• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.32 no.3
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• pp.21-31
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• 2014

This study aims to comparison of spatial composition that Okhojeong garden and Seokpajeong garden. Construct background and space structure in both of Okhojeong garden and Seokpajeong garden is analyzed. The results were as follows. First, Okhojeong garden and Seokpajeong garden of the nobles gardens in late Joseon dynasty. They had the advanced techniques of contemporary based on their political power and wealth, and therefore could built garden and enjoy the garden culture of the upper layer. Furthermore, composition of the Okhojeong garden can be assumed that it is related to construction of the Seokpajeong garden through analysis of the relationship between builders. Secondly, Space structure of Okhojeong garden and Seokpajeong garden is divided into pavilion unit of small gardens with living space as the center. Construction pavilion in each garden space imbues certain landscape theme. In addition, authorization of characteristics of a place in each area is attempted through boundary establishment and selective garden culture of varied seasonal landscape. Thirdly, In Seokpajeong garden, most of construction characteristics of Okhojeong garden are appeared. This indicates that Seokpajeong garden was affected by space-configuration-technique of Okhojeong garden such as acceptation or modification recreation. Fourth, In many cases, fanciers regarding floriculture are expanded to enthusiasts in late Joseon dynasty. In Okhojeong garden and Seokpajeong garden, herbaceous ornamental is considered to be precious and garden materials such as water tray, stone couch, oddly shaped stone, potted plant, artificial hill, wisteria trellis are diversified at the time.

• Proceedings of the Plant Resources Society of Korea Conference
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• 2019.04a
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• pp.27-27
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• 2019

본 연구는 한국 특산식물이고, IUCN Red List의 EN(위기종) 등급에 속하는 개느삼(Echinosophora koreensis)을 대상으로 자생지 분포, 식생구조 등의 생태적 특성과 현지 내외 보전 방안을 제시하기 위해 수행되었다. 개느삼의 자생지 분포 조사 결과 강원도 양구군 13곳, 인제군 3곳, 춘천시 2곳, 홍천군 1곳 총 19곳에 분포하는 것을 확인하였다. 개느삼 자생지의 해발고도는 169-711m에 분포하는 것으로 나타났고, 평균 해발고도는 375m 인 것으로 조사되었다. 개느삼 자생지의 면적 조사 결과, $8,000-734,000m^2$인 것으로 분석되었고, 평균 $202,789m^2$으로 조사되었다. 개느삼 자생지의 입지환경 분석을 수행한 결과, 자생지 내 우점종은 교목층에서 소나무가 대부분 우점하였고, 아교목층에서는 신갈나무가 우점하는 것으로 분석되었다. 관목층은 생강나무가 우점하였고, 초본층은 모든 조사구에서 개느삼이 우점하는 것으로 분석되었다. 개느삼 자생지의 식생군집분석 결과, 신갈나무, 소나무, 굴참나무 우점 군집 3개 군집으로 분류되었다. 개느삼 자생지를 대상으로 관속식물상을 조사한 결과, 총 82과 204속 289종 4아종 43변종 5품종 341분류군으로 확인되었다. 개느삼의 출현지점을 이용하여 자생지 분포역 예측 model 중 하나인 MaxEnt 분석을 통하여 잠재 분포지 분석을 수행한 결과, AUC값은 0.9762로 분석되었다. 분포예측 자생지는 강원도 양구군, 인제군, 춘천시, 화천군 지역에 집중되어 분포하는 것으로 나타났다.

• Journal of the Korean Society of Environmental Restoration Technology
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• v.14 no.5
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• pp.69-79
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• 2011

This study assessed the subsurface runoff and peak flow reduction in rain gardens. The results showed that the highest water retention was found in rain garden mesocosms in which Rhododendron lateritium and Zoysia japonica were planted, followed by mesocosms in which either R. lateritium or Z. japonica was planted, and the lowest water retention rate was found in non-vegetated control treatment mesocosms(${\alpha}$ < 0.05). Although higher rainfall intensity caused a decrease of peak flow reduction in both vegetated and non-vegetated treatments, peak flow reduction was the greatest in mesocosms with mixed plants. A rain garden can be an effective tool for environment-friendly stormwater management and improving ecological functions in urban areas. Depending on the purpose such as delaying runoff or increasing infiltration, various plant types should be considered for rain garden designing.

