 통해 조선불교를 "숭유억불"이라고 규정지음으로 인해 드러나지 않았던 광해군 대의 불교가 가진 나름의 영향력과 역동성을 드러내고자 했다. 성리학을 사상적 배경으로 삼았던 조선 시대에 불교는 성리학의 벽이단을 내세운 지배층에 의하여 배척되어야 했고, 이것은 광해군 대에도 마찬가지였다. 그러나 실제로는 지배층이 이중적 불교관을 가지고 있었다. 이러한 지배층의 이중적 불교관은 광해군 대의 불교계의 상황에 영향을 끼쳤다. 임진왜란에서의 전공으로 지배층은 불교의 존재를 인정할 수밖에 없었고, 그 결과 조선에서 불교의 위상이 일정부분 상승했다. 상승한 위상과 임진왜란 때의 경험을 바탕으로 불교계는 보사(報謝)와 구호 활동에 종사했다. 그 결과, 승려의 수는 증가했고, 사찰과 승려의 토지 소유가 허가됨으로써 경제적 상황도 좋아졌다. 이 과정에서 임진왜란은 광해군 대의 불교정책을 좌우하고 불교지형을 변동시킨 역사적 배경이 되었다. 광해군 대에 지배층은 불교를 이단으로 간주하면서도, 임진왜란에 공이 있는 승려들에게 시호를 하사했고, 승려에게 관직을 제수하는 등 일부 승려들을 우대하는 정책을 폈다. 또한, 승려들은 국방, 건축 등 조직력과 물리적 힘을 요구하는 역을 부담하기 시작했다. 그런데 광해군 대까지는 승려들이 부담하는 역에 대하여 일정 부분 보상해서, 승려가 역을 부담하는 것이 불교에 대한 탄압의 면보다는 불교에 대한 용인의 측면이 강했다. 불교정책에 대하여 불교계는 지배층과의 유착과 사찰의 창·재건, 그리고 불교 예술품 제작이라는 양상을 보인다. 지배층과의 유착을 통해 불교계는 광해군 대 불교정책에 적극 호응했고, 이것을 통해 교단을 유지할 수 있었다. 아울러 이러한 모습 속에서 부휴 선수(浮休 善修)와 제자인 벽암 각성(碧巖 覺性)의 부휴계가 불교계에서 주도권을 가지기 시작했음도 확인된다. 광해군 대의 불교정책은 지배층의 이중적 불교관과 좋아진 측면과 악화된 측면이 공존하는 불교계의 상황을 배경으로 시행되었다. 지배층은 불교의 조직력을 전후(戰後) 복구와 국방, 토목 공사에 적극적으로 활용하였고, 이에 따른 적절한 보상을 시행했다. 불교계 역시 지배층과의 교류를 바탕으로 불교정책에 호응하였고, 사찰과 예술품을 보수하고 제작하였다. 광해군 대의 불교정책과 대응을 살펴보면, 조선 불교에 대한 일반적 묘사인 "숭유억불"로 설명할 수 없는 불교의 조직력과 영향력이 확인된다.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.3-12
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• 2008

Most of these cultural spaces are Western architecture which is completely unrelated to our traditional style. In Japan's colonial rule of Korea these Western formation flowed in and passed on by them. Therefore before the understanding of modem cultural space built in Japan's colonial rule of Korea, it's essential to study about the background of the western period in that time, architecture and trend of interior. Due to Great Depression and other reasons the economical modernism of architecture raised in this period. In this thesis, based on such background of period, cultural space has been divided into assembly, theatre and exhibition spaces. Those spaces were studied according to its expressional characteristics and brought to following conclusion from the analysis. The cultural spaces were created around 1930 due to an increase of demand when the modernism started to establish. Like other buildings cultural space expressed modernized elevation and space formation with ferroconcrete building. However until Japan's colonial period the cultural areas were not used for public but for Japanese authority class's social gatherings only. Consequently, unlike other buildings the classical elements that could express these characters were more used in cultural spaces especially in theater and exhibition areas. This distinctiveness didn't appear separately but according to type of rooms in one space. Once more, place like assembly space was expressed with modernism, special or recreation rooms where people pursue a comfort were expressed with decorative style. Also a special theater which was used for only one person was generally expressed with western style to represent the stem character such as power.

• 한국언론정보학보
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• 제28권
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• pp.111-140
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• 2005

일제는 중일전쟁 발발 이후 내선일체론에 근거한 황민화 정책을 실시하고, 병참기지론에 기반하는 전쟁동원체제의 구축을 서둘렀다. 중일전쟁을 위해서는 조선인을 동원할 필요가 있었고, 그러기 위해서는 조선인의 황민화가 이루어져야만 했기 때문이다. 또한 일제는 황민화와 전쟁동원을 위해 전쟁의 성격과 목적을 정당화하는 시도를 해야만 했다. 본 연구는 이런 일제의 지배정책을 다룬 $\ll$동아일보$\gg$와 $\ll$조선일보$\gg$의 사설을 분석한 것이다. 먼저 전쟁의 성격과 목적에 관한 사설에서 두 신문은 중일전쟁 발발직후 한 동안 일본은 부득이하게 동양의 평화를 위해 전쟁에 나섰다고 주장했고, 일본군의 승전 소식이 있을 때마다 이를 대대적으로 선전했다. 1938년 말 이후 두 신문은 중일전쟁은 동양을 서구로부터 해방시키기 위한 전쟁이고, 일본은 그 해방자라고 주장했다. 다음으로 황민화 정책과 관련해 두 신문은 초기에는 주로 신사참배나 궁성요배를 정당화하고 권유하는 논조를 보였을 뿐이다. 이후 두 신문 모두 지원병제도에 대해서는 '완전한 국민'이 될 수 있는 기회를 얻었다고 절대적인 찬성 입장을 보였던 반면에 3차 조선교육령에 대해서는 조선어 교육의 폐지를 염려하며 소극적이나마 반대의사를 표명했다. 1939년에 들어서서 두 신문 모두 '일본 정신'을 강조하며 내선일체를 적극적으로 주장하기 시작했다. 마지막으로 전쟁동원 정책에 관한 사설에서 두 신문은 전쟁 직후 한 동안 자중을 요구하는 논조만을 보이다가, 곧 여기에서 벗어나 적극적으로 전쟁협력을 촉구하는 논조를 보이기 시작했다. 1939년에 들어서서 '일본 정신'을 기반으로 하여 적극적으로 전쟁에 협력해야 한다는 주장들이 사설에서 나타났고, 1940년에 가서는 이제 국가주의적이고 전체주의적인 동원체제를 강력히 주장하기에 이르렀다. 이 같은 논조는 일제의 강력한 언론통제와 신문사 내 경영진 및 언론인의 의식전환이 모두 작용한 결과였고, 결국 두 신문이 일제의 지배방식에 순응해 독자들에게 내선일체와 전쟁협력을 강요했다는 역사적 평가를 듣게 만들었다.