• 제목/요약/키워드: Hand Shape

검색결과 971건 처리시간 0.027초

1g 진동대 실험을 이용한 액상화 지반에 근입된 말뚝에 작용하는 동적 토압 분석 (Analysis of Dynamic Earth Pressure on Piles in Liquefiable Soils by 1g Shaking Table Tests)

  • 한진태;최정인;김성환;유민택;김명모
    • 한국지반공학회논문집
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    • 제27권9호
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    • pp.87-98
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    • 2011
  • 본 연구에서는 1g 진동대 실험을 통해 지진시 액상화 지반에 근입된 말뚝에 작용하는 동적 토압의 크기 및 위상 변화를 분석하였다. 건조 사질토 지반에 설치된 말뚝의 경우 말뚝 상부 하중 관성력의 영향으로 지표면 가까이에서 동적 토압이 크게 작용하고 깊이가 깊어질수록 동적 토압이 감소하는 데 비해, 액상화 지반에 설치된 말뚝의 경우 동적 토압의 크기 및 발생 양상은 지반 내에 발생한 과잉간극수압의 크기 및 발생 양상과 유사하였으며, 관성력의 영향은 거의 없는 것으로 나타났다. 또한, 건조 사질토 및 포화 사질토에서 액상화가 발생하지 않는 경우 말뚝에 작용하는 동적 토압과 상부 하중의 관성력은 서로 반대 방향으로 작용하다가, 액상화 발생시에는 지표면 가까이에서 동일한 방향으로 작용하는 것으로 나타났으며, 액상화 후에는 관성력 영향이 소멸되어 동적 토압 크기가 크게 감소하였다. 끝으로 액상화 발생시 말뚝에 작용하는 동적 토압의 진동 성분의 크기는 안벽 구조물의 동적 수압을 산정하는 Westergaard 식으로 산정한 값의 약 50% 정도였다.

Al2O3-SiC 복합재료의 미세조직 및 기계적 물성에 미치는 SiC 원료분말의 크기 영향 (Effect of SiC Particle Size on the Microstructure and Mechanical Properties Of Al2O3-SiC Composite)

  • 채기웅
    • 한국세라믹학회지
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    • 제41권2호
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    • pp.125-130
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    • 2004
  • 서로 다른 크기의 SiC 원료분말을 첨가한 A1$_2$O$_3$-SiC 복합재료의 미세조직과 그에 따른 기계적 물성의 변화를 관찰하였다. 0.15 $mu extrm{m}$의 SiC가 첨가된 복합재료의 경우 기지상의 입성장이 효과적으로 억제되었다 그러나, 소수의 비정상입자가 생성된 이후에는 이들 입자의 급격한 성장으로 불규칙한 형상의 커다란 입자로 구성된 미세조직을 보이며, 파괴강도값은 급격히 감소하였다. 3 $\mu\textrm{m}$의 SiC가 첨가된 경우에는 기지상의 입성장이 일어났으나, 소수의 비정상입자가 생성된 이후에는 과도한 입성장은 억제되고 일정한 크기의 비정상입자가 시편 전체에 균일하게 형성된 미세조직을 보였다. 한편, 0.15 $\mu\textrm{m}$와 3 $\mu\textrm{m}$의 SiC 입자를 동시에 첨가한 시편은 균일한 크기의 비정상입성장의 미세조직을 보였으나, 비정상입성장이 일어났음에도 불구하고 기계적 물성은 우수하게 유지되었다 즉, 비정상입성장에 의해 미세조직에는 큰 변화가 일어났으나, 파괴강도값에는 변화가 없었다.

온병(溫病)의 증상(症狀) 중(中) 반진(斑疹)에 관(關)한 문헌적(文獻的) 고찰(考察) (The Literature Study on Macula among the Symptoms of Warm Factor Disease)

