• 한국실내디자인학회논문집
• /
• 제16권6호
• /
• pp.106-115
• /
• 2007

The Werkbund housing exhibitions in Europe in the 20's and 30's presented various planning concepts and played a important roll for modernization of housing Architecture. This study, therefore, aims to understand the contemporary issues of housing in this period, which showed the meaningful momentum for housing plans today. In order to grasp the general characteristics of exhibition housing the representative cases -Weissenhofsiedlung, Dammerstock, Breslausiedlung, Werkbund Siedlung in $Z\"{u}rich-Neub\"{u}hl$, Werkbundsiedlung Wien und BaBa- were throught documents analyzed. The architects offered an innovative building typology such as row housing and new prototype of housing units accordingly social needs. Especially, In this study housing unitplans were in 6 groups such as flexible type, cabin type, free open plan, Raumplan, functional 2-story type and corridor type categorized. And they were analyzed how deeply technological development, architectural design perceptions as well as functional aspects had on the planning of floorplans reflected. As a result, in the housing exhibitions various architectural ideas presented the "Zeitgeist" not only such as improvement of physical environment of housing, but also such as rationalization, standardization, functionalization, normalization of housing architecture. Also their unitplans corresponded to newly developed building typology and modern household type. As well as they represented notable spatial concepts. Moreover it contributed to create a new paradigm of housing for the new epoch.

• 한국과학예술포럼
• /
• 제37권4호
• /
• pp.205-216
• /
• 2019

본 연구는 박물관 비정형건축형태가 늘어나고 있는 현시점에서 학술적 건축형태계보에 관한 패러다임의 변화를 초래하고 있으며 이에 따른 전시공간에 미치는 영향에 관한 유무의 논증이 요구되어 진다. 따라서 선행되어야 하는 단계로서 비정형 건축형태와 전시공간과의 상관관계를 검증하기 위해 최근 2000년 이후 다양한 박물관 설립 또는 재개관한 사례의 현황분석을 통한 실질적인 비정형 형태의 경향을 파악한다. 이에 전시공간이 관람자의 공간체험에 더욱 효과적인가를 유추하기 위해 비정형건축과 전시공간과의 관계성에 대한 결론을 도출하는데 본 연구의 목적이 있다. 연구방법 및 결과는 다음과 같다. 첫째, 박물관의 비정형건축 형태적 개념 및 건축형태의 분류에 관한 문헌조사와 선행연구의 고찰을 통해 기준을 정립하여 도입하였다. 둘째, 싱가포르, 독일, 네덜란드 등을 직접 방문하여 사례 고찰을 통해 비정형 건축형태와 전시공간의 현황과 특성을 고찰하였다. 이때 Kare Vollers의 비정형 형태기준을 차용하여 분석을 하였다. 셋째, 비정형건축형태와 전시공간과의 관계성을 증명하기 위해 Kare Vollers의 비정형 형태기준과 비정형 전시공간을 중심으로 사례별 크로스 체크하여 결과를 도출하였다. 연구 결과의 내용은 다음과 같다. 첫째, 비정형건축형태의 EX(Extruder)(angle, ortho)와 전시공간 사선형은 유의미한 상관성을 가진다. 이는 싱가포르보다는 네덜란드와 독일에서 92.3% 명확하게 검증되었다. 반면, 전시공간 곡면형은 불명확한 관계성을 보이며 싱가포르 경우 RO(Rotor), FR(Free Shaper), TW(Twister) 등을 통해 곡면형 관계성을 가진다. 둘째, 비정형 건축형태와 전시공간의 사선 및 곡면형이 복합적 형태조합을 가진다. 특히 N-02, G-02는 융합된 형태로써 EX를 기본적 가지며 부분적 다양하게 형태를 함유하여 비정형의 복잡함을 유도하였다. 이와같이 비정형 형태는 다양한 조합으로 무한정의 변형이 가능하며 이를 대응하기 위해 다각도에서의 융합적 접근이 요구된다. 차후 본 연구를 기반으로 박물관의 비정형 건축형태와 전시연출디자인과의 관계성 유무를 논증하고자 한다.

