• 한국가정과교육학회지
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• 제9권1호
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• pp.133-143
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• 1997

The purposes of the study is to see as to how much of changes has occurred in the newly revised Home Economics Textbooks required by the 6th Curriculum as compared to those by the former the 5th Curriculum, and to seek future policy directions which can be improved even better, if any, for further revision. To implement this proposal, the study employs 8 different textbooks published in 1997 geared for the 6th Curriculum for data base. The components of the contents divides into two major parts. The first part falls into a category of holistic analysis of the textbooks, which gives a general perspective of the changes in the textbook revised. It includes those areas of changes in the total number of pages, cover page, illustrations, table of contents, appendices, unit cover, introductory remarks, summary and evaluation, etc. It also covers the information on authors of textbook. The latter part consists of several specific areas of major changes occurred in the textbooks for the 6th Curriculum. It covers such areas of changes in the composition of category and its weight, laboratory experiences, and illustrations and tables. To conclude the study, among many findings, two major points are of great importance to mention here. First, the new textbooks have adopted more of varieties in physical appearances and contents per se as to the older ones. And yet, there still found a weakness in numbers of authors participated to a full reflection of contents variety. In addition, the background of authors reflected on an unrealistic idealism which lacks the on-site information provided by the school teachers. Second, the strict regulations created by the Ministry of Education for developing textbook found restricting the authors creativity and thus contents variety of textbooks. Those restricting factors include letter type and size, coloring, paper quality, and volume size.

• 한국사회복지학
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• 제67권4호
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• pp.301-324
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• 2015

최근 사례관리가 사회복지실천의 주류 실천방식이자 전달체계의 하나로 빠르게 자리매김하고 있지만 정작 그 수행주체인 사례관리자들은 계속 혼란과 스트레스를 호소해 오고 있다. 본 연구는 이러한 현상의 근원적 이유를 탐색하기 위하여 Foucault의 계보학을 이용하여 사례관리의 발생지점에 대한 역사적 미분을 시도함으로써 존재론, 주체론, 방법론 측면에서 사례관리에 내재된 본질적 특성들을 분석해 보았다. 그 결과 20세기 후반 사회적 필요에 따라 인력과 자원의 효율적인 관리기제로 출현한 사례관리의 태생적 속성들과 이를 신자유주의적 방식으로 제도화하려는 시도들이 사회복지실천 고유의 지향이나 정체성과 충돌하면서 혼란과 고통을 가중시키고 있음을 확인할 수 있었다. 결론적으로 사회복지실천 본연의 정체성을 실현해 가기 위해서는 사례관리에 배태된 통제성과 관리성을 인식하고 사례의 주인공인 인간성을 강화하며 과도한 관리성을 견제하려는 지속적 노력이 필요함을 제언하였다.

• 패션비즈니스
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• 제1권2호
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• pp.1-19
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• 1997

This thesis is a reflection of Korean aestheticism and how it has evolved and influenced Korean contemporary fashion throughout the last century. Up to the current, there have been five notable trends of fashion that have been influenced from and have reflected the qualities emblematic of various periods in Korean history. They can be characterized as the era of Missionary fashion, Uniform fashion, Salon fashion, Brand Name Fashion, and finally, fashion from the current era of diversification. The specific characteristics of each fashion era have been analized and illustrated in a comprehensive table. Design characteristics of Korean contemporary fashion are as follows : 1. A point of emphasis is given to facial feature, unconstructive design and ample silhouette and A silhouette, two-piece and pants. Korean style wrap skirt, a smooth curve and layered style. 2. Effect of flatness from material; as methods of quilting, reinforced dual stitching(Kaeki), patchwork, embroidery and goldfoil thread extra, it is turned up that texture of cloth stuff and effects of flatness. 3. Simple color combinations give effects in two different directions For instance, white and a variety of vivid colors, a dull color and bright colors, black, blue. 4. Over-design, diffusion of fashion. Based on the design characteristics described above, the essence of Korea's beauty consciousness can be captured and summarized through the following points: 1. Emotionalism and non-characterism: traditional and simple natural beauty and modernized natural beauty. 2. From authoritism to non-authoritism: traditional and formal personal beauty and casual characteristic beauty. 3. Polaris (antithesis) phenomenon: chastic beauty and ostentatious beauty, simplicity and lavishness, conformity of fashion and originality. Although the beauty consciousness of Korean contemporary fashion is changing from traditional passive metaphor to aesthetic expressionism for the new generation, after all the basic foundation or root of the spiritual beauty of idealism is usually recognized by focusing on the face.

