• 대한지리학회지
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• 제50권5호
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• pp.459-472
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• 2015

다양한 암석에서 발달하는 풍화혈은 기반암의 암석학적 특징과 형성과정에 대해 활발하게 논의되고 있는 지형이다. 사천시 다평리 해안은 이암과 사암의 호층이 분포하는 곳으로 사암이 노출된 지역의 쇼어플랫폼과 해식애에서 다양한 풍화혈이 발달하였다. 절리의 발달, 광맥의 관입, 암석의 물리 화학적 특성에 따른 풍화혈의 발달 특성과 분포의 공간적 한계를 분석하기 위해 지형조사, XRD분석, 편광현미경 관찰을 수행하였다. 조사 및 분석결과 이곳은 타포니와 나마가 동일한 지역에 분포하는 지역적 특성을 보이며, 절리의 확대, 성장에 의해 기존 풍화혈이 파괴되고 새로운 타포니가 형성되고 있다. 석영맥으로 밝혀진 광맥은 절리와 결합하여 풍화혈의 발달을 가속화시키기도 하지만, 풍화혈의 성장방향에 수직으로 관입한 광맥은 성장을 방해하기도 한다. 일반적으로 풍화혈은 암석의 종류에 관계없이 발달하는 것으로 알려져 있으나, 암석학적 특성을 분석한 결과 이암과 같이 쪼개짐과 깨짐이 발달한 미립질의 암석에서는 풍화혈의 성장이 제한된다.

• 한국실내디자인학회논문집
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• 제24권2호
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• pp.78-87
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• 2015

This study aims to grasp the vital rhythm of the Chapel at Ronchamp by analyzing its rhythm through Henri Lefebvre's 'rhythmanalysis' in an effort to show the possibility of approaching the presence of this chapel. For the purpose of this study, Lefebvre's thought of rhythmanalysis was first contemplated, and a case study analysis was conducted on the concept and presence of the chapel in the design process. On this basis, examples of the chapel's rhythms were analyzed through Lefebvre's dialectical analysis of the triad of time(melody), space(harmony) and energy(rhythm). The results of analysis are as follows: First, the concept intended by Le Corbusier in the process of designing the Chapel at Ronchamp is expressed as the acoustic form, the modulor corresponding to the scale of the music, the light and shadow of counterpoint, and the opposite composition of musical changes. Consequently, the concept-mediated presence of this chapel is the presence of music. Second, at the Chapel at Ronchamp, a Lefebvre's rhythmanalyst experiences, or rather senses, two vital rhythms of an antithetical unity (i.e., acoustic curved rhythm and modulor-generated linear rhythm), with reference to his/her own rhythms. These rhythms are a dialectical union of spatiality of melodies temporalized through continuity, (i.e., acoustic curved form and modulor-generated linear form), and temporality of harmonies spatialized through simultaneity (i.e., light and shadow, materials and color, form of interpenetration, and stairs or windows/doors). These rhythms carry the measures generated by music-specific repetitions and differences in movements(energy). Consequently, the rhythm-mediated presence of this chapel is also the presence of music. In conclusion, the Chapel of Ronchamp indicates that an approach toward its presence can be realized through vital rhythms derived from Lefebvre's 'rhythmanalysis'. This study holds significance as an analysis of spatial rhythm and presence, employing a philosophical thought.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.30-37
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• 2010

Dutch artist, Theo van Doesburg had shown short but strong experimental aesthetics in his works through De Stijl movement. He played a leading role for editing De Stijl magazine and performed various formative works such as painting, sculpture, and architecture. In 1923 he opened the first De Stijl exhibition cooperated with Cornelis van Eesteren. In this architecture exhibition he showed rich formal spirits of counter-construction in his major design works, that is Maison Particuliere and Maison D'artiste among three houses projects. Formal characteristics of counter-construction can be summed up under two categories, time and space. Analytical results are as follows; First, the characteristics of counter-construction related to time category include two types of two mode. One is linear aspect of time based on the viewer's movement. The other aspect is simultaneity caused by synoptical effect. These could be proved by the analysis of arrangement of color planes. Secondly, the spatial aspects of counter-construction are produced through two different ways of formal strategies. Van Doesburg arranged cubes in very irregular pattern. This treatment induces ambiguous void and creates feeling of subject's space. And, through deleting, shifting, and extending he could make dynamic spatial effect by interpenetration between in and out. This fluid space thus introduces movements of one's gaze and circulation. He denied traditional classical values which had ruled the western aesthetical discipline for centuries and believed that mankind can reach the realm of universal equilibrium by contrast and tension created by counter-construction. In this vein Theo van Doesburg was an avant-garde artist of Hegelian thoughts who adopted the dialectical method without following the formal characteristics from ancestors.