• 한국실내디자인학회논문집
• /
• 제21권3호
• /
• pp.3-10
• /
• 2012

Vilhelm Wohlert is the Danish architect who designed Louisiana Museum of Modern Art near Copenhagen. Because of Louisiana Museum's popularity, Vilhelm Wohlert's name was started to be aware since 1990s. Although he is a well-known architect in Denmark, unfortunately his name is unknown in other countries. He designed various design projects from small scale furniture design to large scale museum and public projects. There are three programmatic categories in his architecture: exhibition programs including Louisiana Museum, residential program including private houses, and public programs including churches and schools. This thesis focuses on his residential design projects. Even though he designed a multi-family houses, Wohlert's house design consists of mainly one-off large private houses located in a nice natural environment. In chapter 3, the general history of his house projects was studied. Among them, the first exhibition house for Forum was explained more deeply to show Wohlert's early house design philosophy. In chapter 4, three built house projects were analyzed in detail. Analytical diagrams were used to show the key elements in the residential space. They are program composition, circulation, spatialization elements, final construction. His buildings have been compared with Alvar Aalto, Frank Lloyd Wright, and other Scandinavian architects. But there are some major differences that make Wohlert's design unique. In chapter 5, the case analysis results were summarized together to highlight the specific design characteristics found in Wohlert's residential design process. The universal spatial quality found in his residential projects can be applied in contemporary spatial designs.

• International Journal of Contents
• /
• 제18권1호
• /
• pp.1-16
• /
• 2022

With the advent of the 5G, networks and information and communication technologies have been continuously developed. In the fields of art galleries, virtual reality (VR) exhibitions that can be visited online have emerged, innovating the way of human-computer interaction and creating new artistic experiences for users. This study explores the three-dimensionality, clarity, and innovative interactions that users experience when viewing a VR exhibit, which affects the exhibit's presence. Besides, in terms of research method, the research sets spatial participation and immersion as dependent variables, with three-dimensionality (high versus low), clarity (high versus low), and innovation (high versus low) in a 2×2×2 design as the base, and explores their interaction effects. The results show that three-dimensionality and innovative interactions affect spatial participation. First of all, in groups with high innovation and low three-dimensionality, spatial participation presents a higher positive factor. Secondly, with regard to immersion, three-dimensionality, clarity and innovation present a tripartite interaction. Groups with low three-dimensionality and high clarity have a higher positive effect on immersion when the level of innovation is low. When the degree of innovation is high, the positive effect on immersion is higher in groups with high three-dimensionality and low clarity. The above results show that in the production of VR exhibitions, it is necessary to increase the three-dimensionality and clarity of exhibited image contents, while taking into account the user's perception and innovativeness. On the other hand, this study puts forward suggestions for the design, content and future development of VR exhibitions, which has important reference significance for the improvement and innovation of future VR exhibitions.

• 한국실내디자인학회논문집
• /
• 제20권3호
• /
• pp.33-40
• /
• 2011

The World exposition is considered as a great event to promote the cultural exchanges of their own urbanism and share the technological developments among the various countries across the all over the world. So many countries in the world desired to host and take part in the EXPO, so far only few countries have had the chance to hold the event and show their uniqueness of urban culture, but we might say the past exhibition as those for display and publication of matters of science, technology and trade, now we must say expositions of the 21th century has come under variations on cultural and informational interchange and humanism from the global issue and problem. What makes possible to maximize the effort of reciprocal communication between people and the public can be the EXPO event as a means of the public information of the theme and this kind of event should suggest the public a message of the topic, message, image and even more the EXPO spirits and theme as an international event gives as much considerably spreading effect as its big scale. In that aspect, the pavilion for the exhibition of EXPO and public information should be recognized as a place for smoothly forming the activities of reciprocal communication between the society and the public, with such a aspect this study, as its purpose of improving as well as communication, concerns the process in projecting the space paradigm of pavilion in the EXPO and public message and information as a means of the communication of the global theme.

