• 한국수학교육학회지시리즈E:수학교육논문집
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• 제28권2호
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• pp.281-302
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• 2014

우리는 본 연구에서 황금비의 역사, Markowsky의 황금비 판단 기준, 그리고 황금비에 대한 오해를 알아보았다. 쿠푸왕의 대 피라미드에는 황금비가 존재하지 않는다는 Markowsky의 주장에 반하여 필자는 황금비의 존재를 주장하였다. 초 중등 교과서와 수학사 관련 국내 출판 책자에서는 황금비의 예로 쿠푸왕의 대 피라미드와 파르테논 신전을 사용하고 있는데 이에 대한 잘못된 서술을 알아보고 황금비 지도의 대안으로 동적 조화 입장에서 현대 산업 디자인, 항공공학, 건축 디자인, 스크린 디자인 등의 예를 제시하였다. 또한, 기축시대가 우리나라 학교수학에 미친 영향을 탈레스와 황금비 중심으로 알아보았다.

• Parasites, Hosts and Diseases
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• 제37권1호
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• pp.33-37
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• 1999

An age-dependent aspect of resistance to Cryptosporidium muris (strain MCR) infection was monitored in Syrian golden hamsters. Mesocricetus auratus. at 1-, 5- and 10-week of age and in ICR mice, Mus musculus, at 3-, 12-, and 15-week of age orally inoculated with a single dose of $2{\times}10^6$ oocysts. respectively. The prepatent periods for both animals were similar, independent of age, but the patency was significantly longer in younger hamsters (P<0.001) and a long tendency in younger mice. Hamsters infected at 1-week of age excreted about 10 times higher oocysts than those at 5- and 10-week of age. However, the total oocyst output was similar among mice of different ages. There was a good correlation between the length of the patency and the total oocyst output in hamsters (R=0.9646), but not in mice (R=0.456l). The immunogenicity of the parasite to homologous challenge infections was very strong in hamsters and relatively strong in mice. These results indicate that acquired resistance to C. muris infection is age-related and the innate resistance is independent of age of hamsters, and that both innate and acquired resistance, on the contrary, are irrespective of age of mice.

• The Journal of Advanced Prosthodontics
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• 제4권2호
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• pp.72-75
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• 2012

PURPOSE. This study evaluated the existence of golden proportion between the widths of the maxillary and mandibular anterior teeth in Indian population. MATERIALS AND METHODS. The clinical tooth width measurements were recorded with the digital vernier calipers on 576 patients of both sexes in the age group of 21 - 30 years. Flexible ruler was used to determine the width of maxillary and mandibular anterior teeth on the patients by the same operator. The data obtained was statistically analyzed using paired student t-test (${\alpha}$=.05). RESULTS. The golden proportion was not found between the width of the right central and lateral incisors in 53% of women and 47% of men. The results revealed the golden percentage was rather inconstant in terms of relative tooth width. CONCLUSION. The golden proportion is an inappropriate method to relate the successive widths of the maxillary anterior teeth in Indian population.

• 한국수학사학회지
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• 제19권1호
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• pp.43-54
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• 2006

본고에서는 $\ulcorner$자연$\cdot$인간, 그리고 황금분할 I$\lrcorner$([1])의 후속연구로 인간의 미의식과 정신적 모형과 약 1백만 년 전 석기시대의 주먹 돌도끼에 나타나는 황금비와, 오늘날도 다방면에서 선호하여 사용되어지고 있는 황금비에 관하여 연구한다. 연구결과 특히 1백만 년 전의 주먹 돌도끼는 인류가 당시에 후일의 예술과 수학의 전제조건이 되는 중요한 능력을 가지고 있었다는 것을 보여주는 것이었으며, 펜, 종이, 자 등의 도움 없이도 정신적인 모형이 존재하여 기본적인 수학적 변환을 가능하게 하였음을 보여준다. 다양한 크기의 주먹도끼를 동일한 황금비를 유지하면서 제작하였다는 것은 수십만 년 후에 나타난 유클리드의 $\ulcorner$기하학 원론$\lrcorner$에서 다루어진 원리를 최초로 보여준 예라고 생각된다.

• 대한수의학회지
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• 제23권1호
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• pp.1-8
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• 1983

The purpose of the present study is to determine variations in synthesis of DNA in the nuclei of various elements of the golden hamster (Mesocricetus auratus) placenta with increasing gestational age from the eighth day post coitus to parturition. The method employed for such determination was autoradiography following injection of pregnant animals with tritiated thymidine. From the results reported, the following points are concluded. The mitotic activities of the endodermal cells of the visceral yolk sac and of the parietal yolk sac, the trophoblastic cells of the labyrinth and the trophospongium and the giant cells were decreased with increasing gestational age, The placentation was nearly completed by day 13 of pregnancy and the increase in size of labyrinth was by appositional growth from the trophospongial cells. It was considered that the inner trophoblastic cells in the vicinity of the fetal blood vessels were originated from the pure chorion. The interrelation among the various cells and the polyploidal giant cells in the placenta were discussed.

