• International Journal of Internet, Broadcasting and Communication
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• 제15권1호
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• pp.126-139
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• 2023

At present, naked-eye 3D appears more and more commonly on the facades of urban buildings. It brings an incredible visual experience to the audience by simulating the natural 3D 3D space effect. At the same time, it also creates enormous commercial value for city publicity and commercial advertisements. There is much research on naked-eye 3D visual effects, but for right-angle LED screens. Right-angle LED screen's brand-new expression method that has only become popular in recent years, how to convey a realistic naked-eye 3D effect through two LED screens combined at right angles has become a problem worth exploring. To explore the whole design ideas and production process of the naked-eye 3D impact of the right-angle LED screen, this paper is a preliminary study aimed at understanding the performance principle and expression features. Before the case analysis, first, understand the standard virtual 3D space construction techniques. Combining it with the optical illusion phenomenon, according to the expression principle of the naked-eye 3D effect of the right-angle LED screen, it can be summarized into seven expressions: Shadow, Color contrast, Background structure line, Magnify object, Object out of bounds, Object floating, Fusion of picture and background. By analyzing the optical illusion phenomenon used in the case, we summarized the main performance characteristics of the naked eye 3D effect. The emergence of right-angle LED screens breaks the limitation of a single plane of optical illusion art, perfectly combines building facades with naked-eye 3D visual effects, and provides designers with a brand-new creative platform. Understanding its production principles and main expressive features can help designers enter this innovative platform better.

• 한국의상디자인학회지
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• 제24권2호
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• pp.147-165
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• 2022

The purpose of this study is to examine various types and characteristics of masks and to consider what meanings they have in the recent fashion world. To this end, this study attempts to reflect on the internal meaning of masks exhibited in fashion designers' collections rather than functional meanings. It has an implication; in that it tries to help understand the expressive needs for variety and freshness pursued by modern fashion and use the unique design development to understand the internal meanings of masks. It, therefore, examines the existing domestic and foreign literature and data about masks from a theoretical perspective, and also attempts to draw findings from the data of fashion collections which have been held since the 2000s, as well as from literature research based on books about fashion and various other media. The meanings of masks in the field of fashion are as follows: First, they express identity, by criticizing the couture fashion, through the fashion. Second, they present a new concept of body, showing an illogical and ambiguous identity in which both feminine and masculine images coexist. Third, they are media externally communicating insights about human beings' inner world, through which various messages are transferred to modern people who are attached to external appearances, and the identities possessed by designers are revealed by the masks. Fourth, they ask about a boundary between gender and sexuality, as a means to make us concentrate on the important social issue, while expressing various and new identities, like the hybrid identity. In other words, they can be found to be used as effective media in communicating fashion massages intended by fashion experimental and creative designers.

• International Journal of Computer Science & Network Security
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• 제22권6호
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• pp.39-44
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• 2022

The advent, course, and possible consequences of the COVID-19 pandemic are now the focus of global attention. From whichever side the geopolitical centers of influence might view it, the problem of the coronavirus concerns all world leaders and the representatives of all branches of science, especially physicians, economists, and politicians - virtually the entire population of the planet. The uniqueness of the COVID-19 phenomenon lies in the uncertainty of the problem itself, the peculiarities and specifics of the course of the biological processes in modern conditions, as well as the sharp confrontation of the main political players on the world stage. Based on an analysis of scientific research, the article describes the profile of the emotional concept of "anxiety" in Russian linguoculture. Through monitoring the headlines of Russian media reports in the "COVID-19" section of Google News and Mail News news aggregators dated August 4-6, 2021, the study establishes the quantitative and qualitative characteristics of the alarm-generating news products on coronavirus in the Russian segment of the Internet and interprets the specifics of media information about COVID-19. The level of mass media criticism in Russia is determined through a phone survey. It is concluded that coronavirus reports in online media conceptualize anxiety about the SARS virus and the COVID-19 disease as a complex cognitive structure. The media abuse the trick of "magic numbers" and emotionally expressive words in news headlines, which are perceived by mass information consumers first and typically uncritically.

• 한국식생활문화학회지
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• 제38권4호
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• pp.191-202
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• 2023

Food upcycling has emerged as an effective approach to sustainably utilize the food waste generated within the food supply chain. This review article examines upcycled food with respect to its definition, consumers' knowledge and perception on it, and the process by which by-products from the food supply chain are utilized for the creation of upcycled food products. The definition of upcycled food varied among manufacturers, research institutions, and the Upcycled Food Association, depending on the specific values and objectives of each sector. This has resulted in the use of different keywords to highlight the distinctive characteristics of their respective interpretations of upcycled food. This review also summarizes the various consumer traits that can influence the awareness and acceptance of upcycled food, encompassing functional, empirical and emotional, symbolic and self-expressive, and economic benefits. Additionally, the review presents strategies to utilize by-products produced in large quantities in Korea, while also addressing the control of hazardous components to ensure biological or chemical safety and the changes in nutritional value that may occur during the utilization of these byproducts.