• 한국실내디자인학회논문집
• /
• 제16권6호
• /
• pp.189-196
• /
• 2007

The purpose of this study is to make a comparative analyzation toward abstracted emotional properties appeared in the museum exhibition spaces designed by the three masters of the modern architecture;Frank Lloyd Wright, Le Corbusier and Mies van der Rohe. In addition, this study will also aim to inquire into how the emotional properties have affected the third generation architects. It is especially expected that the 'emotional tendency' emerging in various fields of the present time can serve as useful information through the analysis of emotional design properties appeared in the exhibition space which is directly linked with the human lives. In order to achieve the purpose of the study, in New York by Wright, in Tokyo by Le Corbusier and in Berlin by Mies Van der Rohe were selected. As for the analyzation methodology to be adopted for deriving the aiming points at the emotional design, five criteria of analyzation have been established in order to understand the properties of the emotional area: they are (1) spatial affordance, (2) human congeniality, (3) emotional factors of the area, (4) constitution of the area and (5) expressive division of the area. Using these criteria, this study will reveal what are some of the emotional characteristics shown in each museums and its analytical result will be useful to apply to future museum design. It is especially expected that the 'emotional tendency' emerging in various fields of the present time can serve as useful information through the analysis of emotional design properties appeared in the exhibition space of design which is directly linked with the human behavior.

• 한국실내디자인학회논문집
• /
• 제17권6호
• /
• pp.178-187
• /
• 2008

This study aims to analyze general features and forms of spatial structure of major space in museums and for the scope of this study, set up major space and the surrounding areas structured around major space and for the target of analysis, selected 10 museums of overseas examples from 19th century to 2006. And this study on focus, on the circulation structure and visual structure will be analyzed in qualitative method by focusing on the floor plan and section structures; deepening process of analysis, visual structure will turn into numerical value to analyze the spatial structure of the major space. The results of this study are as follow. First, vertical elements should be critically considered in a circulation plan for functional performance of dimensional circulation distribution in a major space. Second, a plan by location of vertical and horizontal moving elements related to a major space affects a circulation relation more than a connection type between a major space and an exhibition area. Third, it could be categorized into 4 types by considering the features of spatial structure followed by connecting relationship between areas. Fourth, comparable figures were drawn out among large space and surrounding areas but it couldn't draw out types.

• 한국전통조경학회지
• /
• 제31권3호
• /
• pp.106-113
• /
• 2013

본 연구는 한국전통정원을 해외에 조성하기 위한 보급 및 활성화의 일환으로 한국문화 즉 전통정원의 정체성을 정립하며, 해외에 거주하는 한국인과 자국민들로 하여금 한국전통정원을 올바르게 이해하고 즐길 수 있는 보편적 실현방안을 마련하는 것이다. 따라서 본 연구는 향후 한국전통정원이 해외에 조성될 때 개별성을 가질 수 있는 계획 및 설계에 대하여 최소한 지침을 마련하고, 계획가들이 고려하여야 할 방향성을 수립하는 것에 목적을 두었다. 해외에 조성되는 한국전통정원의 유형은 조성목적과 실현되는 공간의 규모에 따라 형식적 다양성을 지니기도 하는 데, 가장 중요하게 다루어야 할 것은 한국적 경치에 어울리는 정서를 담아야 하고, 누구에게나 인지되고 이해 가능한 설계언어를 내포하여야 한다. 그러므로 본 연구의 결과로 도출한 한국전통정원을 해외에 보급하기 위한 공간 기본유형은 '전시(박람회)형', '정원형', '공원형'으로 제시하였다. 이러한 기본유형은 정원 조성 시목적에 부합되는 특성별 프로토타입에 해당하며, 공간 규모적 측면을 고려할 때 전시(박람회)형의 모형을 구성의 최소단위로 설정하며, 도입 기본시설로는 '수목', '정(정자)', '방지(池)와 원도', '화계', '담장' 등의 요소를 권장하여 제안하였다. 본 연구의 결과는 향후 한국전통정원의 해외 조성을 위한 계획 및 설계의 기초자료로써 활용의 의미를 가진다.

