• 한국초등과학교육학회지:초등과학교육
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• 제33권2호
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• pp.217-230
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• 2014

This study explores the features of sociocultural context of experiment classes taught by a science subject teacher. Two experiment classes on electric circuit for fifth graders were observed and video recorded. The data was also collected through student interviews and teacher interviews. Using the cultural historical activity theory, we extracted the six sociocultural factors and analyzed their interactions. This study could identify that four features of the sociocultural context of the cases. First, the rules of science classes were not decided by the teacher, but formed and modified through the negotiation between the teacher and students or between the students. Second, elementary students played a game, i.e. 'Countdown game', during their electricity experiments, which had both positive and negative influences on science learning. Third, the science teacher feels a limit on life guidance because of the position as a subject teacher in an elementary school. Lastly, although the science teacher had enough time to prepare science classes, there was no guarantee of the improvement of teaching quality. Based on the results of this study, educational implications are discussed in terms of teaching science experiments and of the science subject teacher system.

• 비교문화연구
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• 제43권
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• pp.405-428
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• 2016

이 글은 특정 시기 타이완의 현대사를 다룬 영화 <군중낙원>의 영화적 서사 구축방식과 탈역사적 서술 양상에 대해 고찰한 것이다. <군중낙원>은 어떠한 시대를 배경으로 하고 있지만 역사적 사건의 의미를 보여준다거나 공식 역사적 담론 속에서 과거를 해석하려 하기 보다는, 그 시대를 살아간 인간들의 고뇌와 아픔에 주목하는 서술적 특징을 갖고 있다. 즉 거대 역사 서술적 맥락에서 서사를 구성하거나 리얼리즘적 관점에서 진지함을 견지한 성찰적 태도로 현실을 바라보려는 영화적 태도에서 벗어났다. 때문에 이전 시기 타이완 뉴웨이브 영화들과는 다른 면모를 갖게 되었고 역사 서술 텍스트로서 탈역사적 논의에 의해 새로운 담론장을 구축할 수 있는 가능성을 갖게 되었다. 그러나 이 영화는 탈역사적 서술을 위한 하나의 방식으로 공창이라는 특수한 공간을 통한 판타지를 창조하려 했다. 뉴청저는 영화 속에서 공창을 국가 권력과 시대 배경하에 억압당한 남성을 위로하는 곳으로 묘사했지만 남성들을 위해 희생되는 여성의 공간으로 그리진 않았다. 따라서 이 영화가 시대와 역사적 비극에 의해 곤경에 처한 보편적인 인간들의 미시적 역사를 복원시키려 했다면, 그 대상은 남성에만 해당되는 것이지 또 다른 약자인 여성은 배제하고 있음을 볼 수 있다. 이에 <군중낙원>은 영화의 재현에 의해 역사와 시대에 관한 서술이 어떻게 공식 역사적 담론과 집단의 기억을 균열내고 개개인의 서사에 주목하여 어떻게 새로운 역사를 쓸 수 있는지 그 일례를 보여준다는 점에서 의의를 갖고 있지만 동시에 남성중심주의적 서술에서는 벗어나지 못했다는 한계를 낳고 있다.

• 한국연극학
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• 제48호
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• pp.51-84
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• 2012

In Korea, historical plays took an epoch-making turn from the previous historical plays in terms of approaches to topic and material and methods of rewriting history in the 1990s. Historical plays became dehistoricized with individual, everyday life, and faction emerging as major codes of historical plays according to mistrust in history and grand narrative as the original and disappearance of trust in the growth and totality of history. A new trend became dominant of presenting fictionality prominent instead of reproduction of history and freely playing with history outside the context. While modern historical plays were subject to the content of history, post-modern historical plays sought after new history writing to tell a new story on history within a framework of fiction. Focusing on some of the trends in post-modern historical plays since the 1990s, which include play with history, daily life-style history writing, and reproduction patterns of colonial modernity, this study examined the goals, representations, and text strategies of new history writing in three historical plays, Generation After Generation(2000) by Park Geunhyung, The Mercenaries(2000) by Park Sujin, and Chosun Detective Hong Yunshik(2007) by Sung Giwoong. In Generation After Generation, the author adopts a plot of starting with the present and tracing back to the past, breaking down the myth of racially homogeneous nation. At the same time, he discloses that the colonial history is not just by the oppressive force of Japan but also by the voluntary cooperation of Korean people. That is, we are also accountable for the colonial history of the nation. The Mercenaries contrasts the independence movement during the colonial period against the modern history developed after Liberation, thus highlighting the still continuing coloniality, namely post-colonial present. The past is presented as the "phantom of history" making its appearance according to the request of the present hoping for salvation. The author politicizes history and grants political wishes to history by summoning the history by personal memories such as fictional diaries and letters with Messiah-like images opposed to the present of collapse and catastrophe. In Chosun Detective Hong Yunshik, the author makes an attempt at the microscopic reproduction of daily life by approaching the 1930s as the modern period when capitalist daily life started to take root. The lists of signs comprising daily life in colonial Gyeongseong are divided between civilization and savagery and between modern and premodern. With the progress of narrative, however, they become mixed together and reversed in the representation system in which the latter overwhelms the former.

