• (The)Study of the Eastern Classic
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• no.68
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• pp.439-472
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• 2017

The purpose of this paper is to confirm how traditional legends are changing and existing in modern times, and how they are inheriting and developing legendary values and meanings. The subject of the study is uncanny stories concerning army that is judged to be worthwhile alongside uncanny stories concerning school. The uncanny stories concerning army are urban legends that are active in the internet. It can be defined as 'a narrative story that raises fear with supernatural and strange experiences in the army'. In addition to the internet community sites, humor sites and game sites are actively handed down. Recently, ghost stories have appeared on the site, and uncanny stories concerning army are easily collected from these various sites. The uncanny stories concerning army can be divided into three types: ghost experience type, Bulgogi GP type, mystery radio type. The ghost experience type has the largest number of version, the contents are rich and varied. It does not deviate much from the traditional notion of ghosts. Bulgogi GP type has a frenzied horror from its name. It is related to actual events and raises horror. Mystery radio type is a romantic material used in movies and dramas. However, unlike movies and dramas, uncanny stories concerning army are perceived as fearsome. The uncanny stories concerning army continues to emphasize that the story is actually experienced in the title and content. It has presented concrete evidence. The emphasis on truthfulness is intended to make fear more realistic. This comes from the desire for safety. Uncanny stories concerning army focus on horror. So It tries to reveal the history and truthfulness of the story itself. As a result, the history of reality, the truth of reality, and the realistic ideology are erased. Historical and truthfulness of traditional legends has been varied in the case of uncanny stories concerning army.

• Fashion & Textile Research Journal
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• v.7 no.2
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• pp.153-161
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• 2005

The purpose of this study is to analyze the aesthetic characteristics of goth image which have had influence on literature, film, music and art, in modern fashion. The method of this study is to analyze the documentary about gothic and goth, and the fashion magazines since 2000. The results of this study are as follows: First, sensuality shows the excessive exposure of body and inner wear, and emphasizes a resistance of sexual consciousness and a image of independent, active, powerful woman. Second, androgyny shows the goth women wearing a men's cloth and encourages a person to have a perfect being and satisfaction. Third, horror shows the symbol of death and suggests a substance of desire hidden in our mind. Fourth, historicity shows victorian fashion which have a romance of gothic and baroque, not a cult but a modern image. In conclusion, goth image in modern fashion does not show a substance negative and horrorful, but a substance positive as a perfection, satisfaction, a sense of freedom, obliteration of a feeling of uneasiness and powerful woman's image.

• Journal of Biomedical Engineering Research
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• v.30 no.4
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• pp.288-293
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• 2009

This study investigates the relationship of affective style based on EEG asymmetry, personality, and psychological stress on stress. The experiment consists of three sessions: rest state, landscape scene, and horror film tasks. We used a short horror film to evoke stress. We classified affective style of the individual based on EEG alpha asymmetry: negative bias, positive bias and general. The participants in the negative bias group reported higher levels of stress on the neuroticism of the Big 5 model and Cohen's Perceived Stress Scale. These results demonstrate that participants with the propensity for negative affective style have a nervous temperament and are apt to be stressed.

• Proceedings of the Korean Society of Computer Information Conference
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• 2018.07a
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• pp.97-98
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• 2018

본 논문은 PC 플랫폼에서 공포 어드벤처 게임을 구현한 논문이다. 여름이 오면서 다양한 호러 콘텐츠들이 출시되고 있으며, 본 게임은 시간과 장소의 구애를 받지 않으면서 호러 체험을 할 수 있는 체험 기반 게임이다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.279-280
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• 2014

현재 게임제작을 위해 많이 사용하고 있는 Unity 3D 엔진을 이용하여, 특수한 장르인 공포 게임을 제작해 본다. 이러한 공포 장르에 맞는 게임을 개발하기 위해서는 그에 맞는 함수와 Unity 3D의 기능들을 습득할 필요가 있다. 본 논문에서는 Unity 3D 게임 엔진이 제공하는 안개 효과, 사운드 효과 및 애니메이션 효과를 사용하여 공포 게임에 어울리는 시각적, 청각적 효과를 쉽게 구현하고, 그에 따르는 적절한 구현 방법에 대해 설명한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.01a
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• pp.57-60
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• 2021