• 공학교육연구
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• 제13권3호
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• pp.68-77
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• 2010

본 논문에서는 다양한 정보기술을 사용하고 있는, 정보통신공학을 전공하는 대학생들이 정보통신윤리에 대해 어떻게 인식하고 행동하고 있으며 이와 관련된 변수들은 무엇인지 살펴보았다. 정보통신공학을 전공하고 있는 부산 및 경남 지역 대학생 288명을 대상으로 윤리의식 설문조사를 실시한 결과는 다음과 같다. 첫째, 정보통신윤리 행동의 하위영역별 수준을 분석한 결과 소극적 불법은 5점 환산평균 2.75점, 적극적 불법 1.75점, 존중하지 않음 1.65점, 참여행동 5점 환산평균 2.10점으로 나타나 중간점인 3점보다 낮아 대학생들의 정보통신윤리 행동수준은 매우 윤리적인 것으로 나타났다. 둘째, 남학생의 경우 연령이 높거나 고학년일수록, 또 종교가 있는 집단 쪽이 비윤리적 행동경향이 높았다. 온라인 사용 관련변수에 따라서는 이용시간과 지출비용이 많을수록, 이상주의 수준이 낮을수록 비윤리적 행동을 많이 했다. 셋째, 정보통신공학을 전공하는 대학생들의 정보통신윤리행동에 영향을 미치는 변수들의 설명력은 13-19%로 나타났다. 본 연구의 결과는 일반인에 비해 높은 수준의 서비스 활용을 하며, 졸업 후 정보통신 산업 종사자가 될 대학생들의 정보통신윤리행동을 관찰한 것으로 공학윤리 교육 및 정보통신윤리 교육프로그램을 개발하는데 기초적인 정보를 제공해 줄 것이다.

• 한국가정과교육학회지
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• 제10권2호
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• pp.87-99
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• 1998

The purposes of the study are to see as to how much of changes has occurred in the newly revised high school Home Economics Textbooks required by the 6th Curriculum and to seek future policy directions which can be improved even better, if any, for further revision. To implement this proposal, the study employs 6 different textbooks published in 1996 geared for the 6th Curriculum for data base. The components of the contents divides into two major parts. The first part faUs into a category of holistic analysis of the textbooks, which gives a general perspective of the changes in the textbook revised. It includes those areas of changes in the total number of pacover page, illustrations, table of contents, appendices, unit cover, introductory remarks, summary and evaluation, etc. It also covers the information on authors of textbook. The latter part consists of several specific areas of major changes occurred in the textbooks for the 6th Curriculum. It covers such areas of changes in the composition of category and its weigh laboratory experiences, and illustrations and tables. To conclude the study, there found followings key features : 1) The new textbooks have adopted more of varieties in physical appearances and contents per se as to the older ones. And yet, there still found a weakness in numbers of authors participated to a full reflection of contents variety. In addition, the background of authors reflected on an unrealistic idealism which lacks the on-site information provided by the school teachers. 2) The content area consists of 3 major areas of Human Development & Family Relationship. Food and Nutrition. Clothing and Textiles with ratio of 23.8%, 23.1%, and 21.9% respectively. 3) Human Development & Family Relationship area ranked first with 71 times in the numbers of laboratory activities for each content area. followed by Food and Nutrition with 56 and Family Resorces & Consumerism with 54. These increased numbers of laboratory activities in textbooks represent the changing contents of Home Economics and imply the desirable and positive directions of Home Economics education in Korea. numbers of laboratory activities for each content area. followed by Food and Nutrition with 56 and Family Resorces & Consumerism with 54. These increased numbers of laboratory activities in textbooks represent the changing contents of Home Economics and imply the desirable and positive directions of Home Economics education in Korea.