• 대한지리학회지
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• 제50권3호
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• pp.305-323
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• 2015

이 논문은 2010년대 영미권 문화역사지리학 경관연구들의 패러다임으로 자리잡고 있는 비재현지리학(非再現地理學, non-representational geography)의 구체적인 의미에 대한 탐색을 중심으로 영미권 경관연구의 패러다임이 경관지리학(景觀地理學)에서 '경치지리학(景致地理學)'으로 전환되어가고 있음을 밝히고자 한다. '경치지리학'은 '비재현지리학'의 본질을 우리말의 맥락에서 보다 쉽고 정확하게 개념화(re-conceptualisation)하기 위하여 본 논문에서 새롭게 고안된 개념이자 용어이다. 비재현지리학 이전의 경관연구들을 경관지리학의 범주로, 그리고 비재현지리학의 경관연구들을 경치지리학의 범주로 각각 개념화함으로써, 영미권 문화역사지리학 경관연구 패러다임들의 흐름을 명확하게 추적하고, 또한 이를 통해 한국문화역사지리학 경관연구의 미래를 모색해보고자 한다.

• Journal of Contemporary Eastern Asia
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• 제17권1호
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• pp.112-129
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• 2018

Produced by Chinese local television stations, Maritime Silk Road is a documentary which adopts ancient Maritime Silk Road as a historical nostalgia to interpret "the Belt and Road Initiative", a contemporary Chinese economic, political, and cultural strategy put forward by Chinese government mainly aiming at the countries of Southeast Asia. The main body of this article has three parts and the first part analyses how the documentary adopts computer-generated imagery (CGI) to create a historical nostalgia about ancient Maritime Silk Road in the period of Imperial China. At the same time, this part also presents a sense of diasporic nostalgia of the overseas Chinese. This historical and diasporic nostalgia is related to Chinese President Xi Jinping's political discourse: "Chinese dream" that propagandises to build a strong China put forward by Xi in 2013. The second part analyses how this historical and diasporic nostalgia legitimates Xi's "Chinese dream" and how it responds to recent territorial dispute when China continuously claims its territorial sovereignty in the South China Sea. In this light, the documentary repeatedly mentions two political rhetoric: "coexistence" (gongcun) and "mutual benefit"(huli gongying) as a practical strategy to deal with the dispute between China and some countries of Association of Southeast Asian Nations (ASEAN). In the third section, the concept of "community of common destiny" (mingyun gongtongti) is adopted by the documentary to depict a convenient and effective organization of China and ASEAN, which is framed as an ultimate goal that Chinese government is depicted as the potential leader of this nostalgic community. At the same time, by providing different and even opposite viewpoints, this article discusses three controversial political rhetoric to present how historical and diasporic nostalgia is politicalized and served for Chinese diplomacy and national interest. Overall, this article argues that the documentary creates a glorious ancient Maritime Silk Road, as a sense of nostalgia, to expand China's economic and political influence, to respond to the controversial issues, and to reassert China's leadership as the centre of Asia.

• 기록학연구
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• 제4호
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• pp.131-161
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• 2001

