• 복식문화연구
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• 제14권1호
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• pp.128-141
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• 2006

The purposes of this study are to consider characteristics of 'movement expression' that are not discovered in preceeding design studies in order to suggest 'movement expression' as a design formative principal and to make clothes which follows this idea. For the method of this study I used various literature about 'movement expression' as theoretical background and analyzed modern clothing in which 'movement expression' is expressed by collecting magazines including foreign collections from 1989 to 2004 and searching the internet. The results obtained from this study is as follows. First, clothing in which 'movement expression' is expressed removes monotony and tedium of clothing design, provides visual interest and satisfaction for clothing, and delivers designers' concept effectively by attracting a gaze quickly. And It is suggested a new division of 'movement expression' through analysis of the 'movement expression' expressed in clothing. It included the intentional movement by wearers, which is the 'movement expression' of broader meaning such as changes of form or position by a certain operation and changes of existence or function. This movement is not fixed and repeated but changes continuously. As a result of including the design expressing the intentional movement by wearers, one's own personality can be expressed more effectively. It is presented a design which has changeable movement expression continuously.

• 게임&엔터테인먼트 논문지
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• 제1권1호
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• pp.55-62
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• 2005

애니메이션에 있어서 Movement의 표현은 작품을 형성하는 중요한 요소 중의 하나이다. 실사영화에서 배우의 움직임이나 모션캡처에서 얻어지는 테이터에 의존하는 일련의 Movement의 표현과는 달리 애니메이션에서에서는 애니메이터의 경험에 의해서 모든 것이 결정이 된다. 캐릭터의 움직임을 표현하는데 있어서 가장 중요한 요소들 중 하나가 타이밍표현이며 연출상황을 정확히 파악하고 타이밍을 표현하는 것이 애니메이션을 시각적으로 더욱더 풍성하게 하고 캐릭터에 감정을 이입하는 기본적인 방법이다. 이 논문에서는 애니메이션에서의 타이밍표현의 기본 원리를 밝히고 카메라각도에 따라 변하는 타이밍의 변화를 실험 비교하여 가장 이상적인 타이밍 표현 방법을 제시하고자 한다.

• 한국실내디자인학회논문집
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• 제5호
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• pp.9-16
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• 1995

The purposed of this study is searching the characteris-tic of 'Movement' expression by the Moving experience in display space. First, the concept of 'Movement' was defined by visitor's moving experiences according to the time pass and to visual perception. Exhibit cases were analygied to fine the relationships the defined 'Movement' experience with display spaces. But, 'Movement' is related moving experience from the entrance to importance of display space, and that is picked out key word in movement expression. Consequently, two category (visual expression, expres-sion method) to regard on the space design in display space was suggested focused on the concept of 'Movement'.

• 복식
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• 제55권8호
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• pp.112-126
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• 2005

The purpose of this study is to analyze the aesthetic characteristics of 'movement' expression in modern fashion(1910-2004) based on a study of modern fine arts which adopted 'movement' element in their work. In this study the meaning of movement was defined as motion, changing position and transformation. Literature survey through books and research papers and demonstrative study with fashion collection photos were undertaken. The results wert as follows ; 1) Kinetic art, optical an, light kinetic art and technology art such as video and computer art have adopted 'movement' element in their work. 2) The plasticities of 'movement' fine arts were identified as mutual penetration, increase of visibility, use of non-traditional materials and dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of fine art, optimistic attitude on technology, spectator participation and integration of art and life. 3) The 'movement' expression in modern fashion was distinctively found in 1910s-20s(avant-garde fashion), 1960s (kinetic and optical art fashion) and mid 1990s to 2004 (techno-cyber fashion). 4) The plasticities of the 'movement' expression in modern fashion were identified as non-definition, use of non-traditional materials, dynamism. The internal meanings were identified as expansion of aesthetic experience and the concept of dress, optimistic attitude on technology, playfulness through participation. In conclusion, the expression of 'movement' in modern fashion has optimistic viewpoint on the development of modern society and is one of the interesting design points which will be pursued in the fellowing years.

• 한국의상디자인학회지
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• 제12권2호
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• pp.55-65
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• 2010

The present study purposed to compare formative expression between the fashion of the end of 19th century - early 20th century and that of the 21st century which were influenced by art nouveau and art deco. For this purpose, we analyzed contents in literature, Internet, etc.,. According to the results of this study, the formative expression of art nouveau were divided into continuous movement, optical illusion and decorative expression. Continuous movement was used to express fancy and soft images in the end of 19th century, and to express images giving the feeling of speed and tension in the 21st century. Optical illusion was expressed by the movement the thin and soft materials with the body movement and the movement of excessive frills adornment. And in movement produced using thin and soft materials and by the bias cutting method in the 21st century. Decorative expression was expressed as fantasy and decadent image in the end of 19th century and as mild passionate and modern image with color combination in the 21st century. The formative expression of art deco were divided into visual simplicity, contrastive loudness, and functional expression. Visual simplicity was expressed as a boyish image in the early of 20th century, but as a complex expression combining simplicity and femininity in the 21st century. Contrastive loudness was expressed by using colors both in the early of 20th century and 21st century. Functional expression was reinforced through the lightening of design and materials in the early of 20th century, but through using bias cutting high tech materials in the 21st century.

