• 한국가구학회지
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• 제21권2호
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• pp.157-166
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• 2010

Furniture in the modern living environment, inclusive the importance of its practical value, is a plastic element of indoor space, and its artistic value also holds an important position. Moreover, emotional design based on the emotional engineering in a structural change of modern society such as urbanization, small family, aging society is proposed as an important keyword in the modern design. Namely, furniture as an component of modern residential space has been advanced as a human-oriented environmental element considering people's emotional and mental value to the functional satisfaction and artistic and emotional satisfaction. Furniture is a living tool that is much contacted to people, which affects highly on people's body and mind. This means that people's volition action can be naturally induced by furniture design, and that furniture can display a role as an active tool of means to make people's interpersonal communication and interchange. Namely, I think furniture design of emotional interchange that understands furniture user's pattern behavior and pattern, and observes furniture form and structure and functionality on users' relationship affecting on people's emotional stability and interpersonal interchange of emotion, as an indispensable element necessary for producing more human and prosperous environment of life.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.191-200
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• 2011

Street furniture such as benches, streetlamps, and shades which are easily accessible in cities has contributed to the promotion of active, lively environment for people living in cities. Furthermore, they make the characteristics of specific regions and cities, and are valued as a communication interface to restore the relationships between people and cities. The street furniture design with inherent publicness is an essential element for leisurely life and refined image of modern people who have experienced severance and mental poverty in uniform, vertical modern city space with the development of advanced science and technology. The purpose of this study is to analyze the new design approaches to street furniture which plays an important role in the determination of the images of modern city environment and to examine the characteristics and trends of such designs. First, in accordance with the flow of studies from publicness and public space to street furniture, the concept and meaning of publicness which is the basic element of public space were identified through theoretical examination, and the characteristics and roles of modern public space were analyzed through literature review, data review, and international cases. Based on the results of this theoretical analysis, the concept and meaning elements, function elements, and design elements of the street furniture which was planned in accordance with the goal and functions of public space were identified. For the meaning elements of street furniture design, fun, health, culture, sustainability, and vitalization were identified. For the function elements of street furniture design, convenience, safety, and delivery were identified. As the characteristics of modern street furniture design, convergent, green, digilog, functional, and universal designs were analyzed. This study is meaningful in that it recognized the roles of street furniture in modern public space as a concrete, practical environmental design element and estimated the development directions of street furniture design in public space.

• 한국가구학회지
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• 제22권2호
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• pp.112-117
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• 2011

In the present study the meaning of table in the Joseon dynasty period and also in the present age was researched, and its changing according to the times was searched as well. The results are as follows. First, the meaning of table in the Joseon dynasty period and in the present age has one thing, "laying something on table" in common from the functional aspect. Whereas the table in the Joseon dynasty period had the function of laying and keeping articles or decorations, that of the present age contributes to reading and doing office work of human beings and this exceeds the simple function to keep articles, because it touches parts of the human body, so it combines function of comfort accordingly, not only the function of storage. Second, it was differently presented from the aspect of shape. The table of the Joseon dynasty period strongly showed the shelf-like shape due to the set-up in layers, while the table of the modern times has the rectangle-like form in one layer. It has been transformed according to the functional changes. Third, it is different also from the constructive aspect. The table of the Joseon dynasty period had the construction with one panel on 4 legs in layer upon layer, but the table today has one upper panel on legs supporting it. Namely, the term "table" has been constantly used from the Josen dynasty period until today, but it has a totally different meaning according to the times on the basis of the changes in function and shape. In the furniture which maintains the function and shape of the square-typed table with 3 or 4 layers and the book table in the Joseon dynasty but is used under the different term in the present times it can be counted that display cupboard or bookshelf. Furthermore, desk and tea table can be regarded as furniture which exactly corresponds with the term "table" used in the present days, and also in the Joseon dynasty period there were furniture with such same function as like the writing table and small dining table.

• 한국가구학회지
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• 제19권1호
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• pp.22-32
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• 2008

Revolution of software and hardware technology changed TV from cathode-ray tube to a LCD or PDP. And this change calls for change of TV decoration cabinet. The flat panel TV stands market is very a world-wide enormous size with the function which is various and breed and design is forming. Nonetheless, Our flat panel TV stands production method and technique is to a phase which imitates the product of the foreign nation which precedes. Currently our country TV / AV decoration cabinet is staying to only the acceptance function which is simple. Consequently, the development of the new flat panel TV stands that matches in the house culture which is modernized with applies the visual effect which is various, effective design and function is necessary. The fact that it develops the product which equips the function characteristic which is new and convenient is objective of sample planning.

• 한국가구학회지
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• 제23권3호
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• pp.229-241
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• 2012

Kuramata Shiro's design has been evaluated as an unseen type of beauty. He created totally different aesthetics from functional furniture by utilizing glass, acrylic, and expanded steel mesh which usually are inappropriate for making furniture. Kuramata told that his design always starts from zero status. By doing so, he could be free from the existing notion and form of furniture. This means that every function and every form must be based on his own understanding and experiment in order to produce newness. Owing to these efforts, we can regard his design as artworks. Kuramata tried to bring forth formative lines inside contour of furniture rather than to deform only the formal outlines of furniture. These lines are very delicate and sometimes ephemeral. But they establish formal potentiality of phenomenological being of beauty. Also those lines are built from humble industrial material but they open the truth of thing itself and introduce the beauty to field of aletheia. At the same time, transcending limitation of function and use, they leave pure form and temporariness. So, lines become a field of Heideggerian rift which produces embodiment of form. We can appreciate his design through these lines that are relatively thin but vivid enough to follow his original world of art.