This paper is to examine the bibliographical description of the revolutionary historical archives and the standardization of the archives management in China. The standardization in the field of records and archives management was not initiated on its own way but as a part of national - leveled standardization. As a first step National Committee on Technical Standardization of Literature was established, followed by the establishing of Committee on Technical Standardization of Micro - filming and Committee of Technical Standardization of Paper Form. The standardization of the records and archives management was carried out in the context of functions of these three committees. In 1983 the standardization in the sphere of records and archives management speeded up, when the National Archives Administration formed small organizations which led the standardization work all over the country. A committee of standardization originated from small organizations and it brought a great progress of the standardization. If some opinions on standardization were submitted from records offices or related offices, they were examined by the committee of standardization. The opinions that were submitted by the committee of standardization were examined by the National Archives Administration which proclaimed it officially. The Chinese government commenced to establish the bibliographical data centre for historical archives and materials on the basis of this process of standardization. In the case of the revolutionary historical archives the description was made on the level of sources(provenance), which was sent to the bibliographical data centre for historical archives and materials. The Chinese government set digitalizing as a goal in records and archives management in the middle of 1990's. It was regulated that the description of records item that should be transferred to the center must be digitalized. However, the description of the file level was not made separately being reflected in the process of description of item level. (The second part of the paper will be released in the next volume).

• 한국주거학회논문집
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• 제18권5호
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• pp.93-102
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• 2007

The purpose of this study is to explore the changes in space structure in urban residential areas, based on the historical and cultural background of Gyeongju area. In order to clarify its residential and cultural properties, the residential patterns and living characteristics identifying its historical context were analysed. This study was carried out with the data of the Hwango-dong area that has maintained its original form since the creation as a urban residential area during the 1960s and 1970s, the data of the Dongbang village area that was developed as one of residential area projects during the 1970s, and the data of the Seonggeon-dong area that was developed as a residential area during the 1970s and 1980s. The analyses on previous studies and statistical data, referring to building administration registers, field survey and photographing of house types, and exploration of living characteristics by house types were used to perform this study. Four hundred and five sample houses were used in this study, having forty one sample houses which were used for living survey and actual plane measurement. The result of this study can be used as basic information for designing the house to meet Gyeongju citizens' desire for living environments, and to maintain the cultural and historical contexts.

• 영어영문학
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• 제56권6호
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• pp.1339-1360
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• 2010

An analogical reading of socio-historical context of Harold Pinter's The Caretaker employs some postcolonial discursive analyses of postimperial British capitalistic interests in their post war reconstruction. It is also concerned with causes of so-called broken society. The Caretaker dramatizes minimal actions: a tramp is invited by the elder brother; a job as caretaker is offered; he is reluctant to accept the first offer by the elder brother, but is willing to the second by the younger; eventually, he is excluded because he makes noises while dreaming. These trivial actions produce serious and critical speech acts with their socio-historical implications. The tramp Davies is socially and thereby existentially excluded from the centre of the cold, banished to even colder peripheries. The audience face to the question. Why is Davies excluded? This study tries to answer the question, uncovering deep-rooted capitalistic racism, and reading its symptoms. Even after 50 years The Caretaker was staged, post-imperial broken society tries to operate the betrayals of disparity between the cause and effect of what has gone wrong. Pinter confirms that the action of the play takes place in a house in west London. With the city of London as its capitalistic centre, British imperialism lavished much of its wealth which has only served sectional interests dividing people against themselves. Pinter dramatizes the root of broken society. On the one hand, Pinter foregrounds the very general conflicts between individuals and forms of power; on the other hand, he underlies the very specific strategies of socio-historical exploitation, domination and exclusion.

• 정보관리학회지
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• 제7권2호
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• pp.108-137
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• 1990

이 논문은 동서독에 있어서의 사서 정보전문가 교육을 비교하였다. 그 첫번째 비교대상으로, 역사적인 배경을 설명하였고, 두번째로 1879년 이후의 사서교육 시스템이 구성된 이론적 배경을 설명하였다. 세번째로 양차대전 이전과 이후의 독일에서의 공공과 학술도서관 사서의 역사적 및 이론적 바탕을 설명하였으며 끝으로 현대 통독직전까지의 동서독 사서 정보전문가의 교육기관의 커리큘럼에 대해서 기술하였다.

• 한국의사학회지
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• 제29권2호
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• pp.71-81
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• 2016

This paper discusses the research of preventive medicine in terms of philosophy and history, publication and people, branch research, applied research, Gi-gong, conduction exercise and so on. Currently, fields of philosophy, history, physical education and Korean Medicine are actively participating in the research on preventive medicine. From the philosophical view, theoretical aspects of preventive medicine are closely examined. From the historical view, the historical context is of focus. From the physical education viewpoint, Gi-gong, gymnastics and physical education philosophy are studied. In the field of Korean medicine where practicality is most important, plans to apply preventive medicine to life are creating new possibilities for research on preventive medicine. In this time where social interest on health is at peak, combined research of basic theory and application will have positive effects on the development of preventive medicine.