• 제목/요약/키워드: Handmade painting paper

검색결과 4건 처리시간 0.018초

화선지 개발에 관한 연구 (I) - 발묵현상(潑墨現像)과 관능시험(官能試驗) - (A Study on the Deveopment of Wha Seon Ji (Painting Paper) - Blot of China Ink and Organic Test -)

  • 전철;김성주
    • Journal of the Korean Wood Science and Technology
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    • 제26권1호
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    • pp.51-56
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    • 1998
  • The bast fiber of paper bush misumada have been cultivated in south coast bay of the Korean peninsula were not used to handmade painting paper. Therefore, in using the bast fiber of paper bush misumada manufactured handmade painting paper, tested absorption speed, blot characteristics and organic functions. The results are summarized as follows; The handmade painting paper manufacured only the bast fiber of paper bush misumada proper to the absorption speed of China ink, didn't have difference of the length and width for blot. And it was most fitted to east writing-and-painting using. Also the flexibility excell, and light and shade in overpainting directly appeared, and fitted to black-and-white drawing. And the using increase plan of the paper bush misumada demanded.

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화상분석을 통한 전통 수록지의 서화 특성 비교 (Comparison of the Painting and Writing Properties of the Traditional Handmade Papers by Image Analysis)

  • 민춘기;조중연;이선호
    • 펄프종이기술
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    • 제32권4호
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    • pp.81-86
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    • 2000
  • Hanji is a traditional handmade paper, which has been famous for its excellent qualities in strength, whiteness, gloss, and smooth feel in painting and writing in ancient Far East for many years. Nowadays, however, its old fame has declined and it has been used only in limited extent such as in traditional Korean brush painting and writing. In this study, 9 kinds of commercial handmade papers made in Korea, China, and Japan were collected and their printing and writing properties were evaluated by image analysis. Chinese handmade paper showed the best result in absorption area of China ink, the roundness and feathering of China ink blots, followed by Hanji. Abrasion coefficient of the Chineses papers was higher than that of the others, which was regarded to contribute to the difference in touch feeling of the writing brush on the papers. It was shown that absorption rate and blot area of China ink were increased by Dochim. Hanji which has recently been made by so called \"traditional method\" showed no quality difference from the modified Hanji.ied Hanji.

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전남 승주군 송광사 승보전 유물(삼세불화)보수 (Restoration of Antique (Sam-Sae Buddhistic Painting) In Song-Kwang Temple)

  • 전경미;전철
    • Journal of the Korean Wood Science and Technology
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    • 제27권3호
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    • pp.82-90
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    • 1999
  • 송광사 삼세불화는 조성년도가 확실하지 않지만 남아있는 서기(書記)와 재질 분석을 통해 19세기초에 제작된 것으로 추정 할 수 있었다. 그리고 공시불화의 보존처리를 위해 안료층과 바탕층, 지지층을 구성하고 있는 재질을 분석하고 이에 적합한 지지층인 배첩지를 초지하여 그 적합성을 시험한 바 다음과 같은 결론을 얻었다. 1. 삼세불화의 단면구조는 안료층과 명주로 된 바탕층 그리고 한지(韓紙)로 이루어진 지지층으로 구성되어 있어 19세기 당시의 불화는 기본적으로 안료층, 바탕층, 지지층으로 구성되어 있음을 알 수 있었다. 또한 안료층과 바탕층의 접착은 아교를 사용하였고 지지층의 sheet 배첩은 호료(糊料)를 사용했음을 알 수 있었다. 2. 삼세불화의 지지층은 5겹으로 구성되어 있고 두 종류의 종이가 사용되었는데 바탕층과 접해 있는 1~2층은 순수한 닥섬유로 제조한 한지(韓紙)를 사용하였고 나머지 3개 층은 폐마섬유(廢麻纖維)에 닥섬유가 혼합된 종이를 사용하였다. 더 많은 자료가 확보되어야만 단언할 수 있지만 재질을 통해 당시의 상황을 파악해 보면 19세기 당시의 사회는 경제적으로 어려움을 겪고 있었고 더욱이 사찰 제지업은 피폐해져 운영이 어려워 후면에 사용한 배첩지는 질이 떨어지는 폐마를 이용 했을 것으로 추측되었다. 3. 본 재료의 바탕층과 지지층간의 인장력을 고려하여 새롭게 제조해 보수용으로 사용한 바 본 공시재료의 보수용 배첩지로서 적합했음을 알 수 있었다.

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고정(藁精) 혼합비율에 따른 한지의 물성 비교 (A Quality Comparison of Traditional Korean Papers: Mixtures of Bast-Fiber with Straw pulp(Rice straw paper) in Different Composition Ratio)

  • 정선영
    • 펄프종이기술
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    • 제39권1호
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    • pp.48-55
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    • 2007
  • The aim of this article is to review the general property of the famous traditional Korean paper, "rice straw paper"(Bast-Fiber mixed with straw pulp), and to compare the paper qualities varying with the composition ratio of straw pulp, in order to revive the traditional paper in modem Korea. The experiment was carried out by making first the two different mixture papers, i. e., one is the paper of 50% bast fiber mixed with 50% straw pulp, and the other is the paper of 75% bast fiber with 25% oats straw pulp, and finally the 100% bast fiber paper was made for the purpose of comparison. The qualitative properties of these three kinds of paper with the different mixing ratio of the straw pulp were evaluated, and the findings of the experiment can be summarized as follow: 1. As to the quality aspects of the paper strength like tensile strength, breaking length, elongation, and tear strength, the test proved the 100% bast fiber paper as best, and the 50% mixed paper as the next good one. 2. In aspect of the printing adaptability such as density, opacity, brightness, whiteness, lab colors, air permeability, and roughness, the 50% mixed paper proved to be the best, due to the short cells in the straw pulp. 3. As to the air permeability, the larger ratio of straw pulp was found to be the lesser, and 75% bast fiber with 25% straw pulp mixture paper and the 100% bast fiber one were found 1/5 degree efficient. 4. In terms of the water absorption degree, 100% bast fiber paper was the fastest, but in case of mixture paper, 50% mixed one was a little faster up to the point of 1cm, while the two kinds of mixed ones appear to be almost similar to each other beyond the point. 5. The straw pulp mixed paper, especially the 50% mixed one was evaluated as the highest by the calligraphers who had experienced using the papers in terms of movement and feeling of the caligraphy and painting. In addition, although the 25% mixed paper is judged to be good for book printing because of the strength, the 50% mixed paper can be thought to be more desirable for painting and calligraphy. In conclusion, we will be able to make the quality paper with durability, by mixing the straw pulp with the bast fiber in proper ratio, following the tradition of Korean paper making.