• International Journal of Advanced Culture Technology
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• v.9 no.1
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• pp.105-113
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• 2021

Through the analysis of Gerhard Richter's works of art in the period of "fuzzy image", this paper expounds the special internal quality of fuzzy image in Richter's works and reveals an important direction of the development of contemporary easel painting, The special essence of Richter's vague image is that he uses photos to reflect the power and authenticity of the existence of the objective things. He was not satisfied with the radical way of modern painting and tried to return to the traditional way of painting, but in fact Richter kept a special distance between classical painting and modern art. Richter not only blurs the image in his creation, but also shows that he wants to show the objectivity of things, keep the distance, authenticity and give up painting. Richter used fuzzy images to capture the concept of "visual unconsciousness", and finally separated from the concept. When we read how Richter showed the reality of things in the way of painting, we also saw a kind of contradictory psychology when he faced the complicated objective.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.04a
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• pp.473-474
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• 2011

Image quantization 기술은 영역 평탄화 기술중 하나로서 NPR과 같은 컴퓨터 그래픽스 분야에서 널리 쓰이고 있는 기술 중 하나이다. 하지만 기존의 image quantization은 중요부분을 고려하지 않기 때문에 detail한 칼라 정보를 가지는 주요 영역이 있는 경우에는 그 결과가 좋지 못한 단점을 가지고 있다. 본 논문에서는 이러한 단점을 극복하기 위해, Sailency map을 이용해 영상의 주요 영역을 고려한 image Flattening 기법을 제안한다. 제안한 방법은 검출된 주요 영역을 좀 더 세분화해서 표현하므로 기존의 방법과 비교해 좀 더 좋은 결과를 보여준다.

• ETRI Journal
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• v.44 no.1
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• pp.94-104
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• 2022

Because of its convenience and compatibility with various image processing techniques, digital image representation of holograms is generally used in digital holography, and thus, quality assessment of digital holograms is an essential issue. This study proposes a new objective quality metric for digital phase hologram image processing. The proposed metric is based on a newly defined phase distortion created by taking the 2π periodicity of phase information into account. The experimental results show that the proposed metric correlates with reconstruction image quality better than the existing metric under random distortions and also works well with JPEG 2000 compression. It is expected to be broadly used in phase image processing and compression applications including phase holograms.

• Cartoon and Animation Studies
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• s.29
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• pp.103-128
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• 2012

Study about existence of illusion which human beings feel from imitated image based reality have been continuing by copy theory and conventionalism for a long time. Traditional copy theory which had controlled representation theory from plato have explained illusion by similarity of image and representation objects. According to copy theory, image is natural sign unlike language but the late in the 20th century, conventionalism from N, Goodman insists they are not any special similarity between image and representation objects. They insist image and conventional sign just as language. These opposit theory rearranged conventionalism by the entrance on the cognitive science. The copy theory couldn't explain the problem of representational gap between reality and duplication, but photo media makes new paradigm about theory of the illusion. The problem of representational gap was disappeared by CGI images on the base of digital media. We are exposed exquisite duplication for a example, movie, advertisement, printings. Sometimes duplications are more real than the original works. Digital is a non-material object by 0 and 1. Specially real lighting skill and mechanism are copied perfectly by photon mapping skills and the duplications are produced more real than the original works. By disappearance of representational gap, we need new theory model for explaining of digital illusion and copy theory can be the key.

• Journal of the Korean Society of Costume
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• v.59 no.2
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• pp.29-41
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• 2009

