• 제목/요약/키워드: Human Notion Analysis

검색결과 33건 처리시간 0.025초

랜드스케이프 개념 재유형화에 따른 한국현대건축의 경향분석 (Trend Analysis of Contemporary Korean Architecture according to the recategorization of the notion of Landscape)

  • 윤갑근;김기완
    • 한국실내디자인학회논문집
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    • 제17권4호
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    • pp.32-41
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    • 2008
  • It has been a recent phenomenon over 1980-1990s that the notion of Landscape has had significant position in contemporary architecture. And the execution range isn't limited to a certain area but is extended to various areas. Under such influence of trend of the times, various architectural attempts in which landscape notion is applied have been tried by the group of architects of our country which are mainly composed of young architects. This study aims to derive the features of landscape appearing in our contemporary architecture by analyzing how Landscape notion is embodied in our Landscape architecture which are claiming the expression of Landscape notion as nature, human beings and view. The purpose of the study is to suggest the limitation and the direction to go through of Korean Landscape architecture through the analysis of such features. Through the recategorization of the Landscape notion, this study reviews the features in detail shown in buildings in Heyily Art Valley which were built strongly based on the expression of the Landscape notion, the art works in Paju City of Publishing Industry and other Landscape buildings. The findings of the review show that Landscape architectural notion has been attempted not only in a certain facilities but also in various genres of architecture. And also it shows that the expression of Landscape notion is performed not by various ways but by only limited ones which are preferred.

신경행동학적 연구의 동물모형 (Animal Models in the Neurobehavioral Research)

  • 김동구
    • 정신신체의학
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    • 제2권1호
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    • pp.46-51
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    • 1994
  • Model' is one of the well-used, but poorly understood word in the neurobehavioral research. After Darwin's evolutionary theory, it has been generally believed that human is different from animals in terms of the complexity, not of the essential. This notion could be applied to the mind as well as body. Therefore, it became possible to establish animal models in the scientific field of mind. Experimental analysis of the animal behavior becomes an important area for establishing an animal model of human psychopathology because behavior is the ambassador of the mind. A model emphasizes a structural correspondence between sets of causally related variables in two different domains such as the animal and the human. The first selection of elements of the two domains in correspondence called the initial analogy. Once the initial analogy is formed. causally related variables in the two domains are examined and arrayed The structural parallel is the formal analogy of a model, and similarities between corresponding variables are called material analogy. Models may serve any of three major functions ; heuristic, evidential and representative. In many cases, utilizing models may be more practical than directly assessing the domain of primary interest, since technical and/or ethical problems are more serious in the human domain. Although modeling is important to study human psychopathology, rare animal models approved to be a good model for the human psychopathology up to now. Developing the appropriate model is urgent to solve many problems raised from human psychopathology.

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공상 과학 영화에 나타난 복식이미지 (Images of Costumes in Science Fiction Movies)

  • 김민자
    • 복식
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    • 제50권
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    • pp.51-68
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    • 2000
  • This study is intended to examine the common features of costume images in science-fiction (SF) movies that deal with current socio-cultural situations by examining their themes and tones about the future it can be generally concluded that costume images of SF movies are divided into two patterns : one inheriting traditional styles constructed on linear progress and the other based on dismantiling the tradition. this analysis is made through the research of actual cinematic contexts on the common features of multiple styles shaping the two patterns of costume images. The results can be summarized as the following: The former is related with the future built up on the basis of belief in reasonal progress rooted in the Enlightenment reasonable plan for ideal social order and strong faith in uniformity. So It shows functional uniformity disregarding wasteful competitiveness in consumption and luxuriousness and clothing that has the aesthetic value of purity without emphasizing human body or sensuality are presented. On the other hand SF movies which show the uncertain costume image as the meaning of dismantling of tradition take up a rather critical view of assumption that society can move toward utopian future as it searches future images in the notion of hetero-topia by emphasizing pluralism consequently as for clothing diversity and uncertainty in post-modern style are presented destroying modernistic dichotomy and the assumption of Utopian clothing made in the notion of modern progressivism.