• Korean Journal of Plant Taxonomy
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• v.50 no.3
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• pp.356-360
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• 2020

A new distribution of Trichosanthes cucumeroides (Ser.) Maxim. ex Franch. & Sav. is discovered in Korea. This species was collected from forest margins on Ando Island, Ando-ri, Nam-myeon, Yeosu-si, in Jeollanam-do. T. cucumeroides is clearly distinguished from other species of the genus by having three- or five-lobed leaf blades, linear-lanceolate and minute bracts with entire margins, and oblong to triangular-ovoid seeds. Here, we provide precise description, a taxonomic key to the Korean Trichosanthes species, illustrations, and photographs of its habitat. The Korean name for the species is established as 'Bul-geun-ha-neul-ta-ri' considering the reddish color of its fruit.

• Korean Journal of Plant Resources
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• v.7 no.2
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• pp.171-175
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• 1994

The effects of medium, hormones, and PFP on the proliferation of red callus in leaf tissue cultures of Garden orach(Atriplex hortensis L.) was investigated. As a result,88% of leaf tissues formed eallus on MS nledium containing 2mg/$\ell$ 2,4-D. Fresh weight of callus was higher on MS medium than on Bsand NN media. It was also found that 2, 4-D was more effective than Dicamba and Picloram. The op-timum concentrations of hormones for callus proliferation depended on culture media. Isolated red cal-lus grew markedly both on MS medium supplemented with 1-2mg/$\ell$ 2, 4-D and Bs medium contain-ing 2-4111g/$\ell$ 2,4D. Callus proliferated on B5 and NN media containing Dicabma Img/$\ell$ as well as onthe same media containing 2mg/$\ell$ Picioram. The addition of PFP concentrations of 2, 5, and 40mg/ $\ell$rcspectiely to culture medium caused increase of callus fresh weight, especially under light condition.

• Journal of the Korean Institute of Landscape Architecture
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• v.45 no.3
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• pp.41-53
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• 2017

This study was performed to determine what the plant material were selected to reflect in the 2016 Korea Garden Show designer's garden. It was analyzed that plant material was used to display the theme of the garden and to create a specific space. Under the given theme of 'K-Garden, Shinhallyu Garden(new style garden culture) with the most Korean taste', the plants were used to highlight the theme in two types: 'representation' and 'expression'. There were two 'representation' gardens that imitate a particular space of Korean taste and four 'expression' gardens that showcase the designer's thoughts with abstract concepts and concrete objects. Three gardens included both types of garden. The way of revealing the subject with plants was used more for 'expression' than for 'representation'. There were eleven spaces for 'representation' of the Korean taste, a vegetable garden, faucet, pond, field, nature, a Hanok court garden, groves of bamboo, tile roof, stone wall, rock and backyard of a Hanok connected to the mountain. The planting material was used in two ways: reflecting only the ecological characteristics of the plant, and considering the ecological and visual characteristics together. Vegetation plantings reflecting the ecological characteristics were observed in all eleven spaces. Nine of the spaces reflected the growth environment of the plants, but the other two did not reflect the ecological characteristics of the plants, unlike the designer's intention. In the case of the four spaces that considered the ecological and visual characteristics together, color and size were considered visual characteristics. The plants in the seven spaces that included 'expression' as the theme were selected to reflect the visual characteristics in the order of color, shape, texture, and size, rather than reflecting ecological characteristics. A group planting method was applied. When the plants were used as materials for creating space, Norman(1989) analyzed three enclosure factors(overhead, vertical, ground plane). Only two deciduous trees were used in the overhead plane while five species of evergreen shrubs and thirty species of various deciduous plants were used in the vertical plane. There were forty-five species (nine trees and thirty-six herbaceous plants) forming the ground plane, and various herbaceous plants were utilized without duplication in each garden. The designer's garden of the Garden Show played a role in introducing new groundcover plants to the public. Three of the nine gardens did not include ornamental plants, and the use of decorative plants in other gardens was few compared to the number of plantings. In the Korea Garden Show designer's garden, most of the plants were being used with the intention of exposing the theme or architectural uses. In the 2016 Korea Garden Show designer's garden, many species of plants were used as materials for showcasing themes rather than for creating spaces. Also, the method of 'expression' was used more than the method of 'representation' in order to highlight the theme. This indicates that the planting materials reflect visual characteristics such as color, shape, texture, size rather than ecological characteristics.