Perception between real object and recognized subject of human on objective subject is not the same. The reason Is that individual perception of visual design components are transmitted as the image of whole. It is required process of visual perception. Therefore, I developed the vision of seeing image of pattern which is based on Gestalt visual perception theory in clothes. The summary of this study's results is like followings. Extremely antagonistic terms which are specialized by formative characteristics of formative components are clearness and blur of outline/ fixed shape and non-fixed shape/ visuality and tangibility of representation/ simplicity and complexity of structure/ invariability and variability of mobility/ symmetry and asymmetry of arrangements singularity and plurality of group number. The expression of motive shows that clearness, fixed shape, visuality and simplicity pursuit Determination image, and blur, non-fixed shape, tangibility and complexity pursuit Ambiguity image. The arrangements of motive shows that invariability, symmetry and singularity pursuit Order image, and variability asymmetry and plurality pursuit Disorder image. Therefore, the standard of the coordinator of Pattern image positioning is established as Determination and Ambiguity of motive are X-axis, and Order and Disorder of pattern are Y-axis. As the frame of Pattern image positioning, four separated dimensions have made.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.293-294
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• 2013

This study looks at any differences that the graphic image representation method for information design may have on the user's perception and sensitivity.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 1997.11a
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• pp.220-223
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• 1997

다치 논리는 2치 논리에 비하여 동일 정보량을 처리하는데, 고속 처리가 가능하고, 정보의 기억 밀도가 크며, 논리 회로 실현시 입.출력 단자수가 감소하는 등의 장점을 가지고 있다. 본 논문에서는 이러한 다치 논리가 가지는 장점을 이용하여, 영상 처리시 필요한 농도를 2치가 아닌 다치로 농도표현을 하고자 한다.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.29 no.1
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• pp.101-109
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• 2011

This paper describes the attempts to improve the performance of an image matching method for multiple image. Typically, matching between two images is performed by using correlation between a reference and corresponding images. The proposed multiple image matching algorithm performs matching in an object space, chooses the image closest to the true vertical image as a reference image, calculates the correlation based on the chosen reference image. The algorithm also detects occluded regions automatically and keep them from matching. We could find that it is possible to create high quality DEM by this method, regardless of the location of image. From the performance improvement experiments through the occlusion detection, we could confirm the possibility of a more accurate representation of 3D information.

• The Journal of the Korea Contents Association
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• v.7 no.8
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• pp.125-133
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• 2007

While films today offer spectacle to the viewers due to the advanced technique, the "Modern Cinema"-a term named by Deleuze- offers spectators an opportunity to think about what they observe and to have various filmic experiences through the shifting of time image within the film narrative, which has been rather neglected as it is just a form in the realm of classic narrative. Originally the shifted time image was a result of thinking about the identity of a film. But it has self-reproduced over and over, and now it has turned into one of cliches that narrative films take. In this sense, a Korean Melodrama "Sarang-ni" is discriminated from other films which take twisted time image as a convention. The film "Sarang-ni", instead of adopting established shifted time image, put us to the confused time arrangement and then it amazingly arouses emotional effect which it initially meant to convey. This journal analyzes how the time representation of operates in the film's narration, and consequently how the form affects the storytelling.

• Proceedings of the Korean Association of Geographic Inforamtion Studies Conference
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• 1999.12a
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• pp.66-71
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• 1999

For given 3D geographic data which is usually of DEM(Data Elevation Model) format, we have to represent and manipulate the data in various ways. For example, we have to draw a part of them in drawing canvas. To do this we give users a way of selecting area they want to visualize. And we have to give a base tool for users to select the local area which can be chosen for some geographic operation. In this paper, we propose a 3D data processing method for representation and manipulation. The method utilizes the major properties of DEM and TIN(Triangular Irregular Network), respectively. Furthermore, by approximating DEM with a TIN of an appropriate resolution, we can support a fast and realistic surface modeling. We implement the structure with the following 4 level stages. The first is an optimal resolution of DEM which represent all of wide range of geographic data. The second is the full resolution DEM which is a subarea of original data generated by user's selection in our implemeatation. The third is the TIN approximation of this data with a proper resolution determined by the relative position with the camera. And the last step is multi-resolution TIN data whose resolution is dynamically decided by considering which direction user take notice currently. Specialty, the TIN of the last step is designed for realtime camera navigation. By using the structure we implemented realtime surface clipping, efficient approximation of height field and the locally detailed surface LOD(Level of Detail). We used the initial 10-meter sampling DEM data of Seoul, KOREA and implement the structure to the 3D Virtual GIS based on the Internet.