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Color Analysis of Avatar fashion style from on-line portal sites

  • Kim, Ri-Ra;Kim, Young-In
    • International Journal of Costume and Fashion
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    • 제8권2호
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    • pp.50-64
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    • 2008
  • The purpose of this study is to classify Avatar fashion style through analysis of on-line Avatar Mall and to propose color pallette and fashion contents from fashion color analysis. The literature research focused on investigating the notion, characters and types of Avatar and relation of Avatar and self-image, clothing image and color image. In data research, 4 on-line portal sites Avatar Malls were analyzed and Avatar fashion style was classified. In addition, Avatar clothing color was analyzed. The research of this study are as follows: Firstly, Avatar in the cyber space represents 'me' of the real states. Avatar fashion helps to represent Avatar Image and clothing makes human image and identity as a social sign. Color helps to constitute clothing impression and human image, therefore clothing and color are the important elements to express self-image through Avatar in the cyber space. Secondly, Avatar Malls of 4 on-line portal sites are very similar and confuse Avatar users because of no standard of fashion style classification. Accordingly, the standard of fashion style classification should be made by a fashion expert, and the specific characters of every on-line portal site should be emphasized. Thirdly, as a result of the analysis of Avatar's clothing, the clothing is divided into a real world clothing and an imaginary world clothing. There are daily clothes, uniform, event clothes, story clothes and fantasy clothes. As a result of the color analysis of Avatar clothing, White, Red, Red Purple colors and bright and vivid tone are generally used for Avatar clothing. This study is significant to classify Avatar fashion style systematically, to notify sensitive and delicate users' sign and to make Avatar fashion image emotional and high-quality.

동시대 예술 형식의 상호성과 공유 가능성 -니콜라 부리오의 포스트프로덕션 개념을 중심으로- (Collaborative Dispositions of Participatory Arts in Contemporary Practices -Based on Nicolas Bourriaud's Notion of Postproduction-)

  • 백영주
    • 한국콘텐츠학회논문지
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    • 제18권6호
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    • pp.88-101
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    • 2018
  • 본고는 니콜라 부리오(Nicolas Bourriaud)의 포스트프로덕션(Postproduction) 개념에 토대하여 동시대 예술 형식의 상호성과 공유 가능성을 통시적 관점에서 분석하였다. 표본 사례로 예시한 올라퍼 알리아슨(Olafur Eliasson), 리크리트 티라바니자(Rirkrit Tiravanija,), 아이 웨이웨이(Ai WeiWei)의 근작에서 예술은 전지구적 현안에의 관여를 유도하는 실행 체계이자 협업 시스템으로서 제시된다. 이러한 형식주의 작업 양상은 탈중심을 넘어 사용자 중심으로 재편되고 있는 동시대 IT 네트워크 환경과 경험을 투영한다. 예술과 비예술의 경계가 모호해진 시장주의 현실에 대한 대응 방안으로서 예술가들은 공유와 확장성을 지향하는 사용자 문화를 적극 포용하고 있다. 작품의 생산과 유통 과정에 수용자가 직접 개입할 수 있도록 작업체계는 분산적으로 구축되는데, 이는 기존의 관객 참여형 예술과 궤를 함께 하면서도 매체 실험을 넘어서는 것이다. 여기서 온오프라인을 넘나들며 탈정형적 연대를 추구하는 사용자들이 서로에게 잠재된 가능성을 일깨워내는 쇄신 주체로 상정된다. 참여 양식이 집단 지성에 대한 상호 신뢰를 토대로 유무형의 자원 공유와 네트워킹에 기반하면서, 예술은 대안적 현실을 모색하는 공론장이자 플랫폼으로 제시되고 있다.

Christian Dior과 Martin Margiela 패션 작품 도상에 대한 비교 연구 (A Comparative Study of Christian Dior's and Martin Margiela's Fashion Works in Terms of Iconology)

  • 윤지영
    • 복식
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    • 제59권5호
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    • pp.115-134
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    • 2009
  • This study is about Christian Dior's and Martin Margiela's fashion works that create 'New look' which leads the periodic ideology, philosophies, circumstances and the trend at that time. For the systematized interpretation, this study investigates the iconology of E. Panofsky, E. H. Gombrich and N. Goodman. Based on their theories, iconological analysis paradigm is made into four phases: I. Recognition of iconological form, II. Analysis of External Elements, III. Analysis of symbolic meanings and artistic will and IV. Aesthetic enjoyment and communication with a viewer. Christian Dior treats woman as a organic and architectural structure. He falls in love with himself such as narcissus and woman who wears his works. Dior's ego is visualized by woman and his works which are the symbol of narcissism and beauty. Martin Margiela makes form of clothes and at the same time destroys. Margiela deconstructs aura of clothes and tries to make it unfamiliar. Also he changes traditional idea of beauty and creates 'ugliness' which is a notion of dialectic. Margiela transforms elements of clothes which brings variation of thinking and makes it possible to create new look. Christian Dior and Martin Margiela are the creators of new look which visualizes the notion of habitus that is the space of self-exists. Fashion dose not have to be what people wears but it could be an image itself. It means that fashion is a part of ontology and it is a 'New look' which is based on economy, the standard of periodical beauty and ideal aspects. The creation of clothes is a work of embodiment of human being where it constructed or deconstructed.

