• 한국섬유공학회:학술대회논문집
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• 한국섬유공학회 2003년도 가을 학술발표회 논문집
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• pp.122-125
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• 2003

Ultrasonic wave has three classes of applications such as communication, inspection, imagination and processing. In processing, ultrasonic is used web bonding for nonwovens with applications including floppy disks, medical devices and many automotive Part. The important components of ultrasonic system are power supply, converter, booster, hem, anvil roller, pressure system and hold time controller. (omitted)

• 천문학회지
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• 제45권3호
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• pp.65-69
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• 2012

Physical cosmology tries to understand the Universe at large with its origin and evolution. Observational and experimental situations in cosmology do not allow us to proceed purely based on the empirical means. We examine in which sense our cosmological assumptions in fact have shaped our current cosmological worldview with consequent inevitable limits. Cosmology, as other branches of science and knowledge, is a construct of human imagination reflecting the popular belief system of the era. The question at issue deserves further philosophic discussions. In Whitehead's words, "philosophy, in one of its functions, is the critic of cosmologies". (Whitehead 1925).

• 대한교통학회:학술대회논문집
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• 대한교통학회 1998년도 Proceedings The 4th International Transport Symposium
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• pp.36-42
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• 1998

This article analyzes Chinese railways transportation management system, uses the experiences of other countries' railway transportation management system for reference, as well as discusses the necessity of reform of railway transportation management system based on separating train operation with rail equipment management. Moreover, the article also puts forward an imagination on the reform scheme of railway transportation management system based on separating train operation with rail equipment management.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2019년도 춘계종합학술대회
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• pp.339-340
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• 2019

The society seeks creative talents. Expressive activities are educational activities that stimulate imagination, realize such through body, and enable communication with the society. In such perspective, it is quite meaningful to investigate educational objective that expressive activity shall possess as class to cultivate creativity. Therefore, this study aims to investigate creativity theory, analyze expressive activities as national curriculum at elementary schools, understand the position of expressive activities in Korea, and understand creative educational objective and value of expressive activities, in order to suggest idea for practical goal of expressive activities.

• 분석과 대안
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• 제1권1호
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• pp.17-30
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• 2017

This study takes a close examination of the Saturday protest movement in Korea and explores how the politics by social movements challenges the extant theorization of democratization. The paper begins with a brief description of the presidential scandal, the eruption of massive protests, and its impact on formal politics. By situating the Korean case in a comparative theoretical discussion, it engages with important debates in the latest scholarship of democracy that complicate given assumptions and conceptualization. The paper closes with theoretical suggestions of how the Korean drama of protest movements contributes to altering the imagination of democratic politics, both conceptually and substantively.

• 건축역사연구
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• 제15권3호
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• pp.27-42
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• 2006

Many contemporary architectural avant gardes tend to use painting as a medium to create architecture which goes beyond the rationalized spatial conception of modem architecture represented by perspectivism. They produce non perspective drawings to represent spatial Ideas, and expand it through poetic imagination to create an unexpected architectural form and space. This paper attempts to analyze the historical origin and background of dominance of drawing in the production of architecture. It was with the invention of perspective that architectural representation became important tool for architectural production. Thereafter, drawing was considered prior to actual building and architecture was considered a three dimensional realization of two dimensional drawing. Modernist avant gardes such as Cubism shattered the rationalized pictorial space of perspective and found a new pictorial space. They tried to extend it to three dimensional space through parallel projection largely based on the Hildebrand's theory of pure visibility. However, due to the ambiguity of the position of the viewing subject, their attempts could not succeed in creating a new architecture. The new architectural avant garde of the 70's rediscovered the early 20th century avant gardes in their attempt to create a new architecture which can register the fragmented spatial condition of contemporary society, and used painting as a medium to create architecture. Their difference from the early avant gardes was that they used poetic imagination rather than parallel projection in the process of projecting three dimensional space and form from the painting. However, their architecture cannot escape the scopic field of perspectivism in that they rely on the picture plane and the distance between object and viewing subject. Therefore, I conclude that in order to create architecture which goes beyond the rationalized space of modern architecture, it is necessary to resort to other tradition of modern architecture than visual one.

