• 융합신호처리학회 학술대회논문집
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• 한국신호처리시스템학회 2000년도 추계종합학술대회논문집
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• pp.49-52
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• 2000

The Estimation method for spectral reflectance of the object using five-band and nine-band have been developed. The five-band acquisition are required of five or three times same work for color image acquisition process. To solve the above problems, we proposed a new method that can be reconstructed spectral reflectance of object. The proposed method was to classify same hues corresponding a color stimulus, by using hue angle and chroma vector of a color stimulus. The reconstruction of spectral reflectance was examined by computer simulation, and evaluated by MSE(Mean Square Error) and color difference between the original and reconstructed spectral reflectance.

• 한국인쇄학회지
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• 제18권1호
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• pp.25-33
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• 2000

In recent year, many imaging systems have been developed, and it became increasingly important to exchange image data through the computer network. Therefore, it is required to reproduce color image independently on each imaging device. However, even if the image are same, perceived color is not always same under different viewing conditions. On the other hand, even if the image are different, we want to perceive same color under different viewing conditions. Therefore we must know the spectral reflectance information of object. We measured many reflectance human skin can be estimate using only three principal component. For Munsell color patches, five principle components were necessary to estimate the reflectance spectra. For that purpose, we have developed color image acquisition system that is composed of five band filters and CCD camera. Improved spectral reflectance of object is predicted by five band images taken by color image acquisition system and then we take account of camera's noise and component of object image for predicting accurate spectral reflectance of object. In the results, we confirmed that color difference and MSE(Mean Square Error) between measured and predicted spectral reflectance of object decreased into 0.0071 and 7.72 respectively.

• 복식
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• 제55권6호
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• pp.1-14
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• 2005

The purpose of this study is to examine the makeup color range for developing the new makeup product line of domestic cosmetic brand, and suggest the special color stories and color palettes appropriate to characteristics of brand image For this study, personal color images are analyzed and classified through the literature survey of Korean womens' skin rotor like korean PCDS and japanese PCS. Also, a total of 3879 colors were selected from the 18 cosmetic brands and were analyzed by hue/tone color system. Based on the color analysis, the color range for makeup products are determined, and the typical colors of 4 personal color images are suggested. As a results, personal color images are classified into 4 types: DEW of p, lt, b tone; FLASH of s, v tone; MIST of ltg, g, sf, d tone; TERRA of dk, dkg, dp tone. we developed the color stories through five senses and lifestyles based on the consumers' emotion, and the rotor palettes suitable to each type of personal color images are developed.

• 한국의류학회지
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• 제32권10호
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• pp.1629-1639
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• 2008

The purpose of this study is to research the similarity and difference of color application in the culture of Korea and Japan. The subject of this research is the costume color of Changgeuk and Kabuki. This survey analyzes Munsell's 3 attributes(Hue, Value, Chroma), tone, and 3D color analysis by extracted color data. And representative color according to Obangsaek is proposed. The results of this study are as follows: 1. High chroma red in Kabuki costume is more used as symbolic color(passion and luxurious) in order to show character's personality than that in Changguek costume. 2. Low chroma YR color(no-dyeing color) in Changgeuk costume much more used because of Korean white robe preference and eco-friendly thinking. But high chroma yellow is restrictive color for symbolic color of emperor in Korea and Japan. 3. Blue is most frequently used in both costumes because blue is encouraging color by the theory of exponents of the five elements doctrine. 4. White in Korean Changguek costume is more used for white robe preference thinking, but black in Kabuki costume is much more used for symbol of power in Japan. The similarity of Korean and Japanese cultural color is to use much Obangsaek, less Ogansaek by the theory of exponents of the five elements doctrine, but the difference of Korean and Japanese cultural color is to use color differently according to preference thinking system.

• 미술이론과 현장
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• 제3호
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• pp.155-172
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• 2005

Kim Whan-ki is an unusual instance in Korean modern artists, who payed attention to emotional and expressive effects of colors. The color of Whan-ki's paintings have been recognized as linked with 'blue' in spite that he used colors within the category of 'Colors of Five Directions(五方色)', which are traditional oriental colors composed of red, lue, yellow, white, green and black. Kim Whan-ki unearthed upon similarity of Five Directions Colors to the three(five) primary colors which modern abstract painter like Mondrian layed down. Whan-ki switched the five directions colors to modern ones. Kim Whan-ki's dot painting in which pure and watery color is sucked in ground is modernistic adaptation from ink painting. He packs a dot with sky and earth, moon and stars, forest and tree, birds and flowers, friends at his hometown, wind, sound and so on. Putting tens of thousands of these shapes and colors into a dot is modernistic version from ink painting. In that point there is a possibility to say that 'dark blue' of the dot painting is 'Hyun-saec(玄色)'. Eventually we can make sure that Kim Whan-ki's view of Art originated in oriental philosophy and beauty.

