• 한국실내디자인학회논문집
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• 제23권4호
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• pp.72-82
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• 2014

The Contemporary paradigm to understand the complexity and diversity is moving to 'Becoming' that taken place in reviewing at the relation of various concepts. In Japan, After the collapse of modern architecture has been declared 'Metabolism' was appeared. They tried to apply organism's metabolic system to buildings based on ecological thoughts. But Metaboilsm's projects had revealed limitations of representation that the city on the mechanical system became a huge scale. As a result, It caused a break the cultural context of the region in Japan. After then, Japanese Architects expressed a pluralistic aspects of modern society for the restoration of disconnected cultural context. From this perspective, The thought of 'becoming' is a new role for Contemporary Japanese Architect. This research is focused of projects of SANAA, Ito Toyo, Sou Fujimoto, because they have spatial thought about realizing the space through the ways organizing the various potential possibilities in the simple external form not stimulated. They are realize the 'becoming-space' within the architecture. This 'becoming-space' gives people in building the new characteristics and experience that potential interactions among user, architecture and nature. It is non-representational space not fixed, but changing organically and variably.

• Architectural research
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• 제17권3호
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• pp.101-108
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• 2015

So far, the Japanese exhibitions in the colonized Korea, especially the Joseon Industrial Exhibition of 1915, haven't been studied sufficiently; they have been understood mainly as political propaganda to legitimize the Japanese colonization of the Korean peninsula; many scholars have agreed that Japan highlighted material developments in Korea under the benevolent guidance of Japan by displaying strong visual contrasts between the modern and the traditional. So, they only acknowledge colonial modernity; this perspective regards Western forms as the sole expression of architectural modernity, not only in the exhibition but also in the colonial space and time. However, to be on a par with the West, Japan started to develop a series of historical narratives in searching for its historical origins in Asia, and it also carried out archaeological investigations in the Korean peninsula around the early 1900s. I argue that the developed historical narratives with traditional Korean artworks and architecture (i.e. the shared historical origins between Japan and Korea) influence the architectural conditions of the 1915 exhibition. And, the status of traditional Korean architecture in the Japanese exhibition expresses architectural modernity in terms of showing historical progress.

• 한국주거학회논문집
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• 제15권4호
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• pp.75-86
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• 2004

This research is about the Korean private residence as the actual housing published in Kuchie, 'Chosun and Architecture'. Research about the Korean private residence during the Japanese colonial period is important to find out the influence of foreign culture on Korean housing during that period. This research is necessary to reveal the tendency of modernization of Korean housing and how the foreign cultural relationship transformed and applied to the Korean housing. This research was carried out mainly on the 16 Korean private residences published in 'Chosun and Architecture'. The main subject of this research is to analyze the architectural floor plan, building material and heating facilities etc. Other important themes of the research are the practical side of actual housing plan, interior furnitures and fittings, electrical fittings and the classification of life style.

• 건축역사연구
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• 제32권6호
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• pp.49-62
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• 2023

This research aims to investigate Park Kilyong's architectural theory and critique of Gyeongseong (Seoul) buildings, expressed in his 'Overview of Modern Buildings in Gyeongseong' and 'Critique of Gyeongseong Buildings' (Samcheolli, Sept. and Oct. 1935); and 'Architectural Form of the 100% Function' and 'The Modern and Architecture (1)-(4)' (Dong-A Daily, 28 Jul. to 1 Aug. 1936). As a result, it is confirmed that Park had the functionalist theory of modern architecture, which suggests that Korean architects of the Japanese colonial period were accommodating the contemporary trend of world architecture. However, Park shows his fundamental limitations in the fact that the main content of his articles was a verbatim translation of two Japanese references (Kurata, 1927; Ishihara, 1929) without proper indications. Despite the limitations, his texts are still meaningful since he formed his own architectural theory on the basis of what he translated; and indeed his critique of Gyeongseong buildings, however simple, was based on the theory. This research makes a critical analysis of Park's functionalist theory from both the 1930s' and present points of view and compares his commentaries on Gyeongseong architecture with those by Ko Yu-seop (1932) and Hong Yunsick (1937), illustrating how Korea perceived architecture and modernism in 1930s.

