• 한국의류학회지
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• 제24권3호
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• pp.301-312
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• 2000

This study conducted an analysis of the middle aged women whose ages are from 35 to 59 years old in order to give those ladies much external satisfaction and covered body lines. I have come to present a few characters of body types as silhouettes which resulted in the factors of the upper bodies of middle aged women. I have adopted SAS(statistical analysis system) as a data process method of this survey. The followings are the results analysis. 1. The item of height have decreased, but increased in the items of thickness among the late middle aged women. 2. The body componant factor of middle aged women are extracted as 10 items, and the rate of their cumulative contribution is 78.9%. The first is the thickness of upper body, the second is the thickness of side upper body, the third is the height of upper body, the fourth is the length of upper body the fifth is width of upper body, the sixth is the projected rate of back, the seventh is the projected rate of breast, the eighth is the squared rate of shoulder, the ninth is the crooked rate of neck, and the tenth is the upper from of breast. 3. The body types of middle aged women can be classified into 4 types, and the followings are their characters. Type 1 is a standard type as the most common body character of the middle aged women, showing the appearing rate of 42.4%. Type 2 is a semi-curved body type like the curved figure of side body, showing the appearing rate of 34.5%. Type 3 is a reverse body type with the projected breast feature of front body, showing the appearing rate of 20.9%. Type 4 is a crooked body type with a tall height and crooked neck, showing the appearing rate of 2.2%.

• 인터넷정보학회논문지
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• 제16권1호
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• pp.67-74
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• 2015

최근, 아이템들의 가치를 고려한 빈발 아이템셋 마이닝 방법은 데이터 마이닝 분야에서 가장 중요한 이슈 중 하나로 활발히 연구되어왔다. 아이템들의 가치를 고려한 마이닝 기법들은 적용 방법에 따라 크게 가중화 빈발 아이템셋 마이닝, 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝, 유틸리티 아이템셋 마이닝으로 구분된다. 본 논문에서는 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝들에 대해 실증적인 분석을 수행한다. 일반적으로 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝 기법들은 데이터베이스 내 아이템들의 가치를 고려함으로써 트랜잭션 가중치를 계산한다. 또한, 그 기법들은 계산된 각 트랜잭션의 가중치를 바탕으로 가중화 빈발 아이템셋들을 마이닝 한다. 트랜잭션 가중치는 트랜잭션 내에 높은 가치의 아이템이 많이 포함 될수록 높은 값으로 나타나기 때문에 우리는 각 트랜잭션의 가중치의 분석을 통해 그 가치를 파악할 수 있다. 우리는 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝 기법 중에서 가장 유명한 알고리즘인 WIS와 WIT-FWIs, IT-FWIs-MODIFY, WIT-FWIs-DIFF의 장 단점을 분석하고 각각의 성능을 비교한다. WIS는 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝의 개념과 그 기법이 처음 제안된 알고리즘이며, 전통적인 빈발 아이템셋 마이닝 기법인 Apriori를 기반으로 하고 있다. 또 다른 트랜잭션 가중치 기반의 빈발 아이템셋 마이닝 방법인 WIT-FWIs와 WIT-FWIs-MODIFY, WIT-FWIs-DIFF는 가중화된 빈발 아이템셋 마이닝을 더 효율적으로 수행하기 위해 격자구조(Lattice) 형태의 특별한 저장구조인 WIT-tree를 이용한다. WIT-tree의 각 노드에는 아이템셋 정보와 아이템셋이 포함된 트랜잭션의 ID들이 저장되며, 이 구조를 사용함으로써 아이템셋 마이닝 과정에서 발생되는 다수의 데이터베이스 스캔 과정이 감소된다. 특히, 전통적인 알고리즘들이 수많은 데이터베이스 스캔을 수행하는 반면에, 이 알고리즘들은 WIT-tree를 이용해 데이터베이스를 오직 한번만 읽음으로써 마이닝과정에서 발생 가능한 오버헤드 문제를 해결한다. 또한, 공통적으로 길이 N의 두 아이템셋을 이용해 길이 N+1의 새로운 아이템셋을 생성한다. 먼저, WIT-FWIs는 각 아이템셋이 동시에 발생되는 트랜잭션들의 정보를 활용하는 것이 특징이다. WIT-FWIs-MODIFY는 조합되는 아이템셋의 정보를 이용해 빈도수 계산에 필요한 연산을 줄인 알고리즘이다. WIT-FWIs-DIFF는 두 아이템셋 중 하나만 발생한 트랜잭션의 정보를 이용한다. 우리는 다양한 실험환경에서 각 알고리즘의 성능을 비교분석하기 위해 각 트랜잭션의 형태가 유사한 dense 데이터와 각 트랜잭션의 구성이 서로 다른 sparse 데이터를 이용해 마이닝 시간과 최대 메모리 사용량을 평가한다. 또한, 각 알고리즘의 안정성을 평가하기 위한 확장성 테스트를 수행한다. 결과적으로, dense 데이터에서는 WIT-FWIs와 WIT-FWIs-MODIFY가 다른 알고리즘들보다 좋은 성능을 보이고 sparse 데이터에서는 WIT-FWI-DIFF가 가장 좋은 효율성을 갖는다. WIS는 더 많은 연산을 수행하는 알고리즘을 기반으로 했기 때문에 평균적으로 가장 낮은 성능을 보인다.

