• Korean Institute of Interior Design Journal
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• no.21
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• pp.33-41
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• 1999

If the architecture will made the focus of real user for convenience, it must be the real user, which is the multiple specified persons, more over, the most disadvantages side person will be considered that would be the convenient architecture for all. This principle of universal design has been started the latest 1950's, in USA, Sweden, Canada has considered to the disabled person in the concept of universal design, at 1960's. In case of our country, after 1988's handicapped Olympics, the induction of universal design is started to adapt in the era of architecture. Nowadays, in the group of study, their research, presentation increasing the example, which is carried out the enthusiasm of legislatiov. But we are much as far behind the senior nation, in regard to the lack of the vouluntary participating as the professional. This study is to analyze the principle, concept of Universal design from the department store, which is the convenient facilities, present the usable checklist in time of induction of Universal desigv.

• Korean Institute of Interior Design Journal
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• v.13 no.2
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• pp.176-183
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• 2004

This research is aimed at being a cornerstone to elicit the evaluation methodology of systematic and objective lighting design process on the basis of investigation of documentation and interviews on lighting design of architecture which is drawing more and more attention in an architectural field. In evaluating lighting design in architecture, such factors as appropriate illumination, quality of light, completion degree, reflection of use, visual amenity, understanding, amiability, artistic value, recognition, regional conditions, and extent of glare are to be more considered than anything else. In so far as general sectors of society show ever-increasing interest in lighting design, developments in both its quality and its quantity are also expected; thus, evaluation items shown in this research will be useful in appraisal of interior and exterior lighting of architecture.

• Korean Institute of Interior Design Journal
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• no.10
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• pp.11-20
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• 1997

This paper, based on the surveys on 43 cases in whole Korea, aims to analyze the architectural principles extracted from the religious dogmas and to propose the direction of the expression of tradition in Korean religious architecture. Buddhist temples in the modern cities. Catholic churches, Anglican churches, Protestant churches have similar problems and attitudes on the expression of traditiov. They have not yet various subjects on the expression of tradition as 'tradition' is not distinguished from 'transmission'. It is not caused only by the general phase of Korean modern architecture, but also by the lack of the practical theology which extract architectural principles from religious dogma and history. I proposed 'Architectural vocabulary', 'Architectural syntax', 'Architectural idea', and 'Symbolization of interior space' , 'Architectural zeitgeist' as the ideal approach.

• Computers and Concrete
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• v.16 no.1
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• pp.67-97
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• 2015

This article presents a computing procedure developed to predict the torsional strength of axially restrained reinforced concrete beams. This computing procedure is based on a modification of the Variable Angle Truss Model to account for the influence of the longitudinal compressive stress state due to the axial restraint conditions provided by the connections of the beams to other structural elements. Theoretical predictions from the proposed model are compared with some experimental results available in the literature and also with some numerical results from a three-dimensional nonlinear finite element analysis. It is shown that the proposed computing procedure gives reliable predictions for the ultimate behaviour, namely the torsional strength, of axially restrained reinforced concrete beams under torsion.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2009.04a
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• pp.253-257
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• 2009

Along with emergence of recent issues such as 'minimization of energy consumption' and 'natural environment and human health' amid the flow of requirements for nature-friendly architecture, attempts for boundary, which has a variety of possibilities as the intermediate territory between interior and exterior space of the architecture, have been pursued actively. On the ground of close relationships between urban area and architecture in a modern society, the boundary between interior and exterior is being exhibited in a wide variety of way of expressions, not as a single plane any longer. In line with this, researcher analyzed interior and exterior boundary according to its type targeting modern housing complex in Europe, and also investigated characteristics thereof. And, having provided the results as basic materials in order to seek amenity of local apartment houses and diversification of housing plan as well, the researcher intends to be of a help to bring physical changes in both building and exterior design, and also to give a new meaning in an environment-friendly aspect.

• Korean Institute of Interior Design Journal
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• v.13 no.6
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• pp.20-28
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• 2004

The purpose of this research is to understand and explore the view of the current architectural and interior design approach through Critical Regionalism created as one of the movements opposed to Contemporary. Critical Regionalism as a critical view about the contemporary architecture is based on integrated critical thinking toward a built environment surrounded by regional facts such as natural environment, materials, light, weather, unique culture where exist the specific places. The architectural themes of Critical Regionalism based on Kenneth Frampton's view and interpretation about contemporary architecture can be understood as follows; the concept of the place, tectonics, expression by abstraction and phenomenologlcal interpretation. Critical Regionalism has two distinctive features, which are the connection to the Contemporary and critical aspects to develop processes of an architectural design.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.141-144
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• 1999

After the Twentieth century, various movements appear by the sudden change of society. The minimalistic characters are represent in visual art, music literature and fashion. Actually Minimalism is started from the Visual Art in America at the 1960's. Minimalism seek the essence of object from the restorational character and it is characterized by simplicity, moderate design and color. Mies's "Less is More" is guiding the Architectual essence and based on the contemporary minimalistic Architecture. The purpose of this study is analyzing the characteristic tendency of Minimalism and considering the characteristic of contemporary minimalistic Architecture by studing Architects and works.and works.

• Korean Institute of Interior Design Journal
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• no.36
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• pp.37-43
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• 2003

This study investigates the characteristic traits of architectural design of Toyo Ito, who has been acclaimed as one of the most famous present-day Japanese architects. Ito' architecture is generally known as media architecture for its specific natures such as lightness, dematerialization, extensive use of shiny glass, etc. In this respect, Ito's architecture is a radical departure from the tradition of the architectural modernism mostly represented by Le Corbusier. In this study, the architectural world of Toyo Ito is divided into four main section: the conversation between architecture and nature, the architecture of the wind, simulation, and virtual reality, Each of these categories is given full investigation together with appropriate architectural model fit into them.

• Journal of The Korean Digital Architecture Interior Association
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• v.4 no.2
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• pp.1-6
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• 2004

There are many spreading effects that never experienced before due to digital progress of the present age. Digital progress produce innovative changes now in cultural environment, architectural process, exhibition techniques, called the age of digital technology. The functional relation between 'Digital' and' Architecture' must not to be overlooked in field of cyber architecture, further more, space design, so that requests some necessary to build new paradigm for digital presentation and spatial experience.

• Journal of The Korean Digital Architecture Interior Association
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• v.5 no.1
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• pp.32-39
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• 2005

Even though geographical drawbacks of Netherlands, the De Stiji Movement has been acting extensively as a composite arts movement. Furthermore, because this movement has influenced on even field of architecture, Walter Gropius, who had led to establish the modern architecture at that time, was not also able to be excluded from the influence of De Stiji movement. As a result, his works after 1922 when De Stijl movement had been acting vividly, shows a part of De Stijl style and definitely has a difference via-a-via early of his works. Therefore, this study in this point of view is on the purpose of how De Stijl Movement influenced on Gropius' works as the ideology of place and concepts in the period of both De Stijl Movement and Modern architecture style were being formed together. Especially, this study will analyze Dessau Bauhaus Building, which is the most influenced by De Stijl Style in Gropius' works, into the way of how De Stijl. was embodied to this building.