• 한국실내디자인학회논문집
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• 제40호
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• pp.149-157
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• 2003

The placeness has been lost in space design since Modernism, especially Internationalism. Digital space design of today is one of the means to complement that. The purpose of this study is to grasp a trend in the expression of placeness, being appeared in digital space design process through case analysis. As the result of this study, the placeness in digital design process expressed by parametric elements had each effective internal algorithms. Especially, space design using digital process were expressed placeness by physical context such as topography, conditions of location, landscape, axis of road, traffic elements and climate. And social context were expressed by user experience through his cognition.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.192-195
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• 2003

Digital art brought about first in 19s6s by Laposky Ben and became a area of new art. Also, digital art gives new possibility to systematize concept and actions in whole art and to invent some media which can carry the sense experience with space. However, reason that has often cynical meaning is appearing in preconception which technology falls off humanity. Because of digital technology, space production can become dreary, so it is necessary to sensuous production that connects digital with space which contains meaning of interior space. The purpose of this study is to find out spare which can be communicated from viewpoint of interaction through spatial substitution and characteristics of various expression production which have been involved newly in digital art area.

• Journal of Communications and Networks
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• 제10권3호
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• pp.253-257
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• 2008

In this paper, the performance of generic orthogonal space-time block codes (OSTBCs) introduced by Alamouti [2], Tarokh [3], and Su and Xia [11] is analyzed. We first define one-dimensional component symbol error function (ODSEF) from the exact expression of the pairwise error probability of an OSTBC. Utilizing the ODSEF and the bit error probability (BEP) expression for quadrature amplitude modulation (QAM) introduced by Cho and Yoon [9], the exact closed-form expressions for the BEP of linear OSTBCs with QAM in quasi-static Rayleigh fading channel are derived. We also derive the exact closed-form of the BEP for some OSTBCs which have at least one message symbol transmitted with unequal power via all transmit antennas.

• 한국디지털건축인테리어학회논문집
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• 제10권1호
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• pp.49-56
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• 2010

The purpose of this study is to examine the relationship between the structural system used in modern architecture and the form and spatial composition of the buildings. The principle in stabilization of structures is closely related to the architectural form. That is, in order to stabilize a building, a special type of structural system is required and consequently shows up with consistent characteristics in the architectural form. Modern architecture can be classified into skeleton structure, trusses structure, and space structure according to the structural characteristics. Skeleton structure is then divided into a perpendicular form and tapered form. Trusses structure is categorized as dome-shaped structure and slab-shaped structure, and space structure can be divided into compressible space structure and tensile space structure. When classifies the modern building with the aspect of architectural effect, there is a possibility of trying to divide with effect of production, and its expression. Effect of production mean structural system and effect of expression mean space and plan.

• 한국디지털건축인테리어학회논문집
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• 제7권1호
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• pp.15-20
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• 2007

This study is aimed to analyze the method of movement expression in the Space-Time of Modern Visual Art. According to the results of analysis. the following is obtained. (1) The still object is perceived by the sense or optical illusion, and its whole image is made through the information processing prodedure. The concept of Space-Time is integrated into the constructivist works by the composition of image through transforming the position of the fundamental geometry and projecting it. (2) The traditional notion that the work of art is still concept of is changed. The movement of observer is caused by inducing the direction and concept of time through the object in three dimensional space.

• 한국실내디자인학회논문집
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• 제19권4호
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• pp.39-47
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• 2010

As various materials and new methods can be used due to developments in science and expansion of thinking, modern architectural color composes extensive possibilities exceeding its physical role of the past. In particular, rather than the initial external expression, the secondary connotative interpretation is more important in interpreting architectural color. This is because color interpretation changes the meaning of space based on light. Also, the development of digital technology has shifted the use of architectural color from passive realization to a more proactive concept and value. In other words, such shift leads to a new discussion on architectural color such as non-representation, invisibility, and non-physicality as the concept of fixed time, space and movement has been weakened. This paper begins by conceptualizing the digital space, a term widely used to interpret the architectural color of digital space. And it will be categorized as non-representational architectural color, invisible architectural color, and non-physical architectural color, by combining the characteristics of digital space with the modern architecture's color examples. Digital space overcoming the space time is differently interpreted from the past color expression. Modern architecture's color which substitutes the passive view with active body takes a role delivering various axes of discussions with synaesthesia.

