• 한국시조학회지:시조학논총
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• 제22집
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• pp.173-194
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• 2005

고려 후기 이후 조선조를 거치는 동안, 사대부라는 특정 집단에 의해 이루어진 강호시조는, 문학사에서 중요한 미적 범주의 하나로 주목되었다. 본 논문은 이중에서 특히, 16세기 재지 사림의 대표자인 이현보 이황, 권호문, 장경세의 강호시조에 나타나는 특징의 양상과 전개를 개괄적으로 살폈다. 이현보, 이황의 강호시조를 해명하는 데 가장 적절한 개념틀은 도학적 유교 근본주의의 속성이다. 도학적 근본주의는 현실 정치에의 참여를 통해서만이 아니라 그로부터의 좌절과 퇴각을 수용하고 스스로를 이념적으로 재충전하는 방식에서도 나타났다. '부패한 정치 현실과 완전한 도덕적 이상', '인심과 도심', '속세와 강호‘ 등의 이분법적 세계관이 그 바탕을 이룬다. 이에 비해 권호문과 장경세의 강호시조는 상대적으로 정치 현실에 대한강한 친연성과 관심을 보인다. 그 때문인지 작품에 나타나는 강호 자연의 형상화는 사실적이고 경험적인 모습으로 드러난다. 이처럼 그들은 시적 형상화의 측면에서도 관념적 성격을 벗어나, 다분히 현실적인 측면에서 강호자연에의 친연성을 보이고 있는 것으로 여겨진다. 이후에 강호시조의 새로운 국면은 정철에서 좀더 뚜렷하게 나타나고, 신흠과 윤선도에 이르러 더욱 큰 차별성을 드러내게 된다. 이들의 강호시조는 사림의 정치적 승리 이후 도학적 근본주의 이념의 도전적 변별 가치가 약화된 국면에서, 사림 출신 세력의 정치적 이합에 따라 형성된 분파들 사이의 쟁투로부터 일시적으로 실세하거나 그런 세태를 혐오하는 데서 산출되었다.

• 디지털콘텐츠학회 논문지
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• 제7권3호
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• pp.153-160
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• 2006

과거 19세기와 20세기의 구분은 영상의 대두라고해도 과언이 아닐 것이다. 이러한 영상은 급속도로 발전, 제작, 상영되면서 인간과 사회에 커다란 영향을 주고 있다. 현대 사회의 영상은 언어적 인간관계와는 또 다른 새로운 영상적 관계를 만들어 내면서 새로운 의식과 사상을 만들며 우리의 삶에 영향을 준다. 영상(映像) 혹은 이미지(이하 영상)라고 불리는 것은 단순히 그림과 같은 예술에 한정된 것이 아니라 지식과 과학, 정치, 문화, 경제와 상호작용을 하여 영향을 주고받으면서 우리의 사고와 사상을 지배하게 되는 시각을 이루게 된다. 이 논문의 영상은 특히 움직이는 영상 혹은 동영상(이하 영상)을 지칭하며 이것은 다른 이미지와 달리 고유한 특성을 가지고 있다. 21세기에 들어 영상은 시시각각 의식적 혹은 무의식적으로 우리와 접하게 되며 이로 인하여 인간과 사회의 관계를 비이상적으로 몰고 가는 현세대의 관한 고찰을 필요로 한다. 또한 새로운 각도로 인간성 회복과 사회적 역할 등을 할 수 있도록 영상 분석에 접근하려 한다.

• 한국산림과학회지
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• 제79권3호
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• pp.330-342
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• 1990