• 한국전통조경학회지
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• 제32권2호
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• pp.167-179
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• 2014

본 연구는 전통정원의 해외 보급 및 확산을 위한 기준점 마련과 기반 구축을 위한 기본연구로서 일본의 전통정원 보급 및 확산에 있어 초기 단계인 유럽과 미국에서 개최된 만국박람회 통한 조성내용과 파급효과를 규명하는데 목적을 두고 있다. 일본이 박람회를 처음 참가한 1867년부터 제2차 세계대전이 발발하는 1939년까지 일본 정원이 조성된 박람회를 대상으로 조성된 정원을 파악하고 박람회 기간 중 그리고 폐막 이후 일본정원의 파급효과를 조사 분석하였다. 연구의 결과를 종합하면 문화적 측면에서 명치정부의 첫 박람회 참여에 있어 독일인 바그너의 충고에 따라 문화와 공예를 박람회 주제로 선정하고 정원을 전통 건축물과 하나의 단위로 인식하면서 국가적 정책으로 대외 홍보 수단으로 삼았다. 그 결과 만국박람회 일본관에 대표적으로 조성된 강호시대 회유식 정원 양식과 다정은 유럽과 미국 내에서 일본정원의 대표적 양식으로 인식되었다. 정치적 측면으로는 미국인에게 일본 정원은 도입된 '이국적 미'이자 '문화유산'으로 인식되면서 일본에 대한 친근감을 높이고 반일감정을 없애려는 일본 제국정부의 목적을 달성하였고 전통정원을 통해 유구한 역사를 가진 일본사회를 이상적으로 표현하여 서구 열강과의 차별성을 도모, '전통'과 '자연'을 키워드로 '영원한 평온'이라는 국가 이미지를 구축하였다. 사회경제적으로는 박람회 이후 존치된 일본정원은 지속적인 일본정원의 모델 역할을 하였으며 박람회의 일본관을 조성하기 위하여 정원과 관련된 많은 전문가가 일본에서 미국과 유럽으로 간 후 현지 정착하며 일본 정원이 현지에 녹아드는 계기가 되었다.

• 건축역사연구
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• 제10권2호
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• pp.21-34
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• 2001

The purpose of this study is that it is made clear the construction method of Japanese Castle Architecture in Korea as I study the construction method of Suncheon-Japanese Castle(順天倭城) in those days of Jeong-yu Japanese Invasion. Moreover, I intend to analyze the similarity and the difference between Suncheon-Japanese Castle and Korean Castle Architecture by a comparative study. The result of the study is showed that Suncheon-Japanese Castle seemed to be built with the object of a long time stay rather than it was of strategic importance for the national defense. In addition, it was different from other Japanese Castle in Korea because the watch tower(天守閣) of it stood in the middle of stronghold and the watch tower stronghold dividing the round of it while that of it stood the comer of stronghold. The face stone used in important part of watch tower, gate, and so on was mostly a trimed hexangular stone. On the other hand, the face abbuting on the Gulf of kwang-yang was made of naturally wild face stone. The stone cleared traces of Si-hyeol(矢穴) and domestic Castle in Japan was also made of this method after Im-Jin Japanese Invasion. According to the construction method, the wall of castle made use of the Netak(內托) method except the gate, the support stronghold and the watch. The early mountain castle in Korea have this construction method in common.