  • 장윤정;류상채;김정순;전호성;유동희;김난영;정명수;이기남
    • 대한의료기공학회지
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    • 제11권1호
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    • pp.80-116
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    • 2009
  • It studies into viewpoints of 7 doctors of Wenbing studies on macula. The results concerning characteristics, remedy and prevention of macula are as follows; Macule does not protrude on the surface of skin and does not have any color change for external stimulus, but rash out on the surface and becomes white when pushed. It becomes macule when the blood leaks beneath skin as stomach-heat of yangming enters into blood system and damages it. On the other hand, when heat enters lung meridian, penetrates beneath the skin and congeals inside the vessel, it becomes rash. When you combine symptoms of body and pulse with numbers, color, shape and distribution status of macula, you can diagnose the depth of rash, seriousness, the possibility of treatment and prognosis of macula. The remedy for macule consists of cooling heat of yaming, removing heat from the blood and relieving feverish rash, and the one for rash consists of facilitating meridian with aroma, expelling pathogenic factors from muscles with drugs of pungent flavor and cool nature and clearing away heat from the blood systems. It relieves the inhibited functional activities of lung-Ki, and helps extermination of rash as well as clearing heat of the vessel. Also, it is the most important to preserve resin of stomach for every treatment. It is good to avoid expelling pathogenic factors with drugs of pungent flavor and warm nature, raising drugs and invigorating drugs during treating macula. Moreover, the patients should not over dose cold-natured drugs and purgative therapy. There are common clinical symptoms of macula in advance, so right recognition of symptoms can contribute to prevention of macula.

중국 및 몽고제국의 포제와 민족복에 나타난 ' 깃 (옷깃)'에 대한 연구 -13세기를 중심으로- (A Study on form of 'collar' in the China and Mongolian Traditional OverCoat & National Costume -Focusing on 13th Century's-)

  • 김은주
    • 복식
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    • 제19권
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    • pp.209-240
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    • 1992
  • The costume of any nation is an attribute of a culture. This study concerns chinese and Mongolian costume's 'collar' form according to the observation of some reports about import folk materials and the pictures of the genuine objects, the author has investigated and rearranged them focusing on 13th Century's. 1. Traditional OverCoat or National costume on the poing of won dynasty in china such as Jacket, Coat, Mantle for making classical matching color, lacing, pearl pieces, and all costume shall be properly decorated and disigned. The example, Chinese Women's Gown and Double Jacket, on top of alignment of plaid, focus shall be placed on chinese classical form and color-matching, such as flowers and bireds, butterflies, made wishing ornaments, which shall be either hand painted or embroidered on collars, fronts, sleeves openings, and lower portion of gown. 2. Mongolian Costume, the stone status of a person, are seen at the territory of the Republic of Mongolia was a powerful country of Asia. So during the Mongolian Empire a lot of Missions from many countries came to kharakorom for establishing official relations between Mongolia and a country represented by mission. In particularly, the costume of mongols on the point of Chinggis khan Empire which the upper clothes in cluded ; a several kinds of the Caftan as compared with in Korea as to material (Silk caftan, Cotton Caftan, Fur Caftan) with closing to the right due to overlapping and Stand-up-Shawl Collars will pancho style & Round or V Neckline. 3. As compared with in Korea it is said that this a sort of Simui was brought in prior to the middle of Koryeo dynasty. Korean Simui system was complied with chinese system through confucian domestic behaviour. This was respected for court dress of confucian scholars, as it was, Chumri can ordinary dress of schloars) and Hakchangui ( a uniform of confucian student). Generally its form or shape of the outer lapels of Korean jacket were used together Squar-Tray-Collar. In late Yi-dynasty the inside collar length was longer than the outside collar length and the width of the collar was gradually narrow. And so the Traditional costume's outer collar of Jacket and OverCoat became small while the width and length of breast-tie became large. The same thing as the form of the collar on these days had been appeared by the design method or adjust one's dress. Therefore the form of collar in the china and Mongolian Traditional OverCoat & National Costume is fix arranged according to Stand up Collar, Without Collar, Clothing to the Right, Central opening, Horizontal Row of Button with Round or V Neckline and so on.