One might have a retrospect on the relationship between the forest and human being from the viewpoint of ecological perspective. It is no doubt that most of the fossil humans should have lived on the forest and the latter provided foods and shelters for humans from their beginning stages, Since the so-called agricultural revolution, humans have extensively started to exploit the forest which had beer, their cradle. The industrial revolution has created another situation against the forest in terms of the quality of ecosystem. These two revolutions have set up the so-called civilization which seems to have been based on the sacrificial oblation of the forest. The cradle for human being has been kept exterminating for the shake of "economic development and miracle." This might be a synoptic history of relationships between the forest and human beings in a sense. designates the behavioral aspects of human being against the forest and people consider the forest only as exploitable resource in this context, and the latter means that people live on the forest and strive to adapt the order of forest ecosystem. The resourcism has developed a strategy of colonialism to exploit the forest and provided a winner's position for the human beings against the forest, This idea and behavioral perspective seems to have started the backfire against the exploiter who is the owner of the civilization. However, there are different philosophies and ideas to view the relationship between the forest and human beings. People within the forest who are mostly considered as "primitives" still keep their idea of the ontology of the forest. There is a theoretical assumption of the "socionatural system" to look into the ecosystem. The forest could be viewed in the above frame of analysis. There are five variables : environment, resource, technology, organization, and ideology. Ideological aspect of the forest can be explained in the context of belief systems. Forest has a meaning of religion and rituals and people within the forest should admire it in anyway of religious reasons. This aspect of the forest cannot be separated from the environmental aspect of the forest. People within the forest acknowledge and practice the above idea. People outside the forest have lost the idea, however, at the cost of acquiring the civilization. They have expelled themselves from the forest and divided the socionatural system of the forest by way of colonialism. The efforts like agroforestry and social forestry would be strategies for recovering the idea of ontology of the forest as well as the sense of community including the forest and human being. People within the forest will be a prospective model for the future socionatural system of the forest for the people outside the forest. At this point, an ecological anthropologist can work with the forest specialists.

• 한국의류학회지
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• 제33권7호
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• pp.1128-1139
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• 2009

This study is on the works of Hussein Chalayan that is an expression of his idea and abstract concepts such as culture, history, time, space, nature, and humanity. The perspective of E. H. Gombrich is studied to understand the works of Chalayan who is the one of representative fashion designers in the present age. The 'schema and correction' process of E. H. Gombrich provides a suitable interpretation frame that considers the variety of works of art and the deconstruction of genre in the after 20th century. Hussein Chalayan attempts to combine clothes with other territories to show the spirit as materiality. He expresses the clothes that speaks the form of nature, symbolizes the combination of culture, visualizes time and space, and investigates the existence of human beings. Hussein Chalayan poses an endless question about the existence of human beings. He has put a question about the relationship of the human being and time, space, history, and nature. His trial to visualize the metaphysical conception of 'ego' and 'self' through his works makes him the representative designer of the 21st century.

• 대한음성학회지:말소리
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• 제48호
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• pp.19-33
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• 2003

Sasang Constitutional Medicine, a branch of traditional Korean medicine, believes that the health of human beings can be promoted by taking advantage of the fact that people have different constitutions. It utilizes the characteristics in human voice to diagnose the constitution of the patients. This study aims at establishing the relationship between Sasang constitutions and their corresponding voice characteristics by investigating source-related variables. Voice recordings of 23 patients from three different constitutions were obtained whose constitutions had been already diagnosed by the experts in the fields. Fundamental frequency related variables (average pitch, maximum/minimum pitch, pitch range), phonation type, speaking tempo were measured and analyzed for each group. The phonation type seemed to be a possible candidate for a successful variable to determine constitution. No statistically significant relationship was manifested between other variables and constitutions. Despite its failure to firmly establish the relationship between voice and constitutions, the current study suggests that future research should include not only source-related variables

• 한국실내디자인학회논문집
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• 제11호
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• pp.45-56
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• 1997

In the process of modermization the problem of environment destruction has become a worldwide issue. And now this problem is a concern for all branches of science, including that of architectural desigv. This thesis tries to find the meaning of ecological architectural space, one that encreases the organic relationship, and communication, between architectrual space and urban environmental space, between human beings and architecture, and between human beings and their environment. As an example, we will take a look at the architectural space-design of Frei Otto, who offers diverse creative ecological architectural forms. His concept of architecture has the critical character when compared with the traditionan conventional concept of architecture. The ecological characteristics of his architectural spacedesign can be summarized as follows: The first characteristic is his ample use of natural objects in the architectural structure. An ample use of living things like trees and plants as well as of inanimate thing like water, wind as architectural elements enhances the functional efficiency of architecture. The second characteristic is its ecological architectural system, which saves energy faciliates ventilation by changing the position and direction of the building, by systematically applying the materials, and by efficiently arranging the inner space. The third characteristic is the dematerialization of architecture and the use of materials that are economical and appropriate for the circulation system of nature. The use of natural elements and recycling natural objects, makes it possible to reuse materials of the destroyed building. In short, the ecological architecture of Frei Otto, which shows the relation between human beings and architecture, presents diverse possibilities of the archtectural space as a complex natural system, which is more than a simple combination of separatge elements.

