• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.118-121
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• 2007

Modem society has been complicated and diverse, and then various paradigms coexist. We can see Postmodernism moving in the flows of modern architecture. Therefore looming large is the Fold architecture that can surmount the limit of design in Postmodernism and Deconstruction and suits to the modern culture as an architectural alternative. So I believe this research can make us perceive the streams of modern interior space by considering the features and meanings of Fold conception which has been noticeable in the overall architecture and culture since the middle of 1990's with analyzing and defining atypical organic Fold characteristics appearing in modern interior since 2000, and also predict the next changing direction.

• 복식문화연구
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• 제23권5호
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• pp.861-875
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• 2015

This study examines the formative characteristics of Fold architecture and how its properties are shown in the fashion of the modern work of Issey Miyake through analysis. In this research, the Fold classification criteria for analysis features that appeared in Issey Miyake fashion features were established through research literature on Fold architecture and leading research. Empirical data collection was conducted for Issey Miyake's work and collection by collecting photo materials, and design concepts and the results are analyzed in terms of features. Study ranges of Issey Miyake's creative design development are Pleats Please, A-POC, 132.5 project, and collections from 2000 to 2014. The conclusion is as follows. First, design concepts presented in the Issey Miyake fashion features of Fold are Hybrid, topology, and uncertainty. Hybrid look for the meaning of fashion, which is the interaction between the wearer and garments. The concept of topology designs clothing, focusing on interrelationship of the body and clothing, and pays no attention to absolute size or the form of the clothing. The concept of uncertainty is an uncertain form that is infinitely expandable because all the elements have openness and uncertainty due to the determined incomplete state by the creator. Second, in the results presented in the Issey Miyake fashion features is the destruction of the boundary and diagram form. The destruction of the boundary is free from traditional clothing. The diagram form is a geometric form which does not create a Dart or Princess line.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.68-76
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• 2012

Contemporary architecture has a tendency to concretely approach based on the concept of Deuleuze's 'fold' diversity problems creating continuously potential diversities within Post-structural paradigm. Contemporary architecture relates to human life through its relation with human being. The research investigates through case study the possible relation of the concept of Deulezue's 'fold', one of his concepts of 'unfolding' based on Monadology, with logic of creation that constructs a space in contemporary architectural space. Eight contemporary architectural spaces since 1990 with architectural embodiment of Deulezue's 'fold' concept have been selected as cases. Based on the fact that the potential possibility of a space can be embodied by the thinking of 'fold', the research draws four physical activities such as 'properties connection', 'beyond border', 'diversity of circulation' and 'potential opportunity', through which it studies on the principle of actualization of space creation. Consideration of metaphysical theory as a pre-modern and outdated one may lose a huge potentiality. Leibniz's metaphysics can be rediscovered as a model that provides diverse potentiality. The concept of 'fold' in Monadology needs be reconsidered because it possibly suggests a methodology that embodies through the actualization of space the meanings underlain in contemporary architectural space.

• 한국조경학회지
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• 제30권2호
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• pp.50-62
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• 2002

From modernism to post-modernism, the practice in the design field often reduced the complexity of environment and to remove variety. However, contemporary ideas of space have been changed. The current thought premise is that the environment is mutable and is evolving according to inner and outer forces and elements. Therefore, leading designers recognize that the environment is complex in itself while anticipating a new theory explaining on-going trends. The idea of fold formulated by Gilles Deleuze can provide a theoretical base for new environmental design in constrat to current design practices. The fold is a hybrid by accommodating complex relations within an object. It carries a dynamic world view through continual process and yields a topological space against absolute space like Euclid geometry. The characteristics of the fold can be paraphrased as rhizome, stratification and smooth space. Rhizome forms a non-hierarchial connection like networking in internet space. Stratification is a kind of superimposition of autonomous potential layers within a single object. Smooth space is a free space and event oriented space keeping non-linear form. This study tried to incorporate the idea of fold to environmental design methods and design process in order to make space which can correspond with complex environment and topological form. In the design process adapted to fold theory, rhizome analysis accepts the complexity of environment and stratification strategy embraces the possibility of accidental use. As a result, the designed park carries a monadic image and produces an ambiguous space. Lastly, smooth space makes topological space unlike Euclid geometry and is free space comosed by the user themselves. Transporting the idea of fold into environmental design could be an alterative way for indeterminate and flexible design to accept new identity of place. Therefore, this study accepts the concept of incidental morphogenesis to make space based on the complexity of environment. The designed space based on the idea of fold searches to create free event space determined by user rather than designated by designer.

• 한국실내디자인학회논문집
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• 제26권6호
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• pp.42-52
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• 2017

In this modern world of drastic change, folding architecture was an alternative that offered a novel architectural insight. Today, the folding technique is being used above and beyond architecture, spreading to fashion, lighting, medicine, etc. Especially in the interior space design field, the folding technique is in the limelight as an alternative to create an original space for modern society. However, research and experiments into folding mainly remains at philosophical interpretation or architectural examples, and even these were mostly before the 2000s. Therefore, the present study determined it necessary to look deeply into the post-2000s folding technique focusing on interior space. In this paper, 33 cases of indoor space where folding technique appears are derived, and classified them again by use. The folding technique which was the first step of Sophia Vyzoviti's experiment on her book, "Folding Architecture" was extracted and used as the framework. We summarizes the range of application of folding techniques (interior space in general, floor, wall, ceiling, etc.) and major folding techniques by combining photographs, drawings, and descriptions of the works of the architects. This paper summarizes the characteristics of the space described comprehensively, and draws out the spatial characteristics of the modern interior space where the folding technique appears.

