• 한국주거학회논문집
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• 제25권2호
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• pp.37-44
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• 2014

The Gallery of Casa del Agua in Jeju Island was demolished by Jeju local government on March 6 in the last year. In the meanwhile, a lot of people including the architectural field had denied the demolition. Regardless of sustained efforts in order that the building could be preserved as a work, Jeju government ended up with demolishing the gallery. The Gallery of Casa del Agua was a temporary building constructed as a model house of Casa del Agua. As the remaining period of the temporary building had passed, it was on the verge of demolition by Jeju government. Casa del Agua is 'dwelling of water' in Korean, and the building was the last posthumous work of Mexican architect Ricardo Legorreta. Knowing from the expression of 'dwelling of water', this house is a dwelling work of him. Through this work, his architecture languages that he had pursued contained in dwelling could be looked into. This study examined the background and course of demolition of the Gallery of Casa del Agua, 'dwelling of water' and arranged problems in the course of demolition. Then, the fact that the Gallery of Casa del Agua as an architecture work of Ricardo Legorreta included his architecture languageswas analyzed. For this, his universalarchitecture languages were examined and how the architecture languages were applied to the Gallery of Casa del Agua was analyzed. As a result, it could be known that languages of composition and languages of emotion consistently shown in his works were represented in the Gallery of Casa del Agua.

• 대한건축학회논문집:계획계
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• 제34권2호
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• pp.95-106
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• 2018

This study aimed at revaluating Frank Gehry's freeform constructions. To this end, the study analyzed the way the space composition and circulation system of general constructions are connected with newly extended parts in the Art Gallery of Ontario and, based on this, comparatively analyzed freeform constructions before and after the art gallery, finding out what changes were made in the exterior and interior spaces of freeform constructions built after the art gallery. The results of the study are as follows. First, starting from extending the Art Gallery of Ontario, Gehry came to use glass instead of metal as main material of freeform constructions. In order to create the circulation connecting the existing building and the extended mass, Gehry applied continuing circulation for the first time to the gallery. Third, in addition to design motives, such as the woodblock print depicting a carp by Hiroshige, still life depicting a glass bottle by Morandi and the crease of the shawl in Vermeer's paintings, which Gehry applied to freeform constructions, the design motif which was recently acquired from Pyrenees rock was added. Fourth, the trend of mall construction appeared before and after the Art Gallery of Ontario. Finally, Gary used the shape of fish as a design motif for his work at an important turning point in his Freeform Architecture.

• 한국디지털건축인테리어학회논문집
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• 제5권2호
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• pp.21-28
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• 2005

The main purpose of this paper is to look into the relationship between pavilion and exhibit in Rodin Gallery. Rodin Gallery is intended to accommodate The Gates of Hell and The Burghers of Calais, two materpieces by the French sculptor Auguste Rodin. In order to retain Rodin's intent, the museum designed by KPF is constructed primarily of glass, which maximizes natural light and minimizes shadows. Thematically, the Glass Pavilion was designed to provide a place of relaxation in a highly urban environment.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.128-135
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• 2012

The purpose of this study is to investigate and analyze the compositional elements of plan of art museums by selecting architectural works, which have strong symbolic meaning when evaluating value, from architectural works by Louis Kahn. First, the centrality of artworks, which are being displayed at the Yale Art Gallery, is complex. It includes three patterns of Void (spatial) Centrality+Symbolic Centrality+Functional Centrality among the five patterns suggested in this study. Second, the ratio system of interior space, which is expressed in the extension of the Yale Art Gallery, can be classified into the floor and walls. The floor used the square 1:1 ratio system. The ceiling used the grid patterns of equilateral triangles (regular tetrahedrons). It was applying a geometric ratio system when creating forms by using one side as a beam and the other sides as decorations of the ceiling. Third, the contours of interior space, which were expressed in Kahn's works, used the method of forming separate space according to the contouring rule (structural unit) defined by columns, and they were used in constructing the entire space through the integration of separate spaces. Fourth, according to the characteristics that were expressed by artworks displayed within the Yale Art Gallery Extension, the concept of accessibility was not as clear as that of residential buildings, because an approach of respecting existing architecture and context was used, rather than the starting point of interior space, or differentiated circulation, which has the function of a determined position.