• 한국의류산업학회지
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• 제18권1호
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• pp.103-112
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• 2016

This research was designed to figure out the perception and attitude of university students toward urban outdoor wear and to provide the guidelines for product quality improvement using Kano model. A total of 270 responses were analyzed by SPSS 20.0 through frequency and factor analysis. Respondents' levels for outdoor activity & outdoor products possession being still low, steady growth in urban outdoor wear market is expected. A total of eight quality factors were identified through factor analysis; suitability, production quality, functionality, ease of care, fabric performance, portability, fashionability, and symbolism. Based on Kano model, quality factors of urban outdoor wear were categorized into three groups: one-dimensional; indifferent; and must-be quality factor. It was found that consumers were satisfied with urban outdoor wear only when it meets the needs for suitability for body types and ease of care, meaning that manufactures should be cautious not to lose these features. Being must-be quality factor, production quality(form stability, quality of subsidiary materials), and fabric performance such as colorfastness should be basically satisfied. The relative importance of each quality feature on satisfaction/dissatisfaction was investigated using CSC(customer satisfaction coefficient). Based on the CSC, every item was classified again. Attractive quality features with large CSC were shown in suitability factor. Must-be quality features with small CSC were mainly shown in functionality and fabric performance factors. These findings imply that manufactures of urban outdoor wear should not only maintain the production quality but also focus on suitability features to differentiate their product with previous products.

• 패션비즈니스
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• 제13권3호
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• pp.118-135
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• 2009

This study is done in Shanghai area by sample survey of female college students. Through direct contact survey, this study collected and analyzed information on figure to understand feature of breasts and measurements of body to provide base information to improve product of brassiere for adult female in China. Data was analyzed by using SPSSWIN 13.0 Program and SAS 9.0. 1. From a result of analysis on the body measures to understand the characteristics of the shape of the breast of the Chinese female college students(18$\sim$24 years old), the bust circumference was 83.86cm and the underbust circumference was 73.37cm and the cup size of a brassiere was 75A. 2. From a result of analysis on the bust measures to understand the relations between the front, lateral and cross-sectional proportions of the bust and the shape of the breast in the Chinese female college students, the chest height was 0.77, the bust height was 0.71 and the underbust height was 0.68 as the information of the body type that shows the location of the bust that is the measure of an item to a height as the front proportion of the bust. For the lateral proportion of the bust, the chest depth of the waist depth was 0.98, the bust depth, 1.21 and the underbust depth, 1.03. While the bust depth/waist depth is ideal when being 1.3, it was 1.21 in this study to be close to the ideal lateral shape. For the cross-sectional proportion of the bust, the area of the largest evenness was the bust followed by the waist, underbust and chest in order. 3. From a result of analysis on the correlation between measured items necessary to understand the characteristic of the shape of the breast, to set up the sizes and to produce the patterns, the underbust circumference had a relatively high correlation between the items of breadth, depth and circumference and weight as the items of basic areas.

