• Title/Summary/Keyword: Geometric Visual Feature

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Knit Design by Applying African Textile Pattern -Focused on Color Knit Jacquard- (아프리카 직물 문양을 응용한 니트디자인 -컬러 니트 자카드를 응용하여-)

  • Yoo, Kyung-Min;Kim, Young-Joo;Lee, Youn-Hee
    • Journal of the Korean Society of Clothing and Textiles
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    • v.31 no.9_10
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    • pp.1475-1486
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    • 2007
  • This study aims to develop knitted ware design to meet desire to express diversity in the modern fashion design so that we designed knitted ware by applying african geometric pattern and color to suggest new knitted ware design. We collect data about african texture pattern through technical books, publications, internet, and preceding research and visit and investigate the African museum. We investigate knitted Jacquard texture through preceding research and collect sample and data which is insufficient in the data source. The conclusions in this study are summarized as follows: First, African textile pattern is formulated with animism based on their religious view of art for a basis and African regards nature like animal and plant as a motive and interprets nature in the so that they can create symbolized geometric features that constitute African texture pattern. Those patterns is composed of extremely geometric figures so that they we fit to apply for color jacquad knit design. Second, color knitted jacquad can be distinguished by knitting method and status of knitting as 7 kinds of techniques such as Nomal, Bird'eye, Floating, Tubular, Ladder's back, Blister, Transfer Jacquard, and as a result of preceding research and knitting texture directly, jacquard technique makes different texture under same condition like consistent spinning rate and same crochet hook. Third, Bird'eye Jacquard used generally to make knitted ware and Ladder's back Jacquard, Tubular Jacquard used to make knitted ware light are fit to apply them to 7GG and 12GG machines. We design a cloak as a outer garment, a coat shaped like one-piece dress and a coat with hood by using Tubular Jacquard which can make thick texture and design a jacket, a skirt and a one-piece dress by using Bird'eye Jacquard. we make a light and flimsy one-piece dress by using Ladder's back Jacquard. Fourth, we apply the contrast of $4{\sim}6$ color and line and the contrast of texture and raw material to jacquard in order to emphasize texture property and visual property.

A Method for Extracting Mosaic Blocks Using Boundary Features (경계 특징을 이용한 모자이크 블록 추출 방법)

  • Jang, Seok-Woo;Park, Young-Jae;Huh, Moon-Haeng
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.19 no.12
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    • pp.2949-2955
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    • 2015
  • Recently, with the sharp increase of digital visual media such as photographs, animations, and digital videos, it has been necessary to generate mosaic blocks in a static or dynamic image intentionally or unintentionally. In this paper, we suggest a new method for detecting mosaic blocks contained in a color image using boundary features. The suggested method first extracts Canny edges in the image and finds candidate mosaic blocks with the boundary features of mosaic blocks. The method then determines real mosaic blocks after filtering out non-mosaic blocks using geometric features like size and elongatedness features. Experimental results show that the proposed method can detect mosaic blocks robustly rather than other methods in various types of input images.

A Comparison of Neighborhood Definition Methods for Spatial Autocorrelation (공간자기상관 산출을 위한 인접성 정의 방법 비교)

  • Park, Jae-Moon;Hwang, Do-Hyun;Yoon, Hong-Joo
    • Journal of Fisheries and Marine Sciences Education
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    • v.23 no.3
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    • pp.477-485
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    • 2011
  • For the identifying of spatial distribution pattern, Moran's Index(I) which has the range of values from -1 to +1 is common method for the spatial autocorrelation measurement. When I is close to 1, all neighboring features have close to the same value, indicating clustered pattern. Conversely, if the spatial pattern is dispersed, I is close to -1. And I closing to 0 means spatially random pattern. However, this index equation is influenced by how defining the neighboring features for target feature. To compare and understand the difference of neighborhood definition methods, fixed distance neighboring method and Gabriel Network method were used for I. In this study, these two methods were applied to two marine environments with water quality data. One is Gwangyang Bay which has complex geometric coastal structure located in South Sea of Korea. Another is Uljin area adjacent to open sea located in east coast of Korea. The distances between water quality observed locations were relatively regular in Gwangyang Bay, however, irregular in Uljin area. And for the fixed distance method popular Arc GIS tool was used, but, for the Gabriel Network, Visual Basic program was developed to produce Gabriel Network and calculate Moran's I and its Z-score automatically. According to this experimental results, different spatial pattern was showed differently for some data with using of neighboring definition methods. Therefore there is need to choose neighboring definition method carefully for spatial pattern analysis.

Producing True Orthophoto Using Multi-Dimensional Spatial Information (다차원공간정보를 이용한 실감정사영상 제작 방안)

  • Lee, Hyun-Jik
    • Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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    • v.26 no.3
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    • pp.241-253
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    • 2008
  • Recently, it is appearing that new paradigm of urban planning that ubiquitous concept such as the u-City, uECO-City is introduced while is rising necessity about third dimensional geo-spatial information of high quality for urban area. Orthophoto can manufacture by expense and time that is less easily than digital map using personal computer even if is not highly technician and according as position relation between manmade feature and natural feature is equal, can get information of distance, angle, horizontal and vertical position coordinate of topographic, area etc.. directly through orthophoto. Also, visual effect is good that orthophoto is expressed by image and interpretation is easy to detailed part of topographic. Manufacture and practical use are consisting in various field, for it is having advantage that can recognize information effectively than digital map. Therefore, this study presents a way of generating a detailed DSM for producing a true-orthphoto of the urban area, and this study also presents a way to produce an optimum true-orthophoto for an urban area by investigating through experiment the optimum variable for the geometric and radiometric correction of the orthophoto. This study also examined the potentials of the thesis by building a 3-dimensional city model of the model region with the above thesis on optimum generating method.

A Study of Traditional Pattern in Animation: focusing on Toom Moore's and (애니메이션에 사용된 전통문양 연구 - 톰 무어의 <바다의 노래>, <칼릴 지브란의 예언자-사랑에 대하여>를 중심으로)

  • Joe, Hyun-Jee
    • Cartoon and Animation Studies
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    • s.43
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    • pp.185-209
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    • 2016
  • Pattern refers to singular or repetitive decorative form in a blank surface, Also pattern is not just something to simply fill in the blanks, and has more meanings. Pattern reflects the specific culture or regional feature. So Depending on which pattern to use, creator can give particular of identity. which is generally utilized in visual arts such as painting, architecture, craft, as well as animation. Pattern in animation plays a role of decorating background or surfaces of characters' outfits or props. And Parttern is effective way to describe the story of the times and space environment of the background. Tomm Moore, an animation director in in Ireland mainly produces animations based on traditional folk stories or myths. He usually utilizes cultural and artistic factors related to the themes in his work production. One example is the insertion of pattern closely associated with the narratives and backgrounds of animations to create profound scenes. Tomm Moore used the Irish Celt pattern in Secret of Kells (2009) and Song of Sea (2014) and Islam geometric pattern and plant pattern in a short nimation named On Love from Kahlil Gibran's The Prophe (2014). This study attempts to examine the historical and cultural foundation and the narratives of these two animations, Song of Sea(2014) and Kahlil Gibran's The Prophet: On Love (2014) in which Tomm Moore participated as the director and producer, exploring their relevant traditional patterns. Moreover, it also attempts to analyze how these traditional patterns are utilized in the animations.