• 한국가구학회지
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• 제23권2호
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• pp.130-143
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• 2012

The rapid increase in apartments of Korea brought about overall changes in the life style, and definitely played the biggest role to convert into western style. Since 1960, furniture has been changed for 50 years along with apartments, but furniture companies and the academic world had insufficient historical materials and lack of study. In addition, considering the changing trend according to residents' life style, the data of furniture industries should be collected to study every year or in 5 years at least. Therefore, this study aims to provide basic data that gives historical materials or design clues based on recent AV equipment-oriented storage furniture in the living room that prioritized design in public space. Accordingly, the study looked into the periodical trends of Korean furniture industries, analyzed 10 furniture companies in Korea which is actively doing business as the sample and arranged key points of periodical changes of furniture in the table, and suggested the conclusion according to the image map, style, color, material, and function.

• 한국실내디자인학회논문집
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• 제38호
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• pp.209-216
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• 2003

The purpose of this study is to develop furniture design for work space of Office based on the research of furniture design and the survey on the design of the office furniture. The office furniture Is designed in order to use the space flexibly and for the user design in the work space. The furniture type of solo worker on characteristic kinds of works should have a simple shape and it should be safe and easy to move because it has a structural function. The furniture in office should be designed in consideration of moveing line while working. The development of furniture in office which suit human body should be made in consideration of human factors and the study on furniture design in office. As above mentioned, to research and study on the furniture design of working furniture in office which reduces fatigue resulted from labor for office, human factors aspect should be considered, furthermore psychological, mental approach to Ideal solution should be made.

• 한국가구학회지
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• 제22권1호
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• pp.42-53
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• 2011

This article aimed at identifying the concept of 'artistic-quality' of furniture and presenting the concept of 'artistic-quality based furniture creation' as the future direction of furniture design. For this, the authors approached to the theoretical background of the concept of artistic-quality, and then examined the prospect of practical application of the concept by analyzing the tendencies in today's art furniture. In this light, 'artistic-quality' of furniture could be understood as a quality that triggers the designer's venturous spirit throughout the process of furniture creation, so that the designer keeps seeking for the novelty and innovation in his experimental design and process. The feature of the current tendencies of art furniture in terms of the expression and effect, which could explain this venturous spirit of artistic-quality based furniture creation, could be summarized as follows; first, High-touch: Furniture that exemplifies the artistic-quality by specific texture of handmade quality, second, High-feeling: Furniture that arouses the new feelings and new concepts of furniture structure & function by experiments on new abstract forms of furniture, and third, High-mentality: Furniture that leads us to the sphere of subtle aesthetic recognition and mentality with its specific poetic expression and sensibility.

• 한국가구학회지
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• 제21권5호
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• pp.367-379
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• 2010

Reflecting a particular place and time, from the agrarian society, through the Industrial Age, furniture has been one of the closest factors to our housing life and developed continuously. The information age representing digital, information and telecommunication generally gave a wide range of individuals and societies various phases of culture shock that had never been experienced so far, among which the change of the attitude toward work and marriage influenced on housing life style, they have required unexplored style and function of furniture additionally. People so called the singles has recently become a culture code reflecting the present time, they already have built their own territories in society, economy and culture. The ideas about a variety of furniture for the singles, which consider the housing culture of the singles, has been floated, therefore furniture for the singles are main streamed into home furniture category, required characteristics of furniture for the singles are drawn, furthermore some design examples are suggested on the basis of those characteristics in this study.

• 한국융합학회논문지
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• 제9권5호
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• pp.137-143
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• 2018

융합을 기반으로 4차 산업 혁명의 관심이 뜨거운 가운데 가구산업에도 IT기술과 융합한 스마트가구가 출시되면서 우리 생활에 편리하고 편안한 환경을 제공하기 시작하였다. 이에 본 연구는 융합을 기반으로 가구디자인 특성을 시대 변천에 따라 분석 하였다. 20세기 전 후의 융합 가구는 동양의 건축양식이나 캔틸레버와 같은 건축구조 및 재료를 융합한 디자인적 특성을 보인 반면, 21세기의 융합 가구는 IT기술을 바탕으로 스마트 홈서비스 및 네트워크를 지원할 수 있는 융합가구의 특징을 보이고 있다. 또한 1인 가구의 증가에 따른 소비 추세로 인해 소형 공간에 적용 가능하도록 복합적인 기능의 가구, 기능의 융합이나 콜라보레이션을 통해 다양한 소비자의 구매 패턴에 대응할 수 있는 융합가구 디자인의 특성을 보이고 있다. 이러한 특성을 통해 이제까지 낙후산업이라 인식되었던 가구산업이 첨단 산업으로 변신할 수 있는 가능성을 찾아 볼 수 있음과 동시에 본 논문이 가구산업의 발전에 기초적 자료가 될 것으로 기대한다.