• 한국산학기술학회논문지
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• 제15권1호
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• pp.55-60
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• 2014

본 논문은 1920년대 한국의 일상생활문화의 모습을 담아낸 휴먼 다큐멘터리의 시대적 상황을 살펴보는데 목적을 두고 있다. 특히 다큐멘터리가 지향하는 시대적 기록성과 사회적 목적성에 의한 표현은 기록중심의 계획된 에세이의 중요한 사항중의 하나임을 감안할 때, 본 연구의 분석 대상인 노르베르트 베버 총아빠스의 <고요한 아침의 나라에서>의 분석결과는 인간의 모습을 담아내는 휴먼 다큐멘터리의 관찰자적 양식의 접근 방식은 시대적 기록과 역사성의 의미를 부여한다. 특히 타자의 시선에 비춰진 인물의 관찰과 기록은 수용자에게 중요한 믿음의 상징체계를 구현하고 휴머니즘의 중요성을 강조하고 있는 것으로 분석된다. 기술적 표현 양식의 결과 분석에서는 다양한 프레임의 구성에 따른 관찰과 대상의 리얼리티를 강조하면서 인간의 가치와 경험의 중요성에 대해 서술하고 있는 것으로 분석된다.

• Nuclear Engineering and Technology
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• 제48권1호
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• pp.129-143
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• 2016

Sometimes, we need or try to figure out somebody's thoughts from his or her behaviors such as eye movement, facial expression, gestures, and motions. In safety-critical and complex systems such as nuclear power plants, the inference of operators' thoughts (understanding or diagnosis of a current situation) might provide a lot of opportunities for useful applications, such as development of an improved operator training program, a new type of operator support system, and human performance measures for human factor validation. In this experimental study, a novel method for inference of an operator's thoughts from his or her eye movement data is proposed and evaluated with a nuclear power plant simulator. In the experiments, about 80% of operators' thoughts can be inferred correctly using the proposed method.

• 한국의상디자인학회지
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• 제6권3호
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• pp.123-138
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• 2004

The objective of this study is to review the expressive effect of fashion illustrations and to enlarge its expressive range by analysing the correlations between fashion illustrations and surrealistic expressive characteristics. The results are as follows. The surrealistic expressive methods of fashion illustration such as depaysement and automatism have been used by many foreign and domestic fashion illustrators. I think that these methods reinforce the subjective aspect of expressive effects and enlarge the transmitting function of fashion message. The elements of expression are divided into color, texture, shape/form and space. Subjective colors rather than natural colors are used for the surrealistic expressive effect of color in fashion illustrations, and illusion of space is expressed by the change of brightness. The surrealistic expressive effect in fashion illustrations distorted the experience of factual texture and disturbed the visual texture. The use of tactile texture presented strange effects perspectively. The objects of shape in fashion illustrations were mainly human body. The form of human body presents reconstituted and reinterpreted figure by transformation or distortion according to the intention of the artist rather than realistic and physical form. In fashion illustration, the transformation of the human body itself whose body parts get separated, superposition of exterior material and human body, and the distortion of human body by the change are done. Space is where background and shapes are inter-penetrated because they are ambiguous and untransparent, and where all are in disorder and unbalance. The method of projection uses distance perspective, multiple perspective and amplified perspective representation, and forms a psychological space feeling. And I think the use of surrealistic expressive methods are very useful for the subjective sensitiveness and the transmission of a fashion message, and presents a possibility to develop a new expressive method.

• 한국콘텐츠학회논문지
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• 제15권5호
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• pp.1-17
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• 2015

국내 게임 업계에서 비디오 게임 시장은 좁아지고 있고 그에 따른 자본과 인력 또한 줄어들고 있다. 이런 열악한 환경과 전문 기술력에서 나오는 콘텐츠의 질적 향상을 위해서는 전문 개발자가 아니더라도 보다 사실적이고 질적으로 뛰어난 콘텐츠를 제작하는 데 도움이 되는 연구가 필요하다. 본 연구에서는 대중과 평론가들에게서 캐릭터 감정 표현 및 전달이 잘 되었다고 평가받는 해외 전문 제작사의 애니메이션들을 선정하였다. 그리고 해당 애니메이션의 스크립트에서 Ekman의 6가지 기본 감정과 그레마스의 역동적 서술어를 이용해 캐릭터가 감정을 표현하는 행동을 선별하여 분석 및 분류하였다. 또한, 게임 제작 프로그램 유니티의 블렌딩 작업에 사용되는 '애니메이션 레이어'를 이용해서 캐릭터가 특정 감정을 표현하려 할 때 필요로 하는 행동들을 분석하고, 이 데이터를 사용해서 감정을 표현하는 행동을 제작해주는 프로그램의 구상안을 제안한다.

