• 한국실내디자인학회논문집
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• 제20권6호
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• pp.97-104
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• 2011

Art has always been a witness to its time. The art of our century has lived through two world war. In that time Friedensreich Hundertwasser was born to a half Jewish family in Vienna in 1928. He lived and died as a painter, architect, designer, ecologist, writer, innovator... etc. He was impressed form Gustav Klimt, who pioneered the Viennese Secession which was the Austrian expression of the Art-Nouveau mouvement and inspired by the works of Egon Schiele from an early date. His style as an architect was heavily influenced by Antonio Gaudi and some of the Jugendstil architects. Although his architectural work is comparable to Gaudi in its biomorphic forms and use of tile, but is currently renowned for his unique styling. His character as follows; First, Bold color - His use of color is bold, and he has a strong sense of which color work well together. Second, Curved line & Spiral - It's the primary shapes in his works against the tyranny of ugliness and the iron rule of its straight line. Spiral reveal as a transautomaism. Third, Harmony with nature - His work is the creator of beauty, of nature of harmony, peace of joy, against the contradictions of our post-industrial society. He represented these various characteristics in his works. Hundertwasser first achieved notoriety for his boldly-colored painting, he is more widely renowned today for his revolutionary architectural designs.

• 한국가구학회지
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• 제16권1호
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• pp.39-51
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• 2005

The purpose of this study is to investigate the characteristics of Art Nouveau interior and furniture. For this purpose, the method of literature analysis was used. First, the general characteristics and background of Art Nouveau were investigated. Then the central architects of Art Nouveau were selected; Victor Horta, Henri Van do Velde, Hector Guimard, Antoni Gaudi and Charles Rennie Mackintosh, and their interior and furniture works were investigate to understand the characteristics of Art Nouveau interior and furniture. Their intoner and furniture works were fantastic and their designs became the base of Bauhous, the beginning of modern design.

• 유통과학연구
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• 제11권2호
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• pp.11-21
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• 2013

Purpose - The purpose of the study is to promote the adoption of traditional liquor product contents in order to revitalize the market and to increase consumer awareness of traditional liquor. Research design, data, methodology - In this study, the 4P relationship model was evaluated that included the self-supporting business of traditional liquor, continuous business, diversification of the types of the liquor, and discovery of preliminary social enterprises for the distribution of the liquor. Results - The study suggested a 4P relationship model that consisted of traditional liquor as the product, traditional market as the place, promotion within traditional market, and payment of labor costs. In other words, selection of the traditional liquor product, place, rental supports, distribution and delivery strategies, operations, public relations and training, foundation of social enterprises, and discussion between departments. Conclusions - The central government, local governments, and merchants (the market association) should actively cooperate with each other to revitalize the market for traditional liquor. Social enterprises that rely on a non-profit business model are likely to revitalize the traditional liquor market.

• 천문학회지
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• 제35권1호
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• pp.35-40
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• 2002

Gaudi, Naber & Sackett pointed out that if an event is caused by a lens system containing more than two planets, all planets will affect the central region of the magnification pattern, and thus the existence of the multiple planets can be inferred by detecting additionally deformed anomalies from intensive monitoring of high magnification microlensing events. Unfortunately, this method has important limitations in identifying the existence of multiple planets and determining their parameters (the mass ratio and the instantaneous projected separation) due to the degeneracy of the resulting light curve anomalies from those induced by a single planet and the complexity of multiple planet lensing models. In this paper, we propose a new channel to search for multiple planets via microlensing. The method is based on the fact that the lensing light curve anomalies induced by multiple planets are well approximated by the superposition of those of the single planet systems where the individual planet-primary pairs act as independent lens systems. Then, if the source trajectory passes both of the outer deviation regions induced by the individual planets, one can unambiguously identify the existence of the multiple planets. We illustrate that the probability of successively detecting light curve anomalies induced by two Jovian-mass planets located in the lensing zone through this channel will be substantial. Since the individual anomalies can be well described by much simpler single planet lensing models, the proposed method has an important advantage of allowing one to accurately determine the parameters of the individual planets.

• 한국실내디자인학회논문집
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• 제27권3호
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• pp.41-48
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• 2018

This thesis is a paper comparing Adolf Loos and Antoni Gaudí's 'theory of ornament', based on their text. Adolf Loos and Antoni Gaudí are architects who had worked from late 19c, just before advent of Modernism architecture, to early 20c. When 'ornament' had started to be excluded from architecture according to development of industrialization and capitalism, Loos and Gaudí have both written about 'ornament.' Generally, Loos is known to have possessed rational mind and designed modern building with no ornament, and Gaudí is known to have possessed romantic mind and used splendid ornaments. For those reasons, it was assumed that two architects would have contrast opinions regarding ornaments. However, analysis of two architects' major text reveals that their theories of ornament are fundamentally analogous. Loos and Gaudí both argue dissolution of past normative 'ornament' and claims that rational 'ornament' that fits modern time is possible. Interestingly, intentionally adopted ornaments exist considerably in architecture of Loos. On the other hand, in Gaudí's architecture, there are many points where Gaudí had restrained ornaments. This thesis organizes similarity and differences of two architects' 'theory of ornament' through their texts and works. Moreover, this thesis suggests that then today's architecture aims to restart a debate on 'ornament', it is worth reviewing texts of Loos and Gaudí.