• Journal of the Korean Institute of Landscape Architecture
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• v.17 no.2
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• pp.41-46
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• 1989

Rhododendron micranthum grown over the area of Kyoung Puck, Kang Weon Province is showy and very attractive evergreen broad-leaned shrub of shade resistance. This shrub is considered very useful for exploiting as a garden plant. Environments, growth characteristics and vegetation association in the wild habitat and in the garden planted with this shrub, were investigated to find out some appropriate means of propagation and cultivation of this shrub. The results thus obtained were stated as follows ; 1. Light intensity for the native habitat ranged in the proximity of 9%. The most abundant stand of this shrub occurred in the northen side of mountains, while still some plants were found in the eastern sides also. 2. Soil of the native habitat was acidic (pH 4.4) and infertility. 3. Average elevation of the native habitat was shown to be 230m above the sea level. 4. The plant of the native habitat showed an average of 3.9 new shoots per branch, whereas that of the garden planted (light intensity 100%) showed 1.2, 5% of an average was for sun-burn leaves were noted, while garden Plants(light intensity 100%) showed 90% of them. 5. Other tree species associated with Rhododendron micrathum in the native habitat were primarily Pinus densiflora and secondarily Sorbus alnifolia, hemerocallis aurautiaca, Rubus crataegifolius, and Salix hulteni. 6. Vegetation rate of plant habitats in the Rhododendron growing area was observed to be 0 to 80% involving 27 to 50 species of associated trees in the vegetation for the 10${\times}$10m quadrat area.

• Korean Institute of Interior Design Journal
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• v.22 no.3
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• pp.33-42
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• 2013

The purpose of this study was to analyze the design trend of the vertical garden design in the indoor space through the examples of green wall in the lobby space. For the analysis, this study looks into the 'Guide for the Building Greening System' to understand the technical consideration for the green wall. After that, the key design elements was drawn from existing green walls through the literature review and field survey and field-survey. The study picked six green walls which was completed after 2000 in the lobby space in Seoul. The major findings of this study were as follows: First, the design factors mainly depend on the plant selection, which leads to the outlook and texture of the vertical walls. The texture is expressed by the two-dimensional or three-dimensional planting methods which is related to the selection of plant species. Second, the vertical walls in the lobby area should be planned for the function of space which could be transition, human traffic, mood and attraction. Third, the vertical wall should be integrated with the surroundings in order to reinforces the dynamic or static space experience.

• Korean Journal of Plant Resources
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• v.24 no.3
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• pp.330-336
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• 2011

The recent disaster of earthquake and tsunami on March 11, 2011 severely attacked East Japanese cities and people, and in addition, the accident of nuclear power station will inevitably damage the agricultural activities there. The economical depression influences on the horticulture and floriculture industry as well, through the reluctant consumption all over the country. Such a situation reflects a conventional perception that the garden plants or ornamental plants have been regarded as a symbol of capitalism, representing the success, luxury, beauty or other metaphors indicating the winners of business war. But as the word "culture" means "cultivation" originally, horti "culture" or flori "culture" should have played some roles in cultivating lands as well as cultivation of human minds, leading to develop a modern "culture" which may lay emphases on personality, originality, partnership, cooperation, diversity and so forth. In this article, a brief history of garden plants in Japan, as well as some current movements in Japanese horticulture and floriculture, is reviewed with some commodities which possess messages on creating a new humane culture.

• Journal of the Korean Institute of Landscape Architecture
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• v.26 no.4
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• pp.36-58
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• 1999

We designed the model picture of Tourism Botanical Garden, as a kind of theme park, in which we could enjoy flowers all the year round and the glorious tints of its autumn foliage. It would be very important to decide what kinds of trees should be planted and where to plant them. We selected the appropriate flowers and trees according to their value of appreciation and flowering time and the grand view around there and the weather conditions of the central region. We selected perennial plants as native plants, according to their color, flowering time and for the convenience of maintenance. And we selected some kinds of culture plants to show the seasonal change and diversity, according to their color and flowering time. We adopted the roof-tile pattern of Pakjae Kingdom to design the basic model of the garden, and the area was divided into eight sections. Six of them were divided again into four small planting areas from the outside respectively, according to the kinds of trees; pine-tree area, native flowering plant area, flowering tree area and flowering shrub area. The last two sections are by a lake, so they could make a beautiful landscape of waterfront. For the effective and economic operation of the garden, some kinds of flower trees and shrubs, which are little damaged by blight and are needless to prune, were selected. And perennial plants were also selected, because we don't have to change them into other plants, so we could cut down the expenses. As for the culture plants, they could be easily replaced with other culture plants in the flowering time, to show seasonal change and the harmony with the scenery around the garden.