• International Journal of Advanced Culture Technology
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• 제9권3호
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• pp.367-372
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• 2021

The purpose of this study is to suggest that the movement expression activity of intellectually disabled people is effective in the learning process of LMA motion recognition based on Kinect sensor. We performed an ICT motion recognition games for intellectually disabled based on movement learning of LMA. The characteristics of the movement through Laban's LMA include the change of time in which movement occurs through the human body that recognizes space and the tension or relaxation of emotion expression. The design and implementation of the motion recognition model will be described, and the possibility of using the proposed motion recognition model is verified through a simple experiment. As a result of the experiment, 24 movement expression activities conducted through 10 learning sessions of 5 participants showed a concordance rate of 53.4% or more of the total average. Learning motion games that appear in response to changes in motion had a good effect on positive learning emotions. As a result of study, learning motion games that appear in response to changes in motion had a good effect on positive learning emotions

• 한국실내디자인학회논문집
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• 제15권6호
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• pp.101-110
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• 2006

Many architects in the second machine age experiment on the movement in architectural design. They consider a movement as a flow of information and vector as well as the real motion. They express the movement in architectural design as nomad architecture, network city, rhizome, mutual transformation among building, environment and visitors, and form generation as the actualization of the virtual. It is partly the result of the philosophy of Deleuze and Bergson that a movement is just a duration as a difference of quality. It is because Deleuze explains that the realization of the virtual as a becoming is also the kind of movement. This study analyzes the method of expression of movement in architectural design in the second machine age. As a result, the movement in architectural design in the second machine age was expressed in two ways. One method is a territorialized movement that moves in the fixed trajectory and the other is a deterritorialized movement that moves in the random indeterminate trajectory.

• 만화애니메이션 연구
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• 통권31호
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• pp.153-176
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• 2013

20세기 초 미래주의 화가 중 일부는 2차원 그림에 '속도감'과 '역동성'을 표현하고자 시도하였다. 그림 속 이미지가 움직이는 것처럼 보이도록 하기 위한 속도감과 역동성의 표현은 다양한 시각적 기호로 발전하였다. 이러한 움직임을 나타내는 시각적 기호는 만화에서 중요한 운동표현의 선으로 정착하였다. 세계적으로 인기를 얻은 토리야마 아키라의 <드래곤볼>은 속도감과 역동성이 강조되어 있는 액션장르의 만화로써, 운동표현에 관한 선을 연구하기에 좋은 작품이다. <한국만화영상진흥원>의 용어사전과 <만화 애니메이션 사전>에는 운동표현에 관한 선으로 속도선, 동작선, 효과선의 세 용어가 있지만 문맥적으로 의미가 유사해서 구분해 사용하기에는 쉽지 않은 면이 있다. 본 연구에서는 <드래곤볼>의 운동표현에 관한 선을 연구하기위해 기존의 운동표현에 관한 선의 의미상 문제점을 밝히고 새로운 대안을 제시하고자 하였다. 본 연구에서 운동표현에 관한 선을 기호적인 관점에서 분류하고 쓰임에 맞추어 새롭게 정의하고자 하였으며, 기존의 속도선, 동작선, 효과선에서 잔상선을 추가하여 네 가지 선으로 분류하였다. 첫 번째, 속도선은 '움직이는 대상의 운동표현을 속도성의 개념으로 표현한 선'으로 정의하였다. 표현함에 있어서 속도선이 대상의 형태와 결합했을 때는 직접속도선, 대상의 배경과 결합했을 때는 간접속도선으로 세분하였다. 두 번째, 동작선은 '움직이는 대상의 이동형태나 이동경로를 단순화시킨 선'으로 정의하였다. 세 번째, 효과선은 '움직이는 대상의 운동표현을 감각적 표현 혹은 감정적 표현으로 강조하는 선'으로 정의하였다. 네 번째, 잔상선은 '느리게 움직이거나 흔들리는 대상의 운동표현을 잔상효과로 표현한 선'으로 정의하였다. 본 연구에서 제시한 용어는 <드래곤볼>의 운동표현에 관한 선의 이해를 도울 수 있을 것이다.

• International Journal of Advanced Culture Technology
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• 제6권4호
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• pp.240-246
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• 2018

The purpose of the study was to examine early childhood teachers' content knowledge of movement education. The subjects, 60 early childhood teachers, were asked to draw concept maps about early childhood movement education. Their concept maps were analyzed in terms of superordinate and subordinate concepts by contents and frequency. The results were as follows. First, 263 superordinate concepts were shown, and they were categorized into 10 representative terms (body movement/health, music, expression, movement type, movement element, games, integration/arts, social studies, tool/instrument, and math/science). Second, 2,186 subordinate concepts were shown, and running, movement, jumping, musical instrument, and expression were frequently shown. In conclusion, early childhood teachers' content knowledge of movement education were various but insufficient in aspect of its systematic organization.

• 한국멀티미디어학회논문지
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• 제23권1호
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• pp.67-73
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• 2020

This paper analyzed the characteristics of Motion Poster (Moster) and discussed the visual expression methods. To this end, the existing literature on motion posters was organized. The visual representation of motion posters was analyzed by dividing into 'Main Visual', 'Mode of Movement', 'Playtime' and 'Sound'. The analysis results were as follows. As motion posters are kind of movie posters, they are made from the original movie poster images, characters, or scenes of the movie. Graphical representations used either photo-realism or computer realism. The movement methods are 'simple movement of visual elements(movement, gesture and rotation, appear or disappear)+fixed camera movement' or' camera movement (zoom in/out, rotate, move) + fixed visual element movement'. Playback time ranged from about 10 seconds to over 1 minute of video, and the longer the video, the higher the probability of including sound.