• Journal of the Korean Society of Costume
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• v.64 no.3
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• pp.32-46
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• 2014

The purpose of this study is to propose a solution for Goguryeo costume and its materials, colors, patterns, and accessories, which have not been dealt with in precedent studies and were treated as irrelevant subjects. The specific object of reconstruction with identification from the historical viewpoint is noble woman's costume(Yu and Gun) on the mural paintings of Jang-Cheon No.1 tomb in Jip-An province. As above, the reconstruction process of Yu(Jacket) and Gun(Skirt) worn by noble woman as depicted on the mural painting of the Baek-Hee-Gi-Ak-Do(百戱伎樂圖) in Jang-Cheon No.1 ancient tomb is suggested in this study. The most important issue for consideration was how to represent and exhibit it so that it resembles the mural painting as closely as possible. And the problems that arose at the time were the ratio and silhouette, which revealed disparities between the one on the mural painting and the costumes reproduced with identification from a historical viewpoint. The most difficult aspect of this work was due to the fact that the actual mural paintings were not available for verification. Therefore accuracy on details such as structure, materials, colors, patterns and accessory were difficult to obtain. So a further analysis of patterns, silhouettes, materials and colors are required for the precise representation of costume and dress on the mural painting.

• Journal of the Korean Society of Costume
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• v.60 no.5
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• pp.35-50
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• 2010

The purpose of this study was to know how helmet and armor was reinterpreted in historical play by considering general concept and type of old helmet and armor from the aspect of costume history and comparing the helmet and armor types of TV historical plays, Yeongaesomun and Taewangsasingi, whose historical backgrounds were based on the age of Goguryeo. The helmet and armor type shown in Yeongaesomun was reinterpreted as the one, which is close to historical investigation, by reappearing lamellar armor and jongjangpanju(helmet made of slim, long plate) shown in Goguryeo wall painting. The helmet and armor type shown in Taewangsasingi expresses fantastic helmet and armor by adding fantastic factor regardless of historical investigation. The study result reveals that there are several common characteristic factors between the helmet and armors of two historical plays. First, there was a classification in the display of character and story. The helmet and armor type shown in Yeongaesomun classified color and detail design depending on lamellar armor or character. In Taewangsasingi, the helmet and armor was manufactured depending on character's nature and the chain armors, which are lighter than existing helmet and armors, were usual. Second, they escaped from the historical investigation about traditional helmet and armor. In Yeongaesomun, myeonggwangae(a type of armor), which might be popular, was not expressed and Taewangsasingi is free from an imperative idea of historical investigation by manufacturing helmet and armor referring to that of ancient Rome age. The modern sense was reflected to increase dramatic effect. The helmet and armor of Yeongaesomun provides modern feeling by using stainless steel material and modern color arrangement and that of Taewangsasingi is designed in modern, splendid way as it aimed at game development from the planning step.

• The Journal of the Korea Contents Association
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• v.11 no.5
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• pp.474-480
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• 2011

Most social networks have power-law distribution that is one of distinct properties in scale-free network. In contrast to social network character, people networks of the Goguryeo, Baekje, and Silla show dissemination network that is a narrow and deep-reaching style of information transmission. However, people network of three kingdoms that is integrated each national people reveals scale-free and hierarchical properties. Pattern of territory expansion and abridgment in Silla is distinct from those in Goguryeo and Baekje, indicating that the distinct pattern reflects a power for unification. Several patterns in national management and national development of the three kingdoms are also analyzed based on network. Our results provide new insight that is analyzed by network-based approaches but is not analyzed by historial approaches in history of three kingdoms.