• 한국도서관정보학회지
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• 제20권
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• pp.351-381
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• 1993

The purpose of this study is to analyze the various processes and patterns to build or synthesize class numbers in the 800 class of the Dewey Decimal Classification, Edition 20(1989). The results of the analysis are as follows: 1. The 800(Literature and rhetoric) class in the DDC system is the main class added analytico-synthetic principle positively to an enumerative scheme. 2. The facets to be a n.0, pplied in literature are language literary form literary period ; kind, scope, or medium ; notation 08(collection) or 09(criticism) literary feature, subject, author, etc. 3. In the 800 class, there are the five tables of precedence for literary forms aspects ; specific kinds of persons ; literary, period in relation to the aspects for works treating more than one literary form subforms, aspects and literary periods in the works treating a specific literary form. 4. The basic number synthesis of literary works proceeds through the various facets in the following sequence, as far as necessary for the item : base no. + literary form + literary time or period + kind, scope, or medium + notation 08 or 09 + subform + additional notation from T3C and other tables. 5. In view of the multiplicity of facets, their synthesis formulas take the following order : (1) Works about the literature : base no.(schedule) + language(T6) or form(T3B) (2) Works by or about individual author : base no.(schedule) + form (T3A) + period(schedule) + subform(T3A) (3) Works by or about more than one author, not restricted by language facet : base no.(schedule) + period(T1) ; base no.(schedule) + kind, scope, medium(T3B), or feature(T3C), or person(T5). (4) Works by or about more than one author, restricted by language facet : base no.(schedule) + form (T3B) + period(schedule) + subform(T3B) + notation 08 or 09(T3B) ; base no.(schedule) + notation 08 or 09(T3B) + 9(T3C) + area notation(T2) : base no.(schedule) + form (T3B) + notation 008 or 009(T3B) : base no.(schedule) + form (T3B) + kind, scope, medium(T3B) + notation 08 or 09(T3B) + period(schedule). (5) Affiliated literatures for which period numbers are not us base no.(schedule) + form (T3A or T3B), or notation 08 or 09(T3B) : base no.(schedule) + kind, scope, medium(T3B), feature(T3C), or person(T5) 6. The problems in the number building of the 800 class are the complexity and difficulty of number synthesis, the intrinsic weakness of from distinction and the inconvenience of retrieval inherent in the form class. In order to solve these problems, therefore, the citation orders and methods of DDC should be improved and synthesis patterns simplified from the point of view of its applicability and its usefulness in the "literature class".

• 복식문화연구
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• 제14권2호
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• pp.271-285
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• 2006

The purpose of this study was to develop a new basic skirt pattern for 4 lower body types of Plus-sized women. To reduce a time and economic loss about putting it on, This study applied a 3D sample module in the course to develop a basic skirt pattern which is fit, functional and beautiful. A data analysis used the SPSS 11.0 statistics program. To verify the difference, This study used the variance analysis and Duncan's test for the postmortem verification. The result was as follows. To reflect a feature according to an abdomen projection and hip projection, we added the maximum hip circumference to the waist circumference and hip circumference for necessary for a skirt draft item. The front hip circumference sets to the H/4+1cm(ease)+D/4. The back hip circumference set to the H/4+0.5cm(ease)+D/4. The D is the hip circumference in the maximum hip circumference to subtract. The front waist circumference sets to the W/4+0.5cm(ease)+0.5cm(A front and back's difference)+D/4. The back waist circumference sets to the W/4+0.5cm(ease)-0.5cm(A front and back's difference)-D/4. Compare with 4 lower body types of Plus-sized Women, A type 2 and type 4 abdomen projections are bigger. We raised a front waistline of skirt pattern to a 0.3cm upside, and take about 1.3cm down the skirt length from a developed skirt pattern. Consequently, the appearance of a front skirt length was improved with a side skirt length.

• 복식문화연구
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• 제28권1호
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• pp.62-75
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• 2020

In this study, clothing items recorded in Nappyemulmok (納幣物目) and Ugwimulmok (于歸物目) in the early 20th century were examined. These clothing items were recorded on the lists of goods for wedding gifts from the 1910s to the 1930s. A large quantity of these lists were organized into eight categories by analyzing the fabrics of each item of clothing. Representative fabrics used for skirts and Jeogori (such as Myeongju, 明紬) were used widely. Jeoksam was mostly made with ramie fabric. Pants mostly used cotton such as Dangmok, Mumyung, and calico, with some use of silk. Gojaengi mostly used cotton such as Dangmok, Mumyung, and calico, with some use of ramie. Danui (單衣) used silk fabrics such Pparinseu, Myeongju, and Gyoju for decorative features that were revealed when rolled up. Naeui (內衣) is believed to be the closest underclothes to the body, and Mumyung was mostly used. Dangmok and calico were used for the Yodae (腰帶) and fabrics such as silk, Nobangju, and JuhangNa were used for outdoor use. This type of categorization is significant, as it can be used as academic evidence to verify and reproduce the clothing of the time by identifying fabrics, colors, and characteristics of certain items of clothing. Lastly, it is expected that the analysis of clothing will provide theoretical data in the same way that movies, dramas, and museum exhibitions feature modern traditional weddings.

