• 한국콘텐츠학회논문지
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• 제11권4호
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• pp.140-154
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• 2011

이 글의 목적은 개봉 당시 비평과 흥행 양면에 성공한 <다크 나이트>를 통해 할리우드 슈퍼히어로를 주인공으로 한 액션 스릴러를 연출적인 관점에서 분석하고자 하는데 있다. 크리스토퍼 놀란의 <다크나이트>는 과거 슈퍼히어로 액션물의 기본적인 내러티브 원리에 충실하면서도 그 주제의 진지함과 시각적 표현력에 있어 한 단계 업그레이드된 명품 액션스릴러라고 할 수 있다. 연출 분석은 크게 내용과 형식으로 나뉜다. 내용에 있어서는, 선악의 존재론적 딜레마를 다룬 주제, 과거 배트맨 시리즈보다 깊고 강해진 캐릭터, 5막 구성, 특히 조커의 게임을 활용한 극적 구성, 그리고 다양한 아이러니와 모티프 활용이 돋보인다. 형식에 있어서는 아이맥스 카메라의 효과적인 활용, 특히 카 체이스와 격투액션 등의 액션 연출이 뛰어나다. 편집, 음악, 미술 역시 전편을 뛰어 넘는다. 이 작품이 높이 평가받을 수 있었던 가장 큰 요인은 슈퍼히어로의 액션스릴러라는 블록버스터에 철학적인 주제를 깊이 있게 담아내는데 성공했다는 점이다. 무엇보다도 오랜 역사를 거친 할리우드의 슈퍼히어로 전통과 액션 스릴러의 진화된 기술력이 정점에 이른 시점에 놀란 감독이 뛰어난 연출력이 영화적 스타일과 극적으로 조화를 이뤘기에 가능했던 것이라고 본다.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.65-73
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• 2012

Interior design generally falls behind to architecture in its concept of conservational value as interior designs are more to the simple style or trend. Therefore, This study aims how the society and the major events in the 1960's and individual and group desires are portrayed in movies through the eyes of movie directors, and further how the concept of spaces and the features of the spaces are displayed. First, This paper analyzes the movies in the 1960's, especially the expressionism and psychological zeitgeist in "The Housemaid" directed by Kim Ki-Young that can be logically analyzed, following the signs in the movie. Secondly, It analyzes the images captured the scenes that best describe the underlying theme of the movie, revealing the features of the different spaces for different scenes. Moreover, It analyzes the correlation of the change in value, desire, and space of the time in the 1960's to see the feature of the spaces in the 1960 are represented in the movie. In conclusion, the realistic expressionism movie of Kim Ki-young's 'Housemaid' showing the everyday life of a family against the background of industrial capitalism reveals the intimate desire of the time with the director's perspective on the history. With Mise-en-Sc$\grave{e}$ne, we can understand the space structure of the time, the view on space structure and further the effect of modernization project on urban residential area.

• 한국도서관정보학회지
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• 제27권
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• pp.27-59
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• 1997

The primary purpose of this study is to compare a specific characteristic of Ulhacha -printed books with Imitating Ulhacha-printed books to distinguish from each others. Ulhacha was made in the first year of King Secho (1455) used before Hideyoshi's Invasion of Korea in 1592, there are many kinds books printed with it. For this reason, Ulhacha used to printed books for long period, the letters were worn down and must be filled up with su n.0, pplementary letters during the reign of King Chungchong and Myungchong. And at the early times of King Suncho, Many letters were su n.0, pplement and printed many kinds of books very neatly. Ulhacha-printed books were classified four sorts of books according to its characteristic to examine closely. From the latter half of the 16th century, the beginning of King Suncho, what is called Imitating Ulhacha-printed book, many copies of book were printed off imitated with Ulhacha. Imitating Ulhacha-printed books also classified four kinds of books according to its characteristic. Being glance at imitated letters, they were similar to Ulhacha and confused one thing with another. To distinguish Ulhacha-printed books from imitated letter ones, it is important to discriminate each others. Generally speaking, imitating Ulhacha letters were resemblant Ulhacha closely, it is not easy to distinguish Ulhascha from imitated letter. But they have a tendency to exhibit more thin style than Ulhacha and different from its size. Out of Ulhacha-printed books, the big letters in Hunsa printed in the 7th years of reign of King Secho and Hangulcha in Kumgang panya paramil kyong samgahae printed in the 13th years of the reign of King Sung chong come in to question. Nevertheless the big letters in Hunsa is consider to be that of Ulhacha and Hangucha in Kumgang panya paramil kyong samgahae also to be Ulhacha mixed with Hang lcha, disagreement of opinions has been opted to give rise to problem. In order to verify such a problem, it is more convenient to use OHP film copied those letters than the naked eyes. As a result of collating with OHP film, the problem was proven to be above-mentioned.