• 한국실내디자인학회논문집
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• 제15권6호
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• pp.247-254
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• 2006

Apparently light does exist even if it does not have certain form that an object might have. The history of architecture can be told as the history of light. As various master architects as well as scholars mentioned, light has been recognized as one of the most important aspects in perceiving space. Although there are complex multi dimensions in body sense and perception, experiencing space through light is preliminary formed by the outline to the degree of brightness. Light gives space specific and unique character by limiting or enlarging the space by wrapping an object or by reflection of material surfaces or by the intensity of light itself. It is fundamentally important to recognize the essential relationship between light and perception of space through various medias such as material, form, movement and so on. Three types of space perception and cognition by light that have been categorized after studying the most significant writings on light become the core method to further analyze the selected case projects. In this research, we will study how interior space is expressed through different light conditions with above mentioned characteristics and how such expressions can be applicable to the design of interior space.

• 한국실내디자인학회논문집
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• 제26권2호
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• pp.101-109
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• 2017

The food and beverage spaces of modern industrial society have transformed from a simple space for meals into a space of culture, communication and experience as society becomes more complex and diverse along side economic growth. An interior designer who is rapidly rising on this flow of change is Yukio Hashimoto. While working for interior design firm Super Potato, which highlights food and beverage spaces, he was much affected by the expression methods of representative designer Takashi Sugimoto, who makes use of natural elements. By using these expression methods that make use of natural elements in his own creation of spatial ambience and elements of experience and by adding his own differentiated expression methods, he emphasizes an effective spatial expression for food and beverage spaces. The design characteristics of Yukio Hashimoto's food and beverage spaces are as follows. First natural elements like light and water are recreated as memories of nature after being established through a methodology that allows these elements to penetrate his own thoughts. Second, he pursues a hybrid design through the harmony between past tradition and current expressive techniques. Third, he expresses objets of light through a formative sense of shape expressed with light.. Fourth, he establishes an axis in the interior space by light and structure and endows a strong directionality that induces symmetric characteristics, gaze, and movement.. Fifth, he installs lights at the bottom of weighty materials and expresses a sense of floating by light. Sixth, he uses an illusion technique that makes use of the ambiguity and depth of space resulting from reflecting materials like mirrors. The study hopes that such design expression characteristics of food and beverage spaces can be used as data for interior designers to apply and develop a new design vocabulary.

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.85-93
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• 2010

This study aimed to show the possibility of approaching Steven Holl's Stretto House as a vital space identical to the flow of our consciousness through Bergson's philosophy of life by understanding the expression of Bergsonian duration in the house. For the Purpose of this study, Bergson's concept of aesthetic duration was considered and duration in the Stretto House design process was analyzed, Based on the study's findings, duration according to Bergson's expression of reality in the Stretto House was further analyzed. The results of the analysis of duration in the Stretto House design process showed that duration is expressed as phenomenological time through the continuity and movement of the perceptual phenomena of space, sound, light and material that reflected Merleau-Ponty's anchoring and Bartok's Music for Strings, Percussion and Celesta. The results of the analysis of duration as an expression of reality in the Stretto House showed that duration is expressed as real time, as reality's continuous and diverse movement of vital duration, through the image and rhythm based on the intuitive recollection of the real self, sound, light and pond. Consequently, it was shown that the Stretto House could be understood as a vital space in which a vital movement of duration identical with the flow of our consciousness is expressed through the expression of reality in Bergson's philosophy of life. This study is meaningful as a foundational study of the experiential space of phenomena through Bergson's philosophy of life.

• 디지털융복합연구
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• 제20권2호
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• pp.375-381
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• 2022

본 연구의 목적은 4차 산업혁명의 시대와 함께 코로나19라는 감염병의 시대를 힘겹게 살아가고 있는 현대인들의 시대적인 배경 속에서 헤테로토피아적 관점에서 본 필립스탁의 공간표현 특성을 알아보고자 하는 것이다. 연구 방법으로는 은퇴 후 더욱 활발히 활동하는 2015년부터 현재까지 인테리어 공간의 완공작품을 중심으로 총 11곳을 선정하여 문헌 및 사례 연구를 통하여 공간표현 특성을 알아보고자 한다. 결과로는 공간만이 가지고 있는 서사성의 공간표현 특성이 가장 빈도가 높았으며, 장소를 표현하기 위한 시간의 중첩의 형태인 상상의 공간과 환상성의 특성이 상호연관이 있다는 것을 알 수 있었다. 서사성과 환상성, 상상의 공간 특성을 사용하는 필립스탁의 디자인 방법은 헤테로토피아적 특성을 충분히 나타낸다고 볼 수 있으며 새로운 공간의 설계 시 또 다른 디자인 방법론으로 사용할 수 있다고 본다.