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20세기 현대복식에 나타난 표현주의 (The Expressionism on the Modern costume)

  • 채금석;양숙희
    • 복식
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    • 제24권
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    • pp.121-142
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    • 1995
  • The Expressionism took shape in the early twentieth century, so called as the time of change and innovation which intermediated between the time of extreme prosperity and peace and the time of disruption. This study is based on the wide sense of Expressionism out of various concepts of Expressionism. The afore-mentioned phenomenon was emphasized all the more in the French Expressionism and it is the most important and substantial object in the Art to make a direct transference of emotion , feeling and thought and it could be regarded as one of characteristics of the French Expressionism . In Addition, the Expressionism produced " Aesthetics on Ugliness "Aesthetics des H lichen )" in creating work of art. It was an expression of the Existentialism based on Humanism for modern people who lived at time of nihility and such artistic movement accepted polarity and ambivalance concepts claimed by Nietzsche into three specific fields in accordance with thought and technique in the work of art and those are the Intuitional Expressionism. Cubistic Expressionism and Fantastic Expressionism. This study makes a close analysis of costume style trends on the basis of the categorized Expressionism enumerated as above. The characteristics of Intuitional Expressionism is that poverty and a sense of alienation dominated all society and thus the social reality brought a trend of social participation . This social reality effected significantly modern costume style and a reformative costume turned up at last . This reformative costume was classified into Gar onne look, Military look and Lingerie look by characteristics of style in order to make a close examination for the relationship between social reality and the reformative structure. Cubistic Expressionism effected costume forming and changed costume style through " Deformation " and " Distortion" in forming technique , and also it has developed geometrical style of costume, which could be symbolized by mechanism. And on the other hand, this Cubistic Expressionism has emphasized exaggerated expression ability to produce rigid and stiff style of costume. Fantastic Expression pursued basic artistic worth from the primitive and ethnic customs and accepted fantastic oriental Exoticism . This Fantastic Expressionism effected costume style of twentieh century and such designers as Lon Bakst, Paul Poiret, Elsa Schiapareli adopted intentive primary color. It also applied " Depaysment" to modern costume style , which introduced avant-garde design to give an impact through destruction of the existing traditional concept. This study also analized seven major representative costume designers of the early twentieth century. They are L on Bakst, Paul Poiret, Madeline Vionnet, JeanPatou, Gabriel Chanel and Elsa Schiaparelli. These designers deployed creative costume design work with peculiar expression technique based on the French expressionism. The costume study related to art history was so far made mostly to approach costume forming but only a few study is found to have approached idealistic background of art history in connection with creating costume. From that point of view, it is profoundly significant for this study to analize idealistic background and characteristics of Expressionism and relationship between costume and expressionism and to examine modern costume of twntieth century in conjunction with technical characteristics and spiritual sense of Expresionism.eristics and spiritual sense of Expresionism.

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수치해석을 이용한 전동차용 IGBT 모듈의 피로 수명 예측 (Numerical Fatigue Life Prediction of IGBT Module for Electronic Locomotive)

  • 권오영;장영문;이영호;좌성훈
    • 마이크로전자및패키징학회지
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    • 제24권1호
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    • pp.103-111
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    • 2017
  • 본 연구에서는 전동차의 전력 변환 장치로 많이 사용되고 있는 고전압 대전류용(3,300 V/1200 A급) insulated gate bipolar transistor(IGBT) 모듈에 대하여 열 사이클 조건하에서의 열-기계적 응력해석 및 피로수명해석을 수행하였다. 특히 최근 고전압 IGBT용으로 개발되고 있는 구리(copper) 와이어, 리본(ribbon) 와이어를 사용하였을 경우의 응력 및 피로수명을 기존의 알루미늄 와이어와 비교하여 분석하였다. 알루미늄 와이어 보다는 구리 와이어에 응력이 3배 이상 많이 발생하였다. 리본 와이어의 경우 원형 와이어 보다 응력이 더 크게 발생하며, 구리 리본 와이어의 응력이 제일 높았다. 칩과 direct bond copper(DBC)를 접합하고 있는 칩 솔더부의 피로해석을 수행한 결과, 솔더의 크랙은 주로 솔더의 모서리에서 발생하였다. 원형 와이어를 사용할 경우 솔더의 크랙은 약 35,000 사이클에서 발생하기 시작하였으며, 알루미늄 와이어 보다는 구리 와이어에서의 크랙의 발생 면적이 더 컸다. 반면 리본 와이어를 사용하였을 경우 크랙의 면적은 원형 와이어를 사용하였을 경우보다 적음을 알 수 있다. DBC와 베이스 플레이트 사이에 존재하는 솔더의 경우 크랙의 성장 속도는 와이어의 재질이나 형태에 관계없이 비슷하였다. 그러나 칩 솔더에 비하여 크랙의 발생이 일찍 시작하며, 40,000 사이클이 되면 전체 솔더의 반 이상이 파괴됨을 알 수 있었다. 따라서 칩 솔더 보다는 DBC와 베이스 플레이트 사이에 존재하는 솔더의 신뢰성이 더 큰 문제가 될 것으로 판단된다.