• Korean Journal of Heritage: History & Science
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• v.54 no.1
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• pp.260-279
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• 2021

The Goguryeo kingdom established a unique defense system centered on a series of mountain fortresses. However, modern-day studies on its defense system have tended to focus on how they were positioned and generally consist of little more than individual surveys or introductions to the relevant materials, leaving much to be desired. This study attempts to extend the scope of studies about fortresses dating back to the Goguryeo period, taking into account the limitations of the available materials. As such, this study reviews the defense system of Goguryeo during the Gungnaeseong Period (i.e., the period when Gungnaeseong was the capital of Goguryeo) using the GIS system, with the focus on fortresses that are thought to have been built in the area extending from the middle and upper reaches of the Amnok River to the mid-stream region of the Liohe River, based on the aforementioned studies. The results of the study are as follows. First, the major roads built during the Gungnaeseong Period were as stated in the foregoing studies to some extent. Researchers believed that during the middle period of the dynasty, a major road ran along the Suzihe, Fuer and Xinkai rivers before finally reaching Jian. The study found that fortified walls and fortress strongholds were built along this road. Second, there were seven fortresses between the middle and upper reaches of the Amnokgang River and the midstream region of the Liaohe River. A primary defense line was closely established between the strongholds and the nearby walls, with secondary and tertiary defense lines established more loosely and encompassing a much wider area. Third, regarding the defense system along the major roads, the Choejinbosanseong, Goisanseong and Cheolbaesanseong fortresses served as strongholds along the 60-kilometer-long primary defense line, with 80-kilometer-long secondary and tertiary defense lines set up behind it. The final 120-kilometer-long defense line of the capital was established along with the Onyeosanseong Fortress, while a stumbling block was set up close to the capital as a defense system, rather than building a fortified wall. To summarize, a primary defense system was established centered on a series of fortresses, with each stronghold maintaining a closely-knit defense system in connection with other nearby strongholds to repel invaders.

• Journal of the Daesoon Academy of Sciences
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• v.49
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• pp.365-399
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• 2024

Tang Taizong was regarded as the emperor with the idea of cherishing the common people, paying close attention to his subjects' military service, and mobilizing of the people as recorded in Zhenguan Zhengyao (Essentials for Government), from the Zhenguan period during the reign of Tang Taizong. Contrary to the above, in reality, Li Shimin, the name of Tang Taizong, mobilized many subjects in the construction of Luoyang Palace in second capital city called Dongdu and Jiucheng Palace, a summer palace during Sui-Tang dynasty, and he requisitioned the subjects of Guannei Province and Longyou Province to install and protect provisional powers and a county in the Gaochang Kingdom. Given his antinomic behavior, the evaluation of Li Shimin as an ideal Confucian monarch should be reconsidered based on Zhenguan zhengyao and other historical records. Dividing the 19 years before Goguryeo-Tang War in 645 into two periods, from the throne to 637 and from 639-644, the subjects were burdened by the construction of Luoyang Palace and Jiucheng Palace in the former period. In the latter period, after the conquest of the Gaochang Kingdom, there was a requisition for the transport of troops and supplies to be stationed in Xizhou, a reorganized prefecture and counties in the Gaochang Kingdom territory; probably mainly limited to the provinces of Guannei and Lungyou, which were geographically close to the West Regin that is now known as Xinjiang Uygur Autonomous Region. The burden in the latter period was relatively less than in the former period. Even so, the number of households in 639, fourteenth year of Tang Taizong's reign, was only 34.1% and 26.8%, respectively, in 609, the sixth year of Sui Yangdi's reign. In this situation, Taizong's Goguryeo Invasion was not conducted in an economically situation during the early days of the Tang Dynasty.

• Journal of architectural history
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• v.15 no.5
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• pp.7-18
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• 2006

A lot of relics were unearthed in the Shinchang-dong wetland site, which can help restore prehistoric life style, including construction tools such as wood doors, wood hammers, ax handgrips, sickle handgrips, wedges, awls, wood pillars and connection members, food vessels made of earth or wood and fish, shell fish, seeds and remains of weapons. In particular, a door was found in the site, which was measured at 110cm long and 37cm wide. If restored it will be 75cm wide. The door seems to date back as far as the 1st century B. C., which would be the oldest one ever discovered in Korea. This paper is intended to explore the implications of the door by investigating the environment of the Shinchang-dong wetland site bearing the relics intact, manufacturing techniques and times of manufacturing of the door as well as attributes of doors presented in the literature related to old time architecture such as Goguryeo tomb paintings and house-shaped vessels. It also intends to provide basic data for study of residential architecture in prehistoric times.