• 만화애니메이션 연구
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• 통권51호
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• pp.129-158
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• 2018

1950년부터 중국은 민족적 특색을 표현한 우수 애니메이션을 제작하기 시작했으며, 대표적으로 <산수정(山水情)>, <대요천궁(大?天?)>, <나타요해(???海)> 등의 작품은 국내외에서 많은 상을 받았다. 그러나 오늘날 대부분의 중국 애니메이션은 일본과 미국 애니메이션을 모방하고 있으며, 중국의 다양한 전통문화를 표현한 애니메이션은 극히 일부에 불과하다. 중국의 민족적 특색을 표현한 애니메이션이라 하더라도 관객들의 마음을 얻은 애니메이션은 현재까지 없다고 할 수 있다. 중국의 민족적 특색을 담은 애니메이션을 제작하기 위해서는 표면적인 중국식 그림이 아니라, 중국 전통과 민족 예술에 대한 깊이 있는 이해가 필요하다. 본 논문은 중국 애니메이션이 스타일과 색상 방면에서 다른 나라의 애니메이션과 달리 독특한 특징을 가질 수 있는 방법을 제시하기 위한 중국 전통의 오색관과 애니메이션에 대한 응용 연구이다. 중국 전통 오색관은 자연과 사회에 대한 중국 조상들의 사상과 인식이자, 홍(?), 황(?), 청(?), 백(白), 흑(黑) 등 5가지 단색(?色)을 바탕으로 오랜 시간 생활과 문화가 축적되어 끊임없이 발전한 색상 관념(?念)이다. 또한, 중국 전통 색상 체계의 이론적 기초이자, 중국의 역사와 문화, 철학, 종교의 이론을 종합한 학설(??)이다. 이를 기반으로 상하이 애니메이션 스튜디오(上海美??影制片?)가 제작한 컬러 장편 애니메이션 <대요천궁(大?天?)>에 등장한 손오공(?悟空)과 옥황상제(玉皇大帝)의 불교적 의상 색상과 그 상징적 의미에 대한 분석을 진행하고자 한다. 색상은 첫 번째 시각적 언어이며, 캐릭터의 내적 심리 상태와 지위, 선악(善?) 등을 표현하는 색상의 의미는 자연스럽게 관객들의 감정과 행동, 관점에도 영향을 미친다. 이렇게 중국 전통 오색관이 상징하는 그 의미는 오랜 역사를 지나면서 중국인들에게 점점 더욱 깊은 영향을 주어 왔다. 따라서 중국 전통 오색관의 색상 이념과 상징적 의미를 적용하여 중국식 애니메이션에 등장하는 캐릭터와 색상을 조합한다면, 중국 특유의 캐릭터 특징과 감정을 더욱 효과적으로 나타낼 수 있을 것이다. 본 논문은 이런 중국 전통색의 특성을 애니메이션 작품에서 찾아보고, 그 의미를 오색관에 의거해 분석함으로써 중국의 전통문화 활용의 한 방법을 알아보고자 한다.

• 동의생리병리학회지
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• 제19권4호
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• pp.840-847
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• 2005

This study was written in order to help understanding of visible diagnosis of energy and color(기색). Visible diagnosis of energy and color is a very important factor of diagnosis and a necessary step of visible diagnosis. As human's body is under the control of spirit(신) and spirit(신) is stored by five viscera(오장), so spirit expresses the change of five viscera and is reflected by energy and color(기색). Strictly speaking, energy and color(기색) is not divided into each other. But, we can say that glittering glossy part belongs to energy(기) and blue, red, yellow, white and black part belongs to color(색). Various changes of energy and color(기색) observe the rules of yin-yang(음양). If we consider the interior and exterior(내외), top and bottom(상하), right and left(좌우), rise and fall(부침), clearness and muddiness(청탁), weak and severe(미심), spread and gather(산박), gloss and dness(택요) etc. we can decide the yin and yang(음양), inside and outside(표리), coldness and heatness(한열), truth and false(허보), life and death(생사) and prognosis. One man's own color is determined by the five human type(오형인), There are very various points of changing colors. As divided into principal groups, there are three main groups, that is, sky(천), earth(지) and man(인). A season(사시), day and night(주야) and cloud and clear(음청) belong to the factor of sky(천), a direction and configuration of the ground(지형) belong 治 the factor of earth(지), and motion and rest(동정), seven emotions(칠정), age and youth(노소), poor and rich(빈부) and high and low(귀천) belong to the factor of man(인).

