• 제목/요약/키워드: Images of Women

검색결과 857건 처리시간 0.031초

여성 얼굴에 표출된 이미지 어휘의 특성 분석 - 60대 여성과 20대 여성을 대상으로 - (Analysis Characteristics of Image Words Shown on the Face of Woman - Women in their 20s and 60s -)

  • 김애경
    • 한국의류산업학회지
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    • 제14권3호
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    • pp.465-471
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    • 2012
  • This thesis collected words, feelings, and psychological images expressed in female faces in their 20s and 60s. The comparative analysis of the characteristics will be based on the effective image of direction and improvement. Through the analyzed station of word of images collected, female faces in 20s of image are positive images such as pretty, cute, and elegant; however, there were also negative images such as gloomy, sharp, and stubborn. Female faces in 60s image are negative image such as scary, gloomy, sharp, and stubborn. To the analyzed station of word's tendency (usually expressed appearance), external-oriented tendency significantly developed in their 20s and 60s. It shows that the importance of appearance is emphasized in women face image in 20s and 60s.

신디 셔먼(Cindy Sherman) 패션 사진의 미학적 가치 분석 (The Study of Aesthetic Value in Cindy Sherman's Fashion Photographs)

  • 윤영;양숙희
    • 복식문화연구
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    • 제17권3호
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    • pp.447-458
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    • 2009
  • The advent of various arts and remarkable development of mass media since 1980s accelerate fashion photographs' advancement. The expression of fashion through photographs can represent characteristics of ages, societies, cultures, traits of designers and techniques of photographers. This study focuses on Cindy Sherman's fashion photographs, which represent different kinds of respect to the women's states and identity. Cindy Sherman describes neglected women, sexual characteristics, and tries to overcome the limitation existing in modern society. By analyzing her fashion photographs, women's identities can be examined and the new trial of fashion photographs' expression is able to be considered as well. The results are summarized into two traits. The first is grotesque images, which have strange cuts, dissolved and deformed bodies. Those are expressions to subvert the stereotype of women. The second is amusement, which is expressed with uncanny and ridiculous appearances. These fun images are challenges to depict human instinct and also symbolic plays.

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디지털 유전자를 사용하는 추상 이미지의 분류 (Classification of Abstract Images using Digital Chromosome)

  • 서동수;이혜리
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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    • pp.870-874
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    • 2009
  • 추상 이미지를 자동 생성하는 기법으로 유전자 알고리즘을 이용하는 방법은 다양한 형태의 이미지를 자동 생성할 수 있는 기법으로 유용하게 쓰일 수 있다. 그러나 다수의 자동 생성된 이미지를 보관하고 검색하는 과정에서 적절한 분류 방법이 제공되지 않아 관리의 어려움이 존재한다. 본 연구에서는 아핀 추상 이미지를 효과적으로 분류하기 위한 체계로 형태요소, 감성요소, 색채요소를 이용한 분류 방법을 제안하고 이를 검색할 수 있는 데이터베이스를 설계한다.

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동화 속 악녀 의상의 색채와 이미지 분석 (An Analysis of a Wicked Women Costume Colors and Images in a Fairy Tale)

  • 남윤숙;김복희
    • 한국의상디자인학회지
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    • 제11권3호
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    • pp.73-85
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    • 2009
  • This study aims to analysis the costume colors and images of wicked women in fairy tale. For the most costume applied to the relationship between color kind, brightness, and saturation. so, this study investigated the costume colors put on by wicked women in fairy tales and analysed and interpreted them by inputting data. First, mostly the costume colors applied to transfer the image of wicked women were dark blue, red, violet, bluish green, green, and purple. Second, the colors feeling cool and cold such as dark blue, bluish green, green, and blue were applied more frequently than the colors feeling warm and mild. Third, the deep and dark color tones with low brightness and low saturation affected by the mixture ratio of black were applied frequently for the use of wicked woman colors. Fourth, the colors mentioned above have the meaning of men, powerful, authority, cruel, angry, brutal, mysterious, and evil, that have the property of attacking and strong wicked women. They were expressed by the costume put on by wicked women.