• 한국가정과교육학회지
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• 제8권2호
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• pp.53-64
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• 1996

The purpose of the study is to see how much of changes has occurred in the newly revised Home Economics Textbooks required by the 6th Curriculum as compared to those by the former 5th Curriculum, and to seek future policy directions which can be improved even better, if any, for further revision. To implement this proposal, the study employs 8 different textbooks published in 1996 geared for the 6th Curriculum for data base. The components of the contents divide into two major parts. The first part falls into a category of holistic analysis of the textbooks, which gives a general perspective of the changes in the textbook revised. It includes those areas of changes in the total number of pages, cover page, illustration, total of contents, appendices, unit cover, introductory remarks, summary and evaluation, etc. It also covers the information on authors of textbook. The latter part consists of several specific areas of major changes occurred in the textbooks for the 6th Curriculum. It covers such areas of changes in the composition of category and its weight, laboratory experiences, and illustrations and tables. To conclude the study, among many findings, two major points are of great importance to mention here. First, the new textbooks have adopted more of varieties in physical appearances and contents per se as to the older ones. And yet, there still found a weakness in numbers of authors participated to a full reflection of contents variety. In addition, the background of authors reflected on an unrealistic idealism which lacks the on-site information provided by the school teachers. Second, the strict regulations created by the Ministry of Education for developing textbook found restricting the authors creativity and thus contents variety of textbooks.

• 한국콘텐츠학회논문지
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• 제18권6호
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• pp.88-101
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• 2018

본고는 니콜라 부리오(Nicolas Bourriaud)의 포스트프로덕션(Postproduction) 개념에 토대하여 동시대 예술 형식의 상호성과 공유 가능성을 통시적 관점에서 분석하였다. 표본 사례로 예시한 올라퍼 알리아슨(Olafur Eliasson), 리크리트 티라바니자(Rirkrit Tiravanija,), 아이 웨이웨이(Ai WeiWei)의 근작에서 예술은 전지구적 현안에의 관여를 유도하는 실행 체계이자 협업 시스템으로서 제시된다. 이러한 형식주의 작업 양상은 탈중심을 넘어 사용자 중심으로 재편되고 있는 동시대 IT 네트워크 환경과 경험을 투영한다. 예술과 비예술의 경계가 모호해진 시장주의 현실에 대한 대응 방안으로서 예술가들은 공유와 확장성을 지향하는 사용자 문화를 적극 포용하고 있다. 작품의 생산과 유통 과정에 수용자가 직접 개입할 수 있도록 작업체계는 분산적으로 구축되는데, 이는 기존의 관객 참여형 예술과 궤를 함께 하면서도 매체 실험을 넘어서는 것이다. 여기서 온오프라인을 넘나들며 탈정형적 연대를 추구하는 사용자들이 서로에게 잠재된 가능성을 일깨워내는 쇄신 주체로 상정된다. 참여 양식이 집단 지성에 대한 상호 신뢰를 토대로 유무형의 자원 공유와 네트워킹에 기반하면서, 예술은 대안적 현실을 모색하는 공론장이자 플랫폼으로 제시되고 있다.