• 한국의류산업학회지
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• 제25권4호
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• pp.460-471
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• 2023

This study aimed to analyze the consumption value and clothing pursuit benefits of genderless fashion based on gender identity. The study questionnaire was distributed to and collected from men and women in their 20s and 30s living in Seoul City and the Gyeonggi province. The collected data were analyzed by using Cronbachs α, factor analysis, K-means group classification analysis, and ANOVA. The study results were as follows. First, gender identity was categorized into three groups: the genderless group, the traditional gender rejection group, and the traditional gender acceptance group. Therefore, it is necessary to subdivide gender identity rather than acceptance and rejection of traditional gender roles. Second, an analysis of consumption value based on gender identity showed significant differences in terms of fashion value and expressive value. Therefore, it is important to establish a differentiated strategy based on the relevant gender identity group when establishing genderless fashion design or marketing strategy. Finally, the study results showed that clothing pursuit benefits based on gender identity, there was a significant difference in terms of individuality pursuit, deviation from the norm, and fashion pursuit. In particular, since the genderless phenomenon agrees with the characteristics of the MZ generation, it will be necessary to share brand information or product information through digital media or to utilize a sharing culture-that is, 'meaning out' tendency and 'flex culture' (i.e., conspicuous consumption).

• Human Ecology Research
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• 제61권1호
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• pp.155-168
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• 2023

This study focused on working women's perceptions of social attractiveness and their appearance management behavior. Social attractiveness is defined as individuals' achieved attractiveness which can be expressed through social expressive power or social skills rather than innate physical appearance. This study was empirically conducted through questionnaires distributed to 200 working women in South Korea. According to the results, the participants recognized four factors constituting social attractiveness: physical appearance management, business manners, social skills, and sexual attractiveness. When they were asked to assess themselves on the same measures, these characteristics were further classified into six factors: business manners, feminine attractiveness, fashion sense, sociability, communication skills, and active appearance management. Their self-perceived social attractiveness was found to be influenced by all these factors in the order of feminine attractiveness, business manners, sociability, communication skills. Based on the self-presentation tendencies, the participants were classified into various groups, including the passive management group, daily life-oriented management group, work-oriented management group, neutral group, and active management group. The relative importance of the social attractiveness components was found to differ by group, although working women in all groups rated weight management higher than appearance management behavior. This study has implications in that it facilitates an understanding of the concept of social attractiveness and also provides a foundation base in terms of beauty consulting and marketing for working women to improve their social attractiveness.

• 한국심리학회지 : 문화 및 사회문제
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• 제11권2호
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• pp.47-71
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• 2005

최근 국내에서는 폭력사건이 크게 증가함에 따라, 범죄행위를 계층간의 갈등이나 비행환경으로 인한 영향으로 해석하려는 사회학적인 원인론보다 범죄자 개인의 역동적인 심리로서 해명하고자 하는 추세가 현저하게 증가하고 있다. 이 같은 추세를 반영하여 본 연구에서는 범죄행위를 사회적인 현상으로보다는 개인적인 문제로 간주하고 심리학적인 이론을 범죄행위에 적용하여 보고자 시도하였다. 공격성을 폭력행위의 기본적인 심리성향으로 간주하고, 공격성을 측정하는 도구로 알려진 BPAQ로 측정된 공격성향과 폭력적인 범죄력간의 관련성을 탐색하였다. 한편 BPAQ의 교차문화 타당도 역시 확인하였는데, 이는 하위문화나 사회계층에 따라 공격행동의 표현양태나 경험방식이 다를 수 있다는 이론적 가설을 확인하기 위해서였다. 변량분석과 인과모형분석 결과, 한국판 BPAQ 단축형은 상당히 만족할만한 수준의 교차문화 타당도를 지녔으며, 국내 범법자들의 폭력행위에 대한 설명력도 적절한 수준인 것으로 확인되었다. 부가적으로 BPAQ의 하위요인들에 대한 내적 구조를 확인적 요인 분석하였다.

