• 한국실내디자인학회논문집
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• 제13권5호
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• pp.82-89
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• 2004

Today, people are bombarded with information, high-technology and multimedia. With that in mind, museum can no longer attract visitor with traditional concept, so it must find some solution or stimulation to attract their attention back. New museum is becoming a experimental space for new culture, new education, and most of all a place to fulfill one's satisfaction of life. Over the past centuries, Guggenheim Foundation has done a great job in providing place for art and place to get emotional stimulation. Out of all of their museums, Frank L. Wright's Solomon R. Guggenheim in New York and frank O. Gehry's Guggenheim Museum in Bilbao had most unique character yet share similar feature to be recognized as the architectural landmark of the 20th & 21st century Although there are close to 50 years of gap between two museums, their unique, attractive, site-specific, emotional value comes from the two most innovative architect of the past and present century. For Wright the Guggenheim was his last project but it had one of the greatest impact on his career and for Gehry the museum gave him confidence that anything is possible. This study will focus on the spatial organization as well as the architectural formation of both museum to compare and analyze. The goal of the research is to give fundamental data which will reveal emotional elements as well as concepts from each work. The content of this research will mainly focused on their architectural philosophy and it will reveal their concept on human emotion as well as the characteristics of the spatial organization. The result of the study will be a valuable reference for people designing art & cultural facilities in the future.

• 예술경영연구
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• 제49호
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• pp.117-147
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• 2019

최근 많은 도시는 기존의 이미지에서 벗어나 국가 경쟁력을 높이기 위한 수단으로 도시재생에 주목하고 있다. 그중 미술관과 박물관을 활용한 문화기반형 도시재생이 주목받고 있으며, 산업화시대 이후 낙후된 스페인의 도시 빌바오에 세계적인 브랜드인 구겐하임 미술관을 개관하여 지역에 경제적 성과를 안겨준 구겐하임 빌바오가 성공적인 사례로 꼽힌다. 많은 도시가 이를 벤치마킹하여 미술관건립을 도시재생의 수단으로 추진하고 있으며, 석유생산이 주산업이었던 중동의 아랍에미리트(UAE) 또한 1970년 이후로 포스트-오일(post-oil)시대에 대비하여 경제기반을 석유부문에서 지식기반산업 육성으로 이동하기 시작하면서 미술관을 활용한 도시재생에 주목하고 있다. 아랍에미리트의 수도인 아부다비(Abu Dhabi)는 2008년 '경제비전 2030' 발표를 통해 문화 관광 분야 발전에 주력하면서 사디야트(Saadiyat) 섬에 다수의 미술관과 박물관 건립을 추진 중이다. 구겐하임 빌바오와 동일 건축가인 프랑크 게리(Frank Gehry)에게 의뢰하여 최대 규모의 구겐하임 미술관을 아부다비에 설립하려는 계획도 중동지역 현대미술의 중심역할을 목표로 2012년에 개관을 계획하고 있었다. 그러나 그동안 여러 차례 건설이 중단되는 등 난항을 겪고 있으며, 지역 특유의 사회적 문화적 문제들과 대면하면서 현재도 개관 시점이 불투명한 상태이다. 본 논문은 세계적인 구겐하임 미술관이 글로벌 전략 일부로서 아부다비로의 확장과정에 대해 살펴보면서, 빌바오와는 또 다른 지역적 환경맥락에 기인한 문제점들에 대해 논하고자 한다. 결국 막대한 자본을 바탕으로 한 중동지역에서의 문화 주도형 신도시건설은, 지역의 사회적 문화적 발전을 통해 성숙한 문화생태계 성립과 수반되어야 함을 보여준다.

• 한국실내디자인학회논문집
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• 제21호
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• pp.89-93
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• 1999

A museum architecture has been developed as important representation of a specific period in architectural history. Modern concept of museum architecture has started by Karl Fredrich van Schinkel(1781-1841) through das Altes Museum(1823-1830) back in early 20th century and it continues to be the model for museum architecture for over 30 years. By middle of the 20th century, the movement of redefining new model for the new era on the subject of museum architecture was developed. This development was lead by the three masters of the modern architecture at the time. F.L. Wright, Corbusier, Mies and they were responsible and very active in creating new concepts. Their works in museum design became the prototype and they tried hard to make sure their new concepts to be the stepping stone for further development. This study is to compare the three different museums designed by those masters of the modern architecture, particularly on the issue of the exhibition spaces. The purpose of the study will be focused on the point of interior architecture such as the matters of layout and design characteristics of the exhibition spaces. And it will reveal the impact made by those masters on the advanced development of the current generations of museum designers as well as to describe the prototype of exhibition space. The analyzation was done on FLW's Guggenheim Museum in New York, Corbusier's the National Museum of Western Art in Tokyo, and Mies' Die Neue National Galerie in Berliv. Comparable materials were collected through site visits and reference documents from various publications. It will be ideal if this study can be used for further development in new museum design in this country.