• 대한건축학회논문집:계획계
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• 제35권7호
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• pp.89-99
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• 2019

The purpose of this study is to reveal the meaning of Le Corbusier's works focused on Maison Guiette. This House was completed in 1926, 4 year later than the work of the Citrohan and also, this house is the only remaining mixed use Dwelling in Belgium. It offers a fine example of the early architectural concepts of Le Corbusier's. Despite these important facts, the meanings of the ideas of this house have not been paid attention as much as other houses constructed at the same period, such as Maison La Roche, Maison Stein de Monzie, Villa Savoye, etc. In his book, 'Oeuvre Complete 1910-1929', Le Corbusier mentioned as follows: "A special solution imposed by Belgian housing developments characterized by a dimension of 6 meters of frontage and a very great depth. The staircase serving the various floors is like the ladder of Jacob climbs Charlie Chaplin in the "Kid" and This house is an architectural experiments of his ideas. And this study aims at analysing the relationship between Maison Guiette and spaces on the basic of Le Corbusier's 'Five Points of a New Architecture' which had a great effects on architectural history and became a fundamental elements for the change into the Modern housing. By analysing the points in regard with the Features of Architectural Concept Applied in Maison Guiette, The Five Points are the background of the interpenetration of the interior and the exterior. To attain this, this research appraises each points in detail in regards with Maison Guiette. The study of Maison Guiette will be an important architectural subject to clarify the meaning of his later works and ideas.

• 한국결정성장학회지
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• 제32권6호
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• pp.225-230
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• 2022

p-XBP4 (N,N'-p-phenylenedimethylenbis(pyridin-4-one)), Cs₃[W(CN)₈]와 Tb(NO₃)₃·6H₂O를 사용하여 2차원의 이중 상호 침투 구조를 갖는 새로운 Tb-MOF인 [Tb(p-XBP4)_2.5(H₂O)₂]·W(CN)₈를 합성하였다. 단결정 X선 회절 분석법으로 얻어진 구조 정보를 통해 Tb-MOF는 이중 상호 침투된 독특한 2차원 구조임을 확인하였다. 또한, 적외선 분광 분석법, 단결정 및 분말 X-선 회절 분석법을 활용하여 추가적인 특성 분석을 수행하였다. Tb-MOF가 갖는 자성 특성과 분자 자석으로서의 거동 가능성을 조사하기 위해, 직류 자화율 및 교류 자화율을 측정하고 이를 분석하였다.

• 한국전자통신학회논문지
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• 제18권6호
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• pp.1321-1330
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• 2023

본 연구는 증강현실에서 적용할 캐릭터 생성에서 단일 이미지를 통해 여러 객체에 대한 3D 자세 추정 문제를 연구한다. 기존 top-down 방식에서는 이미지 내의 모든 객체를 먼저 감지하고, 그 후에 각각의 객체를 독립적으로 재구성한다. 문제는 이렇게 재구성된 객체들 사이의 중첩이나 깊이 순서가 불일치 하는 일관성 없는 결과가 발생할 수 있다. 본 연구의 목적은 이러한 문제점을 해결하고, 장면 내의 모든 객체에 대한 일관된 3D 재구성을 제공하는 단일 네트워크를 개발하는 것이다. SMPL 매개변수체를 기반으로 한 인체 모델을 top-down 프레임워크에 통합이 중요한 선택이 되었으며, 이를 통해 거리 필드 기반의 충돌 손실과 깊이 순서를 고려하는 손실 두 가지를 도입하였다. 첫 번째 손실은 재구성된 사람들 사이의 중첩을 방지하며, 두 번째 손실은 가림막 추론과 주석이 달린 인스턴스 분할을 일관되게 렌더링하기 위해 객체들의 깊이 순서를 조정한다. 이러한 방법은 네트워크에 이미지의 명시적인 3D 주석 없이도 깊이 정보를 제공하게 한다. 실험 결과, 기존의 Interpenetration loss 방법은 MuPoTS-3D가 114, PoseTrack이 654에 비해서 본 연구의 방법론인 Lp 손실로 네트워크를 훈련시킬 때 MuPoTS-3D가 34, PoseTrack이 202로 충돌수가 크게 감소하는 것으로 나타났다. 본 연구 방법은 표준 3D 자세벤치마크에서 기존 방법보다 더 나은 성능을 보여주었고, 제안된 손실들은 자연 이미지에서 더욱 일관된 재구성을 실현하게 하였다.