• 한국의상디자인학회지
• /
• 제7권3호
• /
• pp.95-112
• /
• 2005

Hair styles, dresses and their ornaments are basic measures that show the trend of the times, the people and their life in both Eastern and Western societies. The history of a country could start or be extinguished at any time, but life goes on. Koguryo was founded around Anno Domini and fell at 668 A. D. What was Koguryo people like? How was their hair style and costume? This study aims to respond those questions. The Koguryo ancient mural paintings can be broadly divided into the Jip-An region and the Pyon-Yang region. Among the paintings found, that in the An-Ak 3rd ancient tomb at the Pyon-Yang region is the biggest and the most splendid. It is a figure genre painting, which contains a kitchen, a rice mill, a stable, a barn, a garage, etc. Those places illustrate the way of life at the time. The painting also comprises a man with a crown, who is seen as the king and owner of this tomb. The woman with a vertically designed hair style is perceived as the queen. A highly guarded and decorated royal parade is also presented in detail. The hair styles and costume evidence in the An-Ak 3rd ancient tomb are not seen in the paintings of the Jip-An region. This study inquires into the differences between the Pyon-Yang and lip-An regions through the history and the culture of those areas. Nevertheless, it could prove tentative to confirm the owner of the An-Ak 3rd ancient tomb with the only evidence of the words found in the wall of the tomb. It is the author's intention to study and analyse further.

• 한국패션뷰티학회지
• /
• 제5권3호
• /
• pp.105-110
• /
• 2007

With the beginning of seventeenth century, the men in France royal palace began to wear wigs and by eighteenth century wig became sole possession of men. Then, it had been become a satire thing filling one side of the era with the pouf that had been for women. All these things were closely related with the unstable social situation. The bourgeoisie expressed the anger for the privilege that come from the disparity of class consciousness. The reaction against the discriminative treatment by the illuminists stimulated the outbreak of the French Revolution on 14th, July in 1789. This paved way of characterizing the wig styles of the time. The symbolism of cultural-historical meaning in the west is not confined only in Europe. The worship of hair that is different from one cultural area to another had started with their own unique taboo consciousness and had developed to the form speaking for the expression of masculine, the symbol of man power and the extravagance of the privileged class.

• 복식문화연구
• /
• 제18권2호
• /
• pp.290-303
• /
• 2010

In this research, I compared and analyzed the 'factors of style' that expresses and visualizes the 'characteristics of characters' and the characters from three movies each that was filmed with Kang Ho Song and Keong Ku Seol who acted in many movies both. As the result, for the factors for actors' makeup design, since they have limited choices of textures, colors, and the range of changes, changing the tone of skin to light to dark implied the images of characteristics. Somewhat dark skin tone that was like tanned skin expressed the life style of the character who works for an active profession not for an intellectual position. For the factors of hair style, medium sized wavy hair that goes straight down forehead expressed the character's familiar and informal personality while short cut sized all back style hair expressed confidence, sociality, and logical personality of the character. The actors' costume was important to express the characteristics of characters such as changes of their mind, especially the costumes delivered symbolic meanings of the role of their social class, profession, and their financial state. In addition, there were common factors to create and design a character in terms of the changes of the actors' body shape; when the actor acted the character who has conflicts inside and sarcastic personality, they lost weight on purpose while they gained weight and made a barrel shaped body to act the character who is positive in every occasion and does not realize the real world or who is greed.