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직장여성과 여대생의 화장품 선호도 및 구매행동에 관한 연구 (A Study on Cosmetic Preferences and Purchasing Behaviors in the Segmented Groups(Career Women vs Female College Students))

  • 김칠순;문정혜
    • 한국의상디자인학회지
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    • 제6권2호
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    • pp.135-144
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    • 2004
  • The purpose of this study was to determine cosmetic preferences and purchasing behavior of two segmented groups(career women vs. college females). We employed questionnaires and collected data from 443 people. Only 400 reliable questionnaires were used for a statistical analysis with SPSS program on the frequency, Chi-square test, and t-test. The results of this study were as follows: 1. The amount of makeup, and the reason for makeup were statistically associated with the segmented groups which are career women and college females. Also we realized that there was a significant difference in 'sophisticated' and 'sexy' makeup images. Both images were more highly sought in career women. 2. The preference of lip colors & textures, types of eye liner, and types of foundation were associated with the segmented career/college female groups. Both groups favored more glossy lipstick. Career women preferred liquid eye liner and foundation, while college females like to use no foundation. 3. Both career women and college females acquired information about cosmetics from the friend's advice rather than TV or magazine. In purchasing, career women considered the most quality, while college females considered suitable cosmetics for their natural skin types.

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20세기 후반 한국 여성의 화장 문화와 화장 이미지 연구 (Make-up culture and Image of Korean Women in the late 20th Century)

  • 김민제;박혜원
    • 패션비즈니스
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    • 제15권4호
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    • pp.67-86
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    • 2011
  • This study intended to understand overall history of make-up in Korea in an integrated and diachronic context by interpreting women's will and desire to express themselves reflected in the cosmetics culture in each period centering on women's magazine cover, cosmetics advertisement, and articles from 1950 to 1999 and examining women's make-up image and characteristics in each period. A total of 919 women's magazines (Yeonwon (Women's Garden), Woman Sense, Yeoseong Donga (Women's Donga), Jubusaenghwal (Homemaker's Living), Yeoseong Jungang (Women's Jungang)) issued between 1950 and 1999 were examined for the study. Key words of each period were extracted through fashion and beauty related articles and advertisement titles to examine the make-up culture of Korean women and set the standard for the make-up image of Korean women. A total 1,252 pictures were shot for each period and categorized based on the standard for the make-up image of Korean women. Then, the changes in the make-up image of Korean women were examined and identified the characteristics of images along with the change of images in each period. Next, the meaning of each make-up image was examined. This can be interpreted as the expression of values and desire by modern Korean women, especially Korean women in the late 20th century, as well as the consciousness for coping with the changing society.

여성 정장과 캐주얼 브랜드에 나타난 의복이미지 연구 (A Study on Clothing Images in Women's Formal and Casual Brands)

  • 은숙;박재옥
    • 한국의류학회지
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    • 제32권4호
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    • pp.630-640
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    • 2008
  • The purpose of this study was to investigate and make comparison of clothing images presented in women's formal and casual brands. The data were collected from 39 formal brands out of 155 and 64 casual brands out of 256 in Korea Fashion Brand Annual in 2005/2006. 316 words selected were classified into five clothing images according to the definition of previous researches and analyzed according to age ranges and price zones of brands. The results were as follows: 1) Formal brands focused on thirties and forties in age ranges and better and prestige in price zones, while casual brands centered on twenties in age range and better and volume in price zones. 2) Luxury, modem and feminine were more frequent words than others both in formal and casual brands, but elegant was found most frequently in formal brands, while comfortable, chic and simple were found frequently in casual brands. 3) Clothing images were classified into four types and appeared in elegance, modernity, individuality, and activeness order in formal brands, while clothing images in casual brands were classified into five types including youthfulness and appeared in elegance, activeness, modernity, individuality, and youthfulness order. 4) Elegance was a highly presented as clothing image in all the age ranges except thirties of formal brands but modernity and activeness with elegance were presented in price zones of casual brands. This study found that there were differences in clothing images in women's formal and casual brands.

Evaluation of Clothing Colors for Elderly People (2) - Comparison between Elderly Women and Female Students in Korea -

  • Shoyama, Shigeko;Kim, Jung-Sook;Tochihara, Yutaka
    • 한국의류산업학회지
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    • 제3권5호
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    • pp.423-436
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    • 2001
  • The present study focused on the color of clothing for elderly Korean women, from the viewpoint of helping elderly people live more interesting lives with regard to their clothing, considering that the Korean society will become elderly-oriented in the near future. We took photographs of the elderly served as the models, displayed them on a computer screen, and produced 75 colors of the clothing in the elderly using computer graphics. The 75 colors were evaluated by 2 groups, one of elderly Korean woman group and a group of female students. We compared the ideal colors for and the colors actually worn by elderly people. The evaluation of the clothing colors for elderly women differed between the elderly woman group and the female student group. Analysis of images of the clothing colors selected by the elderly women showed that they attach importance to elegance when selecting clothing colors and have a strong desire to become active. The images held by female students concerning ideal clothing colors for elderly women closely pertained to commonness and inactivity.

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