• 복식
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• 제63권6호
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• pp.97-112
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• 2013

In this study, physical, social and psychological repression embodied by the body and clothing are referred to instinctual, power and creative desires, respectively, from the point of biological, social and aesthetic views. Desire refers to a behavior to overcome men's imperfections with individual security, sense of belonging and the pursuit of an ideal, which are obtained by living as a social creature. Repression through the body is sub-categorized depending on whether it is temporary or permanent. Repression expressed through clothing is seen through revealing/concealing, contraction/expansion, and deconstruction/ reconstruction. What enables human beings to embrace changes in fashion without fierce resistance or backlash is the changes of formativeness demonstrated by repression through the body and clothing. The aesthetic values drawn from the exhibition of repression and on the body and clothing are categorized into narcissism, fetishism and aestheticism. While narcissism is an instinctive desire grounded on the originality and confidence of the self that results in refusing repression, fetishism is a desire for power that expedites repression in the pursuit of materialistic value or sexual fantasy. Aestheticism is a desire for creativity that symbolizes the body-and-clothing repression in the pursuit of aesthetic idealism. Repression evokes desire, and the pursuit of desire leads to another repression. The aesthetic values of desire for instinct, power and creativity can be substituted with each other for interpretation according to the attitudes of an initiator, a user and a spectator.

• 인문언어
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• 제1권2호
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• pp.161-178
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• 2001

This study investigates how Korean traditional family consciousness interacts with Korean industrialization in the 1970s. In Our Children, Lee Sun depicts a family's struggle within the turmoil brought about by rapid industrialization to escape from the ranks of the working class. It is well known that one of the consequences of industrialization was the breakup of the larger family structure into nuclear families, but Lee Sun presents Korea's industrialization in the 1970s in the light of the traditional Korean family culture before the breakup. In other words, he gives us a portrayal of Gemeinschaft in Gesellschaft in his description of the extended family's struggle to overcome the day-to-day pressures of modernization and urbanization. The novel presents three generations of a traditional extended family. The eldest son is portrayed as a knife, strong and sharp. His wife has a temporary job that she hopes to give up once they own a house, which symbolizes the family's escape from the working class. The relationship among the family members reveals the core aspects of the ideology governing traditional extended families: the husband is the despotic monarch of the household, solely responsible for the family's economy; the husband is the sky and the wife the earth; and children (the more the better) are expected to lead to stability, welfare, and prosperity. One curious aspect of this family relationship as portrayed by Lee Sun is the expectation that being the eldest son, who already is or will become the patriarch of the family, is the fastest way of reaching middle-class status. And, despite a slight reversal, the novel has a happy ending wherein the family's expectations are fulfilled without much suffering. This aspect should be considered in light of the revolutionary romantic idealism of the novels of the 1930s. The lack of suffering and the easy happy ending may be attributed to the fact that Korea's industrialization came about rapidly and radically, and therefore it is likely that Lee Sun was not able fully to appreciate the full costs of industrialization. This limitation calls for a deeper investigation into the social structure and class consciousness of the 1970s, and also a study of the intertextual relationship of Our Children with other novels of the time.

• 한국가정과교육학회지
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• 제8권1호
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• pp.79-91
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• 1996

The purpose of the study is to see as to how much of changes has occurred in the newly revised Home Economics Textbooks required by the 6th Curriculum as compared to those by the former 5th Curriculum, and to seek future policy directions with can be improved even better, if any, for further revision. To implement this proposal, the study employs 8 different textbooks published in 1995 geared for the 6th Curriculum for data base. The components of the contents divides into two major parts. The first part falls into a category of holistic analysis of the textbooks, which gives a general perspective of the changes in the textbook revised. It includes those areas of changes in the total number of pages, cover page, illustrations, table of contents, appendices, unit cover, introductory remarks, summary and evaluation, etc. It also covers the information on authors of textbook. The latter part consists of several specific areas of major changes occurred in the textbooks for the 6th Curriculum. It covers such areas of changes in the composition of category and its weight, laboratory experiences, and illustrations and tables. To conclude the study, among many findings, two major points are of great importance to mention here. First, the new textbooks have adopted more of varieties in physical appearances and contents per se as to the older ones. And yet, there still found a weakness in numbers of authors participated to a full reflection on contents variety. In addition, the background of authors reflected on an unrealistic idealism which lacks the on-site information provided by the school teachers. Second, the strict regulations created by the Ministry of Education for developing textbook found restricting the authors creativity and thus contents variety of textbooks. Those restricting factors include letter type and size, coloring, paper quality, and volume size.