• 디지털융복합연구
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• 제20권4호
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• pp.565-573
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• 2022

본 연구는 COVID-19 팬데믹 여파로 생활 속 거리 두기 상황 속에서 해외 미술관들이 고안해낸 여러 비대면 프로그램들에 대한 한국 MZ 세대의 반응과 선호요인을 분석하고자 한다. 대영 박물관을 비롯하여 내셔널갤러리, 폴 게티 미술관, 반 고흐 미술관, 우피치 미술관, 헤이스팅스 컨템포러리, 구겐하임 미술관 등은 창의적이고 시사적인 온라인 프로그램을 통해 폐관기간 동안에도 박물관의 사회적 역할을 이어나가고자 했다. 많은 접속자와 호응으로 주목받은 10개의 프로그램들을 선정하여, 국내에서 뮤지엄 관람이 가장 빈번하고 디지털 활용도가 높은 MZ 세대를 중심으로 설문조사를 실시하여 앞으로 우리나라가 강구해야 할 온라인 프로그램 개발에 방향을 제시하고자 한다. 연구 결과, 기술이 접목된 비대면 관람 방식이 실제 뮤지엄 공간에서 관람하는 느낌을 최대한 구현하는지와, 온라인 전시 콘텐츠에 교육적인 내용이 포함된 것을 선호함을 보여주었다.

• 한국컴퓨터정보학회논문지
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• 제18권3호
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• pp.69-77
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• 2013

본 연구에서는 관람 전 사용자 평가를 통해 박물관 모바일 애플리케이션의 정보서비스에 대한 만족도를 비교하고, 사용성과 기능적 특성간의 상관관계를 검증했다. 빌바오 구겐하임과 미국자연사박물관 애플리케이션의 경우, 정보서비스와 기능적 특성에 대한 만족도, 관람 동기와 관람시 애플리케이션 사용에 대해 반응이 모두 높게 나타났다. 이는 사용자의 관심과 욕구를 반영될 수 있도록 모바일 애플리케이션이 직관적으로 설계 및 디자인되고, 감성적 인터페이스를 지향할 때 사용성이 상승된다는 것을 의미한다. 또한 사용성과 기능적 특성과의 상관관계를 분석한 결과, 비간섭적 특성과 개인화적 특성이 다른 기능적 특성에 비해 좀 더 유의미한 상관관계에 놓여 있었다. 본 연구를 통해 도출된 하나의 중요한 시사점은 모바일 해석 매체의 사용성은 엔터테인먼트적인 요소나 기술적 적용보다는 콘텐츠와 사용자 사이에서 발생하는 인터랙션과 사용자의 관심과 욕구가 반영될 수 있는 기능적 특성에 따라 좌우 된다는 것이다.

• 한국실내디자인학회논문집
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• 제16권6호
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• pp.189-196
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• 2007

The purpose of this study is to make a comparative analyzation toward abstracted emotional properties appeared in the museum exhibition spaces designed by the three masters of the modern architecture;Frank Lloyd Wright, Le Corbusier and Mies van der Rohe. In addition, this study will also aim to inquire into how the emotional properties have affected the third generation architects. It is especially expected that the 'emotional tendency' emerging in various fields of the present time can serve as useful information through the analysis of emotional design properties appeared in the exhibition space which is directly linked with the human lives. In order to achieve the purpose of the study, in New York by Wright, in Tokyo by Le Corbusier and in Berlin by Mies Van der Rohe were selected. As for the analyzation methodology to be adopted for deriving the aiming points at the emotional design, five criteria of analyzation have been established in order to understand the properties of the emotional area: they are (1) spatial affordance, (2) human congeniality, (3) emotional factors of the area, (4) constitution of the area and (5) expressive division of the area. Using these criteria, this study will reveal what are some of the emotional characteristics shown in each museums and its analytical result will be useful to apply to future museum design. It is especially expected that the 'emotional tendency' emerging in various fields of the present time can serve as useful information through the analysis of emotional design properties appeared in the exhibition space of design which is directly linked with the human behavior.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2015년도 추계 학술논문 발표대회
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• pp.175-176
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• 2015

Starting from Guggenheim Bilbao Museum in 1997, it has been increased steadily that complex geometry buildings using digital designs and construction process. Since 2010, the domestic Freeform design has been widely used for buildings such as Dongdaemoon Design Plaza, Seoul City Hall, Tri-Bowl, and etc. But there are many defects such as the increased cost and period of construction, and the declined quality of construction because of the lack of optimized method and engineering experiences. Therefore, this study has an effort to review case study of the recent freeform buildings and construction methods using digital fabrications. And this study proposed the improve method for the construction quality for freeform buildings.

