• 제목/요약/키워드: Game for Music Performance

검색결과 8건 처리시간 0.024초

연주체험 기능성 게임 (Serious Game for Experience of Music Performance)

  • 정찬용;강나원
    • 한국게임학회 논문지
    • /
    • 제15권2호
    • /
    • pp.115-122
    • /
    • 2015
  • 이 논문에서는 악기 연주를 전혀 못하는 사용자들에게 연주 경험을 가능하도록 해주는 연주체험 기능성 게임을 제안한다. 연주를 어렵게 만드는 선율을 사용자의 연주 제스처에 맞춰 조율해 주는 악보 조정 알고리즘을 사용함으로써 이 게임은 표준 악보에 기반을 둔 음악을 대리하여 연주한다. 이 연주는 사용자가 재현하는 제스처 기호를 에이전트가 해석함으로써 구현되는 것으로 양자 간의 이러한 상호작용을 퍼스의 커뮤니케이션 모델을 통해 이해한다.

Meta's Metaverse Platform Design in the Pre-launch and Ignition Life Stage

  • Song, Minzheong
    • International Journal of Internet, Broadcasting and Communication
    • /
    • 제14권4호
    • /
    • pp.121-131
    • /
    • 2022
  • We look at the initial stage of Meta (previous Facebook)'s new metaverse platform and investigate its platform design in pre-launch and ignition life stage. From the Rocket Model (RM)'s theoretical logic, the results reveal that Meta firstly focuses on investing in key content developers by acquiring virtual reality (VR), video, music content firms and offering production support platform of the augmented reality (AR) content, 'Spark AR' last three years (2019~2021) for attracting high-potential developers and users. In terms of three matching criteria, Meta develops an Artificial Intelligence (AI) powered translation software, partners with Microsoft (MS) for cloud computing and AI, and develops an AI platform for realistic avatar, MyoSuite. In 'connect' function, Meta curates the game concept submitted by game developers, welcomes other game and SNS based metaverse apps, and expands Horizon Worlds (HW) on VR devices to PCs and mobile devices. In 'transact' function, Meta offers 'HW Creator Funding' program for metaverse, launches the first commercialized Meta Avatar Store on Meta's conventional SNS and Messaging apps by inviting all fashion creators to design and sell clothing in this store. Mata also launches an initial test of non-fungible token (NFT) display on Instagram and expands it to Facebook in the US. Lastly, regarding optimization, especially in the face of recent data privacy issues that have adversely affected corporate key performance indicators (KPIs), Meta assures not to collect any new data and to make its privacy policy easier to understand and update its terms of service more user friendly.

과업-기술적합성이 스마트폰 의존도에 미치는 영향 (The effect of Task-Technology Fit on Smart-Phone Depedency)

  • 이윤희;신성윤;이현창;이상원;김도관
    • 한국정보통신학회:학술대회논문집
    • /
    • 한국정보통신학회 2014년도 춘계학술대회
    • /
    • pp.177-179
    • /
    • 2014
  • 스마트폰을 개인 업무에 사용하는 것은 음악, 게임, 정보검색, 쇼핑 등의 스마트폰의 일반적인 사용과 달리 비자발적 가능성이 높다. 따라서 기존의 정보기술수용모형에서 제시하는 시스템에 대한 태도나 시스템의 유용성과 용이성만으로는 스마트폰의 업무활용을 충분히 설명하기 어렵다. 정보기술과 개인의 업무체계가 잘 맞는 정보시스템이 성과를 달성한다는 과업기술적합성 이론을 기반으로 스마트폰의 개인 업무활용에 대한 연구를 수행하고자 한다.

