• 한국실내디자인학회논문집
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• 제15권4호
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• pp.55-63
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• 2006

The purpose of this study is to analyze the characteristics of the church architecture by Alvar Aalto. General features of Aalto's architecture are the result of accommodating Modern architecture with regional qualities of Finland. The church would be the best example for understanding his architecture because he designed most of his churches in the prime of life. He established architectural types in his 30s through Viipuri public library and Saynatsalo town hall. He developed these types and applied them to his whole design. His type acts as a principle of configuration of his church architecture rather than a copy of form and shows the characteristics in the field of building layout, dynamic space and the effective use of light. Therefore, Aalto's church architecture can be recognized as the representative of Modern Finnish architecture in that they developed the meaning of their specific context including site, region and cultural tradition without losing the concept and technology of Modern architecture.

• 한국실내디자인학회논문집
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• 제15권2호
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• pp.21-28
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• 2006

The purpose of this study was to analyze the characteristics of Kinetic Architecture focused on case studies, categorize them and to research the possible applications of Kinetic Architecture. The results are as follow: first, the background of Kinetic Architecture is from the art, machine, nature and ancient architectures. Second, characteristics of Kinetic Architecture are deployability, modularity, lightweight, simplexity and interchangeability of parts. Third, the types of Kinetic Architecture are dynamically self-erecting structures, kinetic components, incremental architecture, mobile and disposable architecture. Finally, today the application cases of Kinetic Architecture are divided into the spital and skin part. The spital part is a temporary space, the multi-purpose spaces, housing, commercial spaces, and the educational spaces. The skin part offers functional(controling environments), artistic images through variation of materials and structural objects in the elevation.

• 한국디지털건축인테리어학회논문집
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• 제1권1호
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• pp.9-15
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• 2001

This research is to grasp the identify the curriculum development procedure for architectural computer graphics. In order to achieve the above purpose, this study was carried out job analysis of architectural graphic designer. Architectural Computer Graphics Curriculum is developed by tasks analysis. Each characteristics are as fellow: 1. job-related knowledges are based on architectural design parts, 2. skilled workers should be made on the base of job analysis and O.J.T(On the job training) 3. trained students are related many kinds of all industry parts of Architecture & interior Especially college students have needs for design part of architecture fit on study in these curriculum.

• 한국실내디자인학회논문집
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• 제31호
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• pp.29-40
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• 2002

Environment artworks occupy the diverse spaces of architecture not as one of ornaments or supplementaries to edifice but as a main subject of architectural effect. The application of artworks in architectural design, such as paintings or sculptures including installation art possesses social and historical functions as well as contextual meaning. In Korea the interest of environment artworks has increased since early 1980s, during which large projects began to establish. However environment artworks have been selected merely by the owner's preference or the artist's aesthetic value without collaboration with architects or interior architects, who are willing to allow the minimal units of signification to architectural space. The purpose of the study is to prove the importance of environment artworks in spatial design of architecture. The essence intrinsic to design issue will be defined by proposing the selection factors for environment artworks to escalate the value of architectural space, so that we can expect not only the unification of art and architecture but also the accordance between artistry and publicity.

• 한국실내디자인학회논문집
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• 제13호
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• pp.78-88
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• 1997

The objective of this study is to analyze the residential space as designed by Richard Meier thereby grasping its main characteristics and historical development. Richard Meier has developed his own peculiar architecture based on Modernism. He has solved problems of modern architecture by combining the form elements of Le Corbusier with Mies van der Rohe's architecture which pursued the beauty of structure and proportiov. Meier's houses, sculpture-like in forms, are characterized by clear distinction and variations of the interior spaces. The clear separation between a large, two-story high living room and a tiny, cozy bedroom securing the privacy, endows the interions with variation and vitality, while simple white walls reveal the good shape of the space. The houses also unfold the diverse spaces one after another as one steps into inside. His interiors, shaped by simple walls and settled functionally, has inherited the rationality in modern architecture. Richard Meier has established his independent working world by applying his own design method and languages based on the rationality in Modernism.