• International Journal of Aeronautical and Space Sciences
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• 제4권1호
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• pp.63-74
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• 2003

The vortical flow of a 65-deg flat plate delta wing with a leading edge extension(LEX) was examined through off-surface visualization, 5-hole probe and hot-film measurements. The off-surface flow visualization technique used micro water droplets generated by a home-style ultrasonic humidifier and a laser beam sheet. The angles of attack ranged from 10 to 30 degrees, and the sideslip angles ranged from 0 to -15 degrees. The Reynolds number was $1.82{\times}10^5$ for the flow visualization, and $1.76{\times}10^6$ for the 5-hole probe and hot-film measurements. The comparison of the visualization photos and the flow field measurement showed that the two results were in a good agreement for the relative position and the structure of the wing and LEX vortices, even though the flow Reynolds numbers of the two results were much different. The wing vortex and the LEX vortex coil each other while maintaining a comparable strength and identity at zero sideslip. Neither a looping of the wing vortex around the strake vortex, nor the lopsided coiling of the stronger strake and the weaker wing vortices was observed. At non-zero sideslip, the downward movement of the LEX vortex when going downstream was enhanced on the windward side, and the downward and inboard movement of the LEX vortex when going downstream was suppressed on the leeward side. The counterclockwise coiling of the wing and LEX vortices was decreased significantly on the leeward side.

• 복식문화연구
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• 제25권3호
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• pp.375-390
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• 2017

The aims of this research were to characterize magic realism by analyzing existing magical reality literature reviews and research and to identify material that may inspire ideas for stage and film costume design by analyzing and drawing design characteristics and magic realism of costumes from Director Tarsem Singh's movie, 'Mirror, Mirror'. For the methodology, characteristics of magic realism in literature and, movies were analyzed, with a theoretical consideration of these materials on magical realism. Data on costume design and magical realism characteristics for use in the analysis were collected from the main characters of 'Mirror, Mirror' as well as from other characters. The result of this analysis was the emergence of five common characteristics of the magic realism Historicity, the most remarkable characteristic seen in Tarsem Singh films, was expressed through the symbolic meaning and decorative patterns shown by the traditional-style costumes, colors. Symbolization was expressed through the symbolic meaning, decorative elements, and traditional clothes, as shown by the colors and forms of the costumes. Fantasy was expressed through the colors, decorative elements, forms of traditional clothing, and forms with symbolic meaning. Reproducibility was expressed through the method of decorative element, symbolic meaning, traditional forms and de-structural clothes. Ambiguity, which can be associated with the combined characteristics of historicity and fantasy, was expressed in the clothes worn in the scenes that confounded time and space within the film.

• 디지털융복합연구
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• 제18권12호
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• pp.489-495
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• 2020

역사적 실제 사건들을 배경으로 과거의 사건과 위인에 대해 의미와 교훈 등을 부여하며 계몽 및 민족적 정체성을 각인케 하는 작품은 이상적인 예술 영화 콘텐츠 중 하나의 특징이다. 애니메이션 <켈스의 비밀>은 실존하는 문화원형, '켈스의 서'가 제작된 당시의 상황과 역사, 켈트족의 신화 등을 애니메이션이라는 미디어로 재현하면서 다양한 조형적 방법을 통해 문화원형을 관객에게 어필한 작품이다. 본 논문은 애니메이션 영화 <켈스의 비밀>에서 보여주는 켈트족의 역사, 전통 문양과 조형적 상징성을 분석하여 애니메이션 작품을 통한 자국의 전통문화와 역사에 대한 의미표현을 연구하려 한다. 결론적으로 영화 <켈스의 비밀>은 애니메이션 콘텐츠가 고유 민족의 문화와 역사를 보존시킬 수 있는 효과적인 방법이라는 것을 제시하고 있을 뿐 아니라 영원한 것을 추구하며 역사에 대한 계몽 및 교훈 등의 예술적 가치를 띈 대중예술로서의 이상적인 가치표현의 좋은 예라고 할 수 있다.