  • PDF

콘텐츠의 융합요소 및 융합경로와 융합유형 분석 (An Analysis of the Convergence Factors, Convergence Passes, and Convergence Types in Content Industries)

  • 임명환;이중만
    • Journal of Information Technology Applications and Management
    • /
    • 제20권3_spc호
    • /
    • pp.295-314
    • /
    • 2013
  • These days a great mix of traditional and digital contents such as movie, broadcasting, advertisement, e-books, music, game, animation, cartoon, character, knowledge information, and art performance are widely available. Many more are yet to come, with improved quality and added features. It is expected that all these contents will be evolved into a new breed of convergence content through the process of consolidation, expansion, integration, and recreation. Across the digital ecosystem, a new formula is being added to the industrial structure : 'Information/Content-Platform/Device-Goods/Service.' In the near future, as a result of technological innovation and convergence, the business sector will lose its boundaries as well, as businesses will be forced to look beyond the product itself and focus more on multi-functionality. Especially, in the era of creative economy, more policies need to be crafted in order to procure a new growth engine for the future with the agenda for convergence between humanities and technology. Therefore, the purpose of this paper is to analyze the concept, factors, elements, types, and cases of convergence, which are the essence of content convergence. This analysis, with its focus on the convergence process, will help identify the effects and limits of content convergence as well as the prospects for convergence contents in the smart ecosystem under the creative economic system.

Tangible Interaction을 활용한 가상현실 콘텐츠 디자인에 관한 연구 (VR Contents Design using Tangible Interaction)

  • 이현진
    • 디자인학연구
    • /
    • 제17권2호
    • /
    • pp.463-470
    • /
    • 2004
  • 본 연구에서는 비교적 간단한 구현 기술과 저가의 플랫폼으로 가상현실 체험을 해볼 수 있는 콘텐츠를 개발하고자 효과적인 가상현실 경험의 구현 요소를 연구하였으며, 그 요소는 현실감과 몰입감, 환상감의 구현 및 Tangible interaction의 사용으로 요약되었다. 이러한 요소들을 적용하여 경험 디자인 컨셉을 도출하고 상대적 현실감이 높은 실사 비디오 영상의 대화면 프로젝션(projection)과 비전 트레킹(Vision Tracking) 기술을 활용한 플랫폼을 디자인하였으며, Tangible device의 자연스러운 인터렉션을 적용한 가상현실 콘텐츠를 디자인하였다. 디자인 결과물은 전시의 형태로 제시하여 일반 사용자들의 체험 기회를 넓히고자 하였으며, Class Xylophone 2003과 VR Class의 두 가지 사례 연구를 통하여 컨텐츠 및 인터렉션 컨셉의 타당성을 검증하였고 다양한 가상현실 콘텐츠와 그 상업적 활용 가능성을 보여줌으로서 가상현실 분야의 저변 확대에 기여하고자 하였다.

  • PDF

실내수영장 음향성능 개선을 위한 리모델링에 관한 연구 (A Study on the Remodeling for Improvement of Acoustic Performance at Indoor Swimming Pool)

  • 김남돈;김대군;김재수
    • 한국건축시공학회지
    • /
    • 제9권3호
    • /
    • pp.87-94
    • /
    • 2009
  • Recently, in accordance with the interesting on well-being as well as the revitalization of living athletics, it is current tendency that people who use the swimming pools are on increasing. However, because the most of indoor swimming pools have ever used the reflection finishing materials likely as the tile due to the property of its hydrophilic space, the inside of indoor swimming pool is vibrating too much, and some problem which the voice and music do not delivering clearly is occurring when swimming lessons or underwater aerobics(synchronized swimming) and swimming game. Based on such viewpoint, locating the object on actually built indoor swimming pool, this Study has ever grasped its physical acoustic property, and finally designed the indoor swimming pool that contains an optimum acoustic condition, by remodelling it through an acoustic simulation. It is considered that such study result could be utilized as the useful materials when constructing the similar indoor swimming pool, hereafter.