설태의 자외선 형광 반응을 이용한 설태 영역 추출 (Coated Tongue Region Extraction using the Fluorescence Response of the Tongue Coating by Ultraviolet Light Source)

  • 최창열;이우범;홍유식;이상석;남동현
    • 한국인터넷방송통신학회논문지
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    • 제12권4호
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    • pp.181-188
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    • 2012
  • 본 논문에서는 한방 의료의 설진에서 진단 지표로 활용될 수 있는 효과적인 설태 영역 추출 방법을 제안한다. 제안한 방법은 설태의 자외선 광원에 의한 형광 반응 특성을 이용하여 기존의 설태 추출 방법의 단점으로 지적되었던 진료 환경의 제약성 및 진료 결과의 객관성 부족에 대한 문제점을 해결할 수 있다. 처리 과정으로는 자외선 광원을 사용하여 설진 영상을 획득하고, 설질(Tongue body)과 설태(Tongue coating) 영역의 색차 크기에 상응하는 히스토그램(Histogram) 상의 골-포인트(Valley-points)를 임계 처리하여 이진화(Binarization)를 수행한다. 최종적으로 설진을 위하여 한의사에게 제공되는 진단 영상은 이진 영상에 케니-에지(Canny-Edge) 알고리즘을 사용하여 설태 윤곽 정보를 추출한 후에 환자의 원 혀 영상에 부과하여 제시한다. 제안한 방법의 성능 평가를 위해서는 다양한 혀 영상을 수집하고, 한의사가 수작업으로 설정한 설태 영역을 참영상(True image)으로 하여 제안한 방법으로 추출한 설태 영역과 비교하였다. 그 결과 제안한 방법은 87.87%의 추출률을 나타냈으며, 추출된 설태 영역의 형태 유사도도 높게 나타났다.

Profiling of genes related with grain yield in rice germplasms

  • Jo, Su-Min;Kim, Tae-Heon;Shin, Dongjin;Lee, Ji-Youn;Han, Sang-Ik;Cho, Jun-Hyun;Song, You-Chun;Park, Dong-Soo;Oh, Myung-Gyu
    • 한국작물학회:학술대회논문집
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    • 한국작물학회 2017년도 9th Asian Crop Science Association conference
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    • pp.96-96
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    • 2017
  • Rice is a staple food for nearly half of the world's population, with more than 10,000 rice varieties providing almost one-quarter of the global per capita dietary energy supply. Grain size, panicle size and branch number, grain number in a panicle are directly associated with rice productivity. Recently several genes which increase grain yield were identified through map-based cloning. Gn1a, Cytokinin oxidase, is a major grain number QTL and regulates grain number per panicle. Dep1 increases panicle branching and reduced rachis length. SCM2 (APO1) was identified by a QTL for culm strength and increased spikelet number. OsSPL16 (GW8) controls grain size and shape and then increases 1000-weight of seed. In here, to identify genotype of genes related to yield in 400 of rice germplasms possessed in National Institute of Crop Science, we had first chosen 4 of well-known genes related to yield; Gn1a, Dep1, SCM2, and OsSPL16. Among these germplasms, 195, 382, 165, and 353 of germplasms harbored the dominant type of Gn1a, Dep1, SCM2, and OsSPL16, respectively. We grouped these germplasms into a total of 10 groups using genotypes of Gn1a, Dep1, SCM2 and OsSPL16. Most rice germplasms belong to group 1, harbored Gn1a, dep1, gw8 and APO1, and group 10, harbored gn1a, Dep1, GW8 and apo1. Hanareum2 is the highest productive cultivar in Korea but do not have dominant type OsSPL16, so belong to group 1. On the other hand, in the case of Unkwang, belongs to group 10, which has dominant type of OsSPL16 but do not have the remaining genes. We can grasp the differences in rice germplasms through the Profiling of genes related to these grain yield, which will be useful for cross-breeding to integrate grain yield genes. We are continuously observing the genotype and phenotype of rice that possesses grain yield genes.