• 영재교육연구
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• 제25권4호
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• pp.511-528
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• 2015

창의적 잠재력이 실현된 재능으로 발달하는 과정은 복합적이고 비선형적이다. 이러한 특성은 단기적으로 어떤 문제를 해결해야 하는 상황에서보다 장기적으로 창의적인 삶을 살아가야 하는 과정에서 더욱 두드러진다. 본 연구는 대학생을 대상으로 창의적 과정 이론 중 하나인 Sawyer의 Zigzag 모델을 토대로 창의성 경로 척도(CPI: Creativity Path Inventory)를 개발하고 척도의 신뢰도와 타당도를 검증하였다. 이에 모델의 각 단계 특성을 반영한 8요인 88문항을 개발하였으며, 문항분석과 구인 타당도 검증 과정을 통해 최종 7요인(생각해내기, 배우기, 궁금해하기, 도전하기, 되돌아보기, 구현하기, 연결하기) 38문항을 확정하였다. CPI 전체 38문항의 내적 합치도는 .835로 나타나 신뢰로운 척도임이 확인되었고, 최종 모형의 적합도 지수 역시 양호한 결과를 보였다. 신뢰도와 타당도가 입증된 CPI는 일상적 창의성의 관점에서 창의성을 발현하고자 하는 사람들이 자신의 강점과 약점을 스스로 점검함으로써 자기계발을 할 수 있도록 도움을 줄 것이다.

• 복식
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• 제54권8호
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• pp.75-86
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• 2004

This study aims at considering and analyzing the stature of denim clothing as an ornament as well ai how aesthetic meaning and human being's mental side indwell in the development of denims. which will be proceeded in the future, from the view of contemporary culture of dressing. It is found that the stylishness expressed through denim clothing is formed on the basis of the cultures of party, drawing and disorganization, and the result of the study was as follows. Firstly, the culture of party became the source of for decoration of denim clothing, and denim clothing more glamorize women as a party-look which makes the most use of its advantage to be comfortable and able to display in various ways with splendid artificial jewelry, patchwork, dyed pattern which is elaborately embroidered. Secondly, Such culture of drawing is applied to denim clothing so that denims are expressed to make people feel more human being's warmth as being free from the existing stereotype and formality. Thirdly, the most outstanding feature of denim clothing showed in the culture of disorganization is to make the most use of vintage style as it is. This reflects an image of the culture of disorganization under postmodernism, which is free from the traditional conception of the existing dressing by destroying the original form, in the way of slashing, making a hole and tearing. That is, people can sufficiently express not only free sense of release based on postmodernism by wearing denim clothing, but also human being's intrinsic desire for restoration of humanism or human warmth with splendid decoration or various techniques such as handicraft. It can be recognized these features as the reasons, that make denim clothing place themselves as an original fashion item, by giving denim clothing technical decoration in recent years.

• 디지털융복합연구
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• 제13권5호
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• pp.309-316
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• 2015

선행된 연구에서 제안된 '게임캐릭터 패션스타일 유형'을 토대로 커스터마이징 시스템에 나타난 게임 캐릭터의 유형별 스타일링을 Creative Style, Attractive Style, Grotesque Style, Usual Style, Suit Style로 분류하여 분석하였다. 그 결과 첫째, 게임의 특성상 가상공간에서 이루어진다는 점에서 현실에서는 구현하기 힘든 창의이며 융합적인 디자인 표현이 다양한 형태로 나타났다. 둘째, 게이머와 동일시되는 게임 캐릭터의 특징과 일반적인 신체비율보다 과장된 8등신 이상이 주로 사용되는 RPG들을 중심으로 분석된 만큼 Creative Style과 Attractive Style의 빈도가 높게 조사되었다. 셋째, 대체적으로 캐릭터의 의상디자인과 컬러의 사용은 게이머의 요구나 세계관의 반영에 의해 선택되므로 공통적인 특징이 나타나는 반면, 헤어디자인과 컬러에서는 다양한 표현으로 대표성을 찾기 힘들었다. 본 연구결과는 게이머의 개성과 요구에 부합하는 패션아이템 개발 매뉴얼 및 관련연구를 위한 참고자료로써 가치가 있다고 사료된다.