경북 동해안별신굿 맞굿의 전승 양상과 의미 (Transmission Pattern and Meaning of Gyeongbuk East Sea coast Byeolsingut matgut - Focusing on changes in social perception of gut and shaman)

  • 마소연
    • 공연문화연구
    • /
    • 제39호
    • /
    • pp.393-413
    • /
    • 2019
  • 맞굿은 주로 10년 두리로 굿을 거행하는 영덕과 울진의 해안 마을에서 연행된다. 맞굿은 1)무당 맞이, 2)당신(堂神)에게 고함, 3)무당소개와 패기 보기 과정으로 이루어진다. 맞굿이 연행되는 이유는 마을에 따라서 당주가 없거나, 당주가 있더라도 큰굿을 연행할 능력이 부족할 경우 굿을 연행할 무당을 섭외해 맞이하여야 하기 때문이다. 당주무의 역량에 충분하더라도 별신굿은 많은 수의 무당이 필요하기 때문에 여러 무당을 섭외할 수밖에 없다. 따라서 항상 맞이해야 할 무당이 있을 수밖에 없고, 일부 경북 해안 마을에서는 그 무당들을 대상으로 하는 맞굿이 연행된다. 별신굿이 세월의 흐름에 따라 변화하듯이 맞굿 역시도 변화하고 있는데, 2000년대 이후 맞굿은 별신굿의 전체 일정이 갈수록 짧아지면서 2)당신에게 고함 3)무당소개와 패기보기 절차가 사라지고 있다. 2000년대 이후 맞굿에서 나타나는 또 다른 중요한 변화는 맞굿 연행 담당이 달라졌다는 것이다. 옛날에는 마을 사람들이 연행의 주체로서 부족하나마 그 역할을 성실히 수행했다. 그런데 최근에는 마을에서 점차적으로 농협 풍물단 등 외부에서 사물놀이패를 초청하여 맞굿을 연행하는 양상이 나타난다. 맞굿은 속(俗)의 영역에 있는 무당들을 성의 영역으로 편입시키는 일종의 통과의례로써 연행하게 된다. 또, 맞굿은 무당패의 능력을 확인하는 절차로도 활용되었다. 그러나 굿에 대한 인식이 전통 예술로 변화하고, '굿박사' 어르신들도 얼마 남아 있지 않다보니 점차 맞굿은 마을 외부의 존재인 풍물단과 무당패가 흥겨운 분위기를 만드는 정도의 절차로 변화하고 있다. 또 굿의 주관을 대부분 무집단에게 일임하고, 굿의 의미와 목적을 모른 채 연행되다보니 굿거리의 형식조차도 온전히 지켜지지 못하고 있다. 오랫동안 경북 동해안 별신굿의 주요한 특징으로 거론되어 오던 맞굿은 이제 과거의 그 목적과 기능을 점차 잃어가고 있으며, 이제는 한바탕 신나는 놀이판을 형성하는 굿거리로 변화하고 있다.

미술교육에 있어서 시각적 미디어를 통한 조형교육에 관한 연구 (Visual Media Education in Visual Arts Education)