현재까지 나타나고 있는 공포 게임은 크게 두 가지로 나뉘어 있다. 시각적으로 유저들의 눈을 감기느냐 아니면 심리적으로 유저들의 마음을 두렵게 사로잡느냐 하는 것으로 나뉘어 공포 게임들이 출시되고 있다. 이렇게 크게 두 가지로 나뉘고 있지만 이 두 가지를 또 나누어 시각적인 공포로는 점프 스케어, 즉 갑툭튀 방식의 플레이가 더 공포를 느끼는지 아니면 게임에 크리처가 나온다면 그 크리처의 모습만으로 공포감을 느끼는지, 심리적인 공포로는 크리처가 없는 심리 공포 게임이 무서운지 아니면 크리처가 있는 심리 공포 게임이 무서운지로 더 자세히 나누어 흔하디흔한 공포 게임들의 선입견을 찾아보고자 한다. 본 논문에서는 유저들이 공포 게임을 접할 때 시각적으로 더 공포감이 느껴지는지 아니면 심리적으로 더 공포감이 느껴지는지에 대한 선입견 차이를 통계를 통해 설명하고 해당 공포심으로 공포 게임들의 공포 방향성을 어떻게 바뀌어야 할지 제안을 하고자 한다.

• The Journal of the Korea Contents Association
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• v.20 no.10
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• pp.76-88
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• 2020

Since the pre-existing music itself used in has no direct relation to the film, it raises the question of whether it was properly utilized as film music. The purpose of this paper is to clarify that 's 20th century modern music effectively fulfills the role of film music through iconicity with images. This study approached the similarity between the character of fear and the form of music through Hanslick's formal aesthetics to discuss the use of 20th century modern music in the horror film. The formal characteristics of music are observed in the movement of notes, which are similar to the fearful state of mind mentioned by Heidegger. In the analysis, the stagnant movement and the continuity of notes, the special playing method of the musical instrument, the unspecified trembling of the clustered notes, the melody of the weak intensity in the high-pitched range, the smash of percussions, and the progression of the notes that deviate from the center confirms the aptitude of 20th century modern music in the horror film. The fact that this study did not simply rely on the emotions represented in the 20th century modern music, but thoroughly caught the movements of the notes, has great significance in the research of film .

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.485-487
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• 2014

여러 종류의 공포를 통해 플레이어들이 가장 공포를 느끼는 효과적인 연출 방법을 사용하여 개발한 게임인 '사이코메트리 psychometry'를 연구 재료로 20대 여성 FGT(Focus Group Test)를 통해 나타난 설문을 바탕으로 어떤 요소들이 플레이어들에게 두렵게 다가왔는지를 파악하고 그 이유에 대해 작성, 또 문제의 더 나은 해결 방법을 제시하였다.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.24 no.1
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• pp.75-81
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• 2024

This paper focuses on developing a first-person 3D game to provide extreme fear to players through realistic camera direction utilizing the features of action cameras. As a new camera production technique, we introduce perspective distortion using a wide-angle lens and camera shake when moving to provide higher immersion than existing games. The theme of the game is horror room escape, and the player starts with a firearm, but in order to overcome the concern that the game's difficulty is low due to the use of firearms, the player is asked to control the use of firearms by imposing burdens such as chasing monsters and reducing the number of magazines. The significance of this paper is that we developed a new type of 3D game that maximizes the fear effect of players through realistic production.

• Journal of Korea Game Society
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• v.15 no.6
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• pp.7-16
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• 2015

To improve the sense of unity between game players and game world avatars, we propose a method to measure game player's physical status and manipulate game character appearances and behavior using the measurements. To measure the status, we implemented a hardware module that perceive the body temperature. We implemented a 3D horror game whose game space is a common subway space ordinarily encountered in daily life so that ordinary people can easily get used to the game environment. The experiments of applying the measurement data from the game player to the game world avatar shows that the player's physical status can be effectively utilized to improve the sense of reality in gameplay.