• Journal of the Korean Society of Clothing and Textiles
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• v.42 no.1
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• pp.159-171
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• 2018

The apron, which corresponds to an important clothing form, changed according to the taste, age, appearance and meaning of the wearer as well as from past to present. Decorative function and practical functions appear in the costumes of the East and West. Anak No. 3 tomb, Korea's 4th century Goguryeo tomb mural, was depicted in the form of a woman wearing a white apron and working in the kitchen, which is similar to that of a current kitchen, and the shape and purpose of the apron is similar to the present one. The characteristics of Korean aprons are summarized as western similarity, traditional reproducibility, and practical functionality. The U-shaped apron with the hem decoration of Goguryeo is similar to the apron of Crete with a rhombus pattern and hem decoration. Despite differences in time, it can be seen as traces of a cultural exchange across the East and the West. In addition, Korean skirts were decorated with wrinkles and a hem decoration based on rectangles. It is a reproduction of a traditional skirt and is different from a Western apron with a chest strap. In the Anak No. 3 tomb mural, women were wearing the first aprons that showed a practical functionality and not a decorative use.

• Journal of the Korean Society of Costume
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• v.58 no.5
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• pp.35-50
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• 2008

People in the Ancient Society of Korea liked golden earrings. The Royal Family or the nobility wanted to make more splendorous golden earrings in order to display their high-ranking positions. However, appearances or production methods of golden earrings differ a little by countries, for example, Goguryeo, Silla, Baekje, Gaya, etc. Therefore, by closely examining articles discovered from tombs, we can know which country they were from. In particular, earrings of Goguryeo and Silla are similar to each other while those of Baekje and Gaya are similar. This would be closely related with political relationships between the two countries. The shape of golden earrings in the middle of the $5^{th}$ century A.D. is relatively simple. However, since the latter half of the $5^{th}$ century, golden earrings in the Ancient Society of Korea changed in the direction of long length or significantly splendorous surface decoration. Accordingly, we can estimate the period of production by analyzing golden earrings discovered from a tomb. In addition, the above trend was common all the earrings in the Ancient Society of Korea, which implies that each nation closely exchanged reciprocally at that time.

• Human Ecology Research
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• v.53 no.1
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• pp.81-92
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• 2015

Daily dance Ganggangsullae is recommended for youth to help their diet, improve their team life and know Korean culture. Its performance costumes were fusion hanbok and casual wear shown at the Second Daily Dance Ganggangsullae Contest Conference of Myeongryang Battle Festival in 2013. A fusion hanbok shows the Korean traditional spirit, but it is not practical. Casual wear is practical, but it does not show any Korean identity. Therefore, their combination is needed to reflect the Korean identity and practicality. For this, a literature review and an online search were conducted for the history, purpose and dance motion of daily dance Ganggangsullae. And photographs of participating teams were gathered from Jeonnam Information & Culture Industry Promotion Agency. Goguryeo costumes were used for design motifs. Four designs were sets of T-shirts and pants for the summer. Style 1 is designed using sam, jikryeong, go, round and triangle pattern with rippled cotton. Colors were from Wang Huiji's mural painting. Style 2 is designed using dansuui, beonryeong, go, round and quadrangle patterns with rippled cotton. Colors were from a Deokheungri mural painting. Style 3 is designed using sam, round ryeong, go, quadrangle patterns, prints with cotton jersey and denim. Colors were from a Gamsinchong mural painting. Style 4 is designed using dansuui, jikryeong, go, a flame pattern, a bow and arrow shape with cotton, knit and jersey. Colors were from a Muyongchong mural painting. This study is helpful to anyone who wants to develop Korean-style performance costumes.

• Journal of Digital Contents Society
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• v.10 no.2
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• pp.177-188
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• 2009

The paper starts off with a notion that the most realistic problem in restoring cultural contents' archetype and developing contents industry based on it is the lack of understanding and production about key visual. Thus, with the premise that, in visualizing ancient fantasy as an original archetype subject material, one has to take into account design process for an actual content production, the paper aims for the suggestion of the necessity of key visual through visualization. For this, the paper made an artwork of archetype image based on literature and historical data with which to visualize fantasy elements of Goguryeo's ancient myth and tales that have high utilization value as various subject matters, such as animation and games.