• 전력전자학회논문지
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• 제18권6호
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• pp.593-600
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• 2013

The asymmetric pulsed DC reactive magnetron sputtering system is widely used for the high quality plasma sputtering process such as a thin film deposition. In asymmetric pulsed DC power supply a reverse voltage is applied to the target periodically to minimize arc discharging effect. When sputtering in the mid-frequency range (20-350 kHz), the periodic target voltage reversals suppress arc formation at the target and provide long-term process stability. Thus, high quality, defect-free coatings of these materials can now be deposited at competitive rates. In this paper, a new style asymmetric pulsed DC power supply including mid-transformer is presented. In the proposed, an energy recovery circuit is adopted to reduce the mutual inductance of the transformer. As a result, the system dynamics of the voltage control loop is increased highly and the non-linear voltage boosting effect of the conventional system is removed. This work was proved through simulation and laboratory based experimental study.

• 한국컴퓨터그래픽스학회논문지
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• 제18권4호
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• pp.17-23
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• 2012

IT를 접목한 스포츠 의류, M-드레스(Mobile Phone Dress), 웨어러블 컴퓨팅(Wearable Computing) 등 패션이 IT와 결합하면서 활발한 움직임을 보이고 있다. 하지만 지속적인 연구를 통하여 많은 발전을 이루고 있음에도 불구하고 패션에 사용된 IT 기술의 활용은 전원, 착용감, 세탁, 휴대성 등이 문제점으로 나타나고 있다. 따라서 본 논문에서는 착용가능 기술이 효과적으로 가방에 적용되어 개발된 제품을 제시한다. 사람의 감성을 극대화할 수 있는 레저 및 여행을 위한 패밀리 룩(Family Look) 성격의 가방과 20~30대 여성들의 감성을 디자인으로 자극할 수 있는 오띠 꾸뜨르(Haute Couture) 패션에 맞는 싱글 리미티드 가방 그리고 가족이 대상이 되는 패밀리 가방을 토대로 착용가능기술이 적용된 제품디자인을 제작하여 제시하며, 이로 말미암아 앞으로 변화될 패션의 변화를 제안한다.

• 한국실내디자인학회논문집
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• 제33호
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• pp.122-128
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• 2002

In the Sci-Fi movie, with future scene in its setting, how images are shown in the film is very important. Sci-Fi movie is supposed to be expressed In different way of its set design. This study suggests various types of expression in Sci-Fi movies. Sci-Fi movies construct the narrative upon the binary opposition of nature vs. culture, human vs. nonhuman. Sci-Fi movie is a contested terrain where conservative, liberal and radical ideologies are competing. While liberal Sci-Fi movies consider the opposition compatible, conservative texts show the paranoid towards science and nonhumans. And, Sci-Fi movies are expressed as utopian and dystopian. Utopian and dystopian elements are found in the history of architecture. Utopian element is often found in the religious architecture, and those buildings are geometric, orderly, and gorgeous. Dystopian element is often found in modern architecture, and those are asymmetric, distorted, and incompleted. Conservative movie, which developing of science is expressed negatively, retains both utopian and dystopian elements evenly. Liberal movie, such as Space Opera which science is expressed positively, is changed from futurist and mechanical type into more simple, geometric and orderly shrine type. Radical movie, which the boundary of human and science is expressed darkly, retains dark, complex, and incomplete dystopian expression elements.

• 한국콘텐츠학회논문지
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• 제16권3호
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• pp.162-170
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• 2016

자비에 돌란의 모성과 성적(性的) 정체성에 천착하는 작품들의 영화적 시도와 실험은 어렵거나 낯설지만은 않다. 기존 영화의 양식과 형식을 해체하거나 파괴하기보다는 우리가 기억 하는 친숙한 영화나 시, 패션, 음악, 미술 등의 상호텍스트성 기법인 패스티시와 자기반영성을 통해 소통하고 있기 때문이다. 또한, 그는 작품에서 거듭 반복되는 포스트모더니즘의 특징들이라 할 수 있는 탈(脫) 장르, 탈 주체, 대중문화에 대한 관심, 과거에 대한 향수의 재현으로 말을 건넨다. 본 연구에서는 일종의 유행처럼 지나갔다고 여겨진 포스트모더니즘의 현재를 재인식하고자 하고 자비에 돌란의 영화의 포스트 모더니즘적 특징과 반복적으로 사용된 모티프를 분석하고자 한다. 또한, 그의 작품에서 등장하는 인물들을 통해 소수자들에 대한 감독의 관심과 알레고리적 분석을 시도하고자 한다.