• 복식
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• 제58권6호
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• pp.1-11
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• 2008

The purpose of this study was to investigate how formativeness of shamanism has expressed and developed in modern fashion. Formative expression of shamanism in modern fashion has expressed in the way of on style, color, material and pattern as follows; Style has made animal and human incorporated by expressing abstract animal on the part or whole of costume and it has reconstructed traditional shaman costume into modern costume. Skin colors of living bodies which exist in nature, such as black, blown, yellow and grey, were used to symbolize spirit and low brightness of colors such as blue, white and black were also used to symbolize hyperspace. Artificial materials which imitate animal figure and genuine materials from animal were used. Various natural materials used in traditional shaman costume were also used. Animal patterns and abstract patterns symbolizing the celestial heaven and lower world, and patterns shown on wall painting and rock painting has appeared. The meaning of shamanism in modern fashion can be identified as interchangeable movement of time and space, a cosmic outlook on the world and ration. Spiritually designed costume has made fashion move to hyperspace in spirit trip. Modern fashion with shamanism has expressed its cosmic outlook on the world or universal wish beyond human's real world by patterns such as bird figure which means the celestial heaven and lower world. Corporation and transition of human and animal were symbolized as shaman hypernatural intercourse with designs expressed in costume using a part of animal or animal's characteristics.

• 한국컴퓨터정보학회논문지
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• 제19권11호
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• pp.115-126
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• 2014

본 논문에서는 건강검진을 통해 얻은 PHR정보를 개인의 특성에 따라 맞춤형 표현 방법론 및 디자인을 제시하여, 긍정적인 동기 부여 및 건강 상태 인지력을 높이기 위해 의사결정지원시스템을 통한 가이드라인을 제공하고 통합한 의료 시각화 표현 서비스 방법을 제안한다. 색상, 형태, 위치 3가지 요소를 사용하여 이미지기반의 시각화하여 제안하는 표현 방법은 기존에 수치로만 제공하였던 정보를 방사형차트로 만들어 정보의 인지력을 높였으며, 정상수치를 물방울을 핏방울로 형상화한 모습으로 제공하여 자신의 수치가 핏방울보다 다른 정도에 따라 혈액검사의 결과에 대한 상태의 심각함을 알 수 있다. 표준 수치와 함께 결과를 제공하여 시각적으로 비교하여 자신의 건강상태를 정확히 알 수 있으며, 인체와 연관 지어 시각화하여 표현 하였다. 또 한 개발된 종합 검진결과 시각화는 사람의 신체의 위치를 표시하고 검사항목을 해당 장기부분에 위치시켰다. 검사를 대표할 수 있는 아이콘을 사용함으로 결과에 대한 집중도를 높일 수 있으며, 정보의 습득시간을 단축시켰다.

• 복식
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• 제61권8호
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• pp.85-99
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• 2011

Geometrical figures have been used as artwork motifs from the ancient times to the present day. The area of fashion, being a part of modern art, is also largely influenced by geometry and geometrical shapes are being used as a motif for fashion design now more than ever before. However, studies about geometry in the fashion field are not yet done enough and further research is necessary. This research will therefore investigate the usages of round, square and triangular design in contemporary fashion. The main scope of this research is to look at the type of expression and analyze the intrinsic meanings of these shapes in modern fashion. This research will look profoundly into the general characteristics of these geometrical figures and analyze the effects and uniqueness found in the world collection introduced since 2007. As a result from this study, it was found that round and square objects were perceived in such a straightforward and positive way and these designs, when worn, really completed the final look. On the other hand, the triangular design was used mainly for spatial expansion and was interpreted in a more metaphorical, indirect and abstract way. The intrinsic meaning of round, square and triangle figures in contemporary fashion consists of the informal features that really steps out of the formative clothing structure. The topological changes that is formed from the interactive functions and the wholism that creates a new system through integration of the human body and clothing contains the intrinsic meaning of these geometrical figures. Based on the research results, the method of expression and the characteristics of modern day fashion's geometrical figures was able to be easily understood. This work provides the useful information on the development of fashion design and the extended interpretation of clothing structure.