• 한국실내디자인학회논문집
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• 제25호
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• pp.94-102
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• 2000

The line of demarcation separating architecture from the art in recent years has blurred, due to the expantionist aspects between. This is a study of the direction which contemporary architecture and art are now taking. The results of the study are as follows: 1. The direction of contemporary architecture is revealed through the works of deconstructivist architects and Hans Hollein. Deconstructivist architects have incooperated abstract forms and concepts for their expression. Also Hans Hollein has brought a new aspect to architecture by combining the aura of spirituality and the use of collage. 2. The direction of contemporary art is revealed through the works of installation artists. Daniel Buren works on the interactivity between the object and the observer. Dan Graham deals with the social issues which caused by the interrelation between the eyes and the visual media. Jae-en Choi works on the actual architectural site and space capturing the spirit of what the space is for shile Jung-hwa Jung deals with the layers of perception within a particular space. Another realm coming into being is the cooperation between artists and architects. The cooperation of Holl and Acconci is expressed through their joint project Storefront Gallery. It is the development of Accocis concept of boundary and Holls methodology. Another example of this realm is revealed through the Fish Gallery of the Guggenheim Museum Bilbao. Gehry was introduced to the nature of material by Serra and Serra learned of new ways of viewing the existence of space between materials from Gehry. These new relationships between contemporary architecture and art are reciprocal in nature are indicators of a dynamic and new changing cooperation now emerging.

• 한국실내디자인학회논문집
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• 제19권6호
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• pp.47-58
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• 2010

Frank Lloyd Wright(1867-1959) was regarded as the pioneer of the modern architecture in the beginning and transition period of 20th century. His works have the pure shape form which have the deep relationship with the organic architecture. Wright told himself that the Froebel System had an influence on his works a lot. This study have researched about the three dimensional application of the Froebel System in his works with assembling and disassembling. Also the two dimensional application in the diagonal and circular plans are the one of the subjects here. The following conclusions are reached. First, The similar of the Wright's works and the Froebel System was the application of the similar principles rather than the copy of the method, which are the accent of the center, the composition of the part and whole, the understanding of the composition principle through the unit system and the unfolding of the crystal by rotation. Even thought the Wright's works have the triangle, square, hexagonal shape, the way of the expansion from the centered space was same. Also the space formed by the division of the center space, unfolds making the part and whole by overlap and continuation. The 2nd Froebel make space decided by the Net and Crystal Lattices which have the crystal characteristics by the rotation. The new geometric architecture, pinwheel, was created by this method. The application of the Froebel in the Wright's works have the several sets which are the 3th, 4th, 5th, 6th Froebels, 2nd, 7th Froebels and the 3th, 5th, 9th Froebels. The geometrical analysis of the square shape and the diagonal shape of the Wright's works was possible. The unfolding of the centered space can be found in the Guggenheim Museum using the analysis of the circular geometric of the 9th Froebel. The above study proves that the Froebel was not a mere tool for the basic shape training but also the main body of Wright's works which consists of the organic idea and philosophy of the space.

• 한국경제지리학회지
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• 제22권3호
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• pp.258-273
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• 2019

2018년 정부의 산업위기대응특별지역 지원책은 문화 관광 관련 지원책들을 포함하고 있다. 여기에는 정부가 문화 관광산업을 제조업의 대안으로 인식하고 있다는 의미가 내포되어 있다. 스페인 빌바오는 구겐하임 미술관을 유치하여 문화 관광산업을 중심으로 지역발전을 추진하였고, 빌바오의 성공 사례는 "빌바오 효과" 또는 "구겐하임 효과"라는 용어를 탄생시켰다. 이 연구의 목적은 스페인 빌바오의 지역발전 재생과정에서 나타나는 장소적 특수성과 지역발전 재생 전략을 구조적 맥락에서 분석해 우리나라 산업위기지역의 대응책에 대한 시사점을 모색하는 데 있다. 연구 결과는 다음과 같다. 첫째, 빌바오는 유럽 내 초국가적 무역 네트워크의 중요 결절지라는 지리적 이점을 바탕으로 바스크 지방정부에게 정치적, 재정적 자율권을 보장하였다. 바스크 지방정부는 자율성을 적극적으로 활용해 지역발전 재생사업을 수행할 수 있었다. 둘째, 빌바오는 지역발전 재생 프로젝트를 수행하는 과정에서 민관협력체계를 원활하게 가동해 오랜 시간 동안 꾸준한 실천력을 확보할 수 있었다. 셋째, 빌바오의 지역발전 재생사업은 대형프로젝트와 장소마케팅의 효과로 주목 받았지만, 그 이면에는 문화 관광산업이 창출하는 일자리의 불안과 서비스업 내의 양극화 문제가 도사리고 있다. 빌바오가 추진한 탈산업화는 문화 관광산업과 더불어 지식기반서비스와 금융서비스 등 서비스산업이 다양하게 특화되었기 때문에 성과를 얻을 수 있었다.