• 한국실내디자인학회논문집
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• 제33호
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• pp.62-67
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• 2002

Architecture and Film have been interested in each other since 1895. This concern manifests various aspects and is continued up to now. If we examine into detail of relationship between film and architecture, those share the integration of time and space as the art of time and space. Film makes inexpressible time into space by showing the change of space in the issue that is the merger of time and space. Then, this is the issue of movement that compiling element was intervened. And the creative space of film which is the timely expression stimulates the person to experience whole form through spatial experience. Consequently, the architecture as an image maker must be developed through a research about film as an image creator. Also a discussion about film and architecture do not apply one to the other but must be focused on the mutual relationship.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
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• pp.64-68
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• 2001

As Dutch structuralism discovered a possibility that can improve the problem of modem architecture through study on non-western area. Dutch structuralism had tremendous impact on Philosophy, psychology, art history and the style of a dress and many other cultural trend. In architecture, Aldo van Eyck embodied that theory and succeeded to Herman Hertzberger and Piet Blom. As result Structuralism related with architecture has dealt with the participation and domain of residents, namely public domain and private domain, the approach property of public space, middle domain which shows the harmony between public domain and private one, and the structuralism discovered that each element of public space and private space has been developed as an architectural type that makes a group by repetitive arrangement and it found out a possibility that can make up problems overlooked in modem architecture through development and change.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.69-79
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• 2011

The concept of architectural sustainability is gradually being highlighted in several ills and consciousness of crisis of modern architecture. However, many of us tend to realize its sustainability focusing on ecological sustainability in many ways. Such perspective is considerably technical and extensive. Therefore, I paid attention to Herman Hertzberger's architecture to find out how to consider spatial aspects, when interior architecture designers engage in design process. This study aims to analyze architectural progress for social communication of Herman Hertzberger's project, breaking from the existing research to only limit him to one of structuralism architects. In particular, it was found that in relation to social sustainability, universal/social design, cultural design and green/ecological design have been progressed in their forms through communicational perspectives of social architecture which he's insisted since the structuralism era. Recently, majority of issues about sustainability are restricted to economical aspects. Accordingly, further study is needed to consider his architecture from social aspects. As his architecture is concentrating on coexistence from a social perspective for communication, not on modern spatial discourse, his architectural works need to be analyzed consistently as realistic measurements.

• 한국실내디자인학회논문집
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• 제19호
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• pp.45-52
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• 1999

This study is on Buckminster Fuller, who is generally known as a structure engineering architect, and his influences. Fuller's radical and utopian ideas and designs were regarded as 'paper architecture'. But considering today's high cost of energy and the limited natural resources, Fuller's Dymaxion theory must be re-evaluated. Fuller's influences on the contemporary architecture are summarized as follows. 1) His idea of controlling the environment through the use of technology influenced today's 'High-Tech' architects. Architecture is no-longer designed purely by its formal character, but becomes a tool of investigating environmental significance of modern technology. 2) Through systemizing mechanical equipment, Dymaxion House prototype, and aggregation of high-tech mechanical equipments, influenced Archigram & Metabolist's capsule idea. It is expressed as a plug-in module equipment of 'High-Tech' architecture which has flexible interior with mechanical exterior image. 3) Megastructure. The Manhattan dome project gave an influence to many engineer/architects who tried to achieve an ideal artificial environment. This is in connection to 1960's utopian projects. Today's megastructures show new possibilities in urbanism and architecture. Fuller's comprehensive idea of humans living in harmony in the universe shows possibilities not only in structural engineering, but in solving various problems that confront today's architecture.

• 한국실내디자인학회논문집
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• 제17권4호
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• pp.3-10
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• 2008

In the Western and Oriental architecture, corridor and stairs have not been important from the whole architectural composition. The purpose of this study is to analyze their elements from theoretical viewpoint of modern architecture. The subject of analysis are Yangjindang and Daesanru of the Mid-Chosun Dynasty in Sangju. The conclusions are the followings : First, the moving line in the Western and Oriental architecture has the linear axis, and in general moving axis is straighten in Hanok architecture. But unlike common traditional architecture, the two buildings are right-angled in the moving axies. Second, Toenmaru in Yangjindang is the element of visual experience in the whole architectural space as promenade architecture called by Le Corbusier. On the other hand, Toenmaru in Daesanru plays a role the space of thinking in extending a visual field to the nature than its pure function. Third, the stairs of Yangjindang is diagonal shape with a role of entrance, but that of Daesanru was concealed in the wall as interior step. Yangjindang has two different stairs. One is broad and shallow stairs with ceremonial or public expression, and the other is narrow and steep stairs with unstable or private expression. This paper intends to show the latent architectural possibility of our traditional architecture.