• 한국의상디자인학회지
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• 제20권1호
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• pp.109-124
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• 2018

This study focused on the accessory of clothes of minority groups in Yunnan province to further the research about specific accessories' development in the future. Among the minorities in Yunnan, this study centralized characteristics of ornaments, hats and belts among five minority groups such as the Bai, Zhuang, Hani, Dai, and the Zang as representatives to study in detail because these five ethnicities have a relatively long history and plentiful information. The results are as follows: First, exaggeration means large gorgeous patterns that attract attention. Generally, there are many natural resources that can be used in places where these minority groups live such as gems, gold, silver shells and animals' horns, bone, teeth and the like. Headdress includes combs, loops, hairpins and other similar articles. Second, nature is a very fundamental part that people rely on for existence and development. The production and living that people need in life all depend on nature. The design of accessories is made from animal forms and patterns of clothes are presented through embroidery and wax printing. Designers always tried to add natural elements to their works. Third, symbolism consists of two aspects: One is the people's imagination, which related to actual materials, and the other is the product of imagination that provides better conditions to inspire people when they design. In China, most minority groups believe in Buddhism. The symbols in the clothing show their devout faith. Even the method of wear has many special implications like the use of accessories and length of clothing. The pattern of dragons and use of golden, red and other colors all have a proper symbolic significance in modern designs.

• 한국지역지리학회지
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• 제18권4호
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• pp.445-463
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• 2012

이 연구는 미디어와 지리교육의 새로운 관계를 정립하려는 시도로서 미디어 리터러시에 초점을 두고 있다. 지금까지 미디어를 통해 나타난 지리적 현상이 세계를 비추는 창으로 간주되었다면, 이제는 다양한 주체와 목적에 의해 사회적으로 구성된 재현의 산물로서 인식될 필요가 있다. 미디어에 대한 이러한 인식론적 전환은 교수 학습에 있어서 사회적 구성주의와 미디어 리터러시의 중요성을 부각시킨다. 기존의 미디어를 활용한 소극적이고 수동적인 지리교육에서 벗어나 미디어를 통해 재현된 지리적 현상, 즉 미디어 텍스트가 어떻게 구성되고 선별되는지를 비판적으로 분석 이해하고 추론할 수 있는 능동적인 미디어 리터러시를 촉진할 수 있는 지리교육으로의 전환이 요구된다. 이러한 미디어 리터러시로서의 지리교육은 학생들의 능동적이고 창의적인 비판적 활동을 강조하여 미디어 텍스트에 감추어진 이데올로기를 드러내게 할 뿐만 아니라, 학생들의 지리적 상상력을 자극하고 풍부하게 할 수 있다는 점에서 더욱 의의가 있다고 할 수 있다.

• 한국지역지리학회지
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• 제11권1호
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• pp.1-18
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• 2005

지리학은 고대 그리스시대 이래 여행이나 답사를 지표에 관한 주요한 지식 획득 또는 사실 발굴의 수단으로 간주하는 경험과학으로 규정되고 있다. 현대 지리학에서 이러한 경험주의는 엄격한 법칙을 추구하는 논리실증주의로 환원되면서, 현장 경험에 내포된 다양한 방법론적 함의들(특히 신화적 상상력)이 무시되었다. 반면 최근 우리나라에서는 다양한 답사서들이 발간되고 있으며 지역발전을 위한 주요 방법으로 장소마케팅이 많은 관심을 끌고 있다. 본 논문은 지리학적 답사와 이의 수단으로서 경험에 내포된 다양한 방법론적 함의를 경험주의적 지리학과 인간주의적 지리학의 입장에서 고찰하고, 나아가 장소마케팅을 통한 지역발전의 의의를 방법론적으로 살펴보고자 한다. 결론적으로 지역문화환경의 진정한 발굴을 위하여 이러한 방법론들이 통합적으로 적용되어야 하며, 지역발전을 위한 장소마케팅은 정체성 운동으로 이해되어야 한다는 점을 강조한다.

• 한국콘텐츠학회논문지
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• 제9권10호
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• pp.168-175
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• 2009

스타니슬라브스키의 내면적 연기는 연기자가 실제 체험한 사건의 감각 기억에 토대를 두고 있지만 미하일 체홉의 외면적 연기는 연기자가 개인 경험을 떠나 감정과 상상으로 만들어내는 가상의 외적 자극들을 찾아야 한다고 주장 했다. 이렇게 스타니슬라브스키의 내면적 연기와 미하일 체홉의 외면적 연기는 상반된 연기 방법론을 가지고 있지만 연기를 함에 있어서는 내면적 연기와 외면적 연기가 서로 밀접한 관계를 형성하고 있다. 연기자의 연기는 완전히 심리적 이거나 완전히 신체적 일수 없다. 신체와 마음은 분리 될 수 없는 것이다. 극중 인물의 신체는 심리를 받아들여야 하고 심리는 신체를 받아 들여야 한다. 이러한 이유 때문에 모든 훈련은 심리적 신체 훈련이어야 하며 기계적으로 행해져서는 안 된다. 연기란 연기자가 허구의 리얼리티를 얼마나 상상 할 수 있는 능력이 있으며 이것을 무대 위에서 표현해 낼 수 있는 능력이라 할 수 있다. 연기자 자신의 상상을 자극하고 상상력을 훈련하면 할수록 극중 인물의 내면을 깊이 드러내는 능력은 향상 될 것이다.