• 디지털융복합연구
• /
• 제19권2호
• /
• pp.463-469
• /
• 2021

한국의 미적가치는 한국적인 소재를 이용한 디자인의 활용을 통해 다양한 분야에서 상승되고 있다. 한국적인 소재는 동양적인 사상을 내포하고 있으며 그 형태의 독특함으로 인해 디자인 개발의 소재로 많이 이용되고 있다. 본 연구에서는 한국적인 소재를 이용한 네일 작품을 제작함으로써 네일아트 산업 현장에서 필요로 하는 차별성이 있는 네일아트 디자인의 기초자료를 제시함을 목적으로 한다. 본 연구는 네일아트 디자인 개발을 위해 네일아트와 사군자 특성에 대해 이론적으로 고찰하였고, 수묵화를 모티브로 한 사군자를 이용한 한국적이면서도 개성 있는 네일아트 디자인작품을 제작하였다. 매화, 난초, 국화, 대나무를 소재로 하여 그 의미와 이미지에 어울리는 색채, 질감, 형태의 디자인 요소를 적용하고 핸드페인팅기법과 오브제 기법을 이용하여 현대적인 디자인의 네 작품이 제작되었다. 본 연구는 네일아트와 사군자의 통합연구로 한국문화를 드러내는 창의적인 네일아트 디자인 개발의 토대를 마련하는데 의의가 있다고 사료된다.

• 패션비즈니스
• /
• 제5권5호
• /
• pp.65-76
• /
• 2001

The hat is the most flexible human head covering. Almost entirely enveloping the hair, it can be simple, pure, elegant and mysterious. Yet it is frequently a highly decorative form of dress. The hat also takes a part in the extension of the area of art as soft-sculpture. My purpose of this thesis is to present diverse artistic hats with natural images by nontraditional materials and natural resources. The reason why I select nature as them is that it is absolutely the origin of life and art. To develop the innovative hat design, I focus on the material to extend the range of art expression. I observe nontraditional materials such as wire, paper and so on that enhance heterogenetic feeling from natural images. The attempt is made to enhance the visual effect by harmonizing the disharmonious feeling. Natural resources such as moss, orange, feather and so on could be adapted to the hat and applied for unique design, which supplies new expression. Therefore, the harmony of natural images and natural resources could avoid dullness, bestow elegance and polish the unique beauty creation of the hat.

• 디지털융복합연구
• /
• 제15권8호
• /
• pp.417-422
• /
• 2017

본 연구는 암환우들의 탈모용 가발 착용 시 불편 사항에 따른 개선 방안을 분석한 결과로, 60대 전후의 여성 암환우를 대상으로 조사 분석을 실시하였다. 탈모를 인지하게 된 시기는 항암제 또는 방사선 치료 1회 직후가 가장 높았고, 두번째로 2회 후부터가 23.9% 순으로 나타났으며, 암환우들의 가발 착용에 따른 불편 수준으로는 대체로 편리한 편이지만 두피트러블, 밀착성, 조화성, 등에 있어 불편을 겪는 것으로 나타났다. 또한 암환우들의 일반적 특성에 따른 가발 착용 시의 불편 요소 분석 결과 직업에 따라 편리성에 차이가 있는 것으로 나타났고 다른 요인에서는 큰 차이를 보이지 않았다. 대졸이나 고졸 혹은 대학원 졸업인 경우 현재 재학 중인 학생에 비해 높은 편리성을 보이며 졸업생과 재학생 간의 연령차에 의한 차이일 것으로 추측된다. 이러한 불편요소를 개선하기 위해 가발의 기술 개발과 연구가 끊임없이 필요할 것으로 판단된다.

• 패션비즈니스
• /
• 제12권6호
• /
• pp.1-10
• /
• 2008

Public interest in healthy hairs gets growing as damaged hairs are seen more frequently with the generalization of heat permanent waves. For this study, experiments have been conducted to understand the influences on the changes in physical and morphological features of wave forms and damaged hairs, by collecting virgin hairs from the women in their mid-20's, who had not experienced chemical applications, and by dividing the applications of heat perm hair treatments, PPT(for pre-treatment) and LPP(for post-treatment), into the pre-treatment, the post-treatment, the pre & post-treatment, and the non-treatment. For the wave formations, curl waves were investigated by the bare eyes using the pictures taken by a digital camera. For the comparison of physical features, the experiments of tensile strength and elongation were done and their mean values were found. For the observations of morphological features, the pictures were taken by SEM for comparison. As for the findings, regarding the curl wave shapes of hairs, the most even and elastic S curl was formed in the case of non-treatment. In the physical features, both of the tensile strength and elongation showed a decreasing tendency in line with the hair damage levels, and the case of the pre & post-treatment indicated the tendency most similar to the control group. In the morphological features of the cuticle, observed with an SEM, the pre-treatment showed the higher possibility of reducing the cuticle damages than the post-treatment did. LPP was found to play the role of protective membrane for the post-treatment, and the pre & post-treatment turned out to reduce most effectively the cuticle damages.