• 실천공학교육논문지
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• 제16권2호
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• pp.105-114
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• 2024

최근 소프트웨어 역량이 강조됨에 따라 대학에서는 전공 구분없이 모든 학생들에게 소프트웨어 교육을 진행하고 있다. 비전공자들은 소프트웨어 교육에 대한 동기부여가 부족하고, 생소한 학습 콘텐츠에 대한 체감 난이도가 높은 문제가 있다. 이를 해결하기 위해 학습자 특성에 맞는 소프트웨어 교육을 제공해야 한다. 예술계열 학생들은 시각에 대한 이해와 표현력이 뛰어나므로 시각적 문해력을 활용하면 프로그래밍 교육의 학습효과를 높일 수 있다고 본다. 본 연구에서는 일상의 문제를 순서도와 의사코드로 분해하여 절차적으로 시각적 이미지를 구성한다. 이를 교육용 프로그래밍 언어인 플레이봇을 이용하여 코딩을 하고 문제를 해결하도록 진행하여 수업의 효과를 분석하고자 한다. 이를 통해 학생들은 프로그래밍의 개념을 이해하고, 문제를 컴퓨팅적 사고로 해결하는 과정을 이해할 수 있으며, 프로그래밍을 자신의 전공에 활용하는 방법을 습득할 수 있을 것으로 기대한다.

• 한국의류학회지
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• 제33권12호
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• pp.1924-1934
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• 2009

현대사회의 혼합화 현상과 니트웨어의 수요 증가에 따른 독특한 질감이 요구되어지고 있어 이에 따른 전략적인 방안들이 절실히 요구되고 있다. 본 연구는 세계 4대 컬렉션의 2000~2008년의 여성컬렉션의 횡편 니트 3~8게이지의 자료를 선정, 현대 니트패션에 나타난 혼합현상을 출현 빈도와 표현특성으로 분석하였다. 혼합현상은 상 하위문화의 혼합, 남 여 성의 혼합, 스타일의 혼합, 공간의 혼합, 타소재의 혼합, 기능의 혼합의 순으로 나타났으며, 2004년에 가장 높은 빈도수를 나타냈다. 혼합현상의 표현특성에서 가장 높은 빈도수를 나타낸 상 하위문화의 혼합은 고급스러운 소재, 고상한 무늬와 색상의 상 하위개념의 경계성의 모호와 남 여 성의 혼합은 기능성과 편리성의 추구와 양성성의 공유로 특성을 나타냈다. 스타일의 혼합은 니트패션의 전통적인 형태에서 정형과 비정형의 스타일의 혼합으로 특성을 나타냈고, 공간의 혼합은 니트의 역사가 깊은 북유럽의 전통적 니트문양이 현대적인 요소와 혼합된 특성을 나타내고 있었다. 타소재의 혼합은 장식적인 소재와 본래의 기능적인 용도를 초월하여 부분적으로 혼합되었고, 기능의 혼합은 두 가지 아이템의 용도로 활용 가능한 특성을 나타냈다. 이와 같이 현대 니트패션에 나타난 혼합 현상은 타영역의 혼합으로 상상력이 더해져 그 표현 가능성의 범위가 점차 확대되어 가고 있다.

• 패션비즈니스
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• 제11권6호
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• pp.87-100
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• 2007

This study aims at analyzing the characteristics of deconestructionism expressed in Issey Myake's fashion who is one of the most creative designers in the world. Method and contents of this study are as follows. Through the review of literatures, three major categories such as interminacy of meaning, decentring, and intertextuality and eight subcategories have been identified as major features of deconestructionism. These subcategories for content analysis were selected to examine the characteristics of deconstructionism expressed in Issey Myake's design in depth. Interminacy of meaning was divided into unstructured and unconstructed factors while decentring into qualities of cross-gender, subculture, anti-fashion, and post-humanism. Lastly, intertextuality was classified into factors of disordered mixing mode and mixed styles. Materials for analysis were chosen from total 349 designs on the website,www.firstview.com, which carries Issey Miyake's collection from 2002 S/S through 2006 F/W. 2 fashion major analysts including the researcher participated in 1st analysis and two another fashion major analysts participated in 2nd analysis. The final level of consistency between analysts was over 97% for all categories. The data analysis quantitatively evaluates the frequency of each category and qualitatively evaluates the characteristics of design. The result is as follows. First, the avant-garde facets of inter-textuality are most prominent. In particular, Miyake has introduced the various novelly textiles to fashion and employed the mixtured styles, not to copy them but to create hybrid designs by using pastiches and mixing fashion styles. Moreover, he has used various fabrics in order to inflict shock and contrast but still create subtle harmony, thus enriching his fashion. Second, the indeterminacy of meaning is the second most frequently shown facet of Miyake's fashion design. Miyake has employed unconstructed expression techniques, which has projected unusual images free from basic forms of designs and also has used the unstructured styles which dismantle harmony and balance-the common rule of design. He has made a new attempt to acknowledge clothing as an expressive artwork by allowing clothes to take a complete form when a person actually wears them. He has demonstrated a unique perspective on cloth construction and presented a love for artistic collaboration in the development of his collections A distinct manufactured aesthetic is exaggerated, even hyperbolic. Thirdly, the aspects of decentralization were also shown in Miyake's design, however, it has been visibly decreased after 2002 S/S.