• 한국통신학회논문지
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• 제33권2C호
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• pp.184-191
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• 2008

한의학 기반 진단 방법은 서양의학과 달리 병원에 내원하지 않고 네트웍이나 각종 통신 장비 등을 통한 질병진단이 가능하다. 특히 한의학의 뛰어난 진단 방법 중 하나인 망진 기법을 적용한 진단 기술 개발은 초고령화사회 진입에 따른 국가적 부담인 의료비 절감에 크게 기여할 수 있는 방법으로 여겨지고 있다. 이때 망진법에서 가장 중요한 것이 병색을 살피는 일 즉, 찰색인데 이를 기기로 구현할 수 있는 방법론의 개발과 적용 가능한 시스템의 구축이 가장 중요한 일이 된다. 이를 위해 본 논문에서는 망진 중 찰색 구현을 위한 연구를 행하였다. 특히 통상 인체의 주요 장기인 오장은 오색으로 병색이 안면에 나타나므로 이 오색을 구현할 수 있는 색 좌표계의 정립이 가장 중요한 일이 되며 이를 위해 색 분석을 실행하여 진단기술 개발에 있어서의 디지털 색 체계 분석을 위한 실험을 진행하였다. 끝으로 실험을 통해 찰색에 필요한 오색 추출에 맞는 디지털 색 체계를 선정하고 이를 통한 실제 피부색 분석 및 비교에 대한 실험을 수행하여 찰색 구현을 위한 디지털 색체계의 가장 적합한 색 좌표계가 어떤 것인지를 제시하고자 한다.

• International Journal of Advanced Culture Technology
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• 제9권3호
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• pp.131-141
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• 2021

The present study is following a series of research investigations on design resources coming from collected data referring to users' awareness and preferences. The aim of this research is to test the Healthcare Environmental Color Index as a basis for practitioners in the field of healthcare design. An array of color samples selected from previous research, have been presented to the respondents via an online survey, in order to identify the preferences of the two groups on the relation between environmental color and health. As a result of the first experiment and through the comparison of processed data, the maximum percentage of respondents from each group is validating the relation between environmental color and health. For the second experiment we intend to highlight the patterns of color preferences for each group, and thus to test the color samples healing function. The compared data also showed a higher awareness of Koreans than Romanians on the potential of color applied to healing environment. Last but not least in the third experiment we show the top five color samples preferred by each group. It is significant that the comparison of the results validated once more some of our previous findings related to the healthcare environment, such as: the general preference for the green hue (associated to fatigue relax according to color psychology) and the blue hue (sedation release effect) but also the yellow hue - associated to bright energy. Three out of the top five preferred color samples have been identical to both groups while the other two samples have shown characteristic variations. These results show that similarities are strong and can be used in a glocal design strategy as an accessible tool for any practitioner. Based on the Healthcare Environmental Color Index and users' preferences analysis, a new design culture for healthcare can be established and developed.

• 한국의사학회지
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• 제21권2호
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• pp.13-28
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• 2008

Medical Science in general is a study dedicated to human. It is important to understand how human is being seen in medical science. The difference of this perspective among various medical science in different parts of the world shows the difference in ways of understanding human, and furthermore, difference in ways of understanding diseases. On the other side, Oriental Medicines tends to perceive human as a whole. Heo Joon's perspective on human is elaborated in his book, Dongeuibogam. The foundation of this perspective is found is the Thesis of Four Generals and Five Constants, Neijing. There are many discussions in the Thesis of Four Generals and Five Constants, which include the thesis of correspondence between nature and human: which define the relationship between human and nature in terms of four generals and five constants, and the thesis of xing and color: which offers the tool of making diagnosis on Four Generals and Five Constants, since xing and color designates the result of Four Generals and Five Constants. Other methods are also merely ways of expressing Four Generals and Five Constants in different angle. After all, the perspective of human shown by Heo Joon can be explained in one word as the thesis of Four Generals and Five Constants, and the principles of its theory, which are the thesis of correspondence between nature and human and the thesis of xing and color are also nothing more than a tool of underatanding Four Generals and Five Constants more efficiently.