• 한국실내디자인학회논문집
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• 제19호
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• pp.128-135
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• 1999

In 1990s, the necessity of the Korean contemporary medium/small scale gallery as a place of experience rather than that of simple viewing has increased to meet from the requirements of the pluralistic and popularized society. The gallery makes efforts to form a collective street to cope with the influential of the power large scale cultural space as well as finding a novel direction in order to derive the regional sympathy in connection with the culture space of the neighborgood. In this paper, we study the 1990s Korean medium/small scale gallery in two aspects: First, the architectural techniques and elements which are introduces the audience to both interior and exterior spaces constructed by the 1990s gallery architecture, are investigated. The conventional architecture shows the blocking of the neighborhood and the trend of severance when viewing from both the architectural and the civil points. Secondly, we present the design characteristics from the several points of view such as conceptual, spacial, visual angles. The various trends of works in exhibition of the fine arts can provide a means for producing a great deal of variation in recent gallery architecture when viewing from a stage standpoint of exhibition space.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.139-143
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• 2003

When the past architecture is renovated, the important point is to approach from social and historical point of view. In Europe, there are many cultural and architectural hereditaments by backed-up ancient history and are usually happened modernistic applications of these architectures. Specially, when the past architecture is renovated, this study is focused on cases of museum and gallery which the people are approachable by me. I studied how to expressed the durability and to distinguish the design characteristics that is connected with the past from the European cases at modernistic point of time. The design characteristics are discovered two kinds. The first is 'consideration of the past architecture' and the second is 'consideration of the present age'. The results of this study are as follows； 1. The component reanalysis 2. The use of material 3. The introduction of symbolic elements 4. The Change of function

• 건축사
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• 통권653호
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• pp.50-55
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• 2023

• 건축사
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• 통권651호
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• pp.44-45
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• 2023

• 교육시설 논문지
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• 제19권1호
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• pp.3-12
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• 2012

The opportunity provided for design method and strategy of community space for secondary school through the experience of public library and gallery, is the purpose of this paper. Community space is an important issue in school architecture as it seeks to revive the public area in educational building and to renew the open space as a multi-entertainment space. The latest works of school, however, which are evaluated as well reflected the reality of educational patterns, are still deficient in that communicational elements in school are underdeveloped and inadequate. The cases of this paper, which are grown up as entertainment library and multi-purpose cultural space such as Seattle Public Library, Sendai Mediatech, Tate Modem Gallery, and Kunsthaus, are suitable to offer the method of the creation of community space for school. This paper reviews an assessment of its success in community space for school architecture with multi-entertainment-purpose library and cultural space connected open space and concludes with the establishment of design method for future school; extraction of the factors contributing to development of community space in school and proposal of design method; implementation of school renewal with library and gallery plus open space for the creation of identity considering both of study and play.

• 한국디지털건축인테리어학회논문집
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• 제9권1호
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• pp.11-18
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• 2009

Recently major construction companies are building Housing Cultural Center instead of existing model house or housing gallery for accomplishing new marketing strategy. This Housing Cultural Center are different with existing model house or housing gallery on scale, spacial composition and operating program. And Background of differentiation is caused by change of housing market's environment, consumer's awareness level, service and marketing strategy. Because existing model house or housing gallery can not supply various consumer's needs and change of awareness level. Therefore, recent Housing Cultural Center is focused on cultural marketing for rapidly adjusting to new customer's need, including new customer acquisition and old customer retention. In accordance with this situation, it is very important to analyze out type and trend of Housing Cultural Center as facility for enlargement of cultural service and companies's social role for consumer. Therefore, the purpose of this study is an analysis about the trend of Housing Cultural Center as cultural space and a presentation of concept, function and direction when other construction companies build Housing Cultural Center hereafter.