• 한국컴퓨터정보학회논문지
• /
• 제25권5호
• /
• pp.1-9
• /
• 2020

본 논문에서는 머리카락과 모자 영역의 마스크 정보를 활용하여 더 자연스러운 얼굴 속성 편집(facial attribute editing)을 수행하는 모델을 제안한다. 최신 얼굴 속성 편집 연구인 STGAN은 다중 얼굴 속성을 자연스럽게 편집하는 성과를 보였다. 그러나 머리카락과 관련된 속성을 편집할 때 부자연스러운 결과를 생성할 수 있다. 제안하는 방법의 핵심 아이디어는 기존 모델에서 부족했던 얼굴 영역의 정보를 모델에 추가로 반영하는 것이다. 이를 위해 세 가지 아이디어를 적용한다. 첫째로 마스크를 통해 머리카락 면적 속성을 추가하여 머리카락 정보를 보완한다. 둘째로 순환 일관성 손실(cycle consistency loss)을 추가하여 영상의 불필요한 변화를 억제한다. 셋째로 모자 분할 신경망을 추가하여 모자 영역 왜곡을 방지한다. 정성적 평가를 통해 제안하는 방법 적용 여부에 따른 유효성을 평가 및 분석한다. 실험 결과에서 제안하는 방법이 머리카락 및 얼굴 영역을 더 자연스럽게 생성하고, 모자 영역의 왜곡을 성공적으로 방지했다.

• Human Ecology Research
• /
• 제57권3호
• /
• pp.395-406
• /
• 2019

This study examined what meaning East Asian women showed in their costume history through a discourse of hair adornments such as wigs and that Gache was not just a luxury decoration. In addition, we examined Gache hair trends with Eonjeun-meori (braid wraps around the entire head) in the Joseon dynasty (Korea), Gigye(旗?) hair in the Quing dynasty (China) and Mage(?) hair in the Edo period (Japan) during the $18^{th}$ and $19^{th}$ centuries. The significance of the phenomenon of East Asian Gache culture in the $18^{th}$ and $19^{th}$ centuries was analyzed from the internal desires of women. The details are as follows. First, the magnification by the hair decoration was identified with self-authority and used as a sign to express self-respect or a desire for self-esteem. The extended Gache was an external body extension to raise self-authority and increase activeness. Second, self-satisfaction through showing off was associated with a women's search for identity. There was excessive consumption to boast status, wealth and femininity, but the mania continued because women obtained psychological satisfaction by feeling that their sacrifices for the Confucian order were compensated. Third, the frenzy of Gache was accepted as a way for women to resist social regulations and find themselves as main participants in social activities. Showing their appearance in East Asian Gache culture was a way of inner self-searching and a process for women to find themselves as a social entity.

• 패션비즈니스
• /
• 제22권1호
• /
• pp.114-123
• /
• 2018

The purpose of this study is to investigate the visual elements for effectively conveying the make-up method of the Korean history. We will do basic research on language visualization through visual poetry by using a make-up method as a visual expression element. Our research methods consisted of a related literature research, an internet search, and case study methods. The make-up methods of Korean classical make-up through visual poetry consisted of a through literature review. First, make-up methods, cosmetics, jewelry, and hair styles are shown in the classic make-up style of each age. Second, classical make-up visual poetry shows the identity, gender, and character depictions. Third, there were many visual metaphors about the hair types, figures, and hair among the classical make-up methods of each age. I think that this topic is worth researching as an appropriate medium to increase attractiveness. This research is with visual expression elements of the Korea make-up method. This study analyzed the Korean traditional make-up method that expresses and reinterprets visual metaphors. The results of this study can be applied for basic research.