• 디자인학연구
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• 제12권1호
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• pp.121-130
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• 1999

인물이 가지고 있는 눈은 신체의 어떤 부위보다 풍부한 언어를 전달하거나 인물의 특징을 드러낼 수 있는 관찰 대상이다. 이러한 관점에서 인물이 가지고 있는 뛰어난 표정 물이라고 말할 수 있는 눈에 대한 표정연구는 영상기호를 효과적으로 구사해야하는 디자인에서 가장 관심 있는 연구대상이 아닐 수 없다. 한편 한국인은 전래적으로 관상학이라고 하는 담론을 가지고 있다. 상학은 수많은 사람들의 삶의 패턴을 통해 통계적으로 정리되었고 체계적으로 정리 분석된 결과물이라는 사실을 오늘날의 소비자들도 상당 정도 믿고 있는 듯하다. 본 연구는 일차적으로 인물의 표정에서 가장 중요한 단서가 되고 있는 눈의 표정을 상학적 담론을 근거로 하여 이것이 현대사회에서 소비자들이 느끼는 이미지와 어떤 상관관계를 가지고 있는가, 관계가 있다면 구체적인 활용에 대한 어떤 시사점을 발견할 수 있는가를 알아내기 위해 연구되었다. 연구결과는 극히 일부분의 이미지만이 상치될 뿐, 상당정도 밀착된 관계가 있음이 발견되었다. 그리고 눈의 표정은 입의 표정이 보정될 때 진정한 이미지가 형성된다는 사실도 발견되었다. 영상기호로서의 인물을 선택할 때 상학적 관점을 고려하는 것이 바람직하다는 결론이 도출되었다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.176-179
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• 2004

Space is comprised by the movements of human beings, and draws a complex locus within it. That form seems to be complex of movement around in all directions of space axis, and be ever-changing process as time goes by. Although Human are able to move uninhibitedly, the movements are restricted to a narrow sphere during locomotion. However, the pattern of these movements delineates a certain frame within the space, and provides not only visual effects but also relevance tomovement itself. Also, critically dividing and organizing this sphere is what is realized into this tangible indoor space. This study recognized importance of human being as a core of making indoor space and brought out experimental approach on relationship human with space, and visually perceptual standpoint. And this presented the recent possibility of action and attitude though sight and walking by arranging space on the basis of modern artists' perception of human body.

• 한국실내디자인학회논문집
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• 제10호
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• pp.34-49
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• 1997

Architectual environment in this study means a language and meaning complex which makes communication between human beings and environment possible. The purpose of this study is to propose a semiotic approach to analyze and examine meaning, as a semiotic system, and its effects, focusing on the generative meaning in the relationship between human beings and environment. For this purpose, it examines the academic status of modern semiotics in postmodernism and the possibility of its being metalanguatge for a study of a variety of cultural phenomena and desigv. It also provides two viewpoints as propositions for its analysis: it explains the necessity of environmental-discoursive attitude and social-semiotic viewpoint which understands environment as social-cultural reflectors. Finally, it provides framework and all the interpretative procedures for analysis of environmental meanings on the basis of the approach of semiotics of space. By applying the methods proposed this study to the case studies, it also proves validity of this approach and the potentialities of the application of semiotics. This study emphasizes not only denotative configuration of the architectural environment but also its connotative meanings. It maintains that designers, architects, and theorists should realize correctly today's changed value system and social and aesthetic paradigms. It also stresses the necessity of development of the new architectural language and meaning system.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.103-110
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• 2012

With a theoretical focus on the emotional experiences created via the interface, and the relationship between human beings and space, this study aims to corroborate and clarify the formation and verification of emotional interactions between human beings and space using body movements. It follows the method of Coining "Movement Phrases" through the analysis of body movements in the experimental space, thereby developing them into a complete scenario to produce the story of emotional expression. This study has hereby generated the following outcomes: First, the "pocket-type" exhibition displays a higher frequency of body movements than the "general" exhibition. It has close connections with emotional vocabularies: "Curious," "interesting," "warm," and "fun." The "general" exhibition records a relatively high frequency of emotional vocabularies like "natural," "efficient," and "free." Second, it is possible to analyze the story of space using a scenario, just like drama, based upon attributes and serial relationships. The "exposition" section reveals a high degree of "curiosity" and a large number of body movements, while the "development" section indicates high degree of "surprise" plus slight body movements. The "transition" sections manifest high "interest" and many body movements, and the "climax" section shows a high frequency of "surprise" and many changes in body movements. The "conclusion" section finally invokes images together with body movements.