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그리스 시대의 남성복과 여성복에 표현된 젠더(gender) 특성 분석 (Analysis on Gender Characteristics Expressed in Male and Female Costume During the Ancient Greek Age)

  • 이명희;최윤미
    • 복식
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    • 제63권4호
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    • pp.84-100
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    • 2013
  • Ancient Greece was a patriarchal society that distinguished gender roles between men and women. Although their costumes were composed of simple rectangular fabric without any technical complications in itself, the Greeks did try to express gender differences in their clothing. The final look of the Greek costume was dependent on the way the cloth draped onto its wearer as well as the wearer's identity. Greeks costume could just be seen as a rectangular fabric when it was not draped on a person's body. The purpose of this study is to examine how the gender differences were expressed in the ancient Greek drapery costume, which was made by using a completely different technical process, compared with the modern tailored costume. There are four elements of the costume that give the costume its formative shape, which are the wearer's body, the rectangular fabric (material as the first formative costume), the way the fabric is draped, and the final appearance as the second formative costume (the relationship between the wearer's body and the costume) and this study analyzes these elements individually. It is intended to analyze the gender characteristics and how each element appears in a different way from the perspective of Structuralism, an analytical method that considers a phenomenon as a total sum of the elements. Literature research was conducted and representative sculpture, painting and pottery, were used between the Archaic Period (B.C. 800~500) and the Classical Period (B.C. 500~323). The results show that the gender differences appear in each formative element of costume: First, the body was distinguished by the ancient Greek custom. The man's nudity was accepted while the woman's body was concealed. Second, in regards to the first formative costume, which was the rectangular fabric, men's were made with thick high quality wool because their involvement in outdoor activities meant that they needed clothes to stay warm, while the women wore clothes made of thin wool or hemp cloth, because their most of their activities were at home. Third, the way to drape the fabric shows the gender differences by changing the length of the clothing and its design ; men's short khiton was practical for big movement and at the same time the clothing exposed the man's body. The woman's doric khiton diversified its decoration by the size of the apotigma and by using the belt. Finally the second formative costume reflected the Greeks' social distinction between a man's body and a woman's body. The man's costume naturally exposed the man's body. On the other hand, the woman's long costume has a variety of shapes on the ground, that concealed her lower body, while the ornamental function was more accentuated than the man's costume. The gender differences expressed in Greek costume fundamentally reflected the point of view of the male and female body and their social roles in society.

베인 전단시험기를 이용한 낙동강모래의 마찰각에 관한 연구 (Vane Shear Test on Nakdong River Sand)

  • 박성식;쪼우안;김동락
    • 대한토목학회논문집
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    • 제36권3호
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    • pp.463-470
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    • 2016
  • 베인 전단시험은 흙의 교란을 최소화하면서 점성토의 비배수전단강도를 측정하는 간단한 시험이다. 하지만, 본 논문에서는 베인 전단시험기를 이용하여 모래의 배수전단강도를 측정하기 위한 연구를 수행하였다. 건조한 낙동강모래를 원통형 셀에 느슨하거나 조밀한 상태로 재성형한 다음 상부에서 공기압 실린더로 상재하중(overburden pressure)을 25, 50, 75 또는 100kPa 가한 다음 베인(직경 5cm, 높이 10cm)을 회전시켜 회전 모멘트인 최대 토크를 구하였다. 베인 회전 모멘트와 모래 입자의 마찰 저항 모멘트가 평형을 이룬다는 조건을 이용하여 모래의 마찰각을 구하였다. 점토의 경우에는 베인 전단 시 원통형의 회전체 상하면과 주면에 균일한 비배수전단강도인 점착력이 작용한다고 가정하지만, 사질토를 사용한 본 연구에서는 베인 날 주면에서 형성되는 파괴면을 원기둥, 팔각기둥 또는 사각기둥 형태로 가정하여 각각에 대한 마찰각을 계산하였다. 한편, 본 연구에서 제안한 방법을 검증하기 위해 동일한 모래로 직접전단시험을 실시하여 마찰각을 구하였다. 베인 전단시험으로부터 구한 마찰각은 가정한 파괴면의 형태에 따라 느슨한 모래의 경우 24-42도, 조밀한 모래는 33-53도 사이이며, 직접전단시험 결과는 이 범위 내에 속하였다.