일본적 공간개념의 분석에 의한 일본 현대 실내공간의 표현특성에 관한 연구 (A Study on the Expressive Characteristics of Japanese Contemporary Interior space by Analysis of space concept of japanize)

  • 박세정;박찬일
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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    • pp.102-107
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    • 2004
  • In order to understand the characteristics of the Japanese conception of space, we examined the characteristics of Japanese human geography, schools of thought, and aesthetics through the examinations on relevant documents. In addition, we reorganized such cultural backgrounds in relation to the Japanese perception of space, extracting the fundamental principles and elements of Japanese space composition and examining their significance. We propose a structural framework for understanding and analyzing Japanese space based on the reciprocal relationship and meaning among the various elements of Japanese space. Using this analytical framework, we studied the representative works of Japanese interior space, concluding in an analysis of the expressive characteristics of the Japanese notion of space.

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神人調化或神人調和 - 以大巡真理會和召會的論述為比較 - (Harmonious Union between Divine Beings and Human Beings or the Blending of God and Man: A Comparison between Daesoon Jinrihoe and the Local Church)

  • 范俊銘;姚蘊慧
    • 대순사상논총
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    • 제35집
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    • pp.509-539
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    • 2020
  • 大巡真理會以《典經》為主體, 闡述神與人的思維於教義之中, 含括神聖性, 宗教性與教義性等探討價值 ; 神與人的傳統意義, 經由《典經》的詮釋, 超越倫理性, 傳統性和社會性, 跨越世俗性的終極關懷。從《典經》的角度分析, 有助於了解大巡真理會的宗旨, 組織的推行方針與未來走向。召會以《聖經》為主體, 將神與人的關連, 作為經歷神聖生命與性情的植入, 而與人的生命與性情調和 ; 神聖的生命是一直不斷地與人的生命調和, 並使之成為神聖的人, 或可稱為屬人的神聖者。此即「神人」的原因, 使人的生命成為神人的生命, 生活是神性調著人性, 作為外顯的行事為人, 性格與生活 ; 因此, 「神人調和」的說法, 作為神與人的關係詮釋, 專注於神與人之間的神聖關連, 從而延伸至召會的範圍。大巡真理會與召會, 代表著歷史, 文化, 語言, 宗教等不同的分野, 卻在神與人的超然解釋上, 各自提出「神人調化」, 「神人調和」等見解 ; 二者可尋覓出論點上的類似點和相異觀, 作為探究的區分與貢獻。

르 꼬르뷔제의 1920년대 주택작품에 나타난 비례체계에 관한 연구 (A Study on the Proportional System of Le Corbusier's architecture)

  • 김경아
    • 한국디지털건축인테리어학회논문집
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    • 제7권2호
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    • pp.33-41
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    • 2007
  • This thesis aims at understanding Le Corbusier's architecture through study of proportion. Based on the analysis of these texts, four elements - geometry in the outline, diagonal regulation lines in the facade, arithmetic rhythm in the structure, composition in the inner space - were listed. Through these four proportional systems. ten houses of 1920's, designed by Le Corbusier were analysed. The Le Corbusier's proportional system can be classified by two different purposes ; aesthetics and utility standardization for the mass production was reflected. In the later period, the proportion system of 1920's has changed through the process of self-contradiction. But the concept of the golden section and the human scale was reflected on Modulor, which Le Corbusier created in 1940's. Therefore, Le Corbuiser's notion of proportion for harmony of architecture has consistent meaning throughout all of his works from the 1920's.

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비행안전을 고려한 조종사 개인별 자질관리(IPQC)제도의 개선에 관한 연구 (A Study on Improvement of the Individual Pilot Quality Control System for Flight Safety)

  • 윤봉수;이성희
    • 대한안전경영과학회:학술대회논문집
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    • 대한안전경영과학회 1999년도 추계학술대회
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    • pp.53-72
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    • 1999
  • IPQC system was introduced for the flight safety at the age of scientific safety management in the 1980s. In spite of performing this system, aircraft accidents caused by human factors, which were above 70% among all flight accident factors, have not been reduced. Accordingly, throughout this paper I analyzed the aircraft accident factors by means of a literature study and a pilot survey. Then, based on the notion of TQC(Total Quality Control), I hierarchically classified Individual Quality into Capacity Management, Safety Management, and General Management and did the low-ranked management factors as well. AHP (Analytic Hierarchy Process), one of the scientific management methods, was used for estimating the relative importance of Individual Quality Control factors and the heavy aircraft accident causes over the last 20 years were analyzed according to the flight ranks. Based on the comparative analysis of results derived above, an IPQC model as flight ranks is established. In short, according to this newly suggested model we can obtain the maximum flight safety with the preventive actions against aircraft accidents caused by human factors and by improving the operation effect under the reasonable pilot management.

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