• 복식
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• 제61권9호
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• pp.60-73
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• 2011

The movie costumes, artistic and figurative, serve to maximize the dramatic conveying effect of the movie's theme, actor's character, and the image of a dramatic situation expressed through clothing. It is considered that research would be meaningful if it studied on how the movie costumes are implied with symbols in order to present a dramatic image depending on the situation. Therefore this research compared, analyzed, and interpreted the historical plays produced on historical backgrounds, "The Sword With No Name" and 'Elizabeth - Golden Age'. In other words, five dramatic situations were extracted in order to compare and analyze the costumes of Empress Myeongseong to the costumes of Queen Elizabeth. The costumes presented according to the storyline and the personalities of the two characters with these five as the basis are compared and analyzed, and the implied symbolic meaning could be interpreted and analogized based on the results. Therefore it is suggested that symbolic meaning, along with the expression of the dramatic atmosphere, needs to be implied in the design of the movie costumes.

• 패션비즈니스
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• 제12권5호
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• pp.126-140
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• 2008

This thesis aims to examine the symbolism of color in the clothing of women, focusing on the protagonist of the movie Elizabeth: The Golden Age (2007). At the beginning of the movie, the Queen wears gowns with cartwheel ruff and wheel farthingales, symbolizing the attempt of establishing a powerful majesty. However, the Queen falls in love with Walter Raleigh and her clothing comes to emphasize femininity displaying her cleavage. Later on, her clothing indicates charismatic authority as she prepares for the Spanish war. At the end of the movie, the Queen who led the the country to victory in war puts on a luxurious gown with butterfly wings that reminds of a fairy queen. The colors of the Queen's clothing are categorized into three groups. First, the color red represents two opposite allegories. The positive image of red denotes Christ's blood, the love of God, and noble status of the Queen's image as a savior of England. On the other hand, red represents lewdness and evil which insinuate that the Queen is being attacked on her religious and political genuineness. Second, the color blue represents Saint Maria, chastity, and divinity. Third, the color goldw and white represent the Queen's ideals which are chastity as a virgin Queen and divinity.

• 한국경제지리학회지
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• 제16권1호
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• pp.118-134
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• 2013

이 연구는 정부 주도적으로 이루어지는 새장르 공공미술을 관찰하고, 주체 간 관계에 대한 분석한다. 새장르 공공미술은 사회적 쟁점에 대해 민감하고, 민주주의와 공동체를 지지하며, 다양하고 폭넓은 관객의 참여를 지향한다. 사례지역인 서울시 도시갤러리 프로젝트 <황금시장 황금시대> 공공미술사업의 주체는 사업내용과 방향을 지시하는 정부, 이를 수행하는 예술가, 공공미술 과정에 참여하는 주민 등으로 구분된다. 정부는 경쟁력 있고 질서 있는 도시를 만들기 위해 공공미술 작업을 초대한다. 예술가는 공동체적 삶을 강조하며 주민을 계몽해야할 대상으로 파악한다. 반면, 주민들은 정부지원금이 경제적인 도움이 되기를 희망한다. 예술가는 정부의 사업지시를 수용하는 하향식 운영방식을 보이고, 주민은 예술가의 일방적 계몽에 소외되고 소극적 참여를 한다. 새장르 공공미술의 공공성은 다양한 사람들의 담론이 교환되는 장으로서의 사회적 공공성이라기보다는, 공공사업이 가지는 행정적 의미의 공공성만을 담지한다.

• 대한수의학회지
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• 제13권2호
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• pp.111-118
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• 1973

The placentation in the golden hamster (Mesocricetus auratus) and the morphological changes occuring in its placenta from implantation to parturition have been observed by light microscope. The results obtained were summarized as follows. 1. The development of the placenta in the fertilized ovum implanted on the day 5 of gestation was described with increasing gestational age. 2. On the day 8 of gestation, the chorioallantoic placenta was formed by fusion of the allantois to the chorion of ectoplacental cone. 3. On the day 13 of gestation, Reichert's membrane with the parietal yolk sac disappeared in a circumscribed area antimesometrially.

• 영미문화
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• 제9권1호
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• pp.323-348
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• 2009

Kazuo Ishiguro's fifth novel When We Were Orphans (2000) tells the story of Christopher Banks, a private detective, who embarks on the ultimate case of his career, the puzzle of his own life. The novel consists of two overall parts, one taking place in London, the other in Shanghai-a division which reveals one of the novel's major themes, the relation between home and abroad. Set in the 1930s, Ishiguro's novel on the one hand contains all the classic ingredients of the so called golden age detective genre-an archetypal English private detective, equipped with fierce deductive skills and a magnifying glass, as well as suspects, criminals, and victims-and yet on the other hand it also deviates in significant ways. In this article, I will attempt to make some links between When We Were Orphans and the genre paradigm of the golden age detective story, arguing that Ishiguro's novel offers an exploration of the genre's ideological connections to a larger historical discourse of imperial nostalgia and decline.