• 유통과학연구
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• 제12권5호
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• pp.109-117
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• 2014

Purpose - The study investigates the history, production methods, market scale, and distribution of the traditional liquors of three countries: South Korean sokokju, Chinese shaoxing-chiew, and Japanese sake. These have similar production methods, being made from rice or cereal, cores of their respective food industries. Research design, data, and methodology - The study investigated the history of the three liquors, liquor classification in the three countries, and production methods. It examined the scale of the traditional liquor market and these countries' distribution structure. Results - Brand cognition of traditional liquors is affected by a focus on wellbeing and LOHAS (lifestyle of health and sustainability). Promotion and marketing strategies along with a high quality image, shelf life of draft liquor, traditional liquor identification systems, and high taxes on traditional liquor, and the need for continuous R&D and training of professionals all impacted the industry. Conclusions - These countries play important roles in world trade, seeking economic integration. By forming a free trade agreement (FTA), their traditional liquors, with a proud history, can be jointly branded in the world market.

• 유통과학연구
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• 제11권9호
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• pp.51-57
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• 2013

Purpose - This study investigates the effect of visual merchandising display (VMD) of local specialty retailer of private label apparel (SPA) brands, such as space, display, and presentation on brand awareness, brand image, and purchase intention. It investigates consumers' VMD awareness and purchase intention of SPA brands to help business activities of local SPA enterprises. Research designs, data, methodology - This study uses SPSS 18.0 to study eight local SPA brands and has 193 effective usable copies from a sample of 200. Results - The display and presentation of VMDs of SPA brands had a positive influence on brand awareness and brand image, which in turn had a positive influence on purchase intention. Conclusions - As SPA brands are increasingly located in supercenters, they face space constraints and find it difficult to display their facade and signs effectively. Therefore, decisions pertaining to display, presentation, and space should consider whether these SPA brands are launched as independent specialty shops or in supercenters. The space for VMD is considered important in independent shops. However, shops that open in supercenters should pay more attention to presentation rather than space.

• Acta Via Serica
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• 제9권1호
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• pp.91-138
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• 2024

This survey explores artifacts like steles, metal or stone statues, metal foils, and coins, bearing inscriptions in the Sanskrit language and Siddhamātṛkā (or "Siddham"), Nāgarī, and Proto-Bengali/Gauḍī scripts produced in Java between the 8th and 13th century CE, contextualizing them against the background of the pan-Asian networks of Tantric Buddhism or Mahāyāna Buddhist Tantra and especially its circulation along the maritime "Silk Routes." Discussing the interrelationship between languages, scripts, religions, and politics in Java and relevant regions of the wider Buddhist world, it tries to answer questions concerning foreign or local agency and audience as well as transregional connectivity. In particular, it argues that the quick spread of varieties of Mahāyāna/Mantrayāna Buddhism from the Subcontinent to Java and East Asia during a "first wave" from the 8th to the 9th century appears to have occurred in parallel with the diffusion of Siddhamātṛkā script in those locales, whereas a "second wave" of Tantric Buddhism linking the Indo-Tibetan and East Asian Buddhist world is associated with Nāgarī and Proto-Bengali/Gauḍī script in East Java.

• 천문학회지
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• 제53권1호
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• pp.9-26
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• 2020

At q = 1.81 ± 0.20 × 10^-5, KMT-2018-BLG-0029Lb has the lowest planet-host mass ratio q of any microlensing planet to date by more than a factor of two. Hence, it is the first planet that probes below the apparent "pile-up" at q = 5-10 ×10^-5. The event was observed by Spitzer, yielding a microlens-parallax π_E measurement. Combined with a measurement of the Einstein radius θ_E from finite-source effects during the caustic crossings, these measurements imply masses of the host M_host = 1.14^+0.10_-0.12 M_⊙ and planet M_planet = 7.59^+0.75_-0.69 M_⊕, system distance D_L = 3.38^+0.22_-0.26 kpc and projected separation a_⊥ = 4.27^+0.21_-0.23 AU. The blended light, which is substantially brighter than the microlensed source, is plausibly due to the lens and could be observed at high resolution immediately.

• 한국프랜차이즈경영연구
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• 제3권2호
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• pp.1-19
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• 2012

기존 자영업자와의 골목상권 분쟁 그리고 가맹본부와 가맹점간의 갈등과 분쟁에서 해결할 수 있는 방안으로 상생협업인 협동조합을 제시하고자 하며, 프랜차이즈 산업이 발달된 미국의 던킨 도너츠의 구매형 협동조합을 분석하고 던킨 도너츠와 가맹점간의 협력적 전략 등이 우리나라 프랜차이즈산업에 도움을 줄 수 있는 시사점을 찾아보고자 한다. 본 연구는 1955년 미국의 초기의 프랜차이즈 협동조합부터 1970년대 말까지 ARCOP, KFC, 던킨 도너츠 협동조합의 기본 원칙과 실행지침을 통해 새로운 한국형 프랜차이즈 협동조합의 모델의 발굴이라 할 수 있다. 또한 던킨 도너츠를 통하여 종합유통프로그램(TDP), 단기선물프로그램(SFP), 그리고 유통실행프로그램(DCP)의 구매형 협동조합의 성공프로그램을 살펴본다. 프랜차이즈 가맹점들의 수익성 개선을 위해서는 공동구매 협동조합을 운영하는 미국의 던킨 도너츠 사례를 통해 첫째, 가맹본부와 가맹점간의 힘(Power)관계가 아닌 협력적인 관계가 필요. 둘째, 가맹점의 상호연대의 힘. 셋째, 한국 프랜차이즈 시스템의 문제. 넷째, 빨리 가는 것 보다 함께 가는 기업가 정신이 필요. 다섯째, 철저한 만족경영이다. 30여년 안 되는 짧은 프랜차이즈의 역사 따른 양적 팽창과 프랜차이즈 수익모델 등 두 나라의 시스템 환경이 다른 상황에서 서로간의 상생적 동반자인 협동조합을 통한 성공사례 모델로 일반화에는 한계가 있다. 향후 협동조합 성공을 심도 있는 분석을 통해 국내 프랜차이즈산업의 지속가능한 경영을 기대해 본다.