• 건축역사연구
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• 제32권6호
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• pp.23-32
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• 2023

Based on the experience of building 'Waegwan(倭館)' in Busan, Japanese paper wallpapering, the use of square rafters, and the installation of sliding windows were used in the construction of Joseon palaces from the 17th century onwards. Elements that could be applied through observation alone were applied first, and sliding windows that required precise skill acquisition were installed later. 'Yeongchang(影窓)', which refers to a sliding window that brightens an interior, has spread rapidly, and its types and structures have also become more diverse. Gradually, 'Yeongchang' came to refer only to additional windows installed by attaching grooves to the lintel of existing casement windows. The sliding window that is installed independently and acts as an interior partition was renamed 'Chujangja(推障子)'. Japanese architectural elements such as 'Yeongchang' and 'Chujangja' have become an element of traditional Korean architecture.

• 대한조선학회논문집
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• 제46권1호
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• pp.10-23
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• 2009

Korean small coastal fishing boats have the different kind of fisheries and customs against Japanese fishing boats. Those bring some influences on the principal parameters of hull form. In same displacement, Korean small coastal fishing boat has generally shorter length, draft and wider breadth than Japanese fishing boat. Furthermore, even though the parameters of each hull form are similar, it is known that the resistance performance of Korean small coastal fishing boat is worse than that of Japanese fishing boat. In this study, the representative hull forms of Korean and Japanese small coastal fishing boats are selected and compared to evaluate the resistance performance of Korean fishing boat in low-speed range. The hull form of the Korean fishing boat is modified as comparison with that of the Japanese fishing boat to confirm the partial characteristic differences between the hull forms and the resistance performances. The representative partial characteristics of hull form are the gradient of chine line, keel shape and stern length. The resistance performances of the modified hull forms are evaluated by INHAWAVE which is one of CFD program and model tests in towing tank. The results of the present study will be used to improve the resistance performance and to develop the practical hull form of Korean small coastal fishing boats as principal data in the preliminary hull form design of fishing boats.

• 건축역사연구
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• 제12권3호
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• pp.19-38
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• 2003

The purpose of this study is to analyze the architectural character of the upper risen architecture(高床式 建築) in Japan. There are few upper risen architecture and architectural remains in Korea. Until now most of Korean researcher recognized that the upper risen architecture is southern regions' form. But there are a few numbers of upper risen buildings in northern regions of Korea and China. Therefore we need to compare northern and southern regions' upper risen architecture. The scope of this study is architectural remains, sites and present buildings about upper risen architecture in Japan. The period of this study is from third to eighth century. The method of this study is the analyses of site plan(the ratio of front and side length) and construction about Japanese Architecture. And then this study compare Japanese with other countries in Korean and Chinese upper risen architecture. Results of the study are below. 1. In Japan, upper risen architecture was introduced into southern regions(southern China and southeast Asia) with rice farming culture. 2. After introduced upper risen architecture, they were influenced many architectural technique of Korean and Chinese. 3. There were many technical improvement(such as foundation stone standing method, high technical wooden frame structure and adaptable triangle frame wall at moisture) the Japanese upper risen architecture in Nara Period(奈良時代). 4. As the results, I found out that there were many similarity Korea and Japan in upper risen architecture. I think that we will try continuous to study another regions' upper risen architecture in order to define conclusion.

• 한국농촌건축학회논문집
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• 제12권1호
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• pp.41-48
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• 2010

A house is basic unit of human being living space and it reflects an occupation, family relation, a life style and sense of value of resident. The purpose of this study was to research the continuity of traditional elements and contemporary change of Japanese houses by field study and literature research. The subject of this study was sixteen houses of Miyashiro, Saitama pref. in Japan. The results of this study are as follow as. First, the traditional elements of contemporary Japanese houses are tatami floor room, tsuzukima, zashiki, dokonoma, butsudan, amado. Second, the tatami is symbol of Japanese living space. Wasizus maintains a traditional characteristic, but it is developed and fixed properly change in contemporary life. Third, the traditional elements of Japanese houses are continuing in the modern houses, and they are continuously changed the feature from recreate. It can be a connection of a hereditary factor of residential culture. Four, the continuity of modern change and traditional element of the Japanese houses can be understood the change of the structural and spatial responding method to accommodates a life.