• 한국실내디자인학회논문집
• /
• 제23권6호
• /
• pp.87-94
• /
• 2014

Today, the growing number of international architects enters the open market of South Korean architecture and interior from exhibition spaces such as art galleries to buildings of major companies. Establishing new local landmarks, their works have a considerable influence on the development of architecture. Among many, French architect Jean-Michel Wilmotte has worked consistently in South Korea. The purpose of this study is to analyze and put together the expression characteristic of the interior design in his exhibition spaces including Gana Art Gallery. Jean-Michel Wilmotte has designed based on the history, culture, society, and arts in France and other European countries, and is influenced by architects like Charles Rennie Mackintosh, Josef Hoffmann, and Carlo Scarpa. Such an influence is shown in the form of contrast between verticality and horizontality as well as the fortification in his modern classical characteristic, which is one of his expression characters. In his work of improving the ancient architecture, Wilmotte is good at creating a modern space through contextual expression, and the textural contrast between materials of the past and the present. Thus I performed an analysis of the expression characteristic of the interior design in National Museum of Contemporary Art of Chiado in Lisbon, Cognac Hennessy Museum in France, Gana Art Gallery in Korea, Mus$\acute{e}$e du Pr$\acute{e}$sident Jacques Chirac in Sarran, France, Ullens Center for Contemporary Art (UCCA) in Beijing, and lastly Mus$\acute{e}$e d'Orsay in Paris. The results show that he maintains the spatial context by applying contemporary design to the preserved existing structure, continues the flow of exhibition through the lightings in the corridors and on the ceiling, and seeks for a balance by adding vertical or horizontal elements to the elevation. In the interior, the staircase and exhibition structure are turned into objects, and the contrasting texture of the wall vitalizes the space. Wilmotte redesigns the space of the past and the present by using indirect joint that allows an organic connection of the old and new structures, and by minimizing the conflict between the two elements through prefabrication. The expression character of his interior design will be potential resources for architects and interior designers to develop their own design languages.

• 스마트미디어저널
• /
• 제12권1호
• /
• pp.77-91
• /
• 2023

사용자의 행위를 상호적인 탐색과정으로 활용하는 인터랙션 방식과 기술들이 다양하게 진화하고 있다. 특히 최근에는 각종 센서 기술의 발전으로 접촉에서 비접촉 방식으로 서비스 방식이 변화하고 있지만 인터랙션 방식에 대한 개발자들의 무분별한 정의로 인해 오히려 탐색과정이 복잡해지는 양상을 띄게 되었다. 이러한 방식은 오히려 사용자가 전시콘텐츠를 학습하기에 앞서 개발자가 정의한 인터랙션 가이드를 먼저 학습해야하는 번거로움을 야기하고 있다. 따라서 전시 체험자를 위한 원활한 문화콘텐츠 정보 소통을 위해서는 다양한 연령대의 사용자를 위한 손쉬운 인터랙션에 대한 사전 연구가 필요하며, 비접촉 전시콘텐츠 개발 시 사용자 상호작용의 사용편의성 제고를 위한 연구 역시 반드시 필요한 상황이다. 이에 따라 본 연구에서는 전시콘텐츠 분야에서 활용도가 높고 보편적 상호작용이 가능한 비접촉 인터랙션을 연구하고 행위(제스처) 디자인을 제안함으로써 개발자와 사용자의 혼란을 줄일 수 있는 방안을 모색하였다. 먼저 문화자원 서사구조를 기반으로 기존 연구들을 고찰하고 문화콘텐츠로써 인터랙션 지점을 도출하였으며 사용자가 인터랙션 방식을 자연스럽게 추측하고 학습할 수 있는 손짓 기반 비접촉 행위 중 가장 효율성이 높은 탐색과정을 선별하였다. 나아가 비선형 내러티브 기반 인터랙션의 의미와 공간적 행위 요소 분석결과를 바탕으로 학습적 효과와 효율성이 높은 어포던스 행위를 도출하였다. 본 연구과정을 통해 사용자가 전시형 문화콘텐츠 탐색활동 과정에서 자연스럽게 비접촉 인터랙션을 이해하고, 전시콘텐츠에 몰입하는 과정에서 비접촉 인터랙션을 활용하는데 도움이 되는 행위를 최종적인 모델로 제안하였다.