• 건축역사연구
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• 제14권2호
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• pp.21-40
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• 2005

The purpose of this study was to analyze the features of the avant-garde architecture in the end of the 20th Century based on the ontology as a metalanguage. In view of the results so for achieved, it is possible to say that the thought of becoming, topology, rhizome thought and the Deleuze's concepts of the fold and the event as ever-changing and evolving at any given time are found in the avant-garde architecture, and the introduction of ontological thought into architectural design encourage hopes for a more natural and existential quality in architecture. However, the avant-garde architecture in the end of the 20th century disclosed the limitation in the architectural expression of ontological thought due to the lack of fully understand on ontology. In conclusion, the ontological approach in architecture offers a new morphological methodology and a new way of programming considering the existential aspect of space through the bricoleur's means leaving the ontological meaning of architecture itself.

• 한국실내디자인학회논문집
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• 제14권1호
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• pp.20-27
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• 2005

This study is focused on the concept and spatial organization of bifurcation. After discussing the concept of bifurcation used in Borges' literature and Deleuze's Fold philosophy, case examples in contemporary architecture are analysed to comparatively investigate the relationship between the concept and space. In Deleuze's philosophy, bifurcation as well as pleats, inflection are used to form the world of fold that goes to infinity while, in Borges' literature, the structure of bifurcation is the key method to create the labyrinth of time. There are various projects in contemporary architecture based on the Deleuzian concept of bifurcation. Rem Koolhaas's Two Libraries for Jussieu University and UN Studio's Arnhem Central are selected and researched for further comparison study. In Jussieu project, the bifurcating spatial organization is 'intentionally' used to construct the indeterminant space whereas in Arnhem Central, bifurcation can be found in both the ever-bifurcating design process as well as the final spatial organization'unintentionally'generated from the process. This study is concluded with the comparative analysis between the representation and actualization of a concept that are crucially different.

• 대한후두음성언어의학회지
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• 제21권2호
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• pp.105-111
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• 2010

The vibratory or phonating surface of the human vocal folds is a complex layered structure. Benign vocal fold lesions arise primarily within the lamina propria of the vocal folds and produce dysphonia by disrupting the normal layered architecture of the phonating surface. Therefore, treatment is aimed at excision of the lesion with restoration of the normal layered architecture. The core principle of the Microflap approach is that conservative removal of submucosal pathology with preservation of overlying normal epithelium and superficial lamina propria. Microflap approach is an essential component of most phnomicrosurgical procedures and is a challenging surgical task that requires patience, appropriate instrumentation, surgical skill, and experience. The authors reviewed surgical principles of Microflap technique, instrumentation and surgical tips that could be useful for the beginners who tried to try Microflap technique for the treatment of benign vocal fold mucosal lesions.

• 한국방사선학회논문지
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• 제16권5호
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• pp.661-672
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• 2022

COVID-19를 발생시키는 SARS-CoV2 바이러스가 발생한 후 전염병은 전 세계로 확산되며, 감염 사례와 사망자의 수가 빠르게 증가함에 따라 의료자원의 부족 문제가 야기되었다. 이것을 해결하려는 방법으로 인공지능을 활용한 흉부 X-ray 검사가 일차적인 진단 방법으로 관심을 받게 되었다. 본 연구에서는 인공지능을 통한 COVID-19 판독 방식들에 대해 종합적으로 분석하는 것에 목적을 두고 있다. 이 목적을 달성하기 위해 292개의 논문을 일련의 분류 방법을 거처 수집했다. 이러한 자료들을 토대로 Accuracy, Precision, Area Under Curve(AUC), Sensitivity, Specificity, F1-score, Recall, K-fold, Architecture, Class를 포함한 성능 측정정보를 분석했다. 그 결과로 평균 Accuracy, Precision, AUC, Sensitivity, Specificity 값은 각각 95.2%, 94.81%, 94.01%, 93.5%, 93.92%로 도출되었다. 연도별 성능 측정정보는 점차 증가하는 값을 나타냈고 이 외에도 Class 수, 이미지 데이터 수에 따른 변화율, Architecture 사용 비율, K-fold에 관한 연구를 진행했다. 현재 인공지능을 활용한 COVID-19의 진단은 독자적으로 사용되기에는 여러 문제가 존재하지만, 의사의 보조수단으로써 사용됨에는 부족함이 없을 것으로 예상된다.

• 한국표면공학회:학술대회논문집
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• 한국표면공학회 2017년도 춘계학술대회 논문집
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• pp.134.1-134.1
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• 2017

In this study, we propose a new scaffold fabrication method, "direct electro-hydrodynamic jet process," using the initial jet of an electrospinning process and ethanol media as a target. The fabricated threedimensional (3D) fibrous structure was configured with multilayered microsized struts consisting of randomly entangled micro/nanofibrous architecture, similar to that of native extracellular matrixes. The fabrication of the structure was highly dependent on various processing parameters, such as the surface tension of the target media, and the flow rate and weight fraction of the polymer solution. As a tissue regenerative material, the 3D fibrous scaffold was cultured with preosteoblasts to observe the initial cellular activities in comparison with a solid-freeform fabricated 3D scaffold sharing a similar structural geometry. The cell-culture results showed that the newly developed scaffold provided outstanding microcellular environmental conditions to the seeded cells (about 3.5-fold better initial cell attachment and 2.1-fold better cell proliferation).