• 복식
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• 제54권3호
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• pp.145-158
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• 2004

In modern art, body appears as artistic performer, material or producer. and is expressed as' social environment body' which is changed in the relationship with its society and culture. The correlation between body and clothing image appears in 'body as expression object' which directly borrows human body or sets up a section of human body, 'body as medium' in which clothing substitutes body, and 'body as image' in which image of body reappears along with clothing. The results of analysis are as follows : First, 'image of expansion and exaggeration' to expand the influence of clothing thereby disclosing illusion of material civilization prevalent in our society, and make metaphor of dwarfish human's lurking fear by transforming and exaggerating human body. Second, 'image of restriction and suppression' to express the loss of humanity, power and restriction of modern society with fixing and cruelty of body image through clothing which disregard body function. Third, 'image of open and fluidity to criticize the extinction of values of human existence and standardized figure of our society by reducing three-dimensional clothing and body to untypical form or introducing the image of absent of human body to clothing. Fourth, 'image of reversion and paradox' to express practical clothing object with unwearable material, or cause confusion of sex and identity by expressing dual aspects of body at the same time. In this study, which is focused on correlation between body and clothing and the meaning of them, I realized that, even though artistic clothing expressed image of distortion and deformation of human existence as essential subject of body, they, in most contents, were used as medium of communication to rediscover human dignity and identity, and consisted of a series of metaphoric network of meanings satirizing aspects of our society.

• 대한소아치과학회지
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• 제46권3호
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• pp.337-342
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• 2019

이 연구의 목적은 발치한 매복 과잉치에서 얻은 치수 유래 세포의 줄기세포 특성을 유세포 분석을 통해 알아보는 것이다. 15명의 환자로부터 채취한 정중 과잉치의 치수 세포를 계대 배양하였고, 3계대와 10계대 세포들을 유세포 분석을 이용하여 분석하였다. 간엽성 줄기세포 표지자 관찰에 사용된 항체 표지자(CD)는 양성 표지자로는 CD 73, CD 90, 그리고STRO-1 와 음성 표지자로는 CD 34, CD 45 이었다. 3계대에서 CD 73, CD 90은 각각 94.82%, 98.86%의 양성반응을, CD 34, CD 45는 각각 2.25%, 2.52%로 음성 반응을 보였으며, STRO-1은 20.93%를 나타냈다. 10계대에서는 CD 73, CD 90은 각각 96.62%, 98.61%의 발현을 보였지만, CD 34, CD 45는 각각 3.86%, 4.14%를 나타냈다. STRO-1은 35.62%로 발현되었다. 이상의 결과에서 과잉치 치수 유래 세포는 간엽성 줄기세포의 특성을 가지며, 3계대와 10계대 모두에서 간엽성 줄기세포의 특성을 유지하고 있다고 사료된다. 이에 빠른 성장 속도와 늦은 계대까지 유지되는 줄기세포능을 고려할 때, 치아 유래 줄기세포의 공여부로서 매복 과잉치의 충분한 활용 가능성을 확인하였다.

• 복식
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• 제57권6호
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• pp.145-159
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• 2007

Freed from its traditional confinement to the human body, postmodernism in fashion exposes the defectiveness of body and abstracts from the body under. As the 20th century art put premium on self-expression, the body itself became a powerful medium of expression in fashion. Using 'body' to analyze the clothing form, my study develops a framework by which to classify the fragmentation of the body in fashion. In order to inquire the formative style and aesthetic values expressed in fragmentation of the body in fashion, my study examines subjects from the discourse on the body to the fashion collections of the late 20th and 21st century, The results of the study are as follows. Fragmentation of the body in fashion means the break away from the idealized and standardized body for mass productions. It tends to experiment with extreme exaggeration in form, refusing to subscribe to the traditional values that build on the balance and symmetry of the body. The formative aspects of fragmentation are achieved through body casting, displacement, and deconstruction. The absence of physicality in fashion opposes the sartorial convention and symbolism that results in the discord between signifiant and $signifi{\tilde{e}}$ of clothing. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze fragmentation of the body in fashion, focusing on the relationship between the clothes and body.