  • 박지숙
    • 조형예술학연구
    • /
    • 제7권
    • /
    • pp.64-104
    • /
    • 2005
  • Visual media transmits image and information reproduced in large quantities, such as a photography, film, television, video, advertisement, or computer image. Correspondence to the students' reception and recognition of culture in the future. arrangements for the field of studies of visual culture. 'Visual Culture' implies cultural phenomena of visual images via visual media, which includes not only the categories of traditional arts like a painting, sculpture, print, or design, but the performance arts including a fashion show or parade of carnival, and the mass and electronic media like a photography, film, television, video, advertisement, cartoon, animation, or computer image. In the world of visual media, Image' functions as an essential medium of communication. Therefore, people call the culture of today fra of Image Culture', which has been converted from an alphabet convergence era to an image convergence one. Image, via visual media, has become a dominant means for communication in large part of human life, so we can designate an Image' as a typical aspect of visual culture today. Image, as an essential medium of communication, plays an important role in contemporary society. The one way is the conversion of analogue image like an actual picture, photograph, or film into digital one through the digitalization of digital camera or scanner as 'an analogue/digital commutator'. The other is a way of process with a computer drawing, or modeling of objects. It is appropriate to the production of pictorial and surreal images. Digital images, produced by the other, can be divided into the form of Pixel' and form of Vector'. Vector is a line linking the point of departure to the point of end, which organizes informations. Computer stores each line's standard location and correlative locations to one another Digital image shows for more 'Perfectness' than any other visual media. Digital image has been evolving in the diverse aspects, such as a production of geometrical or organic image compositing, interactive art, multimedia art, or web art, which has been applied a computer as an extended trot of painting. Someone often interprets digitalized copy with endless reproduction of original even as an extension of a print. Visual af is no longer a simple activity of representation by a painter or sculptor, but now is intimately associated with a matter of application of media. There is some problem in images via visual media. First, the image via media doesn't reflect a reality as it is, but reflects an artificial manipulated world, that is, a virtual reality. Second, the introduction of digital effect and the development of image processing technology have enhanced a spectacle of destructive and violent scenes. Third, a child intends to recognize the interactive images of computer game and virtual reality as a reality, or truth. Education needs not only to point out an ill effect of mass media and prevent the younger generation from being damaged by it, but also to offer a knowledge and know-how to cope actively with social, cultural circumstances. Visual media education is one of these essential methods for the contemporary and future human being in the overflowing of image informations. The fosterage of 'Visual Literacy' can be considered as a very purpose of visual media education. This is a way to lead an individual to the discerning, active consumer and producer of visual media in life as far as possible. The elements of 'Visual Literacy' can be divided into a faculty of recognition related to the visual media, a faculty of critical reception, a faculty of appropriate application, a faculty of active work and a faculty of creative modeling, which are promoted at the same time by the education of 'visual literacy'. In conclusion, the education of 'Visual Literacy' guides students to comprehend and discriminate the visual image media carefully, or receive them critically, apply them properly, or produce them creatively and voluntarily. Moreover, it leads to an artistic activity by means of new media. This education can be approached and enhanced by the connection and integration with real life. Visual arts and education of them play an important role in the digital era depended on visual communications via image information. Visual me야a of day functions as an essential element both in daily life and in arts. Students can soundly understand visual phenomena of today by means of visual media, and apply it as an expression tool of life culture as well. A new recognition and valuation visual image and media education is required to cultivate the capability of active, upright dealing with the changes of history of civilization. 1) Visual media education helps to cultivate a sensibility for images, which reacts to and deals with the circumstances. 2) It helps students to comprehend the contemporary arts and culture via new media. 3) It supplies a chance of students' experiencing a visual modeling by means of new media. 4) There are educational opportunities of images with temporality and spaciality, and therefore a discerning person becomes to increase. 5) The modeling activity via new media leads students to be continuously interested in the school and production of plastic arts. 6) It raises the ability of visual communications dealing with image information society. 7) An education of digital image is significant in respect of cultivation of man of talent for the future society of image information as well. To correspond to the changing and developing social, cultural circumstances, and the form and recognition of students' reception of them, visual arts education must arrange the field of studying on a new visual culture. Besides, a program needs to be developed, which is in more systematic and active level in relation to visual media education. Educational contents should be extended to the media for visual images, that is, photography, film, television, video, computer graphic, animation, music video, computer game and multimedia. Every media must be separately approached, because they maintain the modes and peculiarities of their own according to the conveyance form of message. The concrete and systematic method of teaching and the quality of education must be researched and developed, centering around the development of a course of study. Teacher's foundational capability of teaching should be cultivated for the visual media education. In this case, it must be paid attention to the fact that a technological level of media is considered as a secondary. Because school education doesn't intend to train expert and skillful producers, but intends to lay stress on the essential aesthetic one with visual media under the social and